By Myra Lee Adams Goff

In 1867 when cotton was “king”, Andrew Jackson Hunter bought a tract of land in eastern Comal County for the purpose of raising cotton. He lived nearby on York Creek. In 1880 when the IGN Railroad came through that area, the small settlement was called Hunter. As you drive out past Gruene, you’re on Hunter Road and one of the oldest businesses in Hunter is Riley’s Tavern.

There were about 60 people in the settlement of Hunter when its namesake lived there. Businesses sprang up. About 10 years after the railroad came through, Gustavus A. Schleyer opened a general store, post office and saloon. There was a blacksmith, a church, a barbershop, meat market and school. The population soon grew to 200.

Andrew Jackson Hunter died in 1883 and his acreage and holdings were divided among his children. In 1894 Hunter’s daughter and son-in-law, Edward M. House, organized the Hunter Cotton Gin Co. and went into business with Harry Landa of New Braunfels. Six mule wagon teams hauled cottonseed from the Hunter Gin to the Landa Cotton Oil Mill on Landa Street. Eventually Landa bought out House’s interest in the gin and the House connection to the community of Hunter was no more.

Let’s look more into the background of Edward Mandel House. His father, Thomas William House, was a wealthy landowner from Houston who also owned sugar plantations and was eventually mayor of Houston.

As a young man, Edward House went to boarding school and was always interested in politics. He entered Cornell University and stayed there until his father became ill. He went home to Houston to take care of him. When his father died, House married Louise Hunter of Hunter, Texas. The couple honeymooned in Europe and then returned to Houston to supervise the extensive landholdings of the family.

In 1885 the couple moved to Austin to be nearer the cotton plantations. In Austin, House entered the political scene and helped several governors achieve the governorship. He wintered in New York and gradually moved to the east permanently. He became involved in national politics by participating in the presidential campaigns of Woodrow Wilson and later Franklin Delano Roosevelt. Hunter died in 1938. (Source: Handbook of Texas Online, Charles E. Neu)

But let’s get back to the small town of Hunter. When another railroad, the MKT, built a line through the area in 1901, the populations was still about 200. When the cotton industry declined, businesses began closing. By 1947 both railroad depots closed. The little one-room school was consolidated with the NBISD and the final blow was the closing of the post office in 1953.

Riley’s Tavern was alternately a house and tavern. It was at one time Galloway Saloon, and then the home of the Bernardino Sanchez family. Along the way, the house and tavern was rented to the Riley family and then finally sold to James Curtis Riley in 1942.

A tavern or saloon is a “beer joint” and Prohibition dealt it a mighty blow. In 1933 when prohibition ended, 17 year old J.C. Riley drove to Austin with his uncle in a Model T to get a permit for a liquor license. They arrived early and waited on the steps of the capitol for the doors to open. They were the very first in Texas to get a permit to get a liquor license.

Some of you may remember that Hays County was a “dry” county and all up and down the county line between Hays and “wet” Comal County were saloons. Riley’s Tavern was active. Once Hays voted “wet” in 1977, business was not as active.

When Riley died in 1991, his wife sold the saloon to Rick and Donna Wilson. Eleven years ago Riley’s Tavern was purchased by long-time Hays County resident, Joel Hofmann. His clientele are sometimes third generation customers. The tavern is open seven days a week and boasts a band every night.

Hofmann is working towards an application for a Texas Historical Commission marker for Hunter and Riley’s Tavern. Cotton is gone, the cotton gin is no more, the school is gone, the depots are gone, but Riley’s Tavern lives on. York Creek trickles along through Hunter.

Seventeen year old J.C. Riley and his uncle waited on the capitol steps for the doors to open. 1933. Artist: Patricia S. Arnold.

By Myra Lee Adams Goff

The Sophienburg’s Civil War exhibit will open this coming Saturday, May 19th.  and that day has been designated as a “free museum day.” The exhibit will focus on Comal County’s part in the war and will be on display until spring 2013.

Here is a thumb-nail refresher course in Civil War history before you come:

The conflict between the industrial north and the agrarian south had been going on for years. Ferdinand Lindheimer, editor of the Neu Braunfelser Zeitung wrote editorials in the newspaper in favor of secession. He was an advocate of state’s rights to the end.  Even  Gov. Sam Houston didn’t have as much influence as Lindheimer in the county.

A state Secession Convention was held in Austin on Feb. 1, 1861. Representing Comal County were Dr. Theodore Koester and Walter F. Preston, native of Virginia, who had bought the Meriwether farm on the Guadalupe River near New Braunfels. The majority of the convention voted for secession.

A statewide election was to be held over the issue. Comal County Chief Justice Hermann Heffter called for an election to vote “for” or “against” secession on Feb. 23, 1861. Of the total voters (men only) 239 voted “for” and 89 voted “against”. Comal County was the only primarily German community to vote to secede.  Do you think the vote would have been different if women also had the right to vote? I don’t know.

On April 26, 1861, the Neu Braunfelser Zeitung published the Constitution of the Confederate States of America on its front page. In keeping with a resolution of the Feb.1

Convention in Austin, 10,000 copies were to be distributed across the state, 1/5 of which were in German and Spanish.

Ultimately, the secession bill was ratified and Texas once again became a free sovereign and independent state with its capital in Montgomery, Alabama.

Now that Texas was part of the Confederacy, military forces had to be obtained. The first Confederate legislative act called for volunteers to serve 12 months and state militia volunteers to serve six months. By Dec. 1861, the Texas legislature passed a law for men from 18 to 50 to sign up for frontier defense. In Comal County, by March 15, 1861, three militia companies had been organized.

The July 4th parade was “dignified”. The home-guard militia and the bugle corps marched in the main streets to the beat of a single drum. At the plaza a military review was staged.

Now back to the exhibit: The Iwonski art exhibit that I told you about in my last column is part of the over-all exhibit. Outside, the Sons of the Confederacy in uniform are setting up an encampment with tent, cannon and many other archives.

Now go inside the museum. There are vast amounts of Civil War era artifacts in the Sophienburg collection and they will be displayed throughout the museum.

The first display that will catch your eye is the cabin reproduction. The story from the Landa family goes like this: Joseph Landa was in exile in Mexico as a result of his being tried by an anti-abolitionist secret society for freeing his five slaves in 1863. His wife, Helene, stayed behind to run the store and other businesses. A gang of “ruffians” invaded the store and Helene held them off with a six-shooter.

Every segment of the museum will display something that involves the Civil War period. The medicines in the Doctor’s office, alcohol  in the saloon, guns, clothing, and the Ladies Aid Society’s role in the war effort.  By the wall painting of the Comal Springs is an exhibit of saltpeter production used in gunpowder. There are panels of old photos and a vast amount of information about participants in the war effort, from the leaders Hoffmann, Podewils, Bose, and Heidemeyer to everyday people.

Sophie’s Shop has the largest collection of Comal County books for sale in town. There are three Civil War books, two about Comal County and also a beautifully illustrated Smithsonian collection.

It was a confusing time. Excerpts from this folk song by Irving Gordon tell it all:

Two brothers on their way…
One wore blue and one wore gray…
Two girls waiting by the railroad track…
One wore blue and one wore black…

Volunteers Janis Bodemann and Ann Giambernardi examine the clothing of the Landa mannequins inside the museum. The Landa story is part of the Civil War Exhibit beginning May 19 at the Sophienburg.

Related Articles

• July 8, 2008 — Cannon fire signaled news of Civil War’s conclusion
• Jan. 20, 2009 — Courthouse holding up pretty well after 110 years
• April 14, 2009 — New book will detail county’s Civil War history
• Nov. 3, 2009 — Many Texans were “Treue der Union”
• May 17, 2011 — New Braunfels newspaper has changed with the times
• May 1, 2012 — Artist Iwonski part of Civil War exhibit

Books Available in Sophie’s Shop

• War Between the States - Participants from Comal County, Texas
• War Between the States - Comal County Texas in the Civil War As Reported in the Neu Braunfelser Zeitung 1859 to 1865
• The Civil War: A Visual History

By Myra Lee Adams Goff

On May 19th the Sophienburg Museum and Archives will present a Civil War Exhibit about what was happening here in Comal County during the war and the period of Restoration which followed it. One segment of the exhibit, sponsored jointly by the NB German American Society, will feature the art work of Carl Iwonski (1830-1912). Art work can tell us much about the times.

The first time that the Iwonski name appeared in historical literature was in 1847 when Leopold Iwonski, father of Carl, and a group of disgruntled citizens appeared outside the Sophienburg where Adelsverein’s second Commissioner General, John Meusebach, was residing. That night the Iwonskis, along with others they had recruited, demanded that Meusebach come outside and either honor their land contracts in the Llano region or give their money back. The crowd became agitated and insisted that Meusebach be hanged on the spot.

The von Iwonski family hails from the present Polish area of Silisia, originally a province until 1526, when it was overtaken by Austria. Then in 1742 it was overtaken by the Prussian state of Germany and finally returned to Poland in 1945 after WWII. When artist Carl Iwonski was born, it was part of Germany and his ancestral roots are Polish.

Political turmoil seemed to surround Leopold Iwonski. “He was described as an expelled Prussian” and he was no longer welcome in his native land. (Source: “John O. Meusebach”, Irene Marshall King)

Leopold Iwonski, his wife, and two children emigrated to New Braunfels with the Adelsverein in 1845. Carl was 15 at the time. The family moved across the Guadalupe into Hortontown, then in Guadalupe County. Iwonski became the land agent for owner Albert C. Horton, selling 50 acre tracts. He retained 41 acres of land for his farm. Young Carl Iwonski spent his early years clearing the land and helping his father construct the family home. In 1847 the home became a stagecoach inn and saloon, as it was on the Nacogdoches crossing of the Guadalupe. We learn from Carl’s painting what the interior of the tavern looked like.

Carl and his brother, Adolph, involved themselves with New Braunfels activities. They joined the Turnverein. His drawings of amateur theater in 1854 tell us what the stage and scenery looked like. Also his picture of Seele’s Saengerhalle is perhaps the only rendition we have of that building. The Iwonski exhibit features 25 original pencil or ink renditions of actors and actresses on stage at the Saengerhalle. Many of the characters on stage are recognizable, Hermann Seele being one of them.

Eventually, Iwonski and his parents moved to San Antonio where he taught drawing at the German-English school. He became a professional photographer with William DeRyee. DeRyee left San Antonio before the Civil War, but Iwonski kept the studio open.

Carl Iwonski was a Unionist. He was an admirer of fellow Unionist Sam Houston who refused to sign the oath of the Confederacy. In 1857 Ferdinand Lindheimer, editor of the Neu Braunfelser Zeitung, announced that a portrait of Sam Houston by Iwonski would be on display at the Saengerhalle theater.

At a time when many German Unionists of the Hill Country were being arrested or killed, somehow Iwonski managed to avoid conscription. Check out Sophienburg.com, Nov. 3, 2009.

Immediately after the war, the Unionists in San Antonio hoisted the American flag over the Alamo. Both Carl and his father were staunch Unionist Republicans. Carl drew a very controversial cartoon in the newspaper showing the Democrats’ exit from their public offices as a result of their affiliation with the Confederacy. With a Union victory, Iwonski became tax collector of San Antonio, however, when the Democrats swept office in the next election of 1872, Iwonski was out of office and he left for Germany. The next year he returned to SA and completed portraits of many prominent families. After the death of his father in 1872, Carl and his mother returned to Silisia.

Iwonski’s panoramic painting of New Braunfels tells us much about NB’s early days. The recently rediscovered10×10 ft. Prussian Council of War, 1870 oil on canvas will be featured. The rest of the Civil War exhibit, opening May 19th, will be just as interesting.

Carl Iwonski, (1830-1912 ) artist in New Braunfels and San Antonio. Sophienburg Archives