By Myra Lee Adams Goff

From Union St., turn onto Common and drive straight to the Guadalupe River. At the bridge and on the east side of the river, as far as you can see, look left and right. You are looking at Hortontown. Down river to the right of Hortontown was Neighborsville. These two areas are referred to by these names only historically. Beginning in 1846, when sickness was rampant on the coast and in New Braunfels, and emigrants were still arriving, Hortontown was settled to avoid going into the sickness- infested town. Neighborsville followed a few years later. Both areas were originally in Guadalupe County but were added to Comal County and also to the City of New Braunfels.

From the bridge, you will notice a gradual incline up to Loop 337. Turn right on the loop, and right before the railroad overpass, turn left on Church Hill Drive. Across the road from Conservation Plaza, a church was built in 1852. It was the St. Martin’s Evangelical Lutheran Church and next to it, in 1870, a school was built. The Church Hill School served the children of both Hortontown and Neighborsville.

Hortontown was named after Albert C. Horton who came to Texas from Alabama in 1835. He became an active supporter of the Texas Revolution. From 1836-38 he served as senator in the 1st and 2nd congress of the Republic of Texas. He became the first Lt. Gov. of the new state of Texas. Leopold Iwonski became the agent for Horton’s land grant.

The settlement of Neighborsville was laid out by Jacob de Cordoba who designated a lot for the establishment of the church and parochial school. In 1870 the church congregation decided to build a separate building for their school. And that school became the Church Hill School.

The Church Hill School was built of 18” thick hand- cut limestone blocks brought by wagon from a hill country quarry. The doors and floor are also original. The appointments are from other rural Comal County one-room schools.

Martha Rehler, Exec. Director of the Conservation Society, took me on a tour. There is nothing as empty as an empty classroom. Going into the abandoned school, that strange feeling returned. A classroom needs children.

There were wooden desks of all sizes with a hole in the top for an ink bottle. They still had those when I was in elementary school. Our fountain pens had a little bladder that had to be filled with ink. What a mess! In this old classroom the teacher sat in the back of the room by the door. I’m surprised she didn’t notice the initials carved in the older students’ desk, probably by a pocket knife which I’m told, was every boy’s toy. Slate boards were on each desk taking the place of paper. The large chalkboard (black, later green) had the lesson for the day in German script (Fraktur).

Other relics are a long table from the Ursaline Academy in San Antonio displaying photographs of groups of school children. Water was drawn out of a well or a cistern and put in a portable water fountain. There are two large bells. The smaller of the two at one time stood in front of the Guadalupe Hotel (Plaza) which was a stagecoach stop. The bell was used to welcome arrivals. The larger was a school bell to call students.

Rehler gave me a “Texas Public School’s Report Card from 1925 that parents had to fill out about their own child. It was for a 7th grade girl going into the 8th grade. I put myself in my mother’s shoes, evaluating her only chick on a scale of 1 to 100. Knowing that I was a “city girl” in New Braunfels, I would have failed miserably. I would have a “0” in canning, care of stock, care of poultry, cooking, gardening, general farm work, milking, providing fuel, sewing, and sweeping,. I would have done fairly well in dusting, washing dishes, obedience, neatness, reliability and special work. In my case, special work would have been socializing.

The St. Martin’s Church, originally adjoined to the old Church Hill School, was moved in 1968 next to the Hortontown Cemetery on Loop 337. The school remained and was eventually donated to the Conservation Society in 1975 to be used as a museum.

St. Martin's Lutheran Church with the Church Hill School as it originally stood on Church Hill Drive. (Source: Sophienburg Archives)

By Myra Lee Adams Goff

On May 19th the Sophienburg Museum and Archives will present a Civil War Exhibit about what was happening here in Comal County during the war and the period of Restoration which followed it. One segment of the exhibit, sponsored jointly by the NB German American Society, will feature the art work of Carl Iwonski (1830-1912). Art work can tell us much about the times.

The first time that the Iwonski name appeared in historical literature was in 1847 when Leopold Iwonski, father of Carl, and a group of disgruntled citizens appeared outside the Sophienburg where Adelsverein’s second Commissioner General, John Meusebach, was residing. That night the Iwonskis, along with others they had recruited, demanded that Meusebach come outside and either honor their land contracts in the Llano region or give their money back. The crowd became agitated and insisted that Meusebach be hanged on the spot.

The von Iwonski family hails from the present Polish area of Silisia, originally a province until 1526, when it was overtaken by Austria. Then in 1742 it was overtaken by the Prussian state of Germany and finally returned to Poland in 1945 after WWII. When artist Carl Iwonski was born, it was part of Germany and his ancestral roots are Polish.

Political turmoil seemed to surround Leopold Iwonski. “He was described as an expelled Prussian” and he was no longer welcome in his native land. (Source: “John O. Meusebach”, Irene Marshall King)

Leopold Iwonski, his wife, and two children emigrated to New Braunfels with the Adelsverein in 1845. Carl was 15 at the time. The family moved across the Guadalupe into Hortontown, then in Guadalupe County. Iwonski became the land agent for owner Albert C. Horton, selling 50 acre tracts. He retained 41 acres of land for his farm. Young Carl Iwonski spent his early years clearing the land and helping his father construct the family home. In 1847 the home became a stagecoach inn and saloon, as it was on the Nacogdoches crossing of the Guadalupe. We learn from Carl’s painting what the interior of the tavern looked like.

Carl and his brother, Adolph, involved themselves with New Braunfels activities. They joined the Turnverein. His drawings of amateur theater in 1854 tell us what the stage and scenery looked like. Also his picture of Seele’s Saengerhalle is perhaps the only rendition we have of that building. The Iwonski exhibit features 25 original pencil or ink renditions of actors and actresses on stage at the Saengerhalle. Many of the characters on stage are recognizable, Hermann Seele being one of them.

Eventually, Iwonski and his parents moved to San Antonio where he taught drawing at the German-English school. He became a professional photographer with William DeRyee. DeRyee left San Antonio before the Civil War, but Iwonski kept the studio open.

Carl Iwonski was a Unionist. He was an admirer of fellow Unionist Sam Houston who refused to sign the oath of the Confederacy. In 1857 Ferdinand Lindheimer, editor of the Neu Braunfelser Zeitung, announced that a portrait of Sam Houston by Iwonski would be on display at the Saengerhalle theater.

At a time when many German Unionists of the Hill Country were being arrested or killed, somehow Iwonski managed to avoid conscription. Check out Sophienburg.com, Nov. 3, 2009.

Immediately after the war, the Unionists in San Antonio hoisted the American flag over the Alamo. Both Carl and his father were staunch Unionist Republicans. Carl drew a very controversial cartoon in the newspaper showing the Democrats’ exit from their public offices as a result of their affiliation with the Confederacy. With a Union victory, Iwonski became tax collector of San Antonio, however, when the Democrats swept office in the next election of 1872, Iwonski was out of office and he left for Germany. The next year he returned to SA and completed portraits of many prominent families. After the death of his father in 1872, Carl and his mother returned to Silisia.

Iwonski’s panoramic painting of New Braunfels tells us much about NB’s early days. The recently rediscovered10×10 ft. Prussian Council of War, 1870 oil on canvas will be featured. The rest of the Civil War exhibit, opening May 19th, will be just as interesting.

Carl Iwonski, (1830-1912 ) artist in New Braunfels and San Antonio. Sophienburg Archives

By Myra Lee Adams Goff

Icons are very important. When we think of the iconic Dirndls and Lederhosen, what do we think of here in NB? Wurstfest, of course, and that will be Nov. 4-13.

Both items of clothing have been around in Europe for a long time, particularly Austria and the Bavarian part of Germany. Old- time German native dress, known as Tracht, was made of natural materials such as wool or linen and any embroidery or lace embellishments were handmade. There were traditional forms of clothing given to different regions, and now found mostly in museums.

The Dirndl which actually means “girl” started out in antiquity as clothing worn by female servants. This folk style dress was not worn by others until the mid-1800s. The dress became a sign of national pride of Germany, hence the icon. Certain colors, hat styles and embroideries on aprons also denoted different regions.

The Lederhosen (leather pants) for workmen came from the Alpine regions of Austria and Bavaria. They were worn by riders and hunters. These rugged Hosen were either short or long and made of goat or sheepskin. Prince Carl was a hunter, but somehow I can’t picture him in the sheepskin Lederhosen.

In 1870 Emperor Franz Joseph helped the folk dress along by making it popular among the aristocracy, but of course, made of silk. The material for Lederhosen changed from sheepskin to soft deerskin. Like the Dirndl, there was embroidery on the pants and suspenders, denoting different regions.

All kinds of Dirndls and Lederhosen can be seen at the Munich Oktoberfest and if you want to see a large gathering here in NB, go to Wurstfest. Of course, you will also see traditional blue jeans, incidentally invented by a Bavarian, Levi Strauss, when he emigrated to San Francisco during the Gold Rush.

Another icon of Wurstfest is the beer stein. Read my column of Oct. 20, 2009 found on the sophienburg.com website. A beer stein and mug has been produced every year since 1969.

An interesting side story to Wurstfest icons: Local collector of Wurstfest memorabilia, Dexter Gillespie, has a vast collection of items. He has playing cards with the Wurstfest logo and 300 beer mugs. He has all but the first mugs made from 1971-74. He also has a 1998 mug, the year of the flood, which has become rare because of its significance and availability. Gillespie has an original beer bucket- a paint can with handle- when beer was sold in that container at the beginning. My favorite of his collection is a 12 inch figurine of the late J.C. Reagan made in 1989, complete with Lederhosen, stein, accordion, sausage and pins on the hat. The cartoonish character was created by artist Douglas Lee Harris. Another of these figurines was made the following year of Ed. Grist, but Gillespie does not have one. Both men were good ambassadors for Wurstfest.

Let’s not forget the food items, the most prominent being sausage, potato soup, potato pancakes, pretzels, and all those delicious sweets like strudel and German cookies. Beer is the most sold drink on the grounds. Of course there are other “not so German” food items for sale.

To celebrate 50 years of Wurstfest, two Opas, Alton Rahe and Darvin Dietert, were commissioned to write the history of the organization. Both are 5th generation New Braunfelsers. Rahe wrote the history and Dietert collected the photos of which there are 160. The hardcover book of 140 pages chronicles the history of the organization from its beginning to its present site in Landa Park. Rahe speaks of the unpleasant year that prompted the organization to make improvements. Wurstfest is called the “Giant Fundraiser of the Community” and he tells of the many organizations that benefit from selling food and other items. Wurstfest contributes most of its profit to worthy groups in New Braunfels. The book will be for sale at various booths.

When you’re at Wurstfest, polka over to the Sophienburg booth where there are lots of German items for sale plus our Sophienburg New Braunfels Christmas ornaments.

Left to right: Ed and Betty Grist clowning around; Herb Skoog Family — Cara, Claudia, Herb and Kathy — dressed for Wurstfest.

By Myra Lee Goff

What is under about 100 feet of water in Canyon Lake? Or better still, what would still be there if the lake had not been constructed?

I started looking and found out: ranch land, farm land, trees, cemeteries, Guadalupe River and the site of two very small communities, Hancock and Cranes Mill.

Plans for the improvement of the Guadalupe River Water Shed by building a dam go as far back as 1929. A survey was made in 1935 and was authorized 10 years later. Four sites were considered, with the one chosen 21 miles from New Braunfels. Construction began in 1960, and by 1964 when the gates were finally closed, the lake began to fill.

With a shoreline of 80 miles, reservoir storage was estimated at 740,900 acre feet. Total cost of the project was around $20.2 million, with about $3 million more than projected due to road work and north and south access roads (source: Alton Rahe’s “History of Sattler and Mountain Valley School”).

Some 500,000 cubic yards of material were hauled to the dam site out of a rock quarry owned by Roland and Gladys Erben. In a Reflections tape made for the Sophienburg, they said holes were drilled with air hammers. The holes were filled with ammonium nitrate and set off with a dynamite charge, causing 5,000 pounds of rock blasting each time.

Now under water, the small settlement of Hancock would be there. It was named after the land’s original owner, John Hancock, who in 1851 was granted the land on the north bank of the Guadalupe River.

Eventually, Frank Guenther acquired the land and established a store and opened a Post Office in 1916. This Post Office was closed in 1934 and, according to Oscar Haas, the population of Hancock in 1940 was 10.

Frank Guenther was one of the children of Christian Guenther, one of the orphans raised by the Ervendbergs at the Weisenhaus (orphanage). Christian Guenther came from Germany with his parents and his three siblings in 1845. His mother and two siblings died aboard ship and his father died in Texas in 1847, leaving 8-year-old Christian as an orphan. As an adult, Christian settled in Sattler, raised a family of six children, one of which was Frank Guenther (source: Brenda Anderson Lindeman’s “Spring Branch”).

The other community under Canyon Lake would be Cranes Mill. James Crain established a cypress shingle mill in the 1850s along the Guadalupe. Notice the spelling which changed from “Crain” to “Crane” after the Civil War.

My neighbor Olive Marcelle Hofheinz, is the g-granddaughter of a very well-known man in the Cranes Mill area, the Rev. August Engel. Engel arrived in Texas in 1846 and came to New Braunfels where he married his wife and then moved to the area known as Luckenbach.

They began that General Merchandising Store that we know. It was his home and they named Luckenbach after their son-in-law.

The Engels moved to Cranes Mill in 1870, there opening a store and establishing a Post Office he ran for 31 years. But Engel had another calling: He was a circuit-riding preacher in the river valley, Rebecca Creek, Cranes Mill, Twin Sisters and sometimes in New Braunfels. His wife was a midwife. The two of them performed many services for all the people in the area.

In 1890 August Engel’s son, August W. Engel, took over the store and the Post Office and remained there until 1935. Marcelle Hofheinz remembers Cranes Mill Post Office.

The Post Office was in the center of the store and it was enclosed in fine mesh wire, protecting cornmeal and flour from mice.

When Canyon Dam was being constructed over a six-year period, my husband Glyn drove our family of three children to the North Park overlook and took slides at least three times a month. After that, we would go to the Roland Erben ranch to look for rocks. Rock hunting became a lifelong hobby for all of us.

As for Glyn’s slides, you can view them detailing the construction of Canyon Dam by visiting http://www.co.comal.tx. us/CCHC.htm.

What's under Canyon Lake? The remains of the Hancock store disappeared below the waters of Canyon Lake.