Tuesday, May 1st, 2012
By Myra Lee Adams Goff
On May 19th the Sophienburg Museum and Archives will present a Civil War Exhibit about what was happening here in Comal County during the war and the period of Restoration which followed it. One segment of the exhibit, sponsored jointly by the NB German American Society, will feature the art work of Carl Iwonski (1830-1912). Art work can tell us much about the times.
The first time that the Iwonski name appeared in historical literature was in 1847 when Leopold Iwonski, father of Carl, and a group of disgruntled citizens appeared outside the Sophienburg where Adelsverein’s second Commissioner General, John Meusebach, was residing. That night the Iwonskis, along with others they had recruited, demanded that Meusebach come outside and either honor their land contracts in the Llano region or give their money back. The crowd became agitated and insisted that Meusebach be hanged on the spot.
The von Iwonski family hails from the present Polish area of Silisia, originally a province until 1526, when it was overtaken by Austria. Then in 1742 it was overtaken by the Prussian state of Germany and finally returned to Poland in 1945 after WWII. When artist Carl Iwonski was born, it was part of Germany and his ancestral roots are Polish.
Political turmoil seemed to surround Leopold Iwonski. “He was described as an expelled Prussian” and he was no longer welcome in his native land. (Source: “John O. Meusebach”, Irene Marshall King)
Leopold Iwonski, his wife, and two children emigrated to New Braunfels with the Adelsverein in 1845. Carl was 15 at the time. The family moved across the Guadalupe into Hortontown, then in Guadalupe County. Iwonski became the land agent for owner Albert C. Horton, selling 50 acre tracts. He retained 41 acres of land for his farm. Young Carl Iwonski spent his early years clearing the land and helping his father construct the family home. In 1847 the home became a stagecoach inn and saloon, as it was on the Nacogdoches crossing of the Guadalupe. We learn from Carl’s painting what the interior of the tavern looked like.
Carl and his brother, Adolph, involved themselves with New Braunfels activities. They joined the Turnverein. His drawings of amateur theater in 1854 tell us what the stage and scenery looked like. Also his picture of Seele’s Saengerhalle is perhaps the only rendition we have of that building. The Iwonski exhibit features 25 original pencil or ink renditions of actors and actresses on stage at the Saengerhalle. Many of the characters on stage are recognizable, Hermann Seele being one of them.
Eventually, Iwonski and his parents moved to San Antonio where he taught drawing at the German-English school. He became a professional photographer with William DeRyee. DeRyee left San Antonio before the Civil War, but Iwonski kept the studio open.
Carl Iwonski was a Unionist. He was an admirer of fellow Unionist Sam Houston who refused to sign the oath of the Confederacy. In 1857 Ferdinand Lindheimer, editor of the Neu Braunfelser Zeitung, announced that a portrait of Sam Houston by Iwonski would be on display at the Saengerhalle theater.
At a time when many German Unionists of the Hill Country were being arrested or killed, somehow Iwonski managed to avoid conscription. Check out Sophienburg.com, Nov. 3, 2009.
Immediately after the war, the Unionists in San Antonio hoisted the American flag over the Alamo. Both Carl and his father were staunch Unionist Republicans. Carl drew a very controversial cartoon in the newspaper showing the Democrats’ exit from their public offices as a result of their affiliation with the Confederacy. With a Union victory, Iwonski became tax collector of San Antonio, however, when the Democrats swept office in the next election of 1872, Iwonski was out of office and he left for Germany. The next year he returned to SA and completed portraits of many prominent families. After the death of his father in 1872, Carl and his mother returned to Silisia.
Iwonski’s panoramic painting of New Braunfels tells us much about NB’s early days. The recently rediscovered10×10 ft. Prussian Council of War, 1870 oil on canvas will be featured. The rest of the Civil War exhibit, opening May 19th, will be just as interesting.

Carl Iwonski, (1830-1912 ) artist in New Braunfels and San Antonio. Sophienburg Archives
Tags: 1526, 1742, 1845, 1847, 1854, 1857, 1870, 1872, Adelsverein, Adelsverein Commissioner General, Adolph Iwonski, Alamo, Albert C. Horton, amateur theater, and finally returned to Poland in 1945 after WWII. When artist Carl Iwonski was born, artist, Austria, Carl Iwonski, cartoon, Civil War, Comal County, Confederacy, conscription, Democrats, drawings, Ferdinand Lindheimer, German-English school, Germany, Guadalupe County, Guadalupe River, Hermann Seele, Hortontown, ink, it New Braunfels, John Meusebach, land agent, land contracts, Leopold Iwonski, Llano region, Nacogdoches crossing, Neu Braunfelser Zeitung, New Braunfels German American Society, newspaper, oil on canvas, panoramic painting, pencil, photographer, Poland, portraits, Prussia, Prussian Council of War, Reconstruction, Republicans, saloon, Sam Houston, San Antonio, Seele's Saengerhalle, Silisia, Sophienburg, stagecoach inn, studio, tavern, tax collector, Turnverein, Unionist, William DeRyee
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Tuesday, October 4th, 2011
By Myra Lee Adams Goff
When I was in the ninth grade, I had a group of friends who were Mariner Girl Scouts. New Braunfels rivers were the perfect spot for this scouting program.
We had a friend who lived on the Guadalupe River and had a rowboat. We would take turns rowing the boat. Our rowing skills were improved when we realized that there were snakes hanging from the trees on the opposite bank. You can row fast if you are underneath these branches.
Invariably, our male friends who were Sea Scout Boy Scouts would show up, jump in the river, swim to the boat and turn it over, dumping us into the Guadalupe. This activity was repeated over and over. Once, floating in tubes, we were chased by an alligator gar. We were told that they were harmless, but we remembered stories of the olden days when there were real alligators in the rivers, particularly the Comal River.
Nearby was the spot where the Comal merges with the Guadalupe and continues on its journey to the Gulf of Mexico. We were well acquainted with the confluence of the two rivers. Before Canyon Dam was built, the Guadalupe was milky green and almost warm; the Comal was crystal clear and cold. You could definitely tell when you left the Guadalupe and entered the Comal.
Those memories came back when I started doing research on the ferry boat that once transported emigrants across the river at this very spot.
The first settlers in 1845 did not have a ferry when they crossed the Guadalupe at Nacogdoches Road, but soon the first ferry appeared. The German Emigration Co. granted three acres to Adolf von Wedemeyer to build and operate a ferry near the junction of the Guadalupe and Comal.
In 1847, this land and business was sold to Justus Kellner, who died soon thereafter. His widow married Carl Bardenwerper, and they took over the ferry until 1866, when they sold the property to Florenz Kreuz.
Dr. Ferdinand Roemer describes arriving at the site of the ferry in 1846 in the evening. A horn hanging from a tree signaled the ferry operator on the other side of the river to come pick him up. After waiting for quite a long time, someone finally called that the river was too flooded to cross and to wait until the next morning. Roemer camped outside in a rainy norther, and the next morning two young men arrived and guided the ferry across.
The junction of the two rivers has other interesting history.
In the 1700s, the Spaniards who owned Texas made treks through what was to become the state of Texas, using the El Camino Real trail. Martin de Alarcon, governor of the province of Texas in 1718, crossed the Rio Grande and headed towards what would become San Antonio. There he established the Villa de Bexar (SA) and founded the Mission San Antonio de Valero (Alamo).
The diary of Martin de Alarcon was translated by Dr. Fritz Leo Hoffmann, who was in my mother’s graduating class of New Braunfels High School in 1924. In 1935, Hoffmann was professor of languages at the University of Colorado. He said Alarcon fixed the royal standard (flag) of the King of Spain at the junction of the Guadalupe and Comal rivers and took possession of them. He and his men camped in this area.
Oscar Haas discovered a story dating back to the early 1860s stating that a large elephantine beast was discovered in the area of the junction buried way beneath the surface. An emigrant was prospecting for a well and came across a shoulder bone of a beast. He estimated it to be about 30 feet long and 20 feet high. Stories of remains of at least three Mastodons were found on the banks of the Comal River.
In 1968, Mrs. James Haile, owner of the junction property at that time, received a Texas Historical Marker as a historical site, certainly an important designation.

Archivist Keva Boardman examines a fragment of a Mastodon tooth in the Sophienburg collection discovered on the banks of the Comal.
Tags: 1700s, 1718, 1845, 1846, 1847, 1860s, 1866, 1924, 1935, 1968, Adolf von Wedemeyer, Alamo, alligators, Canyon Dam, Carl Bardenwerper, Comal River, Dr. Ferdinand Roemer, Dr. Fritz Leo Hoffmann, El Camino Real, ferry boat, Florenz Kreuz, German Emigration Co., Guadalupe River, Gulf of Mexico, Justus Kellner, King of Spain, Mariner Girl Scouts, Martin de Alarcon, mastodons, Mission San Antonio de Valero, Mrs. James Haile, Nacogdoches Road, New Braunfels High School, Oscar Haas, Rio Grande, San Antonio, Sea Scout Boy Scouts, Spaniards, Texas Historical Marker, University of Colorado, Villa de Bexar
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