By Myra Lee Adams Goff

Before we say goodbye to the Civil War, let’s look at what the period immediately after the war known as Reconstruction, brought to Comal County. When the war was over in 1865, many did not return home, putting a terrible hardship on the families. Many survivors sustained lifelong injuries. For all, life was different than it had been before the war.

Comal County had been divided on the question of secession from the Union and although the vote was overwhelmingly for joining the Confederacy, it wasn’t without conflict. Shortages of necessities of life made life difficult. Confederate money, issued during the war, was now worthless.

Jacob Lindheimer, editor of the Zeitung, kept the paper going during and after the war even though the lack of paper forced him to use wallpaper and tissue paper. When citizens who didn’t agree with his opinions dumped his printing press into the Comal, he just fished it out and kept on printing. Then there was the matter of newspaper subscribers wanting to pay their subscriptions in Confederate money. Once Lindheimer and his sons, who were unable to buy food with this money, went out and slaughtered a beef and then advertised that he would be glad to pay the owner of the animal in Confederate money. The beef owner refused to take this money for the beef. “What’s good for the goose is good for the gander”, so they say.

Comal County issued its own money but it wasn’t honored either. The merchants came up with their own medium of exchange. It was called “due bills”, sort of like “charging”. Some larger companies like Runge & Sons of Indianola issued their own due bills.

All the industry that had developed in Comal County before the war was destroyed, not from combat, but from lack of raw materials. Some entrepreneurial types began driving cattle or hauling freight from the coast. NB was a feeder station for trail drives on the Chisholm Trail from San Antonio to Kansas. Ranching was quickly replacing the cotton industry. Industries like Landa Flour Mills prospered. Skilled German artisans like saddlemakers, blacksmiths and wheelwrights were in demand.

The New Braunfels Woolen Manufacturing Co. was organized in 1867 in a building formerly used for a brandy distillery located at Garden and Comal streets. It was converted into a woolen mill and later furnished yards of gray woolen cloth to A&M College for uniforms. The building became a steam laundry after the turn of the century and was razed in 1952. The present St. John’s Episcopal Church built in 1967 contains a wooden cross made from timbers of the old mill.

A new type of business association began with the formation of mutual insurance associations and cooperative gins. Neighbor had to help neighbor as they had done in the early days. Individuals owned the associations. If the breadwinner died during the war, the organization promised to pay a benefit to the survivors. Germania Farmers Association at Anhalt was one of those mutual companies organized for protection, and to promote agriculture. (See Sophienburg.com, Around the Archives, May 13, 2008.) Ranchers and farmers pooled their money and built their own gins. Most were non-profit but shared the proceeds according to the use they made of the facilities.

The insurance business in the United States was the brainchild of Benjamin Franklin. He came up with the idea in 1752 in Philadelphia to cover houses lost by fire. Houses were mostly made of wood and were very close together. Seven years later Franklin organized the first life insurance company. Religious authorities were outraged at putting a monetary value on human life but assented when they realized that it also protected widows and orphans. The whole insurance business expanded as the need evolved.

The Sons of Hermann was another mutual insurance company. In 1840 a handful of German men in New York City formed a brotherhood whose mission was to provide aid to each other, the sick, widows and orphans. The brotherhood was founded to combat the prejudice of the “Know-Nothing-Party”, an organization promoting prejudice against foreigners in the US. The European immigrants, particularly Germans, were recipients of prejudice. The Germans formed the Sons of Hermann insurance company in response to this prejudice. Hermann was a German folk hero who was a symbol of manhood.

Reconstruction was over with the entrance of the railroads in the 1880s. By the turn of the century, the Landa family had opened up picnic grounds at Landa Park. A new industry had begun based on the cultural assets of the community. Tourism was here to stay.

One of the oldest photos of Landa Park in 1912 after Harry Landa opened his park to the public.

By Myra Lee Adams Goff

On May 19th the Sophienburg Museum and Archives will present a Civil War Exhibit about what was happening here in Comal County during the war and the period of Restoration which followed it. One segment of the exhibit, sponsored jointly by the NB German American Society, will feature the art work of Carl Iwonski (1830-1912). Art work can tell us much about the times.

The first time that the Iwonski name appeared in historical literature was in 1847 when Leopold Iwonski, father of Carl, and a group of disgruntled citizens appeared outside the Sophienburg where Adelsverein’s second Commissioner General, John Meusebach, was residing. That night the Iwonskis, along with others they had recruited, demanded that Meusebach come outside and either honor their land contracts in the Llano region or give their money back. The crowd became agitated and insisted that Meusebach be hanged on the spot.

The von Iwonski family hails from the present Polish area of Silisia, originally a province until 1526, when it was overtaken by Austria. Then in 1742 it was overtaken by the Prussian state of Germany and finally returned to Poland in 1945 after WWII. When artist Carl Iwonski was born, it was part of Germany and his ancestral roots are Polish.

Political turmoil seemed to surround Leopold Iwonski. “He was described as an expelled Prussian” and he was no longer welcome in his native land. (Source: “John O. Meusebach”, Irene Marshall King)

Leopold Iwonski, his wife, and two children emigrated to New Braunfels with the Adelsverein in 1845. Carl was 15 at the time. The family moved across the Guadalupe into Hortontown, then in Guadalupe County. Iwonski became the land agent for owner Albert C. Horton, selling 50 acre tracts. He retained 41 acres of land for his farm. Young Carl Iwonski spent his early years clearing the land and helping his father construct the family home. In 1847 the home became a stagecoach inn and saloon, as it was on the Nacogdoches crossing of the Guadalupe. We learn from Carl’s painting what the interior of the tavern looked like.

Carl and his brother, Adolph, involved themselves with New Braunfels activities. They joined the Turnverein. His drawings of amateur theater in 1854 tell us what the stage and scenery looked like. Also his picture of Seele’s Saengerhalle is perhaps the only rendition we have of that building. The Iwonski exhibit features 25 original pencil or ink renditions of actors and actresses on stage at the Saengerhalle. Many of the characters on stage are recognizable, Hermann Seele being one of them.

Eventually, Iwonski and his parents moved to San Antonio where he taught drawing at the German-English school. He became a professional photographer with William DeRyee. DeRyee left San Antonio before the Civil War, but Iwonski kept the studio open.

Carl Iwonski was a Unionist. He was an admirer of fellow Unionist Sam Houston who refused to sign the oath of the Confederacy. In 1857 Ferdinand Lindheimer, editor of the Neu Braunfelser Zeitung, announced that a portrait of Sam Houston by Iwonski would be on display at the Saengerhalle theater.

At a time when many German Unionists of the Hill Country were being arrested or killed, somehow Iwonski managed to avoid conscription. Check out Sophienburg.com, Nov. 3, 2009.

Immediately after the war, the Unionists in San Antonio hoisted the American flag over the Alamo. Both Carl and his father were staunch Unionist Republicans. Carl drew a very controversial cartoon in the newspaper showing the Democrats’ exit from their public offices as a result of their affiliation with the Confederacy. With a Union victory, Iwonski became tax collector of San Antonio, however, when the Democrats swept office in the next election of 1872, Iwonski was out of office and he left for Germany. The next year he returned to SA and completed portraits of many prominent families. After the death of his father in 1872, Carl and his mother returned to Silisia.

Iwonski’s panoramic painting of New Braunfels tells us much about NB’s early days. The recently rediscovered10×10 ft. Prussian Council of War, 1870 oil on canvas will be featured. The rest of the Civil War exhibit, opening May 19th, will be just as interesting.

Carl Iwonski, (1830-1912 ) artist in New Braunfels and San Antonio. Sophienburg Archives