By Myra Lee Adams Goff

Research for this year’s July 4th article led me on an unexpected journey into the past. My aim was to inform you, the reader, of the history of a certain piece of property at the Main Plaza, observable when you watch the Sophienburg’s annual parade and Independence celebration. That property is the present UPS store that looks amazingly like a filling station. That’s because it was. Before that, it was a mercantile store, a tavern, a residence,   and a fruit stand.

Here’s the history of that piece of property: In 1847 a small wooden building was leased to John Torrey in the exact location of that UPS building. The provision was that he would not open a saloon or a boarding house, and it became a mercantile store. John Torrey, along with his brothers owned a trading post near Houston on the Brazos River and he was the one that provided the provisions for the emigrants to New Braunfels from the coast. Guns and swords were sold to Prince Carl for his Mounted Company. Consequently, John Torrey accompanied the settlers to New Braunfels. He stayed here, engaged in many merchandise and industrial businesses and after industries on the Comal were destroyed by flood and once by fire, he left the town forever.

Now here’s where I got off the track. Seeking information about the Torrey Brothers’ Trading Co.  near Houston, I ran across Dr. Ferdinand Roemer’s story in 1846 about his trip to the trading co. He describes the topography of that particular area of Texas as much like the region between Austin and New Braunfels. Instead of dense forests, there were prairies covered with mesquite trees and occasional oak groves. One evening, he and his companion observed a prairie fire which they thought the Indians had started in order to drive the game in a certain direction for hunting and to burn off dry grass.

The next morning the trading post appeared before them with seven rough unhewn log houses. The largest house contained pelts received in trade from the Indians, most of which were buffalo robes, buffalo rugs, and deer hides. Some of the buffalo hides were painted artistically, which determined their value. Some were sold in Houston and most shipped to the Northern States and Canada. Indians also brought in skins of raccoon, cougar, beaver, antelope, bobcats and gray wolves.

Mules were another article of trade by Comanches which they captured on their annual raids to the northern provinces of Mexico. These mules were tamed and sold as pack animals.
In another house were the goods that the Indians received in trade, mainly woolen blankets, woolen cloth colored scarlet and blue and used to make breech cloths. There was also printed calico for shirts and thick copper wiring used in making ornaments for arms, legs, and knives. Then there were glass beads, powder, lead, and tobacco.

The rest of the houses were dwelling places for those who worked at the post. There was even a gunsmith appointed by the government who repaired guns for the Indians.
The trading post was also where captives (particularly children) were brought by the Indians for sale. Roemer observed three boys for sale. Delicacies such as dried buffalo meat, and smoked buffalo tongue were for sale as well.

Now fast forward to our Main Plaza. Following Torrey’s store, around 1898, the small building became Ferdinand Simon’s Tavern and then Mrs. Yettie Wiedermann’s Plaza Fruit Store. Then in 1925 A.C. Moeller built a two-story brick building for the Wiedermanns right next to the fruit stand (now Comal Flower Shop). The Wiedermanns moved their business to the bottom floor of their new building and lived upstairs.

By 1932 the wooden building had been torn down and Al Leissner assumed the Texaco dealership that same year. Leissner ran the Texaco station until 1945 when he sold it to Al Schnabel.
NB is fortunate to have such an obvious center of town like Main Plaza, one that is recognizable and incidentally hard to navigate. That indeed makes it memorable. Remember, July 4th celebration  at the Plaza at 9:15 a.m.

This enhanced postcard of the early plaza shows Torrey's small wooden structure in the center of the card. Across the street is the former Eiband and Fischer store.

By Myra Lee Adams Goff

In 1867 when cotton was “king”, Andrew Jackson Hunter bought a tract of land in eastern Comal County for the purpose of raising cotton. He lived nearby on York Creek. In 1880 when the IGN Railroad came through that area, the small settlement was called Hunter. As you drive out past Gruene, you’re on Hunter Road and one of the oldest businesses in Hunter is Riley’s Tavern.

There were about 60 people in the settlement of Hunter when its namesake lived there. Businesses sprang up. About 10 years after the railroad came through, Gustavus A. Schleyer opened a general store, post office and saloon. There was a blacksmith, a church, a barbershop, meat market and school. The population soon grew to 200.

Andrew Jackson Hunter died in 1883 and his acreage and holdings were divided among his children. In 1894 Hunter’s daughter and son-in-law, Edward M. House, organized the Hunter Cotton Gin Co. and went into business with Harry Landa of New Braunfels. Six mule wagon teams hauled cottonseed from the Hunter Gin to the Landa Cotton Oil Mill on Landa Street. Eventually Landa bought out House’s interest in the gin and the House connection to the community of Hunter was no more.

Let’s look more into the background of Edward Mandel House. His father, Thomas William House, was a wealthy landowner from Houston who also owned sugar plantations and was eventually mayor of Houston.

As a young man, Edward House went to boarding school and was always interested in politics. He entered Cornell University and stayed there until his father became ill. He went home to Houston to take care of him. When his father died, House married Louise Hunter of Hunter, Texas. The couple honeymooned in Europe and then returned to Houston to supervise the extensive landholdings of the family.

In 1885 the couple moved to Austin to be nearer the cotton plantations. In Austin, House entered the political scene and helped several governors achieve the governorship. He wintered in New York and gradually moved to the east permanently. He became involved in national politics by participating in the presidential campaigns of Woodrow Wilson and later Franklin Delano Roosevelt. Hunter died in 1938. (Source: Handbook of Texas Online, Charles E. Neu)

But let’s get back to the small town of Hunter. When another railroad, the MKT, built a line through the area in 1901, the populations was still about 200. When the cotton industry declined, businesses began closing. By 1947 both railroad depots closed. The little one-room school was consolidated with the NBISD and the final blow was the closing of the post office in 1953.

Riley’s Tavern was alternately a house and tavern. It was at one time Galloway Saloon, and then the home of the Bernardino Sanchez family. Along the way, the house and tavern was rented to the Riley family and then finally sold to James Curtis Riley in 1942.

A tavern or saloon is a “beer joint” and Prohibition dealt it a mighty blow. In 1933 when prohibition ended, 17 year old J.C. Riley drove to Austin with his uncle in a Model T to get a permit for a liquor license. They arrived early and waited on the steps of the capitol for the doors to open. They were the very first in Texas to get a permit to get a liquor license.

Some of you may remember that Hays County was a “dry” county and all up and down the county line between Hays and “wet” Comal County were saloons. Riley’s Tavern was active. Once Hays voted “wet” in 1977, business was not as active.

When Riley died in 1991, his wife sold the saloon to Rick and Donna Wilson. Eleven years ago Riley’s Tavern was purchased by long-time Hays County resident, Joel Hofmann. His clientele are sometimes third generation customers. The tavern is open seven days a week and boasts a band every night.

Hofmann is working towards an application for a Texas Historical Commission marker for Hunter and Riley’s Tavern. Cotton is gone, the cotton gin is no more, the school is gone, the depots are gone, but Riley’s Tavern lives on. York Creek trickles along through Hunter.

Seventeen year old J.C. Riley and his uncle waited on the capitol steps for the doors to open. 1933. Artist: Patricia S. Arnold.

By Myra Lee Adams Goff

On May 19th the Sophienburg Museum and Archives will present a Civil War Exhibit about what was happening here in Comal County during the war and the period of Restoration which followed it. One segment of the exhibit, sponsored jointly by the NB German American Society, will feature the art work of Carl Iwonski (1830-1912). Art work can tell us much about the times.

The first time that the Iwonski name appeared in historical literature was in 1847 when Leopold Iwonski, father of Carl, and a group of disgruntled citizens appeared outside the Sophienburg where Adelsverein’s second Commissioner General, John Meusebach, was residing. That night the Iwonskis, along with others they had recruited, demanded that Meusebach come outside and either honor their land contracts in the Llano region or give their money back. The crowd became agitated and insisted that Meusebach be hanged on the spot.

The von Iwonski family hails from the present Polish area of Silisia, originally a province until 1526, when it was overtaken by Austria. Then in 1742 it was overtaken by the Prussian state of Germany and finally returned to Poland in 1945 after WWII. When artist Carl Iwonski was born, it was part of Germany and his ancestral roots are Polish.

Political turmoil seemed to surround Leopold Iwonski. “He was described as an expelled Prussian” and he was no longer welcome in his native land. (Source: “John O. Meusebach”, Irene Marshall King)

Leopold Iwonski, his wife, and two children emigrated to New Braunfels with the Adelsverein in 1845. Carl was 15 at the time. The family moved across the Guadalupe into Hortontown, then in Guadalupe County. Iwonski became the land agent for owner Albert C. Horton, selling 50 acre tracts. He retained 41 acres of land for his farm. Young Carl Iwonski spent his early years clearing the land and helping his father construct the family home. In 1847 the home became a stagecoach inn and saloon, as it was on the Nacogdoches crossing of the Guadalupe. We learn from Carl’s painting what the interior of the tavern looked like.

Carl and his brother, Adolph, involved themselves with New Braunfels activities. They joined the Turnverein. His drawings of amateur theater in 1854 tell us what the stage and scenery looked like. Also his picture of Seele’s Saengerhalle is perhaps the only rendition we have of that building. The Iwonski exhibit features 25 original pencil or ink renditions of actors and actresses on stage at the Saengerhalle. Many of the characters on stage are recognizable, Hermann Seele being one of them.

Eventually, Iwonski and his parents moved to San Antonio where he taught drawing at the German-English school. He became a professional photographer with William DeRyee. DeRyee left San Antonio before the Civil War, but Iwonski kept the studio open.

Carl Iwonski was a Unionist. He was an admirer of fellow Unionist Sam Houston who refused to sign the oath of the Confederacy. In 1857 Ferdinand Lindheimer, editor of the Neu Braunfelser Zeitung, announced that a portrait of Sam Houston by Iwonski would be on display at the Saengerhalle theater.

At a time when many German Unionists of the Hill Country were being arrested or killed, somehow Iwonski managed to avoid conscription. Check out Sophienburg.com, Nov. 3, 2009.

Immediately after the war, the Unionists in San Antonio hoisted the American flag over the Alamo. Both Carl and his father were staunch Unionist Republicans. Carl drew a very controversial cartoon in the newspaper showing the Democrats’ exit from their public offices as a result of their affiliation with the Confederacy. With a Union victory, Iwonski became tax collector of San Antonio, however, when the Democrats swept office in the next election of 1872, Iwonski was out of office and he left for Germany. The next year he returned to SA and completed portraits of many prominent families. After the death of his father in 1872, Carl and his mother returned to Silisia.

Iwonski’s panoramic painting of New Braunfels tells us much about NB’s early days. The recently rediscovered10×10 ft. Prussian Council of War, 1870 oil on canvas will be featured. The rest of the Civil War exhibit, opening May 19th, will be just as interesting.

Carl Iwonski, (1830-1912 ) artist in New Braunfels and San Antonio. Sophienburg Archives