By Keva Hoffmann Boardman —

Created by Augustus Koch in 1881, the “Birds Eye View of New Braunfels” is so much more than just an etching of early New Braunfels. An aerial view of the city lying nestled between the rise of the Balcones Escarpment and the black dirt farmlands, it is almost photographic in its detailed rendering of buildings and streets. It is also a phenomenal piece of late 19th Century city marketing.

Augustus Koch was one of a handful of skilled artists/draftsmen who walked the American landscape after the Civil War. These men drew at least 1,800 town and city maps by the 1920s. Augustus, born in 1834 in Birnbaum, Prussia, was well-educated when he arrived in America. He enlisted in the Wisconsin Infantry in 1861, was commissioned in 1863, and became an engineering officer to an African-American regiment. While in the army, he produced maps of Vicksburg and other places which were used for battle planning.

By 1868, Augustus had begun his career as a panoramic map maker. Koch had been mentored by Albert Ruger, another German immigrant in Wisconsin, who was one of the earliest panoramic map makers in America. Augustus produced views of Cedar Falls, Iowa (1869), 8 views of towns in California (1870-71), and views of cities in Tennessee, Illinois, Texas, New York, Nebraska, Nevada, South Dakota and Maine (1872-1875). In the 1890s, Koch made views for cities in Virginia, Washington, Georgia, Florida, Missouri, Colorado, and Minnesota. By the end of his career, Augustus had drawn 110 birds eye views of cities and towns in 23 different states. He had crisscrossed his way across America several times. Can you imagine the changes and growth he saw?

To produce a birds eye view was an intensely painstaking process. Koch first sent an agent, or went himself, to a prospective town to drum up business. He would talk with local businessmen and civic groups and get them interested in a map of their community and commit to buy subscriptions for the finished map. Augustus began with a large basic sketch set on a street grid. He often looked at photographs and other maps of the town if they were available. He and his assistants then walked every street making sketches of each building and noting details in field notes that included compass directions and the relationships of blocks to one another. Simple figures of people, wagons and trees were added to the grid map to make up a conceptual drawing to show new would-be customers and sell more subscriptions. To insure better accuracy in placement, smaller houses were rendered rather alike — accuracy was more critical than aesthetics. Important buildings were drawn in much more detail.

Augustus then worked with a lithographer to produce a final drawing which was transferred and etched into a limestone slab that was inked and used to print the highly detailed image. It took at least two weeks to sketch out the map before it went to the lithographer. The finished prints were delivered directly to the subscribers. Koch had to work quickly so folks would stay excited. Time was indeed money.

Most birds eye views show the town center and street grid. The street grid was always drawn at an angle to allow a better view of the buildings. The more details of buildings captured in the drawing, the more folks would buy it to see their home or business. The most important feature of the town was usually front-and-center in the drawing. Civic and personal pride was leveraged at every turn to encourage more buyers.

The 1881 Birds Eye View of New Braunfels is drawn from an elevation of about 2000 feet. It has a high horizon line so that more detail can be placed in the body of the print. Important buildings or businesses who paid for a subscription are emphasized. In the New Braunfels view, Koch highlights both the history and the progressive nature of the town. Center front above the title label, Augustus drew the old Sophienburg building, the original site of the city’s government by the Adelsverein; it was destroyed by wind in 1886. Koch conveyed the city’s growth and prosperity by adding the railroad tracks; steam engines belching smoke come in from two sides, one train carrying passengers and the other carrying goods. The rail line had been completed in 1880.

Koch drew many important buildings in meticulous detail and highlighted them in a numbered legend. These were specifically chosen to show off the town. The inclusion of the County Courthouse and prison proclaimed law and order. The tall-steepled churches and the cemetery depicted a town of morals and decency (note that the First Protestant church has a bell tower which was not completed until 1889). Factories, mills and cotton gins emit plumes of smoke indicating that industry is booming. Train stations and hotels showed that New Braunfels was big enough to encourage tourism and business trips. The inclusion of the New Braunfels Academy expressed the citizens’ passion for education. Amenities such as good bridges, wide plazas and orchards lent an air of comfortable living and prosperity.

These specifics are not random. Koch intentionally illustrated New Braunfels at its best. People were proud to hang the view in their homes or businesses and be able to point out their buildings. The city leaders used the panorama to sell the city to new businesses to promote growth. New Braunfels now stood out from other towns; Koch had drawn birds eye views of San Antonio and Austin and now New Braunfels was among the big guys.

The Sophienburg Museum sells prints of the 1881 Birds Eye View of New Braunfels in Sophie’s Shop. You can purchase your own sepia-toned or colored print. Be it Landa’s Rolling Mill, Rennert’s Brewery or the Turnverein’s equipment fields, you will have fun recognizing buildings and places and finding out more about New Braunfels history from Augustus Koch’s unique incredible view.

Sources: “Patterns of Progress: Birds Eye Views of Texas”, Amon Carter Museum, 2006; View and Viewmakers of Urban America: Lithographs of Towns and Cities in America, by John William Reps, p 184-186; Brenham Daily Banner May 29, 1881; Geographicus Rare Antique Maps, Koch, Augustus (October 15, 1834-1901); News+Media, “Cover Artist: Augustus Koch”, Saturday Oct. 1, 2016; Barry Lawrence Ruderman Antique Maps Inc., “Antique Maps by Augustus Koch”; https://texasartisans.mfah.org/digital/collection/p15939coll5/search/searchterm/WM-TA-KochAugustus; https://www.Geologywriter.com; https://preservingperkasie.com; https://www.illinoistimes.com/springfield/a-matter-of-perspective/Content?oid=11439594; https://www.boisestate.edu/sps-cihp/atlas-2/idyllic-settlement/

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By Keva Hoffmann Boardman —

How we honor our dead says a lot about who we are. It embodies what we believe and how we live and die. For Hispanic Heritage Month, the Sophienburg Museum and West Side Community Center and Library have partnered to focus on where local Hispanic families have laid to rest their loved ones. We have discovered many stories to share with New Braunfels at our second Fiesta Patria event, “Jardin de las Almas” or Garden of Souls. This free event will be held Saturday, September 10, 2022, on the Sophienburg grounds from 10 a.m. to 2 p.m., and will include food, entertainment, exhibits and activities for the kids.

The graves of men, women and children of Hispanic descent can be found in each of the five main city cemeteries: New Braunfels Cemetery, Comal Cemetery, Sts. Peter and Paul Catholic Cemetery, Panteon Hidalgo and Our Lady of Perpetual Help Catholic Cemetery. We started with the information recorded in Sexton records. With the incorporation of birth and death certificates, city land deeds, newspaper accounts, photographs, church records and Morales Funeral Home records, we began to build a story of early New Braunfels and how we lived — and died — together.

Concentrating on finding the oldest references and markers, many hours were spent this lovely warm Texas summer visiting, over and over, these places of history and culture. Each cemetery has its own unique identity.

New Braunfels Cemetery, located on West Nacogdoches between Peach and Grape streets, began in 1845 and received many of those early pioneers who founded NB. It also is the resting place for the almost 400 people buried in mass graves who died from hardship and illness like cholera. The oldest existing marker is of Johann Justus Kellner (1821-1851). The first recorded Hispanic burial was of the two-year-old son of Antonio Urdiales in 1885; four other Hispanics are recorded prior to 1900. Like so many of the souls in New Braunfels Cemetery, these are now unmarked. Many of the burial markers in this sacred ground have deteriorated over time and worse, been heavily vandalized. The identity of this relatively forgotten cemetery is one of perseverance through hardship.

Comal Cemetery is across town on Common Street and Peace Avenue. Located on land donated in 1868 by John Torrey, the first recorded burial was Fredrich (Fritz) Hartwig in 1873. However, people were using the nearby hillside covered with cedar trees (Die Peines) prior to that. A search in the sexton records revealed 33 people with Hispanic surnames were buried here between 1874 and 1900. Dionicio Lira (1879-1903) is the oldest existing marker and is located very near to Daniel Murchison’s (1809-1867) elaborate pink granite obelisk. Lira shares the immediate area with Martina Azares (1862-1906), Petro Hinojosa (1885-1919) and Pedro Dominguez (1899-1921). From its inception, Comal Cemetery’s layout made space for African Americans and Hispanics. Its identity is gracious and formal, rooted in its respect for each soul and their contributions to NB history.

Sts. Peter and Paul Catholic Church first had a cemetery in the late 1840s near New Braunfels Cemetery on the city’s west side. A lawsuit over polluted water resulted in a land trade that gave the church a new burial ground near Comal Cemetery. Located next to the NB Public Library on Common Street, Sts. Peter and Paul Catholic Cemetery was opened in 1889 with the internment of ten souls from the old cemetery. It is laid out on a strict grid with a center monument. The earliest part of the cemetery is the northern half which fronts Common Street. This half is divided equally between Hispanic and German/Anglo. This equality sparks joy!

More joy is found in the ways each half is culturally represented. The German/Anglo side is formal, dignified and focused on solemn remembrance. Their markers manifest the hard-won success of the citizens and honor them. The Hispanic half is less traditional. Honor is given but with a greater sense of creativity. Personality, color, and unique-shaped concrete markers with added decorative materials express the cultural inclination to celebrate life as well as honor death. The identity of this cemetery is one of freedom as the two cultures exist side-by-side through shared beliefs.

It wasn’t until after World War I, that the Hispanic community created their own cemetery. Panteon Hidalgo was begun through the efforts of a group of influential Hispanic men who saw the need to accommodate the growing population. Opened officially in 1920, Panteon Hidalgo is located across Dittlinger Street from the Catholic Cemetery and across Peace Street from Comal Cemetery. Hidalgo is a world of colorful tiles and artificial flowers with Its traditional concrete crosses crowded together. Unlike the German population, family plots here are rare, but it is rather fun to crisscross the cemetery finding family members and also seeing the graves of other old friends. Its identity is friendly and warm with remembrance.

Our Lady of Perpetual Help Catholic Church was begun in 1926 and by 1930 had grown to the point it decided to have its own cemetery. Perpetuo Socorro or Our Lady of Perpetual Help Cemetery was officially opened in 1931. This cemetery shares the block on Peace Street with Panteon Hidalgo and in many ways is similar in look and style to its neighbor. I think there are more flowers, more colored tiles, more family mementos and childrens’ toys which makes this cemetery feel very alive and cared for. It’s personal. Dignified but fun. Its identity is rooted in love of family.

We have gotten to know each of the cemeteries — each delightfully different. We have gained an understanding of how New Braunfels has grown from that early influx of pioneering Germans in the 1840s-1850s to include the African-Americans who became free in the 1860s and the Mexican citizens migrating up through Texas in the 1890s-1900s. The intensive look into our cemeteries has shown us that New Braunfels was built through the hard work and sweat of all its ethnicities. Together we have built New Braunfels and together we have died and been buried here.

Sources: Comal County Historical Commission, Sophienburg Museum & Archives

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The articles of the Verein zum Schutz detscher Einwandrer in Texas (also known as the Society of Noblemen or the Adelsverein) required that the spiritual needs of the immigrants were to be met. The calendar and customs of church life were an important part of the Germanic culture. After their arrival and founding of New Braunfels on March 21, 1845, it is said that the people broke into two groups, Catholic and Protestant, and gathered under the shade of trees to literally say, “Thank you, God, for getting us here.”

And now, a little more info on the congregations. Please use the numbered photos for reference.

The Protestants chose to meet in a grove of elms at the foot of what became known as Sophienburg Hill. By 1846, a wooden church (1) with an onion-shaped dome (Zwiebelsturm) had been constructed on the corner of Castell and Church streets (Church later became Coll). The first pastor was Rev. L. C. Ervendberg. The present limestone First Protestant Church, at 296 S. Seguin St., was begun in 1875 and dedicated in 1889. The stately church has seen several renovations but remains alive and well.

The Catholics elected to worship under an oak tree near Comal Creek. The legendary Catholic Oak still thrives. The congregation moved into a small wooden chapel in 1847. This was quickly replaced in 1849 by a larger church built of black walnut (2); Father Claude Dubois led the first Mass. The present limestone Sts. Peter & Paul Catholic Church, at 386 N. Castell St., was constructed around the black walnut church so that masses were not interrupted during the building process. It was dedicated in 1888. The church added a school in 1871 which educates young New Braunfelsers to this day.

As more immigrants settled in the area, other churches began appearing that reflected more specific denominations and congregations. In 1851, Theobald Kleiss, a German missionary, organized St. Martin’s Evangelical Lutheran Church in the Neighborsville area across the Guadalupe River (roughly the Milltown area). A wood church building was constructed in 1851, on Church Hill Drive, to house the growing congregation. In 1880, the main door was moved to the end of the building, the pitch of the roof was increased and the bell tower was added (3). The neighboring Church Hill School met the needs of the parish children. St Martin’s was moved to its present location in Hortontown Cemetery in 1968. Visible from Loop 337, St. Martin’s, the “oldest Lutheran church in Texas”, watches over its past congregation.

The New Braunfels German Mission, based on Methodism, was founded in 1853 in the Comaltown home of J. Hirschleber. In 1858, the first Methodist church building was erected at 124 N. Union Street (4) and held services until 1912, when the Karbach Memorial Methodist Church was constructed at 572 W. San Antonio Street. The present First United Methodist Church building replaced the Karbach church in 1952.

By the 1860’s, German-speaking Jews began to establish businesses in the area. Families usually worshipped privately in their homes but made several trips each year to celebrate with the larger Jewish community in San Antonio. There has never been a Jewish synagogue in New Braunfels (5).

The Colored Methodist Church, built in 1900 at 225 E. Commerce Street, was organized in 1890 by H.P. Evans. Though born a slave, Evans could read and write and had a desire to begin a congregation for the African American community of New Braunfels. The church first used a house on the corner of Comal and Castell. In 1907, the church took the name Allen Chapel A. M. E. Church (6).

Rev. Lucky McQueen organized The Colored Baptist Church under a live oak tree at the corner of Houston and Camp Sts. in 1900. By the end of that year, the 14 original members were worshipping in a new church building at 355 N. Washington Avenue (7). The church was built by Sam and Tim Williams and was renamed Live Oak Baptist Church in honor of its founding. Eventually, a cast steel bell was purchased and hung in the bell tower. During renovations in 1983, the weight of the bell was found to be too much for the historic structure and it was removed. The congregation gifted the bell to the Sophienburg Museum in 2008. This small church still holds services and is a testament to the faith of the families which have called it their spiritual home for generations.

Our Lady of Perpetual Help Catholic Church was organized in 1926 by Sts. Peter & Paul as a mission church to serve the growing population of Mexican farm workers settling in the Comaltown community. By December 5, 1926, 40 Spanish-speaking families celebrated Mass in a new church building at 138 W. Austin Street (8). Two years later, a fire destroyed the first church. It was rebuilt along with a school building. The present O.L.P.H. Catholic church was constructed in 1969 near the original location. In 1944, the old O.L.P.H. “Sisters’ House” was dismantled and moved to the corner of Hidalgo and San Antonio Sts. to be used as the first building for Holy Family Catholic Church.

Obviously, these are not the only churches in New Braunfels, but they are among the earliest founded within the city. Other churches, founded around the same time in townships and settlements in Comal County, will have to wait for another time. You can see photographs and artifacts from these early churches in an exhibit at the Sophienburg Museum & Archives.

Today, New Braunfels residents can worship in churches reflecting many denominations and faiths. The Adelsverein did well to uphold the right of freedom of religion in their new colony which was destined to become part of this great country we call home.

Sources: Newspaper collection, Sophienburg Museum & Archives; History of New Braunfels and Comal County, Texas 1844-1946 and First Protestant Church Its History and Its People, Oscar Haas; A Journey In Faith, Gregory and Goff; The History of Sts. Peter & Paul Church and Parish 1844-1974, Monica Fuhrmann

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Imagine that you are on the Texas Coast where you have just arrived on one of the Adelsverein ships. You left Germany three months ago. You are far away from the Heimatland (homeland) for the first time ever and it is Christmas time. Your whole life you have loved the traditions that you grew up with – the music and the decorated tree that celebrate the birth of Jesus Christ. On Hermann Seele’s arrival in Galveston, he wrote in this diary: “Memories, sweeten for me, lonely as I am in a foreign country, the hours with the balsam of a wonderful past.”

The year is 1844. The Republic of Texas is in the last stage of being an independent nation. Texas would soon become a state of the United States. The land was beautiful but rugged.

These immigrants would bring their culture and joyous traditions with them from Germany. The Adelsverein promised them land, supplies to help them get established and the provision of churches and schools. The immigrants brought with them the love of music, food and dance, strong family values, and the German traits of self-discipline and most of all, tenacity. These last two were important qualities because the whole venture was fraught with obstacles, but they persevered. In five years, New Braunfels was the fourth largest city in Texas.

Prince Carl hired Louis Ervendberg to establish a church in the new settlement of New Braunfels. Ervendberg met the first group of immigrants on the coast and conducted the first church service there on December 23, 1844. Prince Carl cut down a small oak tree for a Tannenbaum and decorated it with candles and candy for the children. This service on the coast is considered the first church service of the German Protestant Church. Prince Carl made this comment about the service: “The people, deeply touched, shed ardent tears of compassion and on Christmas, Holy Communion service would be conducted.”

German historian, Joachim Klenner, has done extensive research on Ervendberg and says this about the man:

He graduated August 26, 1833 from the University of Griefswald, taught school for four years, and then requested consent to immigrate to North America in1837. He gave as his reason for immigrating that a rich family from Hannover wanted him to come to North America to teach their children for five years. He was granted a permit with the stipulation that he could not come back to Prussia if he ever returned to Germany (no reason is given for that). He emigrated as Louis Ervendberg although his family name was Cachand. You have to wonder why he changed his last name.

Ervendberg settled in Illinois where there were others from Hannover, Germany. There was no pastor in the area so he organized a congregation. In 1838, he married Marie Luise Sophie Dorothea Műnch. They left Illinois in 1839 to come to Texas. After arrival in Galveston, they moved to the small settlement of Blumenthal in Colorado County. It was in Blumenthal that he was later approached by Prince Carl to handle the religious services for all the settlers, Protestant and Catholic. He accepted the invitation.

Ervendberg met with this first group of immigrants on the coast and accompanied them as they crossed the Guadalupe on March 21, 1845. This date is considered the founding date of New Braunfels as well as the German Protestant Church. He lost no time in organizing his German Protestant Church in New Braunfels. Prince Carl gave remembrance gifts to the congregation: a chalice, the twin of which is located in Germany, and two bells that are currently installed on the front lawn of the First Protestant Church.

In the settlement of New Braunfels, the first services were held outside at the foot of Sophienburg Hill until a log church could be built. Hermann Seele taught school in the same spot. Seele was chosen secretary of the church, a position that he held for 56 years.

Constant rain kept the Guadalupe River in a constant state of flooding that brought disease. The steady arrival of immigrants on the coast under these conditions played out a tragic drama of horrors. After Texas became a state, a war broke out between the United States and Mexico and the promised immigrant wagons were sold to the United States Army. There was no housing, no food, and no way to get from the coast to the settlement. In desperation, many immigrants tried to walk the 150 miles to New Braunfels. Hundreds died along the way and many arrived in the settlement sick, only to spread the sickness. A make-shift hospital was set up and Pastor Ervendberg recorded 348 deaths in one year. Sixty orphaned children were left and all but 19 were taken in by family or friends. The remaining 19 were taken in by the Ervendbergs. The Adelsverein gave Ervendberg land on the Guadalupe where he and Luise eventually set up what is believed to be the first orphanage in Texas.

For numerous reasons, Ervendberg’s career as pastor fell apart, as did his marriage to Luise. They decided to return to Illinois. She left with their three daughters, and he was to follow shortly with their two sons. Waiting for him in Illinois, Luise learned that her husband had intentionally met with one of the orphans and left for Mexico. She returned to Texas and he was gone. She never saw her sons again and she was granted a divorce in 1859.

Although the orphanage story is sad, the Ervendbergs provided a home where memories were made as well as old traditions kept and new ones formed for all who lived there. Many of the orphans and Ervendberg children grew up, married and had happy endings to their stories. Generations later, descendants of the orphans and the Ervendbergs gather at the old orphanage to celebrate the Ervendbergs and their ancestor’s survival in Comal County.

The German Protestant Church also survived and a stone church was built in 1875, with the tower added to the front of the building in 1889. This building still stands today.

In 1894, three new bells were installed in the tower (not the two small bells that you see now on the front lawn). Each bell has a significant name – Germania signifies the German heritage, Columbia signifies the immigrant loyalty to their new country and Concordia expresses the hope for harmony between the old and the new, not only generations, but ideas and traditions. The largest of the bells, Concordia, almost six feet in diameter and four feet high, has a deep mellow voice and forms the bass for the harmony of their blending. Columbia is forty-four inches in diameter and forty inches high. Germania is the smallest, three feet in diameter and thirty inches tall. Hers is the high tenor. These bells represent the struggles that the church and community have endured in its long history.

Henry Longfellow’s poem, “I Heard the Bells on Christmas Day” tells it all:

(Verse 1)

I heard the bells on Christmas day
Their old familiar carols play
And wild and sweet the words repeat
Of peace on earth, good will to men.

(Verse 4)

Then pealed the bells more loud and deep
God is not dead, nor doth He sleep
The wrong shall fail, the right prevail
With peace on earth, good will to men.

(Verse 5)

Till ringing, singing on its way
The world revolved from night to day
A voice, a chime, a chant sublime
Of peace on earth, good will to men.

At least eight generations have been born in this new land of Texas with new memories made and old traditions harmonized with new. I heard the bells on Christmas Day.

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