On Tuesday, September 10, the Sophienburg Museum and Archives will open its exhibit about a literary form referred to as fairy tales. Eighteen Brothers Grimm fairy tales will be incorporated into the displays that are already present in the museum.

Keva Boardman, Director of Exhibits at the Sophienburg Museum, has used her imagination and expertise to show off the Sophienburg’s vast collections, seldom seen by the public.

There are some important facts to know before you come to the exhibit. First of all, the “Brothers Grimm”, Wilhelm and Jacob, did not write the fairy tales; they wrote them down. Drawing from a collection of writers such as Charles Perault, they utilized the stories that were passed on by word of mouth, mostly from Europe. Most stories date back to the Middle Ages. These tales are in modern times totally bazaar and full of the evils that man is capable of inflicting on mankind.

Life in the early European days were indeed harsh and fairy tales reflected what children were exposed to and feared the most. The Grimm brothers told the stories they heard from people but modified them to reflect the times. (1800s) Writers of fairy tales for children today do basically the same thing, that is, change the tales to reflect these modern times. Walt Disney did much to keep the fairy tales alive, but in a much more acceptable way to modern children.

Even today the themes of the fairy tales still reflect the underlying fears of children and adults. Think about the fairy tales you know. They play on the themes of evil (the evil stepmother), abandonment (Hansel and Gretel), and fear of becoming a victim. Most children are quick to pick up on these themes in literature and for that reason, they are often fearful of the story itself.

One Christmas when I was eight years old, I received a very large book that contained 100 fairy tales. Each story had an illustration of that particular story. I would turn the pages very slowly and look at the beautifully illustrated pictures. When I got close to the middle of the book, I would hurriedly go past the 50^th story and its illustration. This story was “Bluebeard”, a story about a king who warned his many wives to never enter a certain room in the castle. Of course, the female finally gave in to her curiosity and she opened the door only to find that all the other wives had been beheaded. Needless to say, that story is no longer in fairy tale books and hasn’t been for about 50 years.

The Grimm brothers cleaned up the earlier tales, and Disney cleaned up the Grimm tales. The Sophienburg exhibit is for adults and children. The Grimm brothers were professors of linguistics. Learning about the change in the sounds of words was best accomplished by them by requesting that everyday people tell them stories that they had heard as children. The brothers wrote down the stories which eventually led to their publication in 1814. Consisting of tales from Germany, they were not intended for children, as they were full of witches, wolves, and goblins in dark forests. The original tales make no attempt to be fright-free.

Eighteen fairy tales have been chosen to display and here is an example of what you could see in the exhibit: a “Snow White” dress on a mannequin originally worn by Mitzi Nuhn (Dreher), age six, as she played that part in the Enchanted Hour Kindergarten’s program of “Snow White and the Seven Dwarfs” in 1937 at the Seele Parish House. The teachers of this private Kindergarten were Bessie Baetge and Lucille Staats Jett. The silk and velvet dress was reworked by the Sophie Sewers who worked on several projects from the collection, including handkerchiefs from “The Goose Maiden”.

For the “Cinderella” exhibit, 39 right-footed shoes from the collection are shown, even a red leather Moroccan slipper. “Star Money” features a collection of German coins and “Brother and Sister” features things made of antlers, because in the story the brother turns into a deer.

A loaned display for “Brementown Musicians” shows eleven handmade German folk guitars dated 1870 to 1990 and loaned by Troy Tidwell. The musicians in the story are a donkey, a dog, a cat, and a rooster.

“Hansel and Gretel” features children dressed in German costumes and “Reponses” shows decorations made of human hair. There are about ten examples displayed in shadow boxes. This was a popular art at the time the emigrants came to New Braunfels.

Several fairy tales used the idea of a princess under glass. That even survived in the Snow White story by Disney. The exhibit is using their Scloss Braunfels Boyhood Home of Prince Carl of Solms/Braunfels under glass sculpture, created by Jonas Perkins. In the foyer of the museum is a permanent statue of “Little Redcap” or “Little Red Ridinghood”, donated by the Emmie Seele Faust family.

“The Seven Ravens” is about a baptism. The Sophienburg has been the recipient of many old church Baptism certificates. They are beautifully crafted, some using gold and exquisite colored flowers.

This exhibit is for those who want to know about the historic root of fairy tales. Museum hours are 10:00 to 4:00 Tuesday through Friday. The Bruder Grimm Kinder-Märchen Exhibit will be on display for a year.

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Immigrant Julius Voelcker arrived in New Braunfels in 1845 and at age 25 became one of the First Founders of the city. Before arriving, he had studied pharmacology and medicine at the University of Heidelberg in Germany. His profession in the 1850 census was listed as “farmer”. A majority of immigrants listed their profession in this way. They came for land and this was a way to survive. Ultimately Voelcker chose to be a pharmacist and opened his pharmacy next to his home on the north side of the plaza.

Julius Voelcker’s chosen field would spur on a family tradition, as six members would follow this profession in the next generations. He married Louise Karbach in 1857 who had emigrated to Texas with her family from Mecklinberg, Germany. Four sons and one daughter were born to this couple: Frank, Rudolf, Bruno, Emil and daughter, Emma. Emma’s life would bring the family much joy but also grief.

During the Civil War Julius Voelcker joined a company of State Troops, 31st Brigade as a 1^st Lieutenant. Norma Colley, granddaughter of Voelcker, in a paper written in 1990 told stories that her grandmother, Louise Voelcker, told of the family’s experiences during the war when Julius was away serving in the war. Her grandmother and the children moved to a hill over the Guadalupe River. Frank, the oldest son, was bitten by a water moccasin on the banks of the Guadalupe. His life was saved by his mother. Bruno fell from a cliff but survived. After the war when Julius returned, the family moved back to their home in town.

On July 22, 1874, a terrible tragedy befell the Voelcker family when 12 year-old Emma Voelcker was murdered in the Voelcker home by Wilhelm Faust of Seguin. Faust’s estranged wife, Helene, was spending the night at the Voelcker home as she had done before and she was sleeping in the same bed as Emma. During the night, Mrs. Faust moved to the floor and the assailant entered the home and attempted to kill his wife with an ax, thinking she was in the bed. In the dark he hit Emma instead, killing her. Mrs. Faust was blinded by a near-fatal blow. Faust escaped but was caught in November. It wasn’t until October of 1875 that he was convicted of murder and sentenced to life in prison. Locally the populace was enraged by the sentence so he was moved to a jail in San Antonio. He was moved back to the Comal County Jail but a lynch mob attempted to assassinate him. He was then moved into the Comal County Courthouse. (Old courthouse where Chase Bank is located) On July 28, 1876, some unknown person shot Faust through the window of his cell and killed him.

Julius Voelcker was elected mayor in 1875 but died six weeks before his term expired in 1877. Louise lived 41 more years. When the New Braunfels Parks and Recreation Dept. conducted its “Soul Searching” program in November, the Voelcker gravesite was one of the sites featured in the Comal Cemetery.

Bruno Voelcker followed in his father Julius’ footsteps. His drugstore was located on the corner of San Antonio St. and Castell Ave. (Red Stag). Bruno’s two sons, Edwin and Julius were both pharmacists.

Julius’ youngest son, Emil, married Caroline Zuehl and they lived on the Karbach ranch for many years. Emil was also a pharmacist. Their children were Louise , Herbert, and Norma. In 1891 Emil purchased six lots in the Braunfels subdivision between Union and Washington Sts. in Comaltown. A small house was already on the corner of Union and South Sts. and added on to over the years. This house still belongs to descendants of the Voelcker family.

Louise Voelcker married Robert Wagenfuehr and both were very civic minded and active in New Braunfels. Their children were Esther May,(mother of Betty Kyle), Milton, and Harvey. The Voelcker pharmacy tradition continued in the family with Harvey Wagenfuehr becoming a pharmacist and eventually owning Peerless Pharmacy on San Antonio St.

Tracing the history of the Voelcker family is in many ways typical of other family histories of immigrants who made New Braunfels their home in the 1800s. But in many ways this family’s history is unique.

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Don’t we all love the feeling of an old-fashioned Christmas? Once again, the Sophienburg has decorated for the Christmas season, but this year wins the prize.

The collection and exhibit ladies have put together a dollhouse display of 14 different dollhouses plus small doll collections.

Entering the foyer is a large dollhouse at one time belonging to the late Bill and Nan Dillon. The house is decorated with furniture representing the 1870s to present day. Furniture includes Bentwood chairs from the 1900s and handmade furniture. Immediately across from this house is a unique “garden home” from the 1800s. The table and chairs are set with a tiny tea set.

Also in the foyer, a nine-foot tree holds a collection of 90 plus small dolls from around the world. This collection was given to the Sophienburg years ago by the late Thekla Wright. She and her husband, Dr. Rennie Wright, collected these dolls in their vast travels.

Next is a three-storied Victorian style house built by Richard and Merlene Hitz for Allison Humphries, daughter of Mike and Linda Dietert.  This house with its furnishings dating from 1990 to 2000 can be viewed from the front and the back.

Enter the Museum where there is a replica of an early cabin showing an old fashioned pioneer home.  Christmas at the Waisenhaus (orphanage) of Rev. Louis and Luise Ervendberg has been recreated. For many years, the Timmermann sisters of Geronimo, who were descendants of the Ervendbergs, created this scene at Christmastime for many to see. Underneath the cedar tree decorated with candy and cookies is an elaborate Nativity at Bethlehem. The tree is surrounded by honeycomb rocks, which was a common practice in New Braunfels.

Inside the “Newspaper” display area is a folding paper dollhouse, a 1990 reproduction of an 1890 Victorian house belonging to archivist Keva Boardman. This dollhouse is easily moved from one place to another.

Perhaps the most unusual of all the displayed houses is in the museum’s “Pharmacy” section. It is a house made of a packing crate containing packages of coconut. After the packages were sold, the remaining crate revealed lithographs of the inside of a house. The crate, when stood on end, represented four rooms. Shelley Weidner owns the Coconut House, at one time belonging to twins Carmen (Lee) and Cosima (Langwell) Schnable.

In the “Saloon” is a model of the old Sophienburg Museum made by a student and in the “Barbershop” is a boy’s version of a dollhouse – a metal 1960s barn and silo from the Jerome Bodeman collection. Moving on to the “Doctor’s Office” you see a Dura-craft 1970s dollhouse made from a kit furnished with items from 1980s and ’90s.

In the 1960s, the trend in dollhouses was to make them of metal. One displayed belongs to Yvonne Rahe and one belongs to Meredeth Neiman. Plastic and metal furniture became popular at this time. In the “General Store” there is a plywood house made from a kit.

My dollhouse given to me in 1934 by my grandfather, builder A.C. Moeller, actually has electric lights (Christmas tree lights from the ’30s). The dollhouse was constructed by Richard Ikels, who was the cabinetmaker for him. Patterned in the bungalow style of the time, it contains arches separating the six rooms plus stucco walls and hardwood floors. The original wooden furniture remains in my memory only. Present furnishings were collected by Goff daughters and granddaughters.

Upon exiting the Museum, one sees a two-room 1920s house owned by Betty Stobaugh. The house was constructed by Betty’s father and all the furnishings were ordered from Germany.

Finally a wardrobe from the museum collection is filled with small dolls and next to it a feather tree holding a tiny baby doll collection.

The exhibit will be open all of December. The price is $5 per person; or you could come to The St. Nick celebration on Dec. 5 for $5 a family.

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By Tara V. Kohlenberg —

By now you know that “it’s fair time!” This fabulous, fun-filled week of the Comal County Fair brings the entire community together and hopefully slides in on the first norther of the year. Yeah, that weather thing is not happening this year, but still very fun-filled. Everyone that grew up in New Braunfels or has lived here a while, has a “favorite thing” about the fair.

As a child, my favorite thing was what my mother called the hobby horses. The beautifully painted horses gliding around on the glittering, mirrored carousel captured my eye from early on. Even when we were out of tickets, I was content to watch. I never seemed to move past riding anything more than the carousel, which as a teen, I’m sure made me something of an oddity. The horses just seemed so glamorous (plus, I never felt the need to spin at a high rate of speed in a cage above the fairgrounds).

Later on, a different circle of horses caught my attention. There was less gliding and galloping, but beautiful more all the same. And I do miss it!

Horse racing was a very important part of the Comal County Fair for many years. The Comal County Fair Association was formed early in 1893, fashioned after a very successful fundraiser for the Krankenhaus (hospital) in 1892. Harry Landa was elected president. They selected a date later in 1893 to hold the first fair in Landa’s pasture (later LCRA and now The Landmark). Unfortunately, there was a terrible drought that year. The fair was cancelled due to being too dusty for horse racing!

In 1894, the first actual fair was held, complete with both saddle and harness racing. Saddle racing is that of a rider perched upon a saddle on the animal’s back. Harness racing is where a rider sits upon a two-wheel buggy pulled by a single horse with a specific gait, a trot or a pace. In his memoir, As I Remember, Harry Landa tells of his rather dismal business venture where he bought buggies and a string of trotters in order to be ready to run them at the 1894 fair. He ended up trading all for 30 rail cars of hay, something he felt was a much better proposition than racing.

After five years on the Landa property, the Comal County Fair Association purchased approximately twenty-two acres in Comal Town above the Guadalupe River. There, they built a racetrack and a dancehall. Financial difficulties prompted them to sell the acreage to the city of New Braunfels, who in turn leased the property back to the Association. They appeared to enjoy some successes, but there is no mention of fair from 1910 to 1922 (basically World War I era). During that time the city used the property as a dump, building an incinerator on site. The stack is still visible.

In 1923, the Fair Association reorganized, purchasing three city blocks adjacent to the city property. The old leased property and buildings had not been touched for more than 10 years. The group worked to add improvements and bring the track back to life. Just a month before the fair, a huge fire consumed the grandstand. It was rebuilt, granting them the ability to hold both harness and saddle races. Racing became a very popular spectator sport.

By January 1926, the Association added winter pony racing events to the calendar, stepping out of the county fair time frame. There were up and down successes through the years. Texas voters approved parimutuel betting just four years prior, but it was again outlawed in 1937. Racing had remained steady without legalized betting, but the popularity of horse racing had risen when parimutuel betting was legal in Texas at four large state-designated tracks. The Comal County Fair Association benefited from all the activity even though they were never licensed for parimutuel betting.

By 1958, Marcus Adams, Secretary of the Comal County Fair Association, was appointed a member of the Texas Racing Circuit. The circuit was made up of operators from six race tracks in southern Texas: New Braunfels, Junction, Fredericksburg, Brady, Boerne, and Sonora, running both thoroughbred and quarter horses races Many CCFA members served on the Texas Racing Circuit over the years. Of the tracks that made up the Texas Racing Circuit, only Fredericksburg still operates a race track.

Along the way, the local Comal County Fair race track became known as Dutchman Downs. During the ’70s, the track developed a reputation as one of the leading training centers for some of the finest quarter horse racing stables, complimented by local award-winning trainers and jockeys.

From the time that parimutuel betting was outlawed in 1937, proponents pushed to have it reinstated. Parimutuel betting appeared on Texas ballots more than four times. Finally, in 1987, the Texas voters approved a referendum legalizing parimutuel wagering again. It also created the Texas Racing Commission and a new set of rules. The rules required a track to have a clear quarter-mile straightaway for parimutuel licensure. With the layout of the fairground property backing up to the Guadalupe River bluff, there was no way that Comal County Fairgrounds could fit a quarter-mile straightaway. Races continued to run in 1987 and 1988 with the last run in 1989. Sadly, the 1990 races were canceled due to lack of entries. There was only one.

After trainers moved to other recognized tracks, the inside fairground track rail was cut open to expand the center rodeo arena. Now, the rodeo is my favorite thing. Go to the fair and find your favorite thing! Enjoy!

Sources: Gene Chollett; Danny Scheel; It’s Fair Time by Myra Lee Adams Goff, So phienburg Museum and Archives; A Pictorial History by Rosemarie Leissner Gregory and Myra Lee Adams Goff.

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By Tara V. Kohlenberg —

The summer I graduated from high school, I think the New Braunfels city limits signs boasted a population of 19,000. The county had a whopping 34,000. Since then, the city limits signs have moved further out, taking in the wonderful little communities that existed peacefully “in the country” for more than a hundred years. One such community is Freiheit.

Freiheit was first known as the San Geronimo School community. The school was in operation before 1883. In 1891, for the sum of one dollar, Henry A. Rose donated land for a school about three and a half miles northeast of New Braunfels. Located on the east corner of Prairie Lea Road (now Freiheit Road or FM 1101) and Barbarossa Road, the San Geronimo School was named for the nearby San Geronimo Creek. It was also known as Rose’s School. It was originally a one-room school, expanding to two rooms that taught first through 10th grades. In 1949, the San Geronimo School was consolidated into the Goodwin Rural High School along with Austin Hill, Church Hill, Hunter, Thorn Hill, and Watson schools. The San Geronimo school house was moved to the Goodwin Rural High School campus. It now resides at Conservation Plaza. That still doesn’t explain the Freiheit, but hang with me.

Near the San Geronimo School, at the crossroads of Eberling Lane and Prairie Lea Road, a store was opened in about 1898 or 1990 by Robert Schuenemann, the son of pioneer Fritz Schuenemann, to serve the farmers of the area. The community was known as Schuenemann Settlement. The store changed hands among Schuenemann family and ended up with Ernst Schuenemann. In 1906, Alonzo and Bessie Nolte bought the store. In January of 1910, the Noltes leased to the Freiheit Kegel Verein (Freheit Bowling Club) a 22-foot by 108-foot strip of land adjacent to their store at the cost of one dollar for 99 years. The Freiheit Kegel Verein drew up formal by-laws and elected officers in August of that same year.

This is where I tell you that the Freiheit Kegel Verein was a 9-pin bowling club. There are many differences between 9-pin and 10-pin bowling. Bowling began in 200-300 A.D. when German monks introduced bowling as a religious ritual, whereby one’s ability to knock down cones (Kegel in German) representing sins determining the need for penance. Martin Luther called the game “Kegels” and standardized it to nine pins. Nine-pin bowling was popular up until the late 19th century. Nine-pin was outlawed to stop people from gambling, but a tenth pin was added to get around the law and now we have 10-pin bowling.

In 10-pin bowling, each individual bowler throws ten frames, in the same order each time. The individual scores count. Pins are set up in a triangle where the goal is to knock down all pins. In 9-pin, it is a team sport with six team members who throw six frames. The pins are set up in a diamond configuration with the goal to knock down all but the center “kingpin”. The team captain decides the order based on the skill of each member since the frame is not reset until every pin is down. Only the team score counts. 10-pin alleys were found mostly in saloons and places frequented by men. 9-pin bowling alleys were most often built by clubs that catered to families. Freiheit Kegel Verein became synonymous with the area, and Freiheit, Texas was born.

The first Freiheit bowling building was built by club members of wood on cedar post foundation with wood shingles. The two lanes were constructed with 1-by-8 maple lumber purchased from Henne’s Hardware. Lighting was by kerosene lamps. Heat was provided by a potbelly stove. Cooling was provided by opening hinged push-open board windows.

In 1946, the club built a new, bigger building using the two old maple lanes installed in the new building along with two lanes that were purchased and moved from a San Antonio church basement. In 1963, the club broke ground on a third (current) building on adjacent acreage. Even though it is a modern facility they still use human pinsetters.

And the store? Noltes sold the store to Max and Bertha Meyers. After Hermann Ludwig returned from World War I in 1920, he and his wife Linda purchased the store from the Meyers and called it Ludwig’s Store. There was a store and a house with dance hall between. In 1927, the dance hall burned down. The store survived the depression and prohibition. In 1949, the Ludwigs tore down the old store and built the current Freiheit Country Store out of the salvaged materials. Both the store and the neighboring bowling alley often served as a polling place for Election District #16. In 1975, Kermit and Laverne Kraft bought the store, doing away with the dry goods part and promoting the bar. The next owners were Shorty and Rosie Haas in the ‘80s, who began serving burgers and promoting the family atmosphere. Freiheit Country Store was purchased by Mike Reimer and partners in 2006. They expanded the food menu and added music, becoming a restaurant and popular music venue. While being surrounded by the New Braunfels urban sprawl, the Freiheit Bowling Club and Freiheit Country Store continue to keep the community’s past alive.

Sources: Sophienburg Museum & Archives; Sophienburg Reflections Oral History Program #849; Freiheit Kegel Verein 100th Anniversary by Karen Saur Lackey; Rural Schools and Teachers in Comal County, 1854-1956 by Alton J. Rahe; www.tshaonline.org/handbook.

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What do three houses on Mill Street have in common? The homes located at 502, 528 and 554 West Mill Street are part of New Braunfels’ Mill Street Historic District and they are homes built on the property owned at one time by George Ullrich in the 1850s through the 1860s.

George Ullrich bought the partitioned lots in 1850 from Jean Jacque von Coll. They were part of the larger acre lot #168, acquired by von Coll in 1847 from the German Emigration Company. Von Coll served as business manager for the Adelsverein. Ullrich was the Adelsverein wagon master.

George Ullrich was one of those First Founders who, along with his wife, Margarethe, were in Texas before the Adelsverein immigrants. Prince Carl met Ullrich in Frelsburg in the early 1840s. The prince asked him to lead the immigrants inland from the coast as head wagoner. He lead the 31 wagons across the Guadalupe River on Marcy 21, 1845.

Mill Street runs parallel to San Antonio Street all the way to the Comal River at Clemens Dam where the Torrey Mill was located, therefore Mill Street. It is one of the earliest named streets in New Braunfels. Many of the homes on Mill Street are the oldest surviving homes from the time of the city’s settlement. Several of the homes are log homes and many are fachwerk. A home’s core building materials were typically covered over with layers of plaster or wood for insulation and protection from the environmental elements and when restoration occurs, the construction is revealed. The log home and fachwerk home were the earliest building techniques used, with the use of cut limestone blocks to follow. The log home is made using walls of horizontally placed logs with chinking in the spaces between the logs and the fachwerk home is constructed using timber framing with some type of infill, usually brick, rubble or rock.

554 West Mill

The home at 554 W. Mill has a historical marker titled the Pioneer Home. The marker reads: “Sand brick home built 1855, by Geo. Ullrich, who had driven first wagon of German Emigration Co. settlers in 1845 across the Guadalupe River.” On July 7, 1962, this home belonging to Mr. and Mrs. Chester W. Geue, was awarded the Texas Historical Building Medallion, the first awarded in New Braunfels and Comal County. The Geues had purchased and restored the home because the Ullrichs were his ancestors. The home was originally built as two front rooms and kitchen. By 1865, a daughter of George and Margarethe Ullrich, Sophie, married William Froelich and they lived in the home adding rooms to accommodate a growing family. The Geues bought the home from Blanca Froelich Bading. In 1965, the home was designated a Recorded Texas Historic Landmark. The Comal County Historical Survey Committee is now known as the Comal County Historical Commission.

528 West Mill

The home at 528 W. Mill is owned by Marvin and Ann Giambernardi. This home was recently on the New Braunfels Conservation Society tour of homes and it was this tour that piqued my interest in the homes on Mill Street and about the people who so lovingly restore them, the Giambernardi’s being two of them.

Marvin and Ann met when he was helping her with electrical work involving the restoration of her home at 581 E. Camp Street. Ann had been an antique dealer here in New Braunfels for several years, having shops in downtown New Braunfels. She grew up in San Antonio but decided in 1990, to purchase the home on Camp St. so she would not have to drive back and forth from San Antonio to New Braunfels for her business. Her description of the home when she moved in is priceless. It had been in the same family from the time it was built and Ann bought it from the family. Ann lived in the home while restoring it. It had only cold running water. The previous owner heated her water outside in a tub. The electricity consisted of a bulb hanging on an electrical wire from the ceiling and there were no outlets. This did not deter Ann from living in the home while restoring it. Ann’s abilities in home restoration, expertise in the antique business, eye for color coordination along with her abilities as a seamstress, combined with her endless energy, contributed to success in the restoration arena. All she needed was an electrician, plumber and wood craftsman. This was when Marvin entered the scene.

Although Marvin was retired from the military as an aircraft inspector, he was also an electrician, plumber and wood craftsman. Marvin was living at Lake Dunlap at the time in a home he had restored that had belonged to his father. Marvin did some work for Ann on the Camp St. house and the rest is history. They married, eventually sold the Camp St. home, bought the 528 W. Mill home, restored it and now are working on another restoration. Home restoration is the perfect outlets for their creative talents and energy. They love the local history.

Back to 528 W. Mill Street. The home was thought to have been built in 1865 by George and Margarethe Ullrich. Around the same time, the 554 W. Mill Street home was given to their daughter and husband. The home is a beautifully crafted fachwerk home with handmade brick infill. The Giambernardis have exposed the fachwerk in several areas to show the construction. It was originally three large rooms with very high ceilings (about 14 feet), divided with one large room on the right and two smaller rooms on the left. One of the rooms on the left was the kitchen. There are two fire places, one on each side of the home. Additions were made throughout the years and provide ample room for Ann’s extensive collections of antiques. She began collecting as a teenager.

502 West Mill

Marvin and Ann recently purchased the small home next door at 502 W. Mill. The home had belonged to Elsie Roeper. Elsie was born in 1916 and lived in the home her whole life, caring for her grandparents who also lived there. Elsie’s mother was Alma, and Alma’s parents Julius and Julia Krueger Buske (Elsie’s grandparents) bought the home in 1890. The home was built on property owned by George Ullrich and was possibly built by him in the 1850s but may be much older. The home is a combination of log cabin and fachwerk with homemade brick infill construction.

The home originally was a small, single room log cabin with front and back porch. This single room is constructed of hand-hewn horizontally placed logs on all four sides that was revealed when Marvin and Ann removed the plaster. At some point, the back porch was closed in using fachwerk with handmade brick infill. A kitchen was built behind the home and at some time, the front home and kitchen were connected and also a bathroom added to the south side of the front structure. Marvin noted that termites where only present in the bathroom addition and nowhere else in the older parts of the home. Marvin and Ann are continuing their restoration and are in the process of researching more to find the exact construction date of the home. It is surely one of the oldest in New Braunfels and worthy of preservation.

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