By Tara V. Kohlenberg —

The world is full of magnificent works of art and sculpture, some of which are centuries old. New Braunfels is even home to one, featuring a female figure and gargoyles. Now somewhat obscured by trees and traffic, the 19th-century Victorian fountain was actually the beginning of our Main Plaza.

In 1845, surveyor Nicholaus Zink was contracted to lay out the town of New Braunfels. He allowed for the Plaza at the junction of San Antonio and Seguin Streets. It has always been oval-shaped. The Plaza was known for many years by New Braunfels citizens as “our park” because no other was available. It was simply a large, flat, clean space in the crossroad where the townspeople gathered for concerts, parades and community events.

The only mode of transportation at that time involved horses or oxen, which both required water. The idea for a central watering hole/fountain on Main Plaza initially came about in 1887. The idea was quashed after complaints by local merchants.

New Braunfels celebrated their 50th anniversary in 1895. In September of that year, Hermann Seele, president of the anniversary celebration committee, approached the city council for permission to erect a water fountain to beautify the Plaza, utilizing surplus funds from the celebration.

The committee chose the fountain design from the J.L. Mott catalog. The cast iron structure, said to be 19 feet tall, features a female figure in Greek-style robes atop two lower pans and a basin. The figure is holding a vase above her head with water that sprays from the top of the vase into the pans below. She is listed as “The Vase Bearer” in the catalog. There are two types of gargoyles (carved faces with spouts that drain water). The top pan is round, decorated with leaves and flourishes, supported by a center column. Water flows into the lower pan from the mouths of stylized sea horses (or maybe griffons) that adorn the center column. The lower pan is octagonal, adorned with eight sheep’s heads spouting water into the octagonal basin made of concrete and metal.

The natural-colored cast iron fountain was purchased from J.L. Mott Company of New York for $3,000 with anniversary funds and donations. After all was said and done, there was a remaining balance of $58.05, which the city paid. It was installed on the Plaza in 1896.

By 1897, there were problems with people watering their stock at the water fountain. To discourage the practice, the city spent $342 to have the fountain area high curbed. Later in 1897, the city began planting shrubs and trees to beautify the Plaza. The Band Stand came along in 1905.

The beautiful work of art took center stage on Main Plaza for years without issue. In 1963, the New Braunfels Lions Club took on the project of refurbishing the fountain and landscape improvement. The fountain was sandblasted and received new lighting, additional sprays and a new off-white paint job. A new rock wall enclosing a planted area was also added. It was indeed a beautiful sight at night.

For many more years, the fountain survived freezing temperatures and drought. It also survived pranksters that found “soaping of the fountain” a novel idea. Soap seriously damages the workings of fountains and is no laughing matter.

1976 brought about a flurry of improvements to go along with the nation’s Bicentennial Celebration. The complete renovation of Main Plaza was the project of the Rotary Club. Eighteen months of planning and $100,000 of work later, Main Plaza was completely redone. The fountain received a new watering system sending the water up instead of down with indirect lighting installed around it. At 80 years old, the Main Plaza fountain was also designated a historic landmark by the New Braunfels Landmark Commission.

The grand fountain’s age began to show. In 1985, the fountain was turned off. The mechanics of the fountain were in good shape, but the cast iron structure was succumbing to sheet rust on all of the interior surfaces. She was slowly rusting to death.

In 1992, Mayor Clinton Brandt formed the Plaza Fountain Restoration Committee. They were in for a shock when they sought restoration quotes. Yikes! That little $3,000 fountain needed $50,000 of work!

The two-year fundraising campaign raised $54,000. The Mott fountain was fully restored to her original cast iron color by Robinson Iron of Alexander City, Alabama. It took approximately four months. Robinson Iron had restored at least sixteen other Mott fountains previously. At the time, there were known to be about 35-40 Mott Company fountains left in the United States, with ours being one of the finest.

The fountain once again took her place on her pedestal in December of 1993, a full year before the slated Sesquicentennial Celebration in 1995, and all was right in the universe. Except — a drunk driver plowed through Main Plaza in November 1994, shattering the fountain and causing $50,000 in damages. The driver was not insured, nor was the car he was driving. Robinson Iron repaired the 100-year-old fountain and returned it to its rightful place by the end of January 1995 in time for the Sesquicentennial events.

Fast forward to today — our precious fountain is 128 years old. Sadly, due to water restrictions, the fountain is turned off. She looks a little rough but is still a treasure. Come see her up close and personal. No ticket required.

She will be waiting for you to join her on Main Plaza for the Ol’ Fashion Fourth of July Parade and Patriotic Program which has been presented by the Sophienburg Museum and Archives in collaboration with the City of New Braunfels since 1978. Wear your Star-Spangled-Banner best and be there!

Sources: Sophienburg Museum & Archives; Smithsonian American Art Museum’s Inventories of American Painting and Sculpture database.

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By Tara V. Kohlenberg —

I love driving the streets of downtown New Braunfels on a crisp, clear October morning. My favorite streets are the those laid out by Nickolaus Zink and the streets of Comaltown/Braunfels. Some of the oldest buildings in Comal County are located along these streets.

As with anything old, there is likely much more to those buildings than meets the eye. Some are old buildings refreshed with multiple exterior facelifts to keep up with the latest trends, leaving them looking much younger than they really are. Then, there are old buildings that remain the same (historically correct) on the outside, even though the inside has been updated and made more functional by adding electricity and indoor plumbing. These buildings, are the most beautiful. My favorite buildings? Those with hidden secrets, of course. Imagine learning that the building you own holds a treasure underneath!

One such treasure is Eagles Hall. From the outside, it looks like a plain stucco, sort of art deco building with a hodgepodge of multiple additions marked with the year “1922.” But there is more to that story.

In 1870, New Braunfels celebrated the 25th Anniversary of its founding. The parade wound through town and across the Comal footbridge, continuing the festivities on open lots located on South Street in Comaltown. Shortly thereafter, Mr. Heinrich Paul Weichold, an 1845 immigrant, purchased two lots facing South Street. He built a 54-foot by 100-foot hall out of Comal County limestone, complete with a 38-foot by 30-foot stage. It was the largest public place for merriment anywhere around. Did you get that? 1870! That is at least eight years before Gruene Hall was built. Weichold’s Hall served both as a community meeting place and center of entertainment, hosting Turnverein (gymnastics club) events, dances, concerts, meetings, 4th of July celebrations, masquerades, and theatrical performances. The hall even held a performance of Japanese aerialists. Since most of his patrons came from across the Comal River, Mr. Weichold had railings installed on the footbridge for their safety. On the evenings of performances, he also stationed two men with lanterns at each end of the bridge to light the way. Weichold fell into financial difficulty and his property was sold on the courthouse steps on June 16, 1874.

The hall sold to the Matzdorf’s and became known as Matzdorf’s Hall. The hall was leased and run by numerous managers throughout its years of operation. In 1877, Matzdorf took over again from Rheinlaender. He made repairs to the building and put in a new dance floor. Rudolf Brandt took over as manager in 1890. He promoted the venue as “Comal Concert Hall.” In 1893, Mrs. Matzdorf became the sole owner. Other managers of the hall were Moritz Schutz, Hermann Klein, and H. Lenzen. Matzdorf Hall continued hosting touring companies, balls, lectures, operas and more.

In February of 1922, the Echo Home Association was organized solely for the purpose of buying and remodeling the Matzdorf’s Hall property. The group had 300 subscribers (paid members). By April, they hired a San Antonio architect to draw up plans and let bids to build a new building. All of the bids were rejected as too expensive. The Association bought materials in May to renovate the building themselves and dedicated the building in July. Renovations included a layer of stucco over the building’s exterior. They marked the building with “1922 Echo Halle” over the South Street entrance. The original windows and doors were left open with ceiling fans overhead. Over time, additions were made to the long side of the building, including a bar and meeting areas, and at some point, indoor bathrooms were added to the rear. There was a large porch constructed on the front, perhaps in the early to mid-40s, with multiple arched openings. Echo Halle had events going all the time, hosting firemen’s benefits, precinct elections, singing festivals, speeches by governors, bridal showers, church programs, graduations, and dances with all sorts of orchestras and bands every weekend. Many a dancer found their life mate on the Echo Halle dance floor.

In 1958, the Echo Halle was sold to the Fraternal Order of Eagles. They removed the words “Echo Halle” from the stucco but left the year 1922. They also added an inverted star/crescent emblem. Eagles Hall was ‘the’ place to have a dance, wedding reception, anniversary celebration, graduation dance. Bands like the Hi-Toppers, Cloverleaf and more filled the air with music. The well-worn dance floor is smooth as glass, due in part, to the trillions of kids who polished it with their knees or stockin’ feet during intermissions. Kids were part of the celebrations… no baby-sitters. Being the child of a Hi-Topper, I learned to dance back-stage. Others remember being put down on a palette under the tables while parents danced the night away. Eagles’ Hall has been painted a few hundred times, and paneling conceals the original windows and doors, but the bones of the structure are the same. 150 years of life and music is ingrained in every beam and every wall that surrounds the dance floor, because it really IS the old Weichold Halle.

2021 is the year that the Eagles sold the hall. Only those who have purchased it know what is to become of this historic structure that is older than Gruene Hall. In New Braunfels, we are surrounded by the historic buildings that define our heritage and city timeline. It ties us to our beginning. We have three Historic Districts established to protect old homes and buildings, including Downtown Historic District, Mill Street Historic District and Sophienburg Hill Historic District. Within these areas, rules are in place so the property owners will maintain the integrity of the original buildings, whether 50 years old or 150 years old. Eagles’ Hall is not in a historic district. New Braunfels Conservation Society has done an amazing job saving and caring for the buildings at their museum, although moving some buildings is not really an option. Eagles’ Hall is historic because of the site, the provenance and the meaning to the community. Would Gruene Hall be as wonderful sitting somewhere else? Only you, citizens of New Braunfels, and our County Historical Commission and City Council can protect the historic buildings of our metropolis. Once gone, these structures cannot be replaced. Help us preserve what makes New Braunfels special, like dance halls that are 150 years old. Older. Than. Gruene. Hall.

Sources: Sophienburg Museum & Archives

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Don’t know your early NB history? No excuses, people. There are many outstanding works of art and memorials you probably see every day just driving through our beautiful downtown. Pack up the kids or load up your Omie and Opie and take a mini field trip or two. Enjoy the summer weather and connect with your community’s past.

Start with a trip to the NB Civic Center on S. Seguin St. for a really good overview of New Braunfels’ beginnings. Out in front is a bronze of our city founder, Prince Carl of Solms-Braunfels. Did you get that? Solms-BRAUNFELS. There. You know how we got our name. We are the only city in Texas founded by a Prince!

Walk up on the front porch and you will find an entire wall of metal plaques that lay out the basics of our town’s history. There are 20 etched metal “photos” of early NB sites and leaders and four rectangular metal etchings of the German immigrants’ journey from Indianola. It’s a lot to take in, but there is more.

Go around the left side of the building. You will pass a blue-tiled fountain that honors citizens who have been designated as “Legends”. These individuals have given countless hours to make our city better. Maybe one day your name will be etched into our history.

Continue to the back entrance and find a long polished grey granite marker in the flower bed. Check out the towns the immigrants passed through as they followed the Guadalupe River up from the coast. That trip took almost six weeks to walk. I just drove that route with a group of fellow citizens; it took us a day in an air-conditioned van. I can truthfully say that I would not have made it to NB. No apology.

Another concentration of art, architecture and memorials is found on our beloved Main Plaza. On the north side, find the rough pink granite rock with a plaque from the City’s 150th Anniversary; it has an outline of the changes made to the Plaza. Having been planned from day one to be the City Center, the Plaza is almost overflowing with information of our past.

And flowing in front of you is the Plaza Fountain, bought and installed in 1896, with funds from the City’s 50th Anniversary celebration. The fountain has not only survived time, it has survived being hit (and badly damaged) several times by drunk or speeding drivers. Did you know that the fountain has not always been black?

The Bandstand has been New Braunfels’ centerpiece since 1905. Just imagine that for over a century, singing and shooting society festivals, presidential and gubernatorial visits, community meetings, concerts and city anniversaries have been celebrated in its shadow. It has witnessed hundreds of 4th of July, Dies y Seis, Loyalty Day, Comal County Fair and Kinder Maskenball parades. Innumerable wagons, carts, bicycles, automobiles and trucks have circled around the octagonal red-roofed little building. Just stand in it and you are a part of that history!

Near the Bandstand is the “Friendship Tree” (Freundschaft Baum) dedicated to YOU, the citizens of New Braunfels. If you circle the Plaza, you will find four polished pink granite markers for the 150th Anniversary. Take some large sheets of paper and some crayons and make rubbings of the crests. Can you figure out what the symbols mean?

At the east end of Main Plaza are two memorials to Comal Countians who fought for our rights and freedoms in the Civil War and WWI. Note that the Civil War monument honors all men who died, both North and South. I like what that says about our town.

If you still haven’t had your fill of history, you can read the marker on our century-old, restored Comal County Courthouse. Take time to go inside and explore the exhibits and spaces of this unique and stately structure; believe me when I say there will be some fun surprises.

Cross Seguin St and grab a cup of coffee at Crosswalk in the former lobby of the Schmitz Hotel where you will walk on floors that knew the footsteps of Texas Rangers, Civil War officers and men, cotton merchants and so many more. I suggest you park yourself in a chair on the front porch. Take a little time to watch present day history happen right before your eyes and be thankful for the all the people who have made New Braunfels so wonderful.

FYI: Saturday, May 19th is FREE Museum Day from 1-4pm. Take advantage of this once a year freebie.

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This article originally appeared in the Herald- Zeitung on January 23, 2007.

Marie Jarisch and Gaston Parsons have an obvious pride when they talk about their grandfather and the Seekatz Opera House. The current Seekatz Opera House owned by Ron Snider is on the exact site of the original building, which burned down in 1941. Brothers Louis and Otto Seekatz, Louis being the grandfather of Jarisch and Parsons, saw a need in the late 1800’s for a large building downtown to accommodate traveling shows and local entertainment. The brothers were butchers by trade and decided to build their building on the Seekatz homestead next to the butcher shop downtown. They chose local builder Chris Herry and architect James Wahrenberger to come up with the plans. I have seen the architect’s specifications and they read like the instructions for building King Solomon’s Temple. Example: the brick was to be good hard well-burned selected Laredo brick. It’s hard to believe that a building so solidly built could burn like it did.

The two-story building had a wooden floor with removable seating for dancing. The large, beautifully appointed stage was the focal point of the main floor, complete with backdrops, velvet curtains, and dressing rooms.

On entering the front doors there was a bar on one side and barber shop on the other. This bar was quite successful until the advent of Prohibition, at which time it converted to the Staats brother’s Candy Kitchen.

On the second floor were balconies on both sides for viewing the stage and happenings on the floor below. Upstairs were also private clubrooms. The basement housed a kitchen and tables and chairs.

Living up to expectations, the Seekatz Opera House not only became the scene of traveling vaudeville shows but just about every large event in town. There were New Years Eve dances, Firemen’s Balls, Kindermaskenball, Fourth of July celebrations, orchestra concerts, high school graduations and many dances.

Marie Jarisch remembers seeing the famous fan dancer Sally Rand on the stage. Dancing with only two large ostrich feathers to cover her, Rand had introduced this dance at the 1933 Chicago World’s Fair. Supposedly she was good at creating the illusion of nudity while dancing “tastefully” to the music of Chopin. Hmmmm.

Gradually vaudeville and traveling shows became less popular as silent films made their debut. Jack Kaufmann, Sr. leased space to show movies as the stage productions decreased, and his son, Jack, Jr., who lived upstairs at the Opera House along with his parents and sister, Mary Virginia Brinkley, remembers some of those early stage shows. There was the freckle-faced singer and later movie star Arthur Godfrey and he recalls animal shows with live animals, especially monkeys.

Kaufmann said a Mr. Toepperwein did trick shots with a 22 rifle. He said Toepperwein stood in the balcony and fired at a screen over the heads of the audience. Can you imagine that today?

Then there was the 7 day bicycle rider whose bicycle was on a stand outside the theater. He actually rode 7 days and 7 nights.

Eventually movies overcame all the other entertainment. Kaufmann remembers the first silent movie,“The Great Train Robbery”, and the first “talkie” was Al Jolson’s “The Jazz Singer”. It was half silent and half talking. He said that his dad tried to keep up the show tradition by bringing in live animals when he showed the Frank Buck “Bring ‘Em Back Alive” movies. Otto Locke would bring in the animals and once he brought a giant boa constrictor.

In the 30’s G.A. Cole bought the movie business and the Seekatz Opera House became exclusively the Cole Theater. That’s what it was on January 21, 1941 when it succumbed to fire. “Stella Dallas” was showing at the Cole and outside the billboard advertised the upcoming “Misbehaving Husbands.” They never had a chance to misbehave at the Cole.

In the 1960s Gaston Parsons located the 300 plus pound marble cornerstone, which he still has. You can now view a display concerning the Opera House at the Sophienburg, including one of the 45 star flags flown in front of the building, plus the contents of the prematurely opened (due to the fire) time capsule. Shimmy on up the hill and see it.

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