Have you heard of Sylvester’s Abend? Have you heard of New Year’s Eve? Two names for the same event. To arrive at the Gregorian calendar that we and most European countries use was not an easy process. Many changes took place before the final calendar set up by Pope Gregory XIII was adopted.

Sylvester’s Abend was what the German emigrants called New Year’s Eve, or Dec. 31st.The name “Sylvester” translates from Latin as “wild man”. The German “Abend” translates to “evening”. Sylvester’s Abend is named after a Pope of the Roman Catholic Church from 314 A.D. to 335 A.D. Ever since the Gregorian calendar was adopted by most of the world, the feast day celebrated Sylvester’s death on Dec. 31st. The name Sylvester’s Abend was used locally for many years but eventually changed to New Year’s Eve. The local German American Society still uses Sylvester’s Abend.

Speaking of Sylvester’s Abend traditions, some of the interpreters at the Sophienburg who grew up in Germany remember a practice carried out on New Year’s Eve called Bleigiessen or “lead pouring”. It resembles the practice of reading tea leaves to predict the next year’s events. A small amount of lead is melted in a spoon over a candle. Then the molten lead is poured into a bowl of water and the pattern that forms predicts events of the coming year. There is a long list of what these forms could mean. Sounds like an entertaining game.

Advertisements in the old Zeitung newspapers give a hint of how New Year’s Eve was celebrated locally. Dances at halls in town and in nearby settlements were prevalent. A popular early hall was Matzdorf Halle which eventually became Echo Hall and then finally, Eagles Hall. There were dances at Sweet Home Hall at Solms, Walhalla at Smithson’s Valley, Teutonia Halle, Anhalt, Landa Park, Reinarz Hall, Schwab Hall, Lenzen Hall, and smaller ones. Downtown Seekatz Opera House, built in 1901, was a popular dance hall with its stage, dressing rooms, kitchen, and large main floor with seats that could be removed easily for dances. An added feature was a balcony for onlookers and private club rooms on the second floor in the front of the building. At midnight the fire siren would blow.

All of the dances furnished trappings of the celebration of the coming of the New Year with noisemakers and fireworks. Designed to ward off evil, fireworks and noisemakers go back to ancient times.

In a Sophienburg Reflections program, the late Kola Zipp recalls a custom in her younger years (early 1920s) that had to do with New Year’s Eve. She called the practice “New Year’s Callers”. Young men would hire a carriage from the local livery stable and go out on New Year’s afternoon to visit girls. Girls would stay at home to welcome them and offer the boys wine. (That’s a switch) These New Year’s Callers would visit and then move on to the next house.

Marie Offermann and her sister Jeanette Felger often went to dances at Echo Hall as children with their parents. There was even baby-sitting service in one of the back rooms. People brought food that was placed in the basement under the stage. New Years was a dress-up time. Look at the picture.

New Year’s Eve is celebrated around the world, often with strange customs, from throwing dishes, to wearing red underwear, to congregating in a cemetery to ring in the New Year with departed loved ones. In France the wind direction predicted the year’s crops and weather and in Spain if one could consume 12 grapes in 12 seconds from midnight, good luck would follow.

Since the invention of television and computers, millions watch the New Year’s celebration at Times Square in New York. Since its beginning in 1907, a huge 12 foot diameter ball suspended above Times Square is lowered. When it reaches the bottom of the tower, it is midnight.

No New Year’s Eve celebration would be complete without the ever popular traditional song, “Auld Lang Syne”. Poet Robert Burns is given credit for translating the Scottish song. Here’s the last verse of Burns’ rendition:

And there’s a hand, my trusty fiere!(friend)
And gie’s a hand o’ thine!(give us your hand)
And we’ll tak a right guid-willie waught,(take a good-will draught)
For auld lang syne,(long, long ago)

Chorus:

For auld lang syne, my jo,
For auld lang syne
We’ll tak a cup o’ kindness yet,
For auld lang syne.

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By Myra Lee Adams Goff —

Have you heard of Sylvester’s Abend? Have you heard of New Year’s Eve? Two names for the same event. To arrive at the Gregorian calendar that we and most European countries use was not an easy process. Many changes took place before the final calendar set up by Pope Gregory XIII was adopted.

Sylvester’s Abend was what the German emigrants called New Year’s Eve, or Dec. 31. The name “Sylvester” translates from Latin as “wild man.” The German “Abend” translates to “evening.” Sylvester’s Abend is named after a Pope of the Roman Catholic Church from 314 A.D. to 335 A.D. Ever since the Gregorian calendar was adopted by most of the world, the feast day celebrated Sylvester’s death on Dec. 31. The name Sylvester’s Abend was used locally for many years but eventually changed to New Year’s Eve. The local German American Society still uses Sylvester’s Abend.

Speaking of Sylvester’s Abend traditions, some of the interpreters at the Sophienburg who grew up in Germany remember a practice carried out on New Year’s Eve called Bleigiessen or “lead pouring.” It resembles the practice of reading tea leaves to predict the next year’s events. A small amount of lead is melted in a spoon over a candle. Then the molten lead is poured into a bowl of water and the pattern that forms predicts events of the coming year. There is a long list of what these forms could mean. Sounds like an entertaining game.

Advertisements in the old Neu Braunfelser Zeitung newspapers give a hint of how New Year’s Eve was celebrated locally. Dances at halls in town and in nearby settlements were prevalent. A popular early hall was Matzdorf Halle which eventually became Echo Hall and then finally, Eagles Hall. There were dances at Sweet Home Hall at Solms, Walhalla at Smithson’s Valley, Teutonia Halle, Anhalt, Landa Park, Reinarz Hall, Schwab Hall, Lenzen Hall, and smaller ones. Downtown Seekatz Opera House, built in 1901, was a popular dance hall with its stage, dressing rooms, kitchen, and large main floor with seats that could be removed easily for dances. An added feature was a balcony for onlookers and private club rooms on the second floor in the front of the building. At midnight the fire siren would blow.

All of the dances furnished trappings of the celebration of the coming of the New Year with noisemakers and fireworks. Designed to ward off evil, fireworks and noisemakers go back to ancient times.

In a Sophienburg Reflections program, the late Kola Zipp recalls a custom in her younger years (early 1920s) that had to do with New Year’s Eve. She called the practice “New Year’s Callers.” Young men would hire a carriage from the local livery stable and go out on New Year’s afternoon to visit girls. Girls would stay at home to welcome them and offer the boys wine. (That’s a switch.) These New Year’s Callers would visit and then move on to the next house.

Marie Offermann and her sister Jeanette Felger often went to dances at Echo Hall as children with their parents. There was even baby-sitting service in one of the back rooms. People brought food that was placed in the basement under the stage. New Years was a dress-up time. Look at the picture.

New Year’s Eve is celebrated around the world, often with strange customs, from throwing dishes, to wearing red underwear, to congregating in a cemetery to ring in the New Year with departed loved ones. In France the wind direction predicted the year’s crops and weather and in Spain if one could consume 12 grapes in 12 seconds from midnight, good luck would follow.

Since the invention of television and computers, millions watch the New Year’s celebration at Times Square in New York. Since its beginning in 1907, a huge 12-foot diameter ball suspended above Times Square is lowered. When it reaches the bottom of the tower, it is midnight.

No New Year’s Eve celebration would be complete without the ever-popular traditional song, “Auld Lang Syne.” Poet Robert Burns is given credit for translating the Scottish song. Here’s the last verse of Burns’ rendition:

And there’s a hand, my trusty fiere!(friend)
And gie’s a hand o’ thine!(give us your hand)
And we’ll tak a right guid-willie waught,(take a good-will draught)
For auld lang syne,(long, long ago)

Chorus:

For auld lang syne, my jo,
For auld lang syne
We’ll tak a cup o’ kindness yet,
For auld lang syne.

Sources: Around the Sophienburg; Sophienburg Museum and Archives Collection

Originally appeared December 2012.

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By Tara V. Kohlenberg

St. Nikolaus is thought to be the forerunner of our modern Santa Claus. Like other old legends, there are many variations of the St. Nikolaus story. He was from Turkey and in the 4th century entered the seminary. He soon became the Bishop of Myra, Asia Minor, and won many converts. Because of his popularity, the Romans imprisoned him. Finally, the new emperor, Constantine, released him from prison and even made him a church council member. He was known for selling off his own items and then giving the money to the poor. He would commonly leave coins in peoples’ shoes and dedicated his entire life to serving people who were sick and suffering. This is how he gained his saint status, and is what inspired St. Nikolaus Day celebrated on December 6.

One well-known story of St. Nikolaus involves a dowry for a father’s three daughters. In the third century, it was common for fathers to offer money to prospective husbands. However, one poor father with three daughters did not have money to do this. St. Nikolaus paid for all three daughters’ dowries by leaving gold in their shoes.

St. Nikolaus Day was celebrated in different ways. In Italy, this day was celebrated with feasts, gift-giving, and festivals. In Germany and the Netherlands, children would leave their shoes in front of the fireplace or front door the night of the 5th and find presents in them in the morning. Because of Nikolaus’ generosity, he became the patron saint of children in several countries.

During the Protestant Reformation, St. Nikolaus was banished from most European countries. The Dutch made him the protector of sailors and began the tradition of children filling wooden shoes with treats. Americans went from wooden shoes to leather shoes to long socks, even stretchable panty hose. In American New England, where the Dutch settled, they spelled St. Nikolaus “Sint Nikolass” which, with time, became “Sinterklass” and finally Santa Claus.

Clement Moore wrote the poem, “The Night Before Christmas” and he described St. Nikolaus as a little man in a red robe with a belly that “shook when he laughed like a bowl full of jelly.” This description contradicted the vision of a tall, stately man in a red Bishop’s robe trimmed in fur with a long white beard as described before. It also smashed St. Nikolaus into Christmas Eve and away from his saint day.

Then cartoonist Thomas Nast drew a picture of what he thought Santa looked like for Harper’s Weekly in 1881. Nast’s picture definitely put on weight. He looked like the Santa of today. As with the Christmas tree, St. Nikolaus was brought to Texas by German immigrants. For the last fifteen years, our St. Nick at the Sophienburg has been a combination of several versions from those stories. He wore a hooded red robe trimmed with animal fur and had a long beard. Nikolaus speaks only German and hollers out to the children, “Kannst du beten?” or “Can you pray”? and without even understanding what he said, the wide-eyed children say, “Yes, I can pray”.

The Sophienburg Museum & Archives has hosted St. Nikolaus for forty-plus years, with several versions of the Saint. We wish to pay tribute to one of them — the quiet, unassuming man who brought life to St. Nikolaus here for the past fifteen years, Michael Gene Krause.

Michael was born in New Braunfels, Texas, and raised on the family ranch about 15 miles outside of town. A descendant of several German families who helped found New Braunfels, he learned to speak German first and learned English in elementary school. He grew up on the ranch as an only child and only grandchild on both family sides. He was an inquisitive child and as a teen became interested in herpetology. He actually had a functioning snake stick. Michael chose to wear a white shirt and tie every day of high school to honor his father who was in a management position at City Public Service in San Antonio. His father held a BS in Mechanical Engineering from UT-Austin and was involved with the planning of the South Texas Nuclear Plants.

Michael was a 1974 graduate of Canyon High School. He earned a Bachelor of Science in Mechanical Engineering with specializations in Nuclear and Heat Transfer from the University of Texas at Austin — with highest honors. Michael finished his Masters of Science in Mechanical Engineering with the same nuclear specialization at UT in 1984 and then went on to work for 36 years at the University of Texas at Austin at the UT TRIGA Nuclear Research Reactor. Michael was very good at his job managing and maintenance of the UT TRIGA Nuclear Reactor. He often gave training demonstrations and lectures to nuclear operators in other countries, including Egypt, Malaysia, Morocco, Thailand, and Algeria. During his work at UT, and after retirement from there, he continued operation of the family ranch, eventually becoming its owner.

Michael and his wife Connie, were active in New Braunfels’ historical community. He was a member of several local organizations including the Sophienburg Museum and Archives, the Comal County Genealogy Society, the German-American Society, the New Braunfels Conservation Society, and the German-Texan Heritage Society where Michael was president for several years. Michael was also well-known in helping folks locate ancestors’ graves using divining rods. He was a member of the Sons of the Republic of Texas and along with his appearances as a German-Texan Saint Nikolaus at the Sophienburg, he played the part for many other Central Texas groups since 1995. Michael Krause passed away in July after a short illness, leaving his wife Connie and many, many friends to miss his sense of humor and wry smile.

St. Nikolaus will be at the Sophienburg Museum & Archives again on Sunday, Dec. 5. Call the museum to RSVP for either the 5pm or 6:30pm session. $5 per family.

Sources: Around the Sophienburg, Myra Lee Goff; Michael Gene Krause by Connie Krause; Sophienburg Museum personal recollection.

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