By Keva Hoffmann Boardman –

Tokology. When you read that word, what do you think of? When I came across an old book in the Sophienburg’s collections with this title I was intrigued. If you are like me, you may have thought this book was about “the study of toking” or “a how-to book on smoking pot”. Well, it turns out we would both be wrong. In Greek, tokos means childbirth. Tokology is the study of childbirth, midwifery and obstetrics. Ah!

A couple of years ago, researcher Kathleen A. Huston contacted the museum for information on 19th C. German midwives. Now you might think that particular research subject is strange for us, but it really isn’t. With our vast collections, we help many professors, students and researchers in finding peculiar, off-beat and always interesting information.

Kathleen was in luck. I had recently searched through the Neu Braunfelser Zeitung and other archival collections on midwives. It was midwives who delivered most of the babies in early Texas. There were native-born white midwives, African American “granny midwives”, Hispanic pateras and immigrant midwives from Europe. Ms. Huston had chosen to look into the midwives who were part of the influx of German-speaking immigrants of the 1840s to 1890s.

Prissy’s line in Gone With the Wind, “I don’t know nothin’ ‘bout birthin’ babies,” passed through my mind. Well, it turns out that the German immigrant women in Texas knew plenty.

Kathleen Huston concentrated on three themes in her research. The first is that the German-Texan midwives seemed to view midwifery (I love the way that words sounds!) as a true profession not as “neighbor helping neighbor”. Secondly, that midwife-assisted births were as safe and even safer than physician-attended births. And thirdly, that midwives and doctors cooperated: midwives performing most of the deliveries and doctors called in for difficult or unusual situations.

I had found in the German-language Neu Braunfelser Zeitung, that as early as 1853 (the paper began its run in 1852), two German women were marketing their midwife skills much like other contemporary businessmen. Johanne Bandelow advertised as a nurse and midwife who could be reached at the drugstore of August Forcke. County records also show that Dr. Remer had her testify to the birth and birthdates of NB citizens she had helped deliver. The second woman, Elizabeth Katterle, advertised specifically to reach her rural area around Henderson’s Settlement. This area was settled in 1850, 19 miles northwest of NB on the Guadalupe and was also called Esser’s Crossing or the Guadalupe Valley community.

The 1860 Comal County census showed that two German women, Barbara Alsens and Frederika Pendalon, actually listed their profession as “midwife”. In the following years, Mrs. Madeleine Le Fevre, Mrs. Louis Dillits Leuders, Mrs. Marie Groos Haas and Mrs. Ida Habermann Tolle promoted themselves in the newspaper as midwives. According to Ms. Huston, 65% of all midwives advertising in Texas newspapers between 1850 and 1890 were of German descent.

She speculated that one reason for the prevalence of German-born midwives may have been Germany’s strong traditions of midwifery as an acknowledged profession. By 1456, the town of Frankfurt was hiring midwives as city employees. Schools for the study of midwifery were created and funded by several German towns. Many books on obstetrics and midwifery were published in German and were authored by German women. The Tokology book (1885), was written by Dr. Alice B Stockam specifically for women to give them knowledge about issues related to childbirth and women’s health. This book became a huge success, reprinted over forty-five times with hundreds of thousands of copies sold over the years.

In “Reflections” #237, Edna Voigt gave her oral history which included stories of her grandmother, Teresa Schlather Guenther. Mrs. Guenther was a well-known midwife who assisted the births of many in Sattler, Spring Branch, Smithson’s Valley, Hancock, Fischer and Wimberley. Mrs. Voigt remembers that her grandmother was in such demand in the days of large families, that she was seldom ever at home. People would come and take her to stay with them through labor, delivery and the “lying in” period that followed. Mrs. Guenther practiced midwifery from around 1910 to 1925.

Midwifery fell out of fashion during the 1940s as hospital births were pushed as a more sterile and safe location, but these early women were an integral part of Texas history. More than just “helping out a neighbor”, they saw midwifery as a calling of immense importance. They sacrificed their own family life in order to spend long periods of time to help the new mothers around them — and they were much less expensive than a doctor. For the poor, this access to quality assistance in birthing was a God-send.

You may be a descendant of one of these remarkable women. Spurred on by Kathleen Huston, I have begun a database on Comal County midwives and their biographical information. The list, including those mentioned above, includes the following women up until the 1940s: Mrs. A. Floege (1902-1905), Mrs. Berrison (1900-1909), Mrs. Elizabeth Vecker (1917-1920) (I bet she was busy after WWI!), Mrs. Rosa Sieber (1922), Mrs. Francisca Sanchez (1920s), Mrs. Elisa Phillip (1920s) and Mrs. Josefa Sirio (1930-1940s).

Also included on the list is Mrs. Lina Chapa Delgado who was a midwife from 1931 to 1971 — forty years! Lina worked together with the county nurse and local doctors to provide trusted, skilled and conscientious care especially to the growing Hispanic community within Comal County. She assisted in over 1,600 births including four sets of twins.

If you have any information on these or other local midwives from New Braunfels’ history, please call me at the Sophienburg, 830.629-1572, or email to: museumom4@yahoo.com.

Sources: “German Midwives of Nineteenth Century Texas” by Kathleen A. Huston, 2019; Sophienburg Museum & Archives collections: Neu Braunfelser Zeitung, New Braunfels Herald, “Reflections” programs #2 and #237, Rare Books Library, Oscar Haas collections; https://medicine.iu.edu/blogs/medical-library/Historical-Book-of-the-week — Tokology

Photo Caption: Lina Chapa Delgado helping her granddaughter Michelle Ortiz listen to her heartbeat in January 1973. On the table are instruments given to Mrs. Delgado by Dr. Hylmar Karbach, Sr., a book on obstetrics from Dr. Frederick Casto and records of some of her 1,600+ deliveries. (New Braunfels Herald negative collection, Feb 1, 1973)

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It’s the same business, in the same place, run by the same family for almost 92 years. That’s Doeppenschmidt Funeral Home, now involving the fourth generation. And it doesn’t look like they are going to run out of clients any time soon.

In the early 1900s, on the corner of Seguin Ave. and Mill St. where Doeppenschmidt’s is located, Balthesar Preiss operated a livery stable, feed store and transfer service. They met trains and rented carriages for shopping, balls, and weddings. By 1912, a new building housed Baetge & Stratemann livery, transfer, feed and stable. Also in the same building on the left-hand side was Ed. Baetge and Gus Stollewerk working for Balthesar Preiss & Co., undertakers. By 1916 the double business advertised Ed. Baetge and Mrs. Otto Stratemann running the B. Preiss & Co. livery and feed stable and Baetge and Curt Ruedrich as undertakers for B. Preiss & Co.

Oscar Doeppenschmidt bought out Baetge and bought the building from Otto Stratemann in 1923. Up until that time Doeppenschmidt had a “pressing parlor” (cleaning and pressing) on W. Castell St. located in a building in the parking lot across from the Convention Center. He also operated an auto service station at 400 W. Seguin Ave. which was the vicinity of the former Hollmig’s Drive Inn. There he advertised as an agent for Chandler and Hupmobile cars, oil and gas.

After Doeppenschmidt took over the business where it is now located, he hired A.C. Moeller in 1928 for the first remodeling of the building for $10,000, no small amount at that time. Now look at the photograph dated 1927 and you can see what Doeppeschmidt’s business included. The man on the far right is Oscar Doeppenschmidt in front of a hearse. Notice the curtains and urn in the window. Next to that is an ambulance. It looks like the hearse, but has a red cross on the window. Originally these vehicles could be changed from hearse to ambulance and vice-versa. The other vehicles in the lineup were used as taxis and buses. Bus service was provided daily between San Antonio and Austin. In the center of the building are two archways and inside is a waiting room. Drivers of the vehicles were Richard Moeller, Marvin Rheinlaender, and Alvin Winkler.

Notice also the two gas tanks with the Magnolia Oil Company display. The two story building was constructed with apartments upstairs. Possibly there was also a saloon, not at all unusual in New Braunfels.

Another remodeling took place in 1972. The business by this time was solely Doeppenschmidt Funeral Home. Doeppenschmidt’s advertisement in the Herald was “Everybody wants a neat funeral for a small fee, a blessing to the poor and a help to the rich.” The advertisement claimed, “No commercialism, a chapel for 200 people and has the appearance of a quiet corner of a cathedral.” And it claims that the embalming room is not the gloomy den Dickens pictured in one of his novels, but has white tiling and bears the resemblance of the operating room of a modern hospital.

Why is the building called a home? An advertisement in the newspaper shows that “home is a real concern to their patrons.” You enter the parlor, like in a house for an atmosphere of homelike comfort. Services held as if they were held in one’s own “home”. Wonderful floor covering was laid out by Johann Jahn. Otto Rabenaldt was the licensed embalmer, assisted by Alice Dickerhoff.

Some old-timers and some not so old remember some of the funeral practices here in New Braunfels. Before television and radio, a rather ominous looking notice was printed on a small 4×7 inch white card with black borders. These cards with the deceased name were distributed around town. The early, early ones were in German script. Homes were draped with the colors of mourning – black or shades of dark grey. Funeral wreaths were hung on the outside door and inside the house over pictures, doors and windows. Sometimes mirrors and portraits of the deceased were covered with light veils.

Thousands of years ago all over the world, there is evidence that black was the color of funerals. Fear of the departed, not respect for them, was the reason. Covering oneself with black garments protected the person from spirit possession by the deceased. Widows wore a veil and black clothing for a year to hide from her husband’s spirit. These color practices have been all but forgotten by the younger generation and a majority of the older generation say “thank goodness”.

Going against these customs of wearing black brought social ostracism to the widow. Remember how Scarlett O’Hara was ostracized in “Gone with the Wind” when she abandoned the black clothes for brighter ones? Customs influence many of our actions and sometimes we don’t even know why, but I would never wear a red dress to a funeral, but not because of fear of the spirit possession.

Since the spirit domain was darkness, candles were lit to keep the dark spirits away. This practice comes from ancient people’s use of funeral torches around the body. The word funeral comes from the Latin “fumus” meaning “torch”. Doeppenschmidt used to turn on a light outside when there was a body inside.

The term “funeral home” no doubt comes from the importance of the home for funerals long before funeral homes. When a person died, the family would lay the body somewhere in the home, usually the parlor. Relatives and friends were invited to view the body. Then a casket was chosen from the undertaker’s supply or one could be ordered. The first NB undertaker, Balthesar Preiss, made his caskets. Some caskets were closed and some were open with a glass covering. By the way, the word “casket” comes from the Greek “kophinos” meaning basket. You can guess why, can’t you? The body was restrained in a basket with a rock on top to keep the spirit from escaping. While burying six feet under was thought to be a good practice, the basket, and finally the coffin was even safer. After the six feet under practice, a large stone was put on top of the coffin to keep the soul inside, hence we have the word “tombstone”.

Four generations of the Doeppenschmidts have run the business started by O.A. Doeppenschmidt in 1923. After he died, his wife, Emmie, and their son Bennie and wife Ruth, ran the business. The last two generations are Carl and his daughter, Michele.

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