Another downtown building, the Phoenix Saloon owners Ross and Debbie Fortune, are applying for a Texas Historical Marker. The Phoenix Saloon history really does live up to the story of the Phoenix, a legendary bird that builds its own funeral pyre, throws itself into the fire, lays an egg in the ashes and hatches a new Phoenix bird. This legend has been used often as a metaphor for rebirth or resurrection. The metaphor fits the local Phoenix Saloon.

The property at the corner of east Castell and west San Antonio Sts., according to the late Roberta Mueller, was owned by Valentine Sippel, her great grandfather. Valentine married Anna Ossman and they had three children: Kaytrina, who was crippled, Henry, who was killed in the Civil War, and finally son John, who lived to be 50 years old by his own choice, when he committed suicide.

John Sippel married into the successful Gruene family by marrying Johanna Gruene. After six children, the marriage ended in a bitter divorce, according to family members. Sippel had built the Phoenix Saloon in 1871 and moved into the second floor. Christian Hohmann and Henry Meier operated a bar and billiard room on the first floor of the two-story building. H.R. Schumacker operated a brewery in the basement from 1872 to 1875, selling a keg of beer for $2.25 and a glass for 5 cents, the going rate at the time.

About 40 different persons are associated with the proprietorship, bartending of the saloon, and sometimes restaurant, too many names to put in this column. The building was also called by several names until 1895 when it was finally called the Phoenix Saloon and Restaurant.

Trouble

An unfortunate incident occurred in 1885 when proprietor Walter Krause fought with a customer named James Alexander. Testimonies of two men in the saloon that day (Harry Mergele and Emil Schertz), stated that Alexander asked Krause how much he owed and Krause told him a quarter. Alexander said that he would pay him after pay day. Krause took exception to this and called him ugly names. Alexander left the building to go to Naegelin’s Bakery (apparently he worked there) and returned with one dollar, put it on the bar and retaliated with more ugly names. Krause jumped him from behind the bar and they exchanged blows. Alexander then left the bar as Krause was bleeding near the eye. Twelve days later Krause died as a result of the wounds.

Beer garden and chili

One of the attractions of the Phoenix was its beer garden facing San Antonio St. Women were welcome out there, but not inside. Women never went inside a saloon. The beer garden was between the saloon and the old Comal County Courthouse facing San Antonio St. The garden was also accessible from Castell St. at the back of the building next to the Ludwig Hotel which was located in what is now the parking lot of Chase Bank. Sippel had built a small pool with a fountain in the garden containing gold fish, a large catfish, and even a baby alligator. It was a popular gathering place downtown. Bells hanging from the trees summoned waiters from inside.

Another big attraction was William Gebhardt’s cafe at the back of the saloon. Gebhardt developed a sort of stew using ground up ancho peppers that he called Tampico Dust. This extremely popular concoction caused Gebhardt in 1892 to move to San Antonio where his brother-in-law, Albert Kronkosky, Sr. helped him organize the Gebhardt Chili Powder Co. Gebhardt’s wife was Rosa Kronkosky, sister of Albert. Incidentally Albert Kronkosky, Jr. was a very successful businessman who eventually owned the San Antonio Drug Co. as well as being a major stockholder in Merck & Co. Thus the Kronkosky Charitable Foundation was founded.

Prohibition

In 1895 a fire caused damage to the saloon as well as Fritz Maier’s “German Advocate” newspaper on the second floor, but the Phoenix rose again. After the reopening of the saloon there were many proprietors and “when everything was going right, up popped the devil – PROHIBITION”. The advent of prohibition dealt a blow to the saloon world. In NB as early as 1887 the second floor of the Phoenix had become the headquarters of the Anti-Prohibition movement for Comal County. Prohibition was a national issue so each state was to vote either for or against. New Braunfels held rallies around the Plaza and when the vote came up, Comal County voted 100% against prohibition. ”Gambrinus”, the legendary inventor of beer, had many followers in Comal County. At that time there were four breweries in New Braunfels: Rennert Brewery, Dampmann Brewery, Guenther Brewery and New Braunfels Brewing Co. This last one managed to stay open by producing a “near beer” called Busto.

During WWI, prohibition had linked itself with patriotism. First saloons were closed to soldiers and then in a burst of wartime feeling in 1918 the state of Texas voted in favor of prohibition. Rumors of an illicit brewery have circulated in NB but there is no proof. In the basement of the Phoenix there is a hole in the wall that some have speculated was an underground tunnel, but it turns out that it was probably a storage place for coal for the heating system.

Prohibition went into effect January of 1920, but the Phoenix Saloon closed down from 1918 to 1922. Then came two financial blows to the country, especially the government – the Great Depression and the fall of the stock market. One solution to these problems for the government was to repeal Prohibition so that taxes could be collected from the sale of liquor. Prohibition was repealed by 1933.

Building expansion

In 1922 the building was bought by Albert Ludwig, who expanded the building and added a third floor for the Masonic Lodge #1109. Jacob Schmidt bought the building in 1927 and operated a clothing store for 60 years. Several other businesses followed from 1996.

The latest rise of the Phoenix occurred when the Fortunes bought the property and brought it back to its original purpose, a saloon that has music and even serves chili. The Phoenix has risen again and remains a historic site!

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As the last article of the year 2013, I would like to tell you a story that is factually true but of little historic significance. I remember the programs put on by school children for their parents before Christmas vacation, in the Spring, and at the end-of-school. They had one thing in common – everyone was glad when they were over.

My first teaching job was here in New Braunfels at Lamar Elementary. Although I had a secondary degree, my first job was in elementary school. That’s because I could play the piano and in those early days it was very important for a school to have a teacher that could play the piano. Every grade had a music and an art class.

On Friday afternoons all the children filed into the auditorium where they learned patriotism through singing “Texas Our Texas” and the “Star Spangled Banner”. There were other historical songs like “Over There” from WWI and “Just Before the Battle Mother” from the Civil War. The idea was that history could be learned through music and I do think it works. What teacher could resist the teaching moment when a child would ask, “Why is it our Texas?”, or “What’s a Star Spangled Banner?”, or “Where is over there?”, or “What battle?”

Not having any training in what children were capable of singing, my expectations far outreached the limits of their capabilities. I still remember for example one Easter program when the little fourth graders sang “The Holy City”, a piece that only the Mormon Tabernacle Choir could perfect.

In the mid-1960s, I was teaching music at Carl Schurz Elementary. The Texas Education Agency decreed that sixth grade students were to be taught music, art, and performing arts every day. It was loosely called Fine Arts. Teachers were not supplied a curriculum; it was up to the teachers.

My fellow sixth grade teacher Georgia Brooks and I guided 60 sixth graders through Broadway classics, old songs from the 1920s that my mother taught me and a few that her mother taught her. We taught anti-war songs like “Where Have All the Flowers Gone?”, “Yesterday”, and “The Cruel War”.

I led the music portion of Fine Arts while Brooks held those 60 children in place. When we taught the art part of Fine Arts, Brooks directed with me helping with discipline. For Performing Arts we taught the students to dance. Brooks danced with them while I played piano. We danced “Put Your Little Foot”, “Ten Pretty Girls”, the polka, two step and waltz. They were ready for the Kindermaskenball.

Then the sixth grade was transferred to New Braunfels Middle School. The transition to a school where there were 7^th and 8^th graders was difficult. There was no bad influence on these younger children like many were afraid would happen; the older students would have nothing to do with the 6^th graders.

Our Fine Arts program transferred with us to Middle School, only the music was in the boy’s gym with basketball going on at the same time. The art segment was in a double classroom shared by Brooks and me.

At Christmastime our principal asked our Fine Arts class to put on a program in the gym before the holidays. This was a most difficult audience but 6^th graders were eager to perform. We put on our version of “How the Grinch Stole Christmas”. The art part of the Fine Arts class made elaborate scenery – mountains, artificial snow and a little red wagon for a sled. It was a success. And so our stock went up with the 7^th and 8^th graders.

The next year our Fine Arts class was again asked to put on the pre-holiday program. What glory there is in success! This time we created our own version of “Toyland” and we worked like little elves.

The day arrived and once again the 7^th and 8^th graders poured into the gym. Everything was going as planned until the last number.

Picture this: Two rows of students lined up facing each other playing the part of the figures that come out of a German “cuckoo” clock. They look at each other and then go back in the clock. To make things a little more exciting, each child had an aluminum pie plate filled with shaving cream. They were SUPPOSED to act like they were going to throw it at each other. Instead of acting, one pie flew through the air and hit another child. Now twelve pies flew and soon the gym floor, covered with shaving cream, became a slip and slide for merrily sliding children.

Can you imagine the audience? They were wild with enthusiasm and wild with the appreciation of our talent! These people have a strange sense of humor. The assembly was called off, every one filed happily out of the gym and Brooks and I stood there stunned. One math teacher came back and helped us mop the entire gym floor.

The floor has never been so clean and this, our swan song, was the last time our Fine Arts class was asked to put on the Christmas program. Without saying a word, the look on the principal’s face said it all.

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Beginning this Thursday through Saturday, we will be celebrating all kinds of events in historic New Braunfels.

To begin with, at the Sophienburg, the annual St. Nicholas Abend will once again be a winner for young children and their parents. This is an old custom brought over from Germany. Here’s how it works: The children are brought to the Sophienburg by a parent or two and there they will be told the story of St. Nicholas. Suddenly St. Nick arrives and he tells them to be good (which is not a bad idea). St. Nick doesn’t look like Santa Claus in his burlap outfit. This has always been confusing to children because even the children’s songs mix Santa and St. Nick customs. Those who have practiced this tradition at home hang up a stocking on Dec. 5 and miraculously candy, fruit and nuts arrive by morning. The child then knows that they have been good. If the child has a lump of coal or a switch in the stocking, they have a short time to mend their ways before Christmas. There is a lesson of hope and forgiveness in the St. Nick story (maybe a little bribery).

Please RSVP to the Sophienburg. The cost is $5.00 a family.

The visit from St. Nick starts at 6:00 p.m. and so does another event downtown. It is Wassailfest. Although it has not been a historical event here in NB, the annual event is on its way to becoming one. The downtown is closed off to traffic, the stores are open and the wassail drink is free and everywhere people vote for their favorite wassail.

There is something fun about walking down the middle of San Antonio St. and Seguin Ave. Our wonderful downtown Christmas lights are on and music is everywhere adding to the festive atmosphere. By the way, parents, it’s a short walk from the Sophienburg to downtown.

Supposedly the first time “wassail” appearing in literature was in the 8^th century poem, “Beowulf”. The word wassail was a greeting and came from Old English “waes hael” meaning “be well”. Whoever was Lord of the English manor shouted “wael hael” and the crowd shouted “drinc hael”, meaning “drink well”.

Over time, the wassail tradition changed to door to door visitation. The visitors would receive hot spiced ale in return for Christmas money.

Two wassail customs that don’t have anything to do with our Wassailfest are “Lambs Wool” and “Apple Tree” celebrations. The Lambs wool has to do with what is put in the wassail – sugar, spices, eggs, cream and pieces of toast. Supposedly the floating toast looked like the wool of lambs. At the Apple Tree celebration, the crowd would throw wassail at the tree to ensure that it would produce apples.

And then, “Let’s Remember Pearl Harbor” on Saturday, Dec. 7. St. Paul Lutheran Church and the New Braunfels Conservation Society are presenting a program to the public entitled “Life in New Braunfels During World War II”. Conservation Executive Director Martha Rehler says to meet at 5:00 p.m. at the Evangelical Lutheran Church of St. Martin on Loop 337. Grounds will be open at 4:30 for a tour of the church and cemetery, and listen to a string ensemble by the 36^th Infantry Division Band, Texas Army National Guard.

Then move on to Conservation Plaza where a flag raising ceremony will take place and the 36^th Infantry Division Band will play a tribute to veterans. At 7:00 p.m. the NB Gemischte Chor Harmony will sing favorite German music.

A display of items from WWII will be featured in Forke Store. A special program will feature recorded memories of the late Lorenz Bading as he was recently interviewed about the war and the 36^th Division Band. He talks about his personal experiences during the war. The whole program is free of charge.

Here in New Braunfels, as in all of America, the bombing of Pearl Harbor was a wake-up call to a war that had been going on in the rest of the world for at least two years. I’m speculating that German communities like NB were even more affected by WWII because most citizens were less than 100 years from that homeland. They were horrified and surprised at what was happening in Germany. In 1942, I was in the fifth grade at Lamar School. I remember asking my mother, “Am I a German?” to which she answered, “No, you are an American.” That was that.

New Braunfels went all out showing patriotism in many ways. The buying of defense bonds was one of the ways. Even school children bought 10 cent stamps and collected them in a book. We had a Service Center in New Braunfels that provided entertainment for servicemen on week-ends. It was located on the Plaza in the old Eisenberg Furniture Store that actually belonged to Harry Landa. Dances were held on the week-ends, and servicemen were welcome at all times. Upstairs were cots that the servicemen could sleep on. NB was so close to the bases in San Antonio that this center and Landa Park became favorite hang-outs.

Both adults and children helped the war effort by collecting scrap iron. Schools in Texas became part of the Junior Texas Rangers, a group responsible for the collecting. Locally the New Braunfels schools collected 322,873 pounds of scrap metal and the rural schools collected 186,711 pounds. Over 9,000 pounds alone were collected from the four farms and ranches of Albert Pfeuffer, Ernst Karbach, Millie Karbach and John Karbach. Post 179 of the American Legion gave up its cannons, machine guns, German helmets, shell cases, all of which were relics of WWI. In Comal County there were 1,491 men and women who served in the armed services. Thirty eight of them never returned.

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By Myra Lee Adams Goff

Recently I gave a speech about the history of First Protestant Church at the Texas German-American Society’s meeting. One of the stories in the history of this church is about the three large bells that are in the tower. These are not the ones that Prince Carl gave to the church and brought by the Schaefer family; those are installed on the front lawn. The tower bells symbolize change and you’ve heard over and over that “change” is inevitable. We all agree that it’s true, but we also know that change is extremely difficult.

Let’s look at how the First Protestant Church bells became the symbols of change and even of a changing society here in New Braunfels. Parishioner Christian Lange presented the three bells to the congregation in 1894 to be hung in the tower. The smallest bell has its name, “Germania”, engraved on its side. Germania represents the German heritage. It is three feet in diameter and thirty inches tall and rings a high tenor sound. The next bell is named “Columbia” and is forty-four inches in diameter and forty inches high. It signifies the loyalty toward the new country, America. The song, “Hail Columbia”, although it never mentions America, is a song whose words were written when America and France were at war with each other and was used to keep Americans united. The chorus goes:

“Firm, united, let us be,
Rallying round our liberty,
As a band of brothers joined,
Peace and safety we shall find”

“Concordia” is the largest of the bells and expresses the hope for harmony between the old and the new generations. It is almost six feet in diameter and four feet high. With its deep mellow voice, it forms the bass for the harmony of the blending of the three. If you look up the root of the word Concordia, you will find that it means “a peaceful coming together, not of one conquest over another”. Symbolically, the three bells represent a peaceful blending of the German and American cultures resulting in a new culture.

About two decades after those bells were singing in harmony, there was an opportunity for Concordia to show its strength. Here’s what happened:

Shortly after the end of the First World War, there arose an element of discontent in the church body. From the beginning, the church had been a German church – the German Protestant Church with everything in German- sermons, music, organizations, and confirmation classes. Now many parishioners wanted to make the transition to become truly American.

There was much strife during this time and the church split down the middle. There was an English service and a German service. There were two confirmation classes, two choirs, one in English and one in German. The English church service paid the utility bill for the English service and the German church service paid the utility bill for the German service. An attempt was made to solve this growing chasm by hiring an English-speaking pastor to join the German pastor, Rev. Gottlob Mornhinweg. He had been pastor at the church since 1899.

After many years, the problem was finally solved by hiring Rev. Edwin Berger who was proficient in both English and German and could give sermons in both. Rev. Mornhinweg was retained as an Emeritus Pastor. After this tumultuous time, the name of the church changed from German Protestant Church to First Protestant Church. After WWII, the German influence became smaller and gradually the speaking of German all but faded away. The same situation was happening in the town of New Braunfels.

First Protestant strives to hold on to some of its German traditions a little like the town holds on to its “Germania” with Wurstfest, Weihnachtsmarkt, the German singing societies, Kindertanzen and Kindermaskenball. We have our fests and vereins, burgs, and bergs. Occasionally at First Protestant the choir sings an anthem in German and the pastor, Darryl Higgins always adds a German blessing.

Don’t think for one moment that “ Germania” didn’t suffer during this transition. It was hard. No doubt, the struggle goes on in other cultures as well, whether it is Hispanic, Black or Asian. The changes aren’t over yet as we go from a little town to a big city, but here’s hoping “Concordia” is strong and big enough to help peaceful transitions.

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One of the more exciting stories concerning the early settlers of New Braunfels was that of Betty Holekamp charging across the Guadalupe on a horse after Prince Carl’s spectacular show of bravado. The story was probably somewhat embellished over the years, but nevertheless it’s a good one.

Prince Carl was of the highest class of aristocracy and I doubt seriously if he appreciated anyone trying to upstage him, much less a woman. He would not be leading the parade for women’s sufferage, but I think Betty would have.

Here’s the story: Georg and Elizabeth Holekamp had married in Germany on March 17, 1844. They set out for Texas to make a new life for themselves. They were on the brig Johann Dethart which was the first ship of the Adelsverein. They arrived in Galveston November 24, 1844.

Georg Holekamp, the son of the royal architect Daniel Holekamp, was educated at the University of Hanover and could speak German, English, French and also studied music and medicine. His father discouraged him from being a musician. He couldn’t have gone farther away from that career – a brick maker and a farmer. Music did become his hobby. For that matter it was while pursuing this hobby that Georg met Elizabeth Abbenthern. While playing the piano, Georg asked for a vocalist and Elizabeth (Betty) came forward. She was 10 years younger and he was impressed.

Betty’s father was the ministerial accountant in the royal court of the King of the state of Hannover. Betty was educated along with the king’s daughters to become a governess.  She had been around the aristocracy before so that may explain her willingness to challenge the prince.

Georg and Betty married and set out for the Republic of Texas. They arrived in Galveston on November 24, 1844. They made their way to New Braunfels and when they could, crossed the Guadalupe to get to the settlement.

Now Betty is the one that tradition says would not want to be outdone by Prince Carl. Supposedly he was riding a white horse and   plunged into the raging flood waters. This white horse story made me question the accuracy of the story. After all, “good” cowboys ride white horses. We don’t know what color Betty’s horse was but she followed suit in true pioneer fashion. Don’t you know Georg was impressed?

In New Braunfels they enrolled in the German Protestant Church. Their town lots bordered Garden St., from Comal St. to the Comal River.

When Texas became a state of the Union, Betty Holekamp sewed a 6 ft by 3 ft United States flag with the 13 red and white stripes and a lone star on a field of blue in the left corner. This earlier Texas flag was known as the Texas Lone Star and Stripes flag. Tradition says that the Holekamp flag was flown on the Plaza and believed to be the first American flag flown in town. Some think that the flying of this flag could have been a message to the aristocratic Prince Carl. What do you think?

Two years after arriving in New Braunfels, the Holekamps moved to Fredericksburg where they received property and Georg became an administrator in property settlement. They never gave up their properties in New Braunfels. Georg built a home and a saw and grist mill on the Comal River at the foot of Garza St. It was also a paper pulp mill and an ice plant. A flood nearly totally destroyed the mill in 1869. This property became Camp Landa and finally the property of Schlitterbahn.

In 1854 the Holekamps moved to Comfort as one of their first settlers. A small rock house is still preserved by the Comfort Historical Society. They also lived in Sisterdale and San Antonio. The Sisterdale house still stands also.

When the Civil War broke out, Georg enlisted in the Confederate army as a surgeon. His  small amount of medical training qualified him to do that. He was the company’s band director at the same time. Unfortunately he was killed in Brownsville in 1862 and neither the cause or burial site was revealed.

Betty Holekamp continued living in Comfort and raised her seven children alone. She outlived her husband by 40 years. What a woman!!

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Step into the past this coming Saturday and Sunday at the Folkfest put on by the Heritage Society at the Heritage Village on Churchhill Drive. The whole event kicks off with the annual children’s masked parade, known as Kindermasken (children’s masks) or the old way, Kindermaskenball (children’s masked dance). Doesn’t New Braunfels just love parades?

Children like to dress up and parade around and they were doing this in Germany long before the settlers came here in 1845. The immigrants brought the tradition with them and supposedly Hermann Seele organized the local event here in 1857. The reason for children parading goes way back too. Children represent new life and Spring represents a new year. Although it has changed over the years, the tradition lives on.

“Kindermaskenball: Past and Present” written by Rosemarie Leissner Gregory and Myra Lee Adams Goff can be purchased at the Sophienburg. The book illustrates, through photographs, the changes in the tradition from the beginning to the 1920s, the war years and up to the present.

This year children are asked to line up at 9:15 Saturday around the Main Fire Station and march towards the Plaza then to First Protestant Church. Two NBISD middle school bands will march. (Parade participants are invited to Folkfest where judging of costumes will be held. Each will receive one pass and one adult pass)

This is the 27th Folkfest put on by the Heritage Society. The setting at the Village is perfect with its beautiful wildflowers and historic buildings. There is something for everyone and especially children.

Ladies, this is what you can experience: Imagine getting up early to feed and milk the goats and feed the chickens. You fix biscuits in a small cottage that could easily be 100 degrees inside. Why do they taste better than canned biscuits? Now you sit down and make lace for the one dressy dress that you own. Look how the handwork is piling up. Let the kids help you wash clothes in a wash tub using lye soap on an old wooden scrub board. By the way, the Daughters of the Republic of Texas, Ferdinand Lindheimer Chapter, will be there to help you with your genealogy. Were your ancestors in Texas during the Republic?

There is plenty for you men to do. First there is a chuck wagon cooking demonstration. That will come in handy when you make biscuits, cobbler and stew outside. Go by the Texian tents where the re-enactors are camping out. There are also Civil War re-enactors. What a show they put on with their canons that they really do fire. How about learning about native plants and you might as well learn how to make adobe bricks. The blacksmith demo is really interesting since I’ll bet not too many of you do that any more.

Now comes the real highlight of Folkfest, children’s activities. Kids, you can learn how to make a kite and then most important how to fly it. Of course there are the old favorites, candle dipping and the making of clay pots or whatever. You can learn how to make arrowheads and play games like sack races, hoops and graces, lassoing and stick pony races. There’s a bird feeding activity where you make a bird feeder using peanut butter. And for you little girls, you can dress up (clothes provided) and go to a real tea party.

On Sunday, Ravenstar will teach you how to identify birds and the Gorge Preservation Group of Canyon Lake will have an archeological dig and just maybe you will find a little dinosaur.

Both days there will be entertainment like Ballet Folklorico and Kindertanzen. There will be music and food of all sorts. You can see things like snakes. No, they won’t just be crawling around, they will be caged. You can shop for antiques and collectibles and tour the buildings on the grounds. What a great way to learn about the past and have fun at the same time.

All of our historical museums like Heritage, Sophienburg, Conservation, Railroad, plus the County and City Historical groups are doing such a good job of keeping our history alive. Hats off to them all!

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By Keva Hoffmann Boardman —

With the Comal County Fair over and done, we look forward to the other fall community events. Dia de los Muertos comes next and will be followed by the granddaddy of them all, Wurstfest!

For me, a first founder descendant, Wurstfest is my favorite. It is much more than beer and sausage. It’s the time families and friends, old and new, gather to have Gemütlichkeit. Translated loosely, that means a time of warmth, friendliness and good cheer amongst people. Wurstfest is also a time we get to dance to the music and songs that have always been a special part of our lives.

The polka music that our grandparents taught us to dance to at weddings and dances have a nearly 200-year-old history. Mystery surrounds the true beginnings of the polka. Some say the name comes from the Bohemian word pulka, which is the half-step dance movement one uses. Others claim that the dance was invented by a young Polish servant girl and named “polka” in reference to the word for Polish woman.

History only knows that around 1830, in villages around Prague, the polka rhythm and steps were noticed and became a sensation in Prague itself. The upbeat tempo, catchy tunes and often humorous lyrics then took Paris by storm in the 1840s. Well, all of that and the added bonus that a man could hold his lady friend deliciously close when spinning her around the dance floor. The polka was a far cry from the formal and staid minuets, quadrilles and waltzes of the 19th century.

The major emigration of Europeans in the 1840s brought the sound, beat and steps of the polka to North America. Texas, with its high concentration of Germans, Czechs and Poles, became a hotbed and haven of the polka. As Germanic immigrants settled throughout east and central Texas, they tended to band together for their common good. They formed vereins. These associations or clubs promoted their members’ general welfare as well as preserving their culture. Music — and the polka — always played an integral part.

Dance halls were basically mandatory in these communities and bands were readily available since there were many men who knew how to play at least one instrument. Stringed and brass instruments came with the immigrants. Woodwinds like flutes, clarinets and saxophones were also prevalent. But the most distinctive instrument was the accordion.

The accordion is a wind instrument comprised of two reed organs connected by folding bellows. Sound is made by expanding and compressing the bellows forcing air through the reed organs. A keyboard of keys or buttons is used to play the melody.

The earliest accordion was invented by Friedrich Buschmann of Berlin, Germany in 1822; Buschmann called his instrument the Handäoline. In 1828, Armenian organ and piano maker Cyrill Demian created the Akkerdeon and chose that name based on the German word Akkord, which means chord.

The Germans, Czechs and Poles loved their accordions and the polka, and the music was heard often. In a wonderful turn of events, Texas-born Tejanos in the San Antonio area took the accordion, the polka sound and dance steps they heard and saw and invented the unique musical genre of conjunto. Conjunto blended the sound and rhythms from both German and Hispanic communities and remains popular in Texas music today.

The same beat, similar dance steps and the all-important sound of the accordion still echos in dance halls and street festivals. Even if you are new to the polka or conjunto sound, I guarantee that if you listen to the beat your foot will start tapping. If you listen closely to the words, you will often find yourself giggling. If you really listen to the music, I’m going to bet that you will get off your chair, grab yourself a partner and dance deliciously close in circles around and around the dance floor.

Sources: PBS Western Reserve: The History of Polka: From Europe to Northeast Ohio; Appalachian Freunde Polka Band; Handbook of Texas.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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By Tara V. Kohlenberg —

Some stories write themselves. Some, like this one, began as one idea before evolving into something completely different. The idea stemmed from a visit with Myra Lee Adams Goff, (you know, accomplished author and the one that started this column) when she handed me a copy of the The Golden Book of Favorite Songs. I had seen copies of this songbook in the Sophienburg Archives, but never researched it. I took it as a challenge.

The gold-colored 126-page booklet by Hall & McCreary Company, copyrighted in 1915 and 1923, was a favorite keepsake of hers, in part because she sang from the book when she was in school at the Lamar Ward School. A ward is like our attendance zone today. It was also the book used when she began teaching at Lamar Elementary School in 1954. Same school, updated name.

A man by the name of Curt E. Schmidt was named prin­ci­pal of Carl Schurz Ward School in 1931, a year be­fore Myra Lee Adams Goff was born. Schmidt had be­gun his teach­ing ca­reer in 1922 in a one-room school­house in Gille­spie County be­fore teach­ing Eng­lish at New Braun­fels High School. While at Carl Schurz, he earned his law de­gree from St. Mary’s Uni­ver­sity in 1942, leav­ing ed­u­ca­tion to prac­tice law. He re­turned to ed­u­ca­tion as prin­ci­pal of Lamar El­e­men­tary in 1950.

At that time, prin­ci­pals were not re­quired to teach classes, but he of­ten taught art and mu­sic. He was fond of The Golden Book of Fa­vorite Songs. The book was a teacher’s dream, teach­ing mu­sic, his­tory, pa­tri­o­tism, read­ing and re­li­gion all in one. It had songs of every genre: chil­dren’s songs, Christ­mas, Civil War, folk, pa­tri­otic, re­li­gious, Ne­gro “spir­i­tu­als”, with many of the songs’ his­to­ries be­ing given. There were also read­ings or recita­tions: Lin­col­n’s Get­tys­burg Ad­dress, Pledge of Al­le­giance and Twenty-third Psalm. Curt Schmidt led songs from the song­book fre­quently. He or­ches­trated chil­dren’s skits and mu­si­cal pro­grams every year.

Mrs. Goff graduated from Texas Christian University in 1953. Her first teaching job was at Lamar Elementary. Principal Curt E. Schmidt hired her because she could play the piano. She taught music and handwriting to fourth, fifth and sixth graders. She had a degree in secondary education, and there she was, hired to teach music to elementary kids. What’s more, she could not read a lick of music. She played by ear from the age of seven. If she heard it, she could play it.

As Mrs. Goff tells it, at one particular school assembly, while Schmidt was leading songs, he called out a Civil War song on page number sixteen, “Just Before the Battle, Mother.” Well, Mrs. Goff did not know it. She told me that she suffered through, plinking around, pretending, when he finally stopped to ask her what she was playing. She said, “I told you I couldn’t read music.”

I had a natural curiosity about Curt Schmidt. We lived next door to him on Magazine Street for a couple of years up until I was old enough to start school. I never attended school where he was principal. I would later see him orchestrating the Kindermasken Parade when school teachers helped put it on. I thought that the old German dance, Herr Schmidt, was about him. I remember him to be very energetic, almost intense about things. I wondered if my memories about his nature were correct.

Curt Schmidt was an innovator. He was proud of his German heritage and felt strongly about preserving the ways of the ancestors. German language had not been taught in New Braunfels schools since World War I. After thirteen years without German language instruction, Schmidt felt the children needed it. In 1931, he organized German Summer School, devoted entirely to teaching the German language, folkways, folk songs and German pioneer traditions. The number of German School students grew from the initial forty to over three hundred per summer over the years.

The summer program ran until it was crushed by World War II. Since the United States was at war with Germany, everything German became suspect again. Promoting the German language was considered subversive and the German program ended in 1940. You will frequently see the German language textbooks Deutsche Fibel (German Primer) and Erstes Lesebuch (First Reader) that he used in German Summer School in the Sophienburg collection, or estate sales. We have one of each at our house. Schmidt was very persistent. Later, in 1954, as principal of Carl Schurz, he was instrumental in finally getting German and Spanish language electives back into the elementary schools.

Curt Schmidt was ambitious. He first served as principal of Carl Schurz, then after returning from his law practice, he served as principal at Lamar for three years before returning to Carl Schurz. By the time Mrs. Goff returned to teaching after having a family (no pregnant women could teach!), Curt Schmidt was the superintendent of New Braunfels School District. Mrs. Goff’s teaching career led her to Carl Schurz, Lamar and New Braunfels Junior High before authoring her own articles and books to preserve the history of New Braunfels.

Schmidt served as superintendent from 1962 to 1966, during which time he established the first area vocational school in Texas, inaugurated the first Head Start program and established a vocational school of nursing. Overall, he spent forty years as an educator, mostly in New Braunfels. Some loved him, some did not, but he accomplished a lot in his time. He again practiced law from 1970 until his retirement in 1982.

Curt Schmidt loved his German heritage and his community. He was active in Scouting his whole life, earning the Silver Beaver and Scoutmaster Key awards. He was a charter member and past president of the New Braunfels Rotary Club, and active with the Sophienburg Memorial Association. Schmidt wrote and illustrated two books about German Texan pioneers and was the local correspondent to the San Antonio Light for ten years.

I may not have fulfilled my task of writing an article about The Golden Book of Favorite Songs, but in this final year of Lamar Elementary, I have managed to tie together a bunch of things that I did not know about before writing this article: the Songbook, the German primers, German School, Mrs. Goff and Herr Schmidt. It is almost like the Six Degrees of Curt Schmidt. Too much?

Sources: Myra Lee Adams Goff; Sophienburg Musuem and Archives.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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By Tara V. Kohlenberg —

Of the many things that New Braunfels’ founders brought with them, one of the greatest is their love of music. Men’s choirs, singing societies and bands of all types, have been the focal point of entertainment and social gatherings in New Braunfels for more than 175 years.

Now that we have made it through the parades and polkas this year, it is time for Christmas music. I am not talking “jingle bells, deck them halls and ho, ho, ho” as Lucy told Schroeder. I am talking about the beautiful hymns and sacred music of Christmas as presented annually at the Advent Vespers program by the New Braunfels Music Study Club.

For those unfamiliar with Advent Vespers, “Advent” pertains to the four-week season in the Church calendar anticipating and preparing for the arrival, or “advent,” of Jesus of Nazareth at Christmas. “Vespers” generally refers to evening prayers, based on the Latin word vesper, meaning evening. The New Braunfels Music Study Club has presented the annual sacred music program since 1959.

The Music Study Club was organized on February 24, 1928. Fourteen ladies met at the home of Mrs. Irene Guinn to establish a club promoting the study of music, encouraging musical education and maintaining a high musical standard in the community. The first order of business was the election of officers, with Mrs. Guinn, a well-established piano teacher, elected President, Miss Roma Koepp elected Vice-President and Mrs. Galle elected Secretary-Treasurer. They studied the opera “Il Troubadore” and Italian composer, Giuseppe Verdi, with multiple selections performed by club members.

The charter members were Mrs. J.F. Johnson, Mrs. M.C. Hagler, Mrs. Irma Guinn, Mrs. R.H. Ransopher, Mrs. U.R. Hellmann, Mrs. O.C. Bassler, Mrs. Arthur Zipp, Mrs. Emil Heinen, Miss Etelka Lucas, Mrs. G. Mornhinweg, Mrs. Ernie Eikel, Mrs. Harold Adams, Mrs. John Fuchs, Mrs. Bob Herring, Mrs. George Baetge, Mrs. Harry Galle, Miss Allene Ashenhurst, Miss Roma Koepp, Miss Loraine Tolle, Miss Gertrude Dietel, Mrs. Howard McKenna, Mrs. Pete Faust, and Mrs. Rennie Wright.

By November 1929, the New Braunfels club had become a member of both the Texas and National Federation of Music Clubs. The national organization was founded in 1898. It was chartered by the Congress of the United States and is the only music organization member of the United Nations. The NFMC is composed of over 90.000 members that include professional and amateur musicians, vocalists, composers, dancers, performing artists, arts and music educators, music students, patrons and music lovers of all ages.

Courses of study for the New Braunfels club were selected from those offered by the national organization. The courses followed specified categories of fine music study including opera, international music, folk music, parade music, sacred music and composers. Members selected the biography of a music master/composer, taking turns in presenting the information at a meeting while the music of said master would be performed by others in the group.

The New Braunfels Music Study Club monthly meetings were held in private homes. In the first years, operas were studied with members and guests performing appropriate music. Later, a ladies’ chorus was formed as well as a ladies’ string ensemble. First Protestant Church invited them to perform a Christmas cantata in the church, followed by a benefit concert for the Church Auditorium Building Fund. When Seele Parish House was finished, the club was invited to hold their monthly meetings there. They bought a grand piano for the parish house to be used for rehearsals, programs and Sunday School meetings.

The New Braunfels Music Club negotiated with the NBISD School Board to improve the music programs in the schools. They established a rhythm band at Carl Schurz Elementary and a choral program at New Braunfels Junior High School.

In the 1930s, the club established juvenile and junior music clubs, giving students the opportunity to compete in Federation festivals which were held in different cities in the district/state. Local student Glenn Richter (who went on to become the University of Texas Band Director) won a prestigious state scholarship to the National Summer Camp in Michigan.

During the ‘50s and ‘60s, music teacher members presented their students in a weekly 30-minute program on KGNB radio station every Saturday morning. In addition, member Franz Coreth presented outstanding opera programming every Sunday afternoon.

Over the years, the club has been led by numerous presidents including Shirley Jochec, Dorothy Johnson, Ann Kleeman, Jo Ann Lemmon and Robbie Borchers to develop outstanding projects. Not only have they supported the Federation by holding district conventions, district junior festivals and conventions, they have also hosted concerts showcasing choral groups, bands, soloists, and orchestras. In 1981, to honor their commitment to music education, the club established two annual scholarships to high school students seeking to continue the study of music in college.

The club’s most well-known project is a wonderful Christmas gift to the community: the Advent Vespers. It was originally touted as a Sacred Music Festival in 1959 with music performed by several church choirs. In 1960, choirs from First Baptist, First Protestant, New Braunfels Presbyterian, St. John’s Episcopal and St. Paul’s Lutheran churches participated, in addition to the Mass City Church Chorus directed by Melitta Frueh.

Melitta, the daughter of a Lutheran minister, the wife of a Lutheran minister, and a retired public school music teacher, combined her love of sacred Christmas music and grew the choral event for nearly forty years. The name changed to Advent Vespers about 1964. The massed choir has grown to more than eighty voices representing more than fifteen churches and organizations and is directed by Jody Leifeste.

The New Braunfels Music Study Club cordially invites you to prepare your heart for Christmas by attending this year’s Advent Vespers, to be held Sunday, December, 1, 2024, at 4:00 p.m. at Cross Lutheran Church Sanctuary, 2171 E. Common St., New Braunfels. As always, a free will gift is accepted.

Sources: Sophienburg Museum and Archives; Jo Ann Lemmon.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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By Tara V. Kohlenberg —

Reaching a certain age and lifespan in New Braunfels entitles me, and others like me, to call buildings/places by other names and not sound crazy. It is like a secret code. We can use the “old” name when referring to a current building, and not many will know what we are talking about. Recently, we were talking about the New Braunfels Social Club building located at 353 S. Seguin Ave., which has nothing to do with the current establishment by that name on West San Antonio Street.

As you know, New Braunfels is known for being a social city, thanks to our founding fathers. When German immigrants came to Texas, they brought more than just tools and clothes to start a new life, they brought their culture, work ethic, music, and family values. They also brought their desire for socialization. They participated in organizations of all kinds — singing societies, shooting clubs, athletic clubs.

Eventually, athletic clubs became less about physical fitness and more about social activities — billiards, card games (skat) and nine-pin bowling. Bowling teams from various clubs around town would compete with one another, as well as travel to other towns to compete for prizes. One of the earliest organizations was the New Braunfels Social Club founded in 1864.

Unfortunately, much of the New Braunfels Social Club organization history has been lost. From what I can tell, they were more of what we now think of as a bowling team. They had no “lanes” of their own, so they bowled at established bowling alleys. They may possibly have taken their name from a hosting bowling alley. Advertisements posted in the Zeitung all-German language paper in 1890 noted that the Social Club Saloon Beer Hall and Bowling Alley, owned by Mangliers, was formerly known as Hasenbeck’s Saloon. The ads of the day gave no addresses, but Karl Hasenbeck showed up in the 1890 census as a barkeeper on Seguin Street.

In 1910, the New Braunfels Social Club organization built a building for their members at 353 S. Seguin Ave. The 1907 Sanborn maps indicate that two bowling lanes, a separate smaller building, and a beer garden had existed on that same property. The one-story Social Club building has many characteristics of the Richardsonian Romanesque period, including grand architectural elements of a heavy stone façade with columns, arched windows and stained-glass detail more like one would see on a large three-story courthouse. The new building had room for club activities and enclosed bowling lanes.

Nine-pin bowling was a team sport. As New Braunfels Social Club membership increased, their support for the community grew, holding fundraising events for Red Cross donations and to buy War Bonds. They did well. In 1930, they expanded, installing first-class billiards tables, card tables, and more bowling lanes for members. Initially, the lanes were set up for nine-pin bowling. Ten-pen bowling became more prevalent with the invention of mechanical pin setting machines in the 1950s. New Braunfels Social Club voted to install pinsetter equipment in 1959. They enjoyed success until a public bowling alley opened in the early ‘60s. Club membership dropped by 75 percent over an eight-year period and they could no longer keep up with expenses. The New Braunfels Social Club made the painful decision to close their doors for good in October 1968 due to overwhelming debt, a good deal of which was attributed to pinsetter equipment. The building would not sit empty for long.

The City of New Braunfels was looking for a site on which to build a new civic center. The City Master Plan recommended a convention site on IH 35 at Walnut (across from H-E-B). The city placed a bid of $35,000 for the Social Club property, only to have it rejected by the club’s membership. The city withdrew the offer but let it be known that it was prepared to initiate condemnation procedures to acquire the property. The Social Club received one other bid for $40,000 and accepted, even though the purchase price would not cover the club’s entire $51,000 debt. So, who outbid the City? The Elks!

A local chapter of the Benevolent and Protective Order of Elks was chartered in 1963. The New Braunfels Elks Lodge No. 2279 leased the old Oasis Club property (current location of Microtel Inn & Suites on Business 35) for their new home. This fraternal organization, built on the tenets of “Charity, Justice, Brotherly Love and Fidelity,” fit right into the fabric of New Braunfels. Their membership grew quickly over the next five years and sought to build their own lodge building. The Elks had already purchased a piece of land on Highway 46 South for their new lodge. When the Social Club building came up for sale, they jumped on it and closed in January of 1969.

The Elks put in over 5,000 volunteer hours to remodel the old Social Club, including removing the bowling lanes and transforming the area into a dance floor. The eight maple bowling lanes weighing 56,000 pounds were painstakingly taken up and reassembled, pegged, glued and refinished to create an 1,800-square-foot dance floor. Think giant jigsaw puzzle. That’s commitment! The new Elks Lodge No. 2279 was dedicated in August 1969. The 114-year- old lodge building has been and continues to be one of the most popular venues in New Braunfels.

On a side note, the New Braunfels Social Club decision to accept the Elks’ bid over the city’s, to some was controversial, but ultimately, it was the membership’s call. They basically saved the 1910 treasure. Had the vote gone the other way, the Social Club bowling alley would have been torn down and the Civic Center would have been built on the other side of the street.

Sources: Sophienburg Museum & Archives.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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