Eleven years ago Rosemarie Gregory and I wrote a book called “Kindermaskenball, Past and Present”. It’s about an event here in New Braunfels that goes back to the early days of the settlement. At the beginning of the book we made this statement: “Kindermaskenball is about tradition and make-believe. Children particularly flourish in this world of make-believe and adults create the tradition by recreating what they themselves enjoyed in childhood.” Isn’t that what tradition is?

Next weekend on Saturday, April 12, and Sunday, April 13, Heritage Society’s annual Folkfest will be held on their grounds on Churchill Drive. The Kindermaskenball parade downtown NB will be part of this celebration on Saturday.

The Kindermaskenball is believed to be a celebration of spring, as in Germany it dates back to the Teutonic custom of the coming of this season. Another theory claims it was a pre-Lenten observance in Germany called Fasching. According to German teacher, Benno Engel, Fasching began on the eleventh minute of the eleventh hour of the eleventh day of the month lasting until Ash Wednesday. Parades and masked dances prevailed.

The event used to be called Kindermaskenball. Yes, Kinder is “children”, Masken is “masks”, and Ball is “dance”. For several years the term Kindermasken has applied. That’s possible because there is no dance connected to it now. Hermann Seele is given credit for starting Kindermaskenball in 1846 but some written accounts say 1856. Which is a type 0? The Neu Braunfelser Zeitung says that children assembled at the New Braunfels Academy (on Mill St.) dressed in costumes, led by their leaders (probably teachers), and a brass band. They frolicked through the streets, engaged in plays and sang at the Saengerhalle. At a time, when the norm was for children to be seen and not heard, this must have been quite a show.

Nevertheless, after parading through the streets they moved out to Seele’s Saengerhalle. Hermann Seele in 1855 had built a large hall next to his home on the Guadalupe River. There is no building standing now but if you drive to the foot of Seele Street, you can pick out the location. Another street in that area is Saenger. That makes sense because the first state-wide Saengerfest (Festival of Singers) was held at Seele’s Hall. All his life he was active on the music scene. Oscar Haas stated that the Kindermaskenball parade ended up at the hall for 20 or more years.

The next location for Kindermaskenball was the Lenzen Halle located where the Courthouse Annex stands on Seguin Ave. This hall burned in 1895 and after that the children paraded to Matzdorf Halle (formerly Rheinlaender Halle, and later named Echo Hall and now Eagle’s Hall.)

In 1901 the Seekatz Opera House opened on San Antonio St. In reference to this location, a 1917 news article tells of “merry dancing and romping by children until 10 o’clock when the hall was turned over to grownups to “render homage to Terpsichore”. I love that statement. Not only did I not know who Terpsichore was, but I didn’t know how to pronounce it. It’s pronounced “terp-sick-o ree” just in case you want to use it in your every-day conversation. Terpsichore was the Greek muse of dancing.

It is believed that the custom of the Grand March began about this time. The Grand March is hard to describe in words and certainly didn’t begin in New Braunfels, but during the 1920s, 30s, 40s and 50s it was a big part of the dance.

Elaborate costumes became popular in the early 1900s and by the 1920s, Landa Park was a favorite destination after the parade. Serious costume making began by mothers, aunts, grandmothers, and seamstresses. Thousands watched the parade according to the newspaper. Ballerinas, dancers, Indians, soldiers, cowboys and clowns marched down the street. The 1920s brought in the innovation of lipstick and eye makeup. Little girls and big girls were allowed this luxury during the Kindermaskentall but it was a “no-no” on ordinary days.

Eventually the parade culminated about where the old City Hall is on Seguin Ave. and then families got together in Landa Park. In Landa Park, there was a wooden hall that was located between the Pioneer Statue and the Outdoor Dance Slab. Children through Jr. High age would play and dance “Put Your Little Foot”, “Herr Schmidt” and “The Bunny Hop” inside the wooden pavilion that has been torn down.

In the evening, the crowd would move over to the open-air dance slab. Christmas tree lights adorned the big tree in the center of the floor. On this tree-house pavilion the orchestra sat and played. Dancing on the slab would take place until 9 o’clock when an announcement was made that the Grand March would begin. Two by two, children followed the leaders by grade level. “Under the Double Eagle” was the favorite march. The custom was for boys to ask girls to be their Grand March partner, usually at school.

The NBISD sponsored the event for years, then the Beta Sigma Phi sorority and finally it became a part of Folkfest in 1992.

In the past, costumes were very elaborate. There were some women in town that were very handy with needle, thread, ribbon, sequins and net. Photos reflect these costumes. The Sophienburg has a large collection of some of these costumes on mannequins inside the museum. Joline Erben, Marie Jarisch and Antoinette Malmstead designed costumes that are still in the collections.

Gone are the days when thousands participated. I have my own theory. In the 1920s, 30s and 40s all the elementary schools had an end of school event. These were programs in April and parents were asked to furnish costumes. Then World War II came along, and everything was scarce, especially for such frivolous things. Programs turned to “non-costumed” events.

Folkfest, which is all about tradition, is keeping the tradition alive. Tina Lindeman, chairman, asks all participants to line up at 10 a.m. at the Central Fire Station in downtown New Braunfels and then, along with parents, make their way to Folkfest after the parade.

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On Tuesday, September 10, the Sophienburg Museum and Archives will open its exhibit about a literary form referred to as fairy tales. Eighteen Brothers Grimm fairy tales will be incorporated into the displays that are already present in the museum.

Keva Boardman, Director of Exhibits at the Sophienburg Museum, has used her imagination and expertise to show off the Sophienburg’s vast collections, seldom seen by the public.

There are some important facts to know before you come to the exhibit. First of all, the “Brothers Grimm”, Wilhelm and Jacob, did not write the fairy tales; they wrote them down. Drawing from a collection of writers such as Charles Perault, they utilized the stories that were passed on by word of mouth, mostly from Europe. Most stories date back to the Middle Ages. These tales are in modern times totally bazaar and full of the evils that man is capable of inflicting on mankind.

Life in the early European days were indeed harsh and fairy tales reflected what children were exposed to and feared the most. The Grimm brothers told the stories they heard from people but modified them to reflect the times. (1800s) Writers of fairy tales for children today do basically the same thing, that is, change the tales to reflect these modern times. Walt Disney did much to keep the fairy tales alive, but in a much more acceptable way to modern children.

Even today the themes of the fairy tales still reflect the underlying fears of children and adults. Think about the fairy tales you know. They play on the themes of evil (the evil stepmother), abandonment (Hansel and Gretel), and fear of becoming a victim. Most children are quick to pick up on these themes in literature and for that reason, they are often fearful of the story itself.

One Christmas when I was eight years old, I received a very large book that contained 100 fairy tales. Each story had an illustration of that particular story. I would turn the pages very slowly and look at the beautifully illustrated pictures. When I got close to the middle of the book, I would hurriedly go past the 50^th story and its illustration. This story was “Bluebeard”, a story about a king who warned his many wives to never enter a certain room in the castle. Of course, the female finally gave in to her curiosity and she opened the door only to find that all the other wives had been beheaded. Needless to say, that story is no longer in fairy tale books and hasn’t been for about 50 years.

The Grimm brothers cleaned up the earlier tales, and Disney cleaned up the Grimm tales. The Sophienburg exhibit is for adults and children. The Grimm brothers were professors of linguistics. Learning about the change in the sounds of words was best accomplished by them by requesting that everyday people tell them stories that they had heard as children. The brothers wrote down the stories which eventually led to their publication in 1814. Consisting of tales from Germany, they were not intended for children, as they were full of witches, wolves, and goblins in dark forests. The original tales make no attempt to be fright-free.

Eighteen fairy tales have been chosen to display and here is an example of what you could see in the exhibit: a “Snow White” dress on a mannequin originally worn by Mitzi Nuhn (Dreher), age six, as she played that part in the Enchanted Hour Kindergarten’s program of “Snow White and the Seven Dwarfs” in 1937 at the Seele Parish House. The teachers of this private Kindergarten were Bessie Baetge and Lucille Staats Jett. The silk and velvet dress was reworked by the Sophie Sewers who worked on several projects from the collection, including handkerchiefs from “The Goose Maiden”.

For the “Cinderella” exhibit, 39 right-footed shoes from the collection are shown, even a red leather Moroccan slipper. “Star Money” features a collection of German coins and “Brother and Sister” features things made of antlers, because in the story the brother turns into a deer.

A loaned display for “Brementown Musicians” shows eleven handmade German folk guitars dated 1870 to 1990 and loaned by Troy Tidwell. The musicians in the story are a donkey, a dog, a cat, and a rooster.

“Hansel and Gretel” features children dressed in German costumes and “Reponses” shows decorations made of human hair. There are about ten examples displayed in shadow boxes. This was a popular art at the time the emigrants came to New Braunfels.

Several fairy tales used the idea of a princess under glass. That even survived in the Snow White story by Disney. The exhibit is using their Scloss Braunfels Boyhood Home of Prince Carl of Solms/Braunfels under glass sculpture, created by Jonas Perkins. In the foyer of the museum is a permanent statue of “Little Redcap” or “Little Red Ridinghood”, donated by the Emmie Seele Faust family.

“The Seven Ravens” is about a baptism. The Sophienburg has been the recipient of many old church Baptism certificates. They are beautifully crafted, some using gold and exquisite colored flowers.

This exhibit is for those who want to know about the historic root of fairy tales. Museum hours are 10:00 to 4:00 Tuesday through Friday. The Bruder Grimm Kinder-Märchen Exhibit will be on display for a year.

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By Tara V. Kohlenberg —

By the time I sat down to write this story, we were several weeks into back-to-school ad campaigns for clothing, athletic gear, and school supplies. The term “back-to-school” made me think of popcorn, parakeets and Big Chief tablets.

Maybe your brain doesn’t track like this, but there is something oddly comforting about the smell of freshly made popcorn, the sound of tweeting parakeets, and a new Big Chief tablet. In New Braunfels, it meant shopping at Winn’s.

Winn’s was my favorite back-to-school shopping place. They had everything we needed and then some. Winn’s was what they called a variety store, a five-and-dime or simply dimestore. It was downtown across from the post office on Castell Avenue (now 2tarts Bakery and River Rose Boutique). I loved Winn’s. I can still smell the fresh popcorn and hear the parakeets twittering in the back of the store.

Winn’s, founded in 1926 by San Antonio businessman Murray Winn, opened its 55th store in New Braunfels in 1959. Winn’s Stores Inc. bought the North Castell Avenue property from Norman J. Henne in March of ’59. An 8500-square-foot building was built after they razed buildings previously housing Schumann’s Battery Service, real estate office of Hilmar Doehne, and the burned out remains of Fred D’s Sporting Goods Store.

Before that, school supplies were purchased at drug stores or places like Vollmer’s or National’s Five & Dime (now Antique Mall). It must have been somewhat competitive since the stores tried to entice school shoppers by offering coupons for ice cream sodas or a free pass to the movies. I am not sure that Winn’s ever had that type of promotion.
A typical list from my childhood mirrored that of the 1959 New Braunfels Independent School District first-grade supply list. On it were nine items: #2 pencils with erasers, box of eight crayons, pointy scissors, spiral composition books, mixed construction paper, tissues, jar of paste, a pencil tablet and a cigar box.

This year’s NBISD supply list for first grade has at least 20 items. The basic items are still the same today, including crayons, construction paper, spiral notebooks, tissues and scissors (but scissors are no longer pointy). Gone is the paste that came in glass jars and tasted like mint (so I have been told). Teachers today want glue sticks.

They have replaced pencil tablets with primary notebooks. The pencil tablets were 8 x 12 pads of wide lined newsprint writing paper with Big Chief being the favored brand. Easily recognizable from anywhere, it had a red cover with an image of a Native American chief on it. It was my very own new pad of writing paper for a fresh start.

Cigar boxes were the predecessors of today’s plastic pencil box. Everyone used what was available. Back when people smoked cigars, the pharmacies and stores would save the boxes to sell with school supplies. I loved the smell of tobacco when I opened the lid of my new cardboard King Edward cigar box. Later, as people smoked less, cardboard boxes were specifically made for school supplies in bright colors, but it just wasn’t the same.

As we grew out of the Big Chief phase, we got filler paper to put in our zippered 3-ring binders which we carried in our satchels (a dorkier, more cumbersome book bag). There were no Trapper Keepers or backpacks, but we did have lunch boxes. Mine was a shiny, black-patent-look Barbie lunch kit with matching thermos. Unlike today’s Yeti insulated cups and mugs, a thermos in those days was lined with glass. Yep! A thermos in the hands of a second grader was risky business. Just one bounce when dropped and you had instant crystal maracas (which every mother loved to hear).

As for school clothing choices, there was not a lot available in downtown New Braunfels. Some people ordered through catalog stores like JCPenney or Montgomery Ward. There was no Amazon or overnight delivery so it took weeks to receive it. We got one pair of school shoes that had to last until summer: saddle oxfords or P.F. Flyers or Keds. New Braunfels had B&B Poll Parrot (left side of the New Braunfels Art League next to Scores sports bar) for shoes but they were probably a little pricier than Winn’s.
Winn’s had blue jeans, shirts, socks and tennis shoes in stock for boys. For girls, they had petticoats and slips and socks. They also had a healthy stock of bobby pins, hair bands, clips, and Aqua Net. I really do not remember the dresses at Winn’s because my mom made dresses for my sister and me. But the fabric — there were tons of fabric and patterns and buttons and zippers. I would spend time looking at pattern books while my mom shopped for fabric until I got sent on a mission to find my brother.

My brother, and most of the boys, could usually be found in the back of the store looking at all the things my mother said no to: bubbling aquariums full of fish or the dozen blue-and-green parakeets in a cage or the turtles. He did talk her into a turtle once.

Beyond school supplies, Winn’s had a wonderful supply of anything found in a variety store including lamps, curtains, laundry baskets, toilet paper, garbage cans, kitchen gadgets, costume jewelry, candy, and the list goes on.

In May of 1968, a second location of Winn’s Variety Store was opened in the new Landa Plaza Shopping Center (Das Rec) that was designed to look like faux fachwerk. It was the 87th store. It was closer to our house, but we still liked to go to the downtown Winn’s.

Winn’s Stores continued to expand in Texas, Oklahoma, and New Mexico under other ownership, reaching 230 stores in 1987. Then things went south. Walmart and other major national retailers began moving into cities with their discount department store model. Then the dollar stores began popping up.

Winn’s sold off stores, closed others, and filed bankruptcy before finally dissolving in 1995. It was a great ride that made a ton of memories! Especially the popcorn, parakeets and Big Chief tablets — and I almost forgot, the ICEEs!

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Felipe Delgado had a dream. It was during WWII when he was in the U.S. Army Air Corps stationed in India. He dreamed of home in New Braunfels and of creating a place of entertainment for the Hispanic people. He and his wife Elisa fulfilled that dream by building the West End Hall and West End Baseball Park.

Elisa Saenz (Delgado) was born in Seguin after her parents had come from Mexico in 1926 to find work. At age 7, Elisa and her family moved to Dittlinger or as it was called, “La Calera” meaning “the limestone”. That’s what it was, a community for employees at the Dittlinger limekiln. It was one of the businesses owned by Hippolyt Dittlinger. In 1931, he formed the Servtex Material Company.

A community grew up around the lime and rock-crushing company. Houses were provided for the workers and a building that housed both a church and a school, called the Rosa Mystica School. The teachers of the school were brought in from Our Lady of the Lake Convent. Elisa did not finish school because she, like many other children at Dittlinger, took off to be migrant workers with their families, traveling on the back of big trucks to other states to pick fruit. Those who became migrant workers were gone about three months every year during the school year.

Elisa looks back to those days at Dittlinger with fond memories. There were lots of children to play with. Her father would often make barbeque, skinning a pig with every bit of the pig used for something. Elisa also remembers how hard her mother worked washing her father’s lime-covered clothes outside in a big pot over a fire. Every day the clothes had to be washed twice to remove the lime.

Felipe Delgado and Elisa Saenz met at a baseball game being played at Carl Schurz School here in New Braunfels. As a young man, Felipe joined the U.S. Army Air Corps where he became a radio and Morse Code operator. Elisa joined him when he was on furlough in 1944 and they were married. When Felipe got out of the service, the couple remained in New Braunfels. Here they would fulfill Felipe’s dream.

Elisa had a talent that provided her with a good job. She could sew. She worked at Cater Frock, sewing top-quality children’s clothes. That business was located in the present Recreation Center in Landa Park. When that business closed, Elisa kept on sewing for other people. She sewed the ornate Mexican Folk Dresses for the Ballet Folklorico that her granddaughter was in.

After WWII, Felipe came home to New Braunfels determined to build an entertainment center for the Hispanic people in the West End. He felt that there was a need for such a business. He worked at various jobs, finally ending up with a Civil Service job. But he devoted his spare time to working on the West End Park.

The property in the West End Subdivision #2 was owned by Charles and Laura Wallace and the Delgados bought the large piece of land, about four acres, in 1947. The City gave permission for parts of Katy and Michigan Sts. to be closed to traffic because Felipe needed that property to complete his plans for his West End Park.

First, a large concrete slab was poured by the light of lanterns because there was no electricity. The park eventually contained not only the large hall, but a ballpark, a large field for outdoor activities and carnivals, and a cantina. The park became popular very quickly with its dances and special events like weddings, anniversaries, birthday celebrations, Diez y Seis celebrations, boxing matches, and the Quinceanera celebrations for girls. At times the hall with its concrete floor became a skating rink. There was a rink outside as well. Elisa cooked hamburgers inside a small area next to the stage in the hall and in the cantina.

The baseball field with its grandstand encouraged the love of baseball and many games were played with other New Braunfels teams. The West End team was called the Cardinals and later the Lions. Many teams from Mexico played on that field as well.

A tragedy almost closed the hall in 1962 when the hall burned down on New Year’s Eve. All the band instruments burned. The Delgados had two daughters, Estella and Rosalinda, and that year Estella was to celebrate her 15th birthday with a Quinceanera. The hall was rebuilt by May and the celebration went on as planned.

The Quinceanera is a Hispanic tradition celebrating the 15th birthday of a young girl’s coming of age. It recognizes her journey from childhood to maturity. The custom highlights God, family, friends, music, food and dance. Naturally when Estella’s Quinceanera was finally held, it was in the new West End Hall. It is a very formal affair with elaborate dresses, tiaras and flowers. Fourteen girlfriends are chosen by the honoree. They are dressed alike and become part of the ceremony. It begins with a religious ceremony followed by a reception and then a dance. The honoree dances the first dance with her father.

Another very important celebration at West End Hall and all over Texas, for that matter, was the Diez y Seis de Septiembre. This event celebrates Mexico’s Independence from Spain in 1810. Father Miguel Hidalgo y Costilla launched the Mexican War of Independence from Spain on September 16th. Hidalgo set out to spread the word, carrying a staff affixed with an image of the Virgin of Guadalupe. It became a symbol of the Mexican liberation movement. The struggle against Spain had to do with the rights of the “Creoles”, those who were born in the new world with Spanish ancestry, but not given the same privileges as those born in Spain. After the war, those Spanish born Europeans were expelled from Mexico. Locally this celebration includes a queen and her court for the evening.

The Delgados leased the complex in the 1970s and the hall was torn down and sold in the 1980s. West End Park and Baseball Field fist the old saying, “Gone but not forgotten.”

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