By Tara V. Kohlenberg ─

One might think that New Braunfels knows sausage because of Wurstfest, when it is really the other way around. New Braunfels has Wurstfest because We Know Sausage.

Sausage making is an art that requires patience, skill, and attention to detail. A food staple of many cultures, sausage evolved as a way to efficiently preserve meat for long periods of time.

Early sausage makers found that a wide range of raw ingredients could be used, including the parts of the animal carcasses that could not be used in other ways, including the less tender cuts, organ meats and blood.

Good sausage makers are as discriminating about what goes into sausage as winemakers are about grape selection. They take into account not only the meat used, but also the aroma of seasonings and balance of flavors to create a juicy, tender sausage with a satisfying ‘snap’ upon first bite. Sausage makers of the world’s cultures used regional ingredients and spices, contributing to a vast culinary diversity of sausage, even though the processes were basically the same. By the 19th century, butchers and sausage makers were considered skilled craftsmen in Germany. They had to undergo years of apprenticeships and rigorous practice, before recognition as a Metzgermeister or master sausage maker.

Karl August Lohse, believed to be the first commercial sausage maker in New Braunfels, was born in 1830 in Meissen, Saxony. He apprenticed under a master butcher for three and one-half years before being issued a diploma. For the next eight years, he traveled as a journeyman working under other butchers to hone his trade. He set sail for Texas as a Metzgermeister in 1860. He is attributed with spreading the fame of Comal County’s German sausages by supplying them to San Antonio on a regular basis.

By 1961, with a population of about 16,000 people, New Braunfels boasted at least nineteen commercial sausage makers (roughly one sausage maker per 850 people). Local veterinarian and meat inspector E.A. Grist knew them all. He proposed that New Braunfels recognize and honor the local sausage makers with a sausage week.

The inaugural Sausage Festival Week was held December 11-16, 1961. Sausage makers and local merchants promoted and displayed all types of sausage made in New Braunfels while restaurants featured sausage dishes on their menus. The week ended with a public sausage supper scheduled in Landa Park. The Saturday supper event was actually held in the National Guard Armory due to bad weather.

The stars of the show were the sausage makers: Artzt Meat market, Brodt’s Slaughter House, Fritz’s Meat Market, Kraft Slaughter House, Krause’s Café, Kriewald Meat, Neuse’s Grocery, New Braunfels Smokehouse, Norbert’s Market & Grocery, Rahe Packing Company (now Granzin’s Meat), Schwamkrug’s Garden, Soechting Country Market, Textile Café, Warnecke Catering and Weyel’s IGA Foodliner and others.

Today, grocery stores are huge and stock a lot of prepackaged, big name sausage brands. There are only a handful of commercial sausage makers in New Braunfels who have grown to meet the demand. The traditional local butcher shops that still make their own sausage include Granzin’s Meat Market, Rust Game Place, and although not really in Comal County, Penshorn’s Meat Market in Marion. In addition, there may be some game processors that make venison sausage for their customers.

There are two large-scale United States Department of Agriculture commercial sausage operations: 1845 Meat Company and the New Braunfels Smokehouse. They sell both wholesale and retail, promoting and shipping on a national level. They keep up the tradition of providing locally made sausage for Wurstfest, along with Rust Game place.

Of course, many local farmers still slaughter and butcher their own farm animals (hogs and calves) for their use. It is a big job. Butchering meant days of work by the whole family to process the meat, make sausage and render fat for soap making. Over the years, they developed their own secret family sausage recipes, many of which were passed down through the generations.

For the uninitiated, sausage is made by grinding up meat parts of an animal and mixing with spices and seasonings. I have participated with my family in a weekend of deer processing and sausage making. I started with turning casings (pig intestines) and moved up to tying sausage off with string. It is a great way to carry on the family recipe; however, I have to admit, it is tough doing everything by hand for 80 pounds of sausage. I was never in charge of the smoking chore. It can be complex and take hours.

According to Smokemeister Charles McKinnis, 1845 Meat Company makes sausage in 200-pound batches. Each batch goes through the same steps: primary grind of selected meat; second grind with seasonings added; third grind with curing agent; then stuffed into natural casings and hung, which takes about 50 minutes. From there, they go to a huge smokehouse oven to be smoked and steamed for about two hours. That is considerably shorter than the six hours needed for traditional smokehouse ovens. Once the sausages are chilled, they are packaged, labeled and dated according to USDA requirements. Two hundred pounds in three hours is a way better average than my 80 pounds in a week.

Every sausage maker learns from someone else. It is great to be able to naturally discern subtle flavors and aromas, but that skill is usually coached by someone else. McKinnis learned about flavors from his mother and his grandmother. He learned about flavor formulations from Clint Skarosky. Mostly, McKinnis spent at least 20 years under the tutelage of Smokemeister Rocky Tays, who has at least 50 years in the business. He learned not only about how to make sausage, but how to do it right to meet USDA regulations.

The time-honored process of sausage making is a big part of New Braunfels’ German heritage.

With every butcher shop or local sausage maker that closes, an invaluable culinary heritage is lost.

Sources: The Sophienburg Museum and Archives; Mike Dietert; Wurstfest New Braunfels: the First Fifty Years by Alton J. Rahe; Charles McKinnis.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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By Keva Hoffmann Boardman —

With the Comal County Fair over and done, we look forward to the other fall community events. Dia de los Muertos comes next and will be followed by the granddaddy of them all, Wurstfest!

For me, a first founder descendant, Wurstfest is my favorite. It is much more than beer and sausage. It’s the time families and friends, old and new, gather to have Gemütlichkeit. Translated loosely, that means a time of warmth, friendliness and good cheer amongst people. Wurstfest is also a time we get to dance to the music and songs that have always been a special part of our lives.

The polka music that our grandparents taught us to dance to at weddings and dances have a nearly 200-year-old history. Mystery surrounds the true beginnings of the polka. Some say the name comes from the Bohemian word pulka, which is the half-step dance movement one uses. Others claim that the dance was invented by a young Polish servant girl and named “polka” in reference to the word for Polish woman.

History only knows that around 1830, in villages around Prague, the polka rhythm and steps were noticed and became a sensation in Prague itself. The upbeat tempo, catchy tunes and often humorous lyrics then took Paris by storm in the 1840s. Well, all of that and the added bonus that a man could hold his lady friend deliciously close when spinning her around the dance floor. The polka was a far cry from the formal and staid minuets, quadrilles and waltzes of the 19th century.

The major emigration of Europeans in the 1840s brought the sound, beat and steps of the polka to North America. Texas, with its high concentration of Germans, Czechs and Poles, became a hotbed and haven of the polka. As Germanic immigrants settled throughout east and central Texas, they tended to band together for their common good. They formed vereins. These associations or clubs promoted their members’ general welfare as well as preserving their culture. Music — and the polka — always played an integral part.

Dance halls were basically mandatory in these communities and bands were readily available since there were many men who knew how to play at least one instrument. Stringed and brass instruments came with the immigrants. Woodwinds like flutes, clarinets and saxophones were also prevalent. But the most distinctive instrument was the accordion.

The accordion is a wind instrument comprised of two reed organs connected by folding bellows. Sound is made by expanding and compressing the bellows forcing air through the reed organs. A keyboard of keys or buttons is used to play the melody.

The earliest accordion was invented by Friedrich Buschmann of Berlin, Germany in 1822; Buschmann called his instrument the Handäoline. In 1828, Armenian organ and piano maker Cyrill Demian created the Akkerdeon and chose that name based on the German word Akkord, which means chord.

The Germans, Czechs and Poles loved their accordions and the polka, and the music was heard often. In a wonderful turn of events, Texas-born Tejanos in the San Antonio area took the accordion, the polka sound and dance steps they heard and saw and invented the unique musical genre of conjunto. Conjunto blended the sound and rhythms from both German and Hispanic communities and remains popular in Texas music today.

The same beat, similar dance steps and the all-important sound of the accordion still echos in dance halls and street festivals. Even if you are new to the polka or conjunto sound, I guarantee that if you listen to the beat your foot will start tapping. If you listen closely to the words, you will often find yourself giggling. If you really listen to the music, I’m going to bet that you will get off your chair, grab yourself a partner and dance deliciously close in circles around and around the dance floor.

Sources: PBS Western Reserve: The History of Polka: From Europe to Northeast Ohio; Appalachian Freunde Polka Band; Handbook of Texas.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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By Keva Hoffmann Boardman —

Last week Sylvia Segovia and I were walking through Hidalgo Panteon searching for the graves of several people. If you have never visited this charming little cemetery, you are in for a truly cultural treat. You will find rows and rows of concrete crosses and headstones of many designs. Most are whimsically personalized with multi colored tiles, marbles and seashells. Traces of paint, usually white, remain on many of the older monuments. Old photos of the cemetery reveal that at one time most all of the markers gleamed white. The names of the inhabitants were inscribed in the wet concrete and sometimes reveal not only names and dates, but place of birth, and relationships.

Color abounds in this cemetery and there is a feeling of celebration of life rather than grief of death. The names will be familiar as many of those early 1900 names are still present in today’s population. The land for Hidalgo Panteon was secured through the hard work of Francisco Estevez in 1918. Estevez was and still is well-known for his extreme efforts, in the early 1900s, to improve working conditions and better the lives of the Hispanic population in New Braunfels. Francisco Estevez also helped to preserve Mexican traditions and customs through participation in local organizations: The Association Cuahatemoc, the Hidalgo Lodge and the Comision Honorifica.

Walking and reading headstones, I stopped to take a photo and heard Sylvia shout, “Oh my God! There is a German man in here!” Sure enough, randomly leaning up against the fence that separates Hidalgo Panteon from Perpetuo Secorro (Our Lady of Perpetual Help) is a stone of crystalized white limestone with “Hier ruht Theodore Klaus, 1871-1885.”

Well, that is puzzling. First of all, there is the date of 1885. Hidalgo Panteon’s land wasn’t obtained until 1918. There are many headstones bearing death dates in 1919. Secondly, the headstone’s material is all wrong. Where is the concrete that even now dominates the gravesites in this cemetery? It sticks out like what it is, a German headstone.

Back at the Sophienburg, we dove “head first” into this “headstone” mystery. I went for family info while Sylvia got into Find-a-grave online. Theodore was listed as being buried in Hidalgo Panteon AND at the Confederate Cemetery in San Antonio! But wait, ”the plot” thickens.

I looked through the German Neu Braunfelser Zeitung and found a very descriptive obituary for Theodore Klaus:

Last Sunday afternoon between 3 and 4 o’clock, Theo Klauss, the son of Wilhelm Klauss, the well-known and popular postmaster of Danville, shot himself by accident. Theodore was on the hunt and was about to step over a stone fence, rifle in hand, when the gun went off and he was shot in the chest. The barrel of the rifle was so close to his body at the time the shot was fired that his clothing was burned. The dear boy lived for about one more hour. The burial took place on Monday afternoon at 4 o’clock in the afternoon in the New Braunfels Cemetery with many people attending. The pastor of the local Catholic parish held the funeral services according the rites of the Catholic Church. “Rest in peace poor boy.” We share heartfelt sympathy for the great pain of those left behind.

Not only is this a seriously tragic story about the death of a 14-year-old, but did you notice where Theodore was buried? New Braunfels Cemetery on the other side of town! Sheesh. Now he is in three cemeteries.

I grabbed the sexton records for burials in NB Cemetery (by the way, it’s the oldest public cemetery in town). Theodore was listed as burial #569 in 1885. I also found listings for a Klaus infant in 1876, a sister in 1902 and a father in 1902. Time for a field trip to this cemetery.

I found only one Klaus headstone. It belongs to Jacob Klaus (1830-1872) who was Theodore’s uncle. What happened to the others? Just slightly more disconcerting was that Jacob’s headstone is exactly the same design and size of my poor friend Theodore’s. I also noticed that the stone next to Uncle Jacob’s was the same design and size but was for another Danville area family; they were neighbors in life and in death.

Ok. I had to step back and rethink this mystery from a different angle. I contacted the Confederate Cemetery in San Antonio. That cemetery was first used in 1855, but was bought by Confederate veterans in 1885 and renamed, The Confederate Cemetery. It was to be utilized by Civil War Veterans, their dependents and later descendants. It also contains veterans from WWI and WWII. Unfortunately, there are no early written records for the cemetery. But it wasn’t a complete “dead end.” I was informed that near Theodore rest the remains of the father (plus wife) and the sister that had disappeared from the New Braunfels Cemetery, probably at the same time as Theodore.

For now, I can only surmise that sometime after 1902, the Klaus family (some of whom lived in San Antonio) must have reinterred Theodore, dad and sister in the Confederate Cemetery. I have someone looking into government records to see if Theodore’s father, Wilhelm, participated in the Civil War. But who knows?

My best guess is that the original Klaus Family headstones, including Theodore’s, were discarded after the remains were moved. Newer style monuments grace the graves in San Antonio. Like German Americans, Mexican Americans don’t like seeing good material wasted, so I wonder if someone didn’t just rescue the abandoned headstones for reuse. With that in mind, I made another trip to Hidalgo Panteon to take another look and Theodore’s headstone praying that on the back side I would find the remnants of reuse — maybe added writing?

Nope. I guess the travels of Theodore Klaus’s headstone across town will remain a mystery.

Sources: https://www.findagrave.com/; https://www.ccasatx.org/; Sophienburg Museum newspaper collection and family history collection; research materials for Hidalgo Panteon and New Braunfels Cemetery.

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Almost 70 years ago (1947), local historian Oscar Haas was asked by the Texas State Historical Association to compile the origin and history of all name-places in Comal County. Haas’ histories and thousands of others are what make up the Handbook of Texas that can be accessed online. One of these places was the small settlement of Neighborsville across the Guadalupe River from New Braunfels. This settlement was founded by Jacob deCordova, who called himself “The Wanderer.” You will know why when you read his story his story.

Jacob Raphael de Cordova was born in Spanish Town on the island of Jamaica in 1808 to Raphael and Judith deCordova. His father was a coffee grower and exporter. During the Spanish Inquisition, many Jewish people were forced out of Spain if they did not convert to Catholicism. The Jewish deCordova family moved to Jamaica. Jacob’s mother died when he was born and he was reared in England by an aunt. In the 1820s, Jacob and his father moved to Philadelphia. Jacob was well educated and learned English, French, Spanish, German, Hebrew and several Indian dialects. He, no doubt, had a “gift of gab.” In Philadelphia, Jacob married Rebecca Sterling and they eventually had five children.

At age 25, he moved back to Jamaica and founded a newspaper, the Kingston Daily Gleaner. He and his wife left there after three years and traveled to New Orleans where he became a merchant, shipping goods to Texas during and following the Texas Revolution. His next “wandering” took him to Galveston, and then to Houston. Here he was elected a representative for Harris County to the Legislature of the State of Texas. After losing the election for his second term, he moved to Austin and then began traveling all over Texas acquiring land to sell. He had a land agency with his brother that surveyed and performed land transactions. It was one of the largest to operate in the Southwest. DeCordova was hired to lay out the town of Waco in 1848-1849. He was also an expert map maker and compiled a map of Texas in 1849 with cartographer Robert Creuzbaur. He was an avid writer of immigrant guides and travel books, and also published newspapers, the Texas Herald out of Houston and the Southwestern American out of Austin. He became well-known by giving lectures all over the United States and even Europe, to attract settlers.

In the 1850s the family moved five miles outside of Seguin where he built a large house for his wife and children. He named it “Wanderer’s Retreat.” A retreat became necessary during the Civil War when he experienced financial issues. The land business slowed and he had overextended himself. He died in 1868 and was buried in Kimball on his land near the Brazos River.

There are many places in Texas named for or by deCordova. There is the De Cordova Bend on the Brazos (south of Fort Worth), the De Cordova Bend Dam (Lake Granbury), Cordova Road (Guadalupe County), Jacobs Creek (Comal County), Cordova Creek (Comal County), Jacobs Well (Hays County) and then there is Rebecca Creek (Comal County) named after deCordova’s wife, Rebecca, Wanderer’s Creek (north Texas running into the Red River), and Phineas Creek, named for his brother (Brazos tributary). He was known as the “Texas Champion Creek-Namer.”

Neighborsville

By 1846, when the legislature formed Comal County, immigrants arriving looked for land. Besides New Braunfels and Comaltown, many settlements emerged in the county outside of New Braunfels. Because of the good farm land on the east side of the Guadalupe River from New Braunfels, settlements developed such as Hortontown (Horton’s League). On the same side of the Guadalupe River as Hortontown but to the south, Neighborsville was established.

In the early years, if you were traveling up from the coast to New Braunfels, you would travel on the east side of the Guadalupe River, crossing into New Braunfels at the Nacogdoches Road crossing or you would use the ferry a little farther up river at the confluence of the Comal and Guadalupe Rivers. Seguin Street (avenue now) was the main street in New Braunfels but you had to cross the Guadalupe first to get there.

Now let’s look at DeCordova’s connection to Neighborsville. In 1851, the land that became Neighborsville was surveyed and a map made by J. Groos for Jacob deCordova. The location was across the Guadalupe River from New Braunfels and deCordova was considered the founder. The land was actually laid out into acreage plots. There were five streets originally laid out that included Benner, Broadway (still there), Rusk (still there), Shaw (changed to Churchill) and Jacobs (changed to Wright). There was also a Seguin Street that changed to Horton Avenue but I drove over to the area and could not find it. The Nacogdoches Road or Camino Real ran right through the middle of the area and the Guadalupe River with the river crossing was one of the boundaries. DeCordova thought the settlement would be ideal right on the Guadalupe River near the Camino Real crossing. If you drive on Churchill Drive, you will see the El Camino Real de las Tejas National Historic Trail signs showing the road as an original route where the first immigrants crossed the river. (You can see the signs also on Nacogdoches Road.)

In order to imagine the area as deCordova saw it, you have to remove the old Mission Valley Mill Plant, the railroad, Loop 337, and the US 81 and IH 35 north to south highways.

The land was situated in the northwest end of the Esnaurizer Eleven Leagues grant and was bound on the north by the Horton League. Hortontown was the next-door-neighbor. In 1830, General Antonio Esnaurizer petitioned the Governor of Coahuila and Texas for a grant of land. He wanted to establish farming and ranching between the San Marcos River and the Guadalupe River. Someone had to take possession of the land to survey and administer the grant. First, Juan Martin de Veramendi was appointed, then James Bowie and finally Jacob deCordova. The Esnaurizer grant begins in Seguin, follows the San Marcos-Austin Road almost to San Marcos, then follows the Austin-New Braunfels Road to the Guadalupe River. It then goes to a mile below McQueeney and then back up around the Clements and Branch leagues to Seguin. DeCordova received land as payment for his services.

Guadalupe County once extended north-east of the Guadalupe River right up to the Nacogdoches Road crossing but in 1853, thirty-one settlers from Neighborsville and Hortontown petitioned the legislature to be a part of Comal County. If you are looking for records between 1845 and 1853 for this area, you might try the Guadalupe County Courthouse.

“For $1 and in consideration for advancement of Religion and Education,” Jacob deCordova conveyed two acres of land for the St. Martin’s Evengelical Lutheran Church and Churchill School. This beautiful quaint little church can be seen as you drive down Loop 337 and at one time was located next to the Churchill School that is part of the New Braunfels Conservation Society campus. The church was moved to its current location in the Hortontown Cemetery in 1968.

In 1935, after seventy years, the bodies of Jacob and Rebecca deCordova were moved to the Texas State Cemetery in Austin, an honor afforded only to those who made an outstanding contribution to the state. Jacob deCordova was one of those citizens.

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In the early days, when Seguin Ave. was considered the main street in New Braunfels, the first houses and businesses were constructed there. Possibly Seguin Ave. was so named because most people entered the town from guess where? Seguin. When the settlers first crossed the Guadalupe River in 1845, they traveled from Nacogdoches Road to Seguin Ave. and then on to the location where they would camp above the Comal Creek. Hermann Seele wrote about coming to the town on Seguin Ave. Early traveler and historian Friedrich Olmstead, commented that he found Seguin Ave. in New Braunfels three times wider than Broadway in New York.

Nicholas Zink, surveyor and engineer for the Adelsverein, set up our Main Plaza, and intersected it with Seguin Ave. and San Antonio St. By May of that first year of settlement in 1845, Zink had plotted the town lots and a drawing was held for each lot.
Let’s look at one of the old homes built on Seguin Ave. in 1870 or maybe as early as 1866. The house which still stands is located at 228 S. Seguin Ave. on lot #56 between the Faust Hotel and the Taco el Tapatio. This house has been the home or office of some very influential people and the house itself has received some very prestigious designations. In 1968 the Texas State Historical Survey Committee awarded a marker to this building. In 1999, it became a New Braunfels Historic Landmark and in the year 2000 the house was listed on the National Register of Historic Places.

The person responsible for having the house constructed was Carl Wilhelm August Groos, born in Prussia, Germany in 1830. He immigrated to Texas with his brothers and sisters and his widowed father in 1848. His two brothers, Friedrich and Gustav, became very important in his life. For two years Carl lived in Fayette County and then moved to Gillespie County where he lived with relatives.

In 1854 Carl joined his brothers Gustav and Friedrich in Eagle Pass. Brother, Friedrich had secured a contract in 1849 with the United States Government to send freight into Eagle Pass. He formed the F. Groos and Company.

During the Civil War in 1862 Carl was arrested by Confederate authorities and taken to San Antonio. A letter that had been addressed to him was found on the body of a Mexican killed near the border of Texas and Mexico. Carl was eventually released and returned to Eagle Pass. He then moved to Matamoros where the Groos Company had a branch office. The firm weathered the Civil War by freighting cotton to Mexico.

After the war, Carl moved to San Antonio where the F. Groos and Company was relocated. In 1870, Carl married Hulda Amalia Moreau. She was the daughter of Franz Moreau, who was a cotton broker in New Braunfels and a German consul. Shortly after their marriage, Carl had a home built on Seguin Ave. Family history notes that it was a wedding gift to Carl and Hulda. Hulda’s father, Franz Moreau lived at 190 S. Seguin Ave. His home was built in 1854 and is still standing and serves as an office complex. Between the Groos home and the Moreau home was a store that became known as Moreau and Groos. After the Civil War, the economy in New Braunfels was suffering but business was booming in San Antonio. In 1872, Carl and Hulda moved to San Antonio but kept the home at 228 S. Seguin Ave. for summer visits until 1879.

The history of the property goes like this: The first immigrant to draw lot #56 was George Kirchner. If Kirchner built some sort of house on that lot, it wouldn’t be surprising, because he could easily go to the German Protestant Church, where he was a member. Kirchner died very soon in 1846 and the administrator of Kirchner’s estate conveyed the lot to Jacob Winkler for $60. In 1857, Winkler sold the lot to August Forke who sold it in 1866 to Charles Bender and four years later it was sold to Carl Groos, the subject of this information.

When Carl bought lot # 56 on Seguin Avenue he also bought lot #72 directly behind this lot on Castell Ave. It is believed that he had the house built on lot # 56 in 1870. The adobe brick L shaped, Gothic Colonial house with its cypress floors was beautifully crafted. The front door contains ruby glass and the cement frame windows are of original rolled glass. In 1879 the house was sold to Groos’ sister, Emilie and her husband Johann Friedrick Giesecke, Mayor of New Braunfels. After that, Giesecke sold the house to Fritz Scholl who owned it until 1946, when it was purchased by Arlon and Faye Krueger. After Arlon Krueger’s death, the house ownership remained in the family and became home of the New Braunfels Art Center and then the business office of Ambassador Robert Krueger.

Here is more of the story that resulted in the transformation of F. Groos and Company to the Groos National Bank. Carl’s brother Friedrich, a graduate engineer and architect, had a United States Government contract which he procured in 1849 for sending freight into Eagle Pass. The freighting business was successful despite the danger operating in Indian Territory. Branch businesses were located in New Braunfels, San Antonio, and Matamoros, Mexico. Carl and Gustav joined Friedrich in a mercantile company in 1854. It was called F. Groos and Co. A primitive form of banking was necessary for the operation of a frontier store. Saved money was hidden in boxes, cotton bales, axels of wheels or just about any hiding place. This resulted in the brothers forming the Groos National Bank of San Antonio. This bank became a very successful financial institution in San Antonio. The banking business prospered so well that the freighting was discontinued. Carl became the first president of the firm and in 1879 built the first building in San Antonio devoted exclusively to banking at the corner of Commerce and Navarro.

What happened to the original builder of the house on Seguin Ave.? After Carl and his brothers became founding members of the Groos National Bank, Carl built a beautiful home in 1880 at 335 King William Street in the King William Historic District in San Antonio. He hired famous architect, Alfred Giles, to design the San Antonio home. It is listed on the National Register of Historic Places. The house was eventually purchased by the San Antonio Council of the Girl Scouts of the USA who sold it to Charles Butt, founder of the grocery chain.

The King William Historic District, the state’s first historic district, was created in the late 1800s on the south bank of the San Antonio River. Prominent German merchants brought with them a distinct architectural style and created an elegant residential area of 25 blocks. For a real treat, log on to the King William Historic District and view these magnificent homes.

Carl Groos died in 1893 and is interred in San Antonio City Cemetery #1. His first home still remains on Seguin Ave. in New Braunfels, Texas.

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