By Tara V. Kohlenberg —

While scouring an old Herald-Zeitung for some trivial unrelated detail, I came across a photo of an early 20th century view of downtown New Braunfels. It was taken from a postcard of West San Antonio Street. The corresponding article described the names and locations of the businesses that would have been seen in that photo, alongside the same information from the view in 1973. I was able to find the color version of the postcard at the Sophienburg Museum and Archives.

Today, we will do a little time-travel Tour of West San Antonio Street. Get your time-travel goggles on and try to keep up as we go block by block. Looking down West San Antonio from Main Plaza, the first building visible on the left side where the old Texas Commerce Bank stands, was the Robert Krause Building. Built in 1860, the red brick building with a covered porch housed the O.L. Pfannstiel Racket Store and the F.C. Hoffmann Jewelry Store, with both families living upstairs. It was razed in 1931 to build the art deco First National Bank.

Adjoining the first Robert Krause building was the Piggly Wiggly store, Keinburgs Restaurant then Ed Moeller’s Cafe and Pete Wagenfuehr’s barbershop. Together, the spaces became Krause’s Fashions in the ‘60s and ‘70s. That whole building was taken in by Texas Commerce Bank in their early 1980s expansion/remodel of First National Bank.

The corner of West San Antonio and Castell was the site of the Oberkampf Saloon and Beer Garden. Jacob Schmidt built a three-story building in 1922, housing the Jacob Schmidt Company on the ground floor until the ‘80s. It is now occupied by the Phoenix Saloon.

Across Castell, on the corner was S.V. Pfeuffer & Holm Department Store and the post office. Woolworth’s occupied the whole first floor of that building until sometime in the 80s. The building now houses the Downtown Antique Mall.

Next in line at 223 W. San Antonio, was Willie Ludwig Saloon which became JCPenney, now home to Scores. Next, at 233, was Charles Wells Bakery, which became Plumeyer’s Bakery and eventually Poll Parrot Shoes. Mode O’Day ladies’ fashions occupied the 239 W. San Antonio building in the ‘60s-’70s. Both of the buildings housing Poll Parrot and Mode O’Day are home to the Art League. Next to that was Peerless Pharmacy, which became today’s Dancing Pony. Keep in mind that the upstairs of all of these buildings were occupied by doctors, lawyers, and other offices.

Close to the middle of the block was the original grand Seekatz Opera House, which burned to the ground in 1941. The replacement building housed the Jacob Mendlowitz Company before being taken over by Paul Bruner’s in the 1970s. Bruner’s was noted for the large floor-to-ceiling display windows and a center island of display windows out front. Ron Snider remodeled the retail space into a venue, calling it the Seekatz Opera House in the ‘90s. It is now the home of Traveling Gypsy Antiques.

The little narrow building, Elizabeth James Salon, originally housed Seekatz Butcher Shop followed by New Braunfels Candy Kitchen in the ‘30s and Great Western Finance in the ‘60s-’70s. Heritage Supply occupies the 1918 red brick building which in past years was home to Braunfels Studio.

The current Lone Star Lounge was originally Rahe Grocery. Over the years it became the Depot Drink Stand and Ortiz’s Recreation Center and more recently The Cork Wine Bar. On the end, before the railroad tracks, there was originally something called Seekatz Candy Store which is where Staunch Rugged Clothing is located.

Beginning back at the Plaza to time travel down the right side of the street, where Moody Bank now stands, was a different (new) Krause Building. In the early 1900s, it housed the Streuer Brothers Saloon with a bowling alley in the back. After that, a slick new modern building was built to house the United Gas Company with lots of windows over black, glass-like panels. It was remodeled by Guaranty State Bank.

Next to that, was Streuer & Hoffmann Co. groceries, followed by William Tays Saddlery and harness Shop. In 1910, R.B. Richter built a two-story brick building to house Richter’s Drug Store with the family quarters upstairs. A narrow part of the ground floor was parsed out for Imperial Barber Shop which maintained that spot until at least the late ‘70s. Every teen girl of the ‘70s will remember that the vacated drug store space became the Hang-Up apparel store. It is now Remax Realty. R.B. Richter built a smaller two-story building next door in 1920. It housed Shellaby’s for 20 years and is now occupied by Capital Title.

The current Callaghan’s Pub is a collection of buildings. Originally the Gruene Building sat on the corner of Castell housing the Baetge Saloon. When two newer one-story buildings were built, the Jacob Mendlowitz Company occupied them with a small shop parsed out for Rachelle’s Fashions.

Across Castell, the original Voelker Drug Store, became Shoeland, Ray Allen’s Mens Wear, Chollett’s and then Red Stag. The adjacent new rooftop bar, Cowboys and Cadillacs, sits on a long history of tenants including Ludewig Furniture, Stehling Brothers, Paul Bruner’s, Anthony’s and Seguin Beauty.

Elite Barber Shop spot was at one time the site of Buske Restaurant. In the ‘60s it was occupied by Goepf Jewelers and then Johnson Barber Shop. The Scoop Street slot was occupied by Plaza Meat Market at the turn of the century. The latest building on that site has hosted M&M Jewelers and James Avery Jewelry.

Before it was Moonshine and Ale, it was Fritz Schumann Butcher Shop, H. V. Schumann Drug, and in the ‘60s and ‘70s, Connie’s Shoes.

The 1893 Louis Henne building has always housed Henne Hardware. Sadly, after more than 130 years, it is no longer a hardware store. Across the alley is the original Henne Tin Shop, the stucco building previously the home of Kneupper’s Music in the ‘30s, Kickin’ K and now Le Petite Sweet. Gourmage occupies what was Goepf Jewelers in the 30s, and possibly where Hoerster Goodyear Tire was pre-1968. Both of those buildings housed H&H Sales (fabric) and is where Ducky’s started out.

The old First National Bank building later became City Bakery, Ye Olde Music Shoppe and eventually Mayo Investments. The Brauntex Theatre was built in 1942 on the site of the old John Faust Company.

Our city changes constantly, but we have managed to hold on to our downtown culture. I have only hit on the highlights of the past 115 years. This is by no means an exhaustive list, but I am sure that no matter your age, you will recognize a few of these places on West San Antonio Street. Perhaps it will jar a memory loose, like cherry phosphates at Peerless Pharmacy or new Easter shoes at Poll Parrot.

Source: Sophienburg Museum and Archives.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

The post West San Antonio Street — Now and then appeared first on Sophies Shop.

By Tara V. Kohlenberg —

Some stories write themselves. Some, like this one, began as one idea before evolving into something completely different. The idea stemmed from a visit with Myra Lee Adams Goff, (you know, accomplished author and the one that started this column) when she handed me a copy of the The Golden Book of Favorite Songs. I had seen copies of this songbook in the Sophienburg Archives, but never researched it. I took it as a challenge.

The gold-colored 126-page booklet by Hall & McCreary Company, copyrighted in 1915 and 1923, was a favorite keepsake of hers, in part because she sang from the book when she was in school at the Lamar Ward School. A ward is like our attendance zone today. It was also the book used when she began teaching at Lamar Elementary School in 1954. Same school, updated name.

A man by the name of Curt E. Schmidt was named prin­ci­pal of Carl Schurz Ward School in 1931, a year be­fore Myra Lee Adams Goff was born. Schmidt had be­gun his teach­ing ca­reer in 1922 in a one-room school­house in Gille­spie County be­fore teach­ing Eng­lish at New Braun­fels High School. While at Carl Schurz, he earned his law de­gree from St. Mary’s Uni­ver­sity in 1942, leav­ing ed­u­ca­tion to prac­tice law. He re­turned to ed­u­ca­tion as prin­ci­pal of Lamar El­e­men­tary in 1950.

At that time, prin­ci­pals were not re­quired to teach classes, but he of­ten taught art and mu­sic. He was fond of The Golden Book of Fa­vorite Songs. The book was a teacher’s dream, teach­ing mu­sic, his­tory, pa­tri­o­tism, read­ing and re­li­gion all in one. It had songs of every genre: chil­dren’s songs, Christ­mas, Civil War, folk, pa­tri­otic, re­li­gious, Ne­gro “spir­i­tu­als”, with many of the songs’ his­to­ries be­ing given. There were also read­ings or recita­tions: Lin­col­n’s Get­tys­burg Ad­dress, Pledge of Al­le­giance and Twenty-third Psalm. Curt Schmidt led songs from the song­book fre­quently. He or­ches­trated chil­dren’s skits and mu­si­cal pro­grams every year.

Mrs. Goff graduated from Texas Christian University in 1953. Her first teaching job was at Lamar Elementary. Principal Curt E. Schmidt hired her because she could play the piano. She taught music and handwriting to fourth, fifth and sixth graders. She had a degree in secondary education, and there she was, hired to teach music to elementary kids. What’s more, she could not read a lick of music. She played by ear from the age of seven. If she heard it, she could play it.

As Mrs. Goff tells it, at one particular school assembly, while Schmidt was leading songs, he called out a Civil War song on page number sixteen, “Just Before the Battle, Mother.” Well, Mrs. Goff did not know it. She told me that she suffered through, plinking around, pretending, when he finally stopped to ask her what she was playing. She said, “I told you I couldn’t read music.”

I had a natural curiosity about Curt Schmidt. We lived next door to him on Magazine Street for a couple of years up until I was old enough to start school. I never attended school where he was principal. I would later see him orchestrating the Kindermasken Parade when school teachers helped put it on. I thought that the old German dance, Herr Schmidt, was about him. I remember him to be very energetic, almost intense about things. I wondered if my memories about his nature were correct.

Curt Schmidt was an innovator. He was proud of his German heritage and felt strongly about preserving the ways of the ancestors. German language had not been taught in New Braunfels schools since World War I. After thirteen years without German language instruction, Schmidt felt the children needed it. In 1931, he organized German Summer School, devoted entirely to teaching the German language, folkways, folk songs and German pioneer traditions. The number of German School students grew from the initial forty to over three hundred per summer over the years.

The summer program ran until it was crushed by World War II. Since the United States was at war with Germany, everything German became suspect again. Promoting the German language was considered subversive and the German program ended in 1940. You will frequently see the German language textbooks Deutsche Fibel (German Primer) and Erstes Lesebuch (First Reader) that he used in German Summer School in the Sophienburg collection, or estate sales. We have one of each at our house. Schmidt was very persistent. Later, in 1954, as principal of Carl Schurz, he was instrumental in finally getting German and Spanish language electives back into the elementary schools.

Curt Schmidt was ambitious. He first served as principal of Carl Schurz, then after returning from his law practice, he served as principal at Lamar for three years before returning to Carl Schurz. By the time Mrs. Goff returned to teaching after having a family (no pregnant women could teach!), Curt Schmidt was the superintendent of New Braunfels School District. Mrs. Goff’s teaching career led her to Carl Schurz, Lamar and New Braunfels Junior High before authoring her own articles and books to preserve the history of New Braunfels.

Schmidt served as superintendent from 1962 to 1966, during which time he established the first area vocational school in Texas, inaugurated the first Head Start program and established a vocational school of nursing. Overall, he spent forty years as an educator, mostly in New Braunfels. Some loved him, some did not, but he accomplished a lot in his time. He again practiced law from 1970 until his retirement in 1982.

Curt Schmidt loved his German heritage and his community. He was active in Scouting his whole life, earning the Silver Beaver and Scoutmaster Key awards. He was a charter member and past president of the New Braunfels Rotary Club, and active with the Sophienburg Memorial Association. Schmidt wrote and illustrated two books about German Texan pioneers and was the local correspondent to the San Antonio Light for ten years.

I may not have fulfilled my task of writing an article about The Golden Book of Favorite Songs, but in this final year of Lamar Elementary, I have managed to tie together a bunch of things that I did not know about before writing this article: the Songbook, the German primers, German School, Mrs. Goff and Herr Schmidt. It is almost like the Six Degrees of Curt Schmidt. Too much?

Sources: Myra Lee Adams Goff; Sophienburg Musuem and Archives.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

The post The Golden Songbook and Herr Schmidt appeared first on Sophies Shop.

By Tara V. Kohlenberg and Mark Rahe —

I love the buildings in New Braunfels. I especially like the ones in downtown New Braunfels and Comaltown. Built over a period of 150 years, each building tells a story in every little detail of each window, porch, and roofline. They are a snapshot of the historical development of New Braunfels. Of course, I have my favorites, but then there are those that just break my heart because they look so sad.

The white house on the corner of Seguin Avenue and Garden Street is the perfect example of a heartbreaker. It has tragically deteriorated before our eyes. Even in its current state, it is captivating. So, what’s the story with this forlorn looking beauty?

For starters, it is known as the Blumberg House, so named because it was built by F.G. Blumberg, businessman and former mayor of New Braunfels, for his bride Bettina Scholl. Built about 1900, the Blumberg House is a typical example of the Queen Anne style Victorian house, generally built between 1880 and 1910. With its steep roof form, the cutaway bay window and asymmetrical placement of the rounded, wrapped porch, the house presents as a classic example of the Queen Anne style, even though there were a number of odd additions made to the house sometime after 1922 that do not necessarily fit the style.

The roof styles changed slightly over the span of the Queen Anne period. The pitch of the hip roof was initially very steep about 1885, becoming only slightly less so around 1895, as seen in the Blumberg House. After 1905, the pitch became much less steep, making the gable roof the more predominant feature. The Blumberg House’s steeply hipped roof and lower forward facing dominant cross gable, is common to over half of all Queen Anne-type houses. In addition, the Blumberg House’s overwhelming hip roof is ornamented with a cool decorative bay window dormer, topped with a simple pediment roof.

Another characteristic of the Queen Anne style is decorative detailing. The fanciful style seems to abhor flat, boring surfaces; therefore, they overly decorated absolutely everything, including the porch with its decorative trim spindlework suspended around the top. The repetitive pattern of wood lathe-turned sticks are called spindles because the design resembles wooden sewing thread spindles or “spools” used at the time. While the Blumberg House spindles are each the same, the simple knob-like beads, when designed in staggering patterns can resemble the notes found on a sheet of music. Spindlework has also been referred to as “gingerbread,” or Eastlake-style detailing, named for the 19th century English furniture maker Charles Eastlake. The porch columns and balustrade are composed of beautifully detailed period-styled turned wood. Even the cutaways at the front bay window and brackets at each porch column contain intricate wooden fret-sawn patterns.

By the time the Blumberg House was under construction, the railway was well established in New Braunfels, making possible delivery of all sorts of goods, including construction materials, ordered through catalogs. Decorative house ornamentation like spindlework was mass-produced and sold in pattern books with names like Anna Marie, The Lisa, The Mary Elizabeth. It’s likely the spindlework and possibly other ornamentation and turned wood constructs on the Blumberg House were sourced in this way.

Queen Anne s

tyling actually uses many other decorative devices to break up flat surfaces. They either do it spatially by the addition of bays, towers, overhangs or wall projections, or texturally by the use of varied wall materials with differing patterns and textures. Though the house does not have the tower structure so often identified with this style, the dominant feature of the Blumberg House is the asymmetrically placed cutaway bay window “cut away” from the overhang above it. The bay window provides the same function as inclusion of a tower, adding an intentional randomness. Likewise, the broadness of the hip roof plane that dominates the front of the house is broken by the elegantly proportioned dormer window noted previously. As for a textural contribution, they added chamfer-cornered horizontal bands of wood shingles that look like fish scales on the gables of this particular house.

So, just who is this F.G. Blumberg who owned such a magnificent home on the main thoroughfare of New Braunfels? Ferdinand Gustav Blumberg was the last of 11 children born to German immigrant farmers in Schumannsville, Texas, in 1879. He worked hard to move up in the world and had a lot of different kinds of jobs. He was listed as a dry goods salesman when he married Bettina Scholl in 1900. That is when their beautiful home was built on Seguin Street (changed to Avenue in 1926). By 1910 he was in the wholesale malt liquor business. He served as a director of the Chamber of Commerce and director of New Braunfels State Bank. He was listed as president of that same bank in 1920. Ferdinand was elected mayor in 1922 and 1924. In 1926, his fortunes began to change. He lost re-election in April of 1926, suffered financial misfortunes later in that year, and finally filed for bankruptcy. The bank sold off what was known as the Blumberg Building (the two-story building on Main Plaza now housing New Braunfels Coffee across from the courthouse) to satisfy debts.

About that same time, F.G. Blumberg left town. The beautiful Blumberg House passed to his wife, Bettina, in October of 1926. He married Elvira Tolle on February 14, 1927. Unfortunately, the notice of his divorce from Bettina was published four days later. Ferdinand went on to be a credit manager for car dealerships in San Antonio and Corpus Christi areas before returning to New Braunfels in the late 1930s to retire. Ferdinand died in 1952. His second wife, Vira, lived until 1981 on Tolle Street. He never produced heirs.

First wife Bettina maintained her residence in the Blumberg House until 1948 when she it sold to O.A. Stratemann Sr. It was utilized by the Stratemann family, as far as we could discern, as a rental property until a few years ago. The home has fallen into disrepair and was recently sold. I hope that magnificent example of Queen Anne architecture will go on living in New Braunfels for another 100 years.

Sources: A Field Guide to American Houses (1984, 2013), Virginia Savage McAlester; Sophienburg Museum & Archives.

The post Snapshots of History: Blumberg House appeared first on Sophies Shop.

By Tara V. Kohlenberg —

By now you know that “it’s fair time!” This fabulous, fun-filled week of the Comal County Fair brings the entire community together and hopefully slides in on the first norther of the year. Yeah, that weather thing is not happening this year, but still very fun-filled. Everyone that grew up in New Braunfels or has lived here a while, has a “favorite thing” about the fair.

As a child, my favorite thing was what my mother called the hobby horses. The beautifully painted horses gliding around on the glittering, mirrored carousel captured my eye from early on. Even when we were out of tickets, I was content to watch. I never seemed to move past riding anything more than the carousel, which as a teen, I’m sure made me something of an oddity. The horses just seemed so glamorous (plus, I never felt the need to spin at a high rate of speed in a cage above the fairgrounds).

Later on, a different circle of horses caught my attention. There was less gliding and galloping, but beautiful more all the same. And I do miss it!

Horse racing was a very important part of the Comal County Fair for many years. The Comal County Fair Association was formed early in 1893, fashioned after a very successful fundraiser for the Krankenhaus (hospital) in 1892. Harry Landa was elected president. They selected a date later in 1893 to hold the first fair in Landa’s pasture (later LCRA and now The Landmark). Unfortunately, there was a terrible drought that year. The fair was cancelled due to being too dusty for horse racing!

In 1894, the first actual fair was held, complete with both saddle and harness racing. Saddle racing is that of a rider perched upon a saddle on the animal’s back. Harness racing is where a rider sits upon a two-wheel buggy pulled by a single horse with a specific gait, a trot or a pace. In his memoir, As I Remember, Harry Landa tells of his rather dismal business venture where he bought buggies and a string of trotters in order to be ready to run them at the 1894 fair. He ended up trading all for 30 rail cars of hay, something he felt was a much better proposition than racing.

After five years on the Landa property, the Comal County Fair Association purchased approximately twenty-two acres in Comal Town above the Guadalupe River. There, they built a racetrack and a dancehall. Financial difficulties prompted them to sell the acreage to the city of New Braunfels, who in turn leased the property back to the Association. They appeared to enjoy some successes, but there is no mention of fair from 1910 to 1922 (basically World War I era). During that time the city used the property as a dump, building an incinerator on site. The stack is still visible.

In 1923, the Fair Association reorganized, purchasing three city blocks adjacent to the city property. The old leased property and buildings had not been touched for more than 10 years. The group worked to add improvements and bring the track back to life. Just a month before the fair, a huge fire consumed the grandstand. It was rebuilt, granting them the ability to hold both harness and saddle races. Racing became a very popular spectator sport.

By January 1926, the Association added winter pony racing events to the calendar, stepping out of the county fair time frame. There were up and down successes through the years. Texas voters approved parimutuel betting just four years prior, but it was again outlawed in 1937. Racing had remained steady without legalized betting, but the popularity of horse racing had risen when parimutuel betting was legal in Texas at four large state-designated tracks. The Comal County Fair Association benefited from all the activity even though they were never licensed for parimutuel betting.

By 1958, Marcus Adams, Secretary of the Comal County Fair Association, was appointed a member of the Texas Racing Circuit. The circuit was made up of operators from six race tracks in southern Texas: New Braunfels, Junction, Fredericksburg, Brady, Boerne, and Sonora, running both thoroughbred and quarter horses races Many CCFA members served on the Texas Racing Circuit over the years. Of the tracks that made up the Texas Racing Circuit, only Fredericksburg still operates a race track.

Along the way, the local Comal County Fair race track became known as Dutchman Downs. During the ’70s, the track developed a reputation as one of the leading training centers for some of the finest quarter horse racing stables, complimented by local award-winning trainers and jockeys.

From the time that parimutuel betting was outlawed in 1937, proponents pushed to have it reinstated. Parimutuel betting appeared on Texas ballots more than four times. Finally, in 1987, the Texas voters approved a referendum legalizing parimutuel wagering again. It also created the Texas Racing Commission and a new set of rules. The rules required a track to have a clear quarter-mile straightaway for parimutuel licensure. With the layout of the fairground property backing up to the Guadalupe River bluff, there was no way that Comal County Fairgrounds could fit a quarter-mile straightaway. Races continued to run in 1987 and 1988 with the last run in 1989. Sadly, the 1990 races were canceled due to lack of entries. There was only one.

After trainers moved to other recognized tracks, the inside fairground track rail was cut open to expand the center rodeo arena. Now, the rodeo is my favorite thing. Go to the fair and find your favorite thing! Enjoy!

Sources: Gene Chollett; Danny Scheel; It’s Fair Time by Myra Lee Adams Goff, So phienburg Museum and Archives; A Pictorial History by Rosemarie Leissner Gregory and Myra Lee Adams Goff.

The post Horse racing at the county fair appeared first on Sophies Shop.

By Tara V. Kohlenberg —

I love driving the streets of downtown New Braunfels on a crisp, clear October morning. My favorite streets are the those laid out by Nickolaus Zink and the streets of Comaltown/Braunfels. Some of the oldest buildings in Comal County are located along these streets.

As with anything old, there is likely much more to those buildings than meets the eye. Some are old buildings refreshed with multiple exterior facelifts to keep up with the latest trends, leaving them looking much younger than they really are. Then, there are old buildings that remain the same (historically correct) on the outside, even though the inside has been updated and made more functional by adding electricity and indoor plumbing. These buildings, are the most beautiful. My favorite buildings? Those with hidden secrets, of course. Imagine learning that the building you own holds a treasure underneath!

One such treasure is Eagles Hall. From the outside, it looks like a plain stucco, sort of art deco building with a hodgepodge of multiple additions marked with the year “1922.” But there is more to that story.

In 1870, New Braunfels celebrated the 25th Anniversary of its founding. The parade wound through town and across the Comal footbridge, continuing the festivities on open lots located on South Street in Comaltown. Shortly thereafter, Mr. Heinrich Paul Weichold, an 1845 immigrant, purchased two lots facing South Street. He built a 54-foot by 100-foot hall out of Comal County limestone, complete with a 38-foot by 30-foot stage. It was the largest public place for merriment anywhere around. Did you get that? 1870! That is at least eight years before Gruene Hall was built. Weichold’s Hall served both as a community meeting place and center of entertainment, hosting Turnverein (gymnastics club) events, dances, concerts, meetings, 4th of July celebrations, masquerades, and theatrical performances. The hall even held a performance of Japanese aerialists. Since most of his patrons came from across the Comal River, Mr. Weichold had railings installed on the footbridge for their safety. On the evenings of performances, he also stationed two men with lanterns at each end of the bridge to light the way. Weichold fell into financial difficulty and his property was sold on the courthouse steps on June 16, 1874.

The hall sold to the Matzdorf’s and became known as Matzdorf’s Hall. The hall was leased and run by numerous managers throughout its years of operation. In 1877, Matzdorf took over again from Rheinlaender. He made repairs to the building and put in a new dance floor. Rudolf Brandt took over as manager in 1890. He promoted the venue as “Comal Concert Hall.” In 1893, Mrs. Matzdorf became the sole owner. Other managers of the hall were Moritz Schutz, Hermann Klein, and H. Lenzen. Matzdorf Hall continued hosting touring companies, balls, lectures, operas and more.

In February of 1922, the Echo Home Association was organized solely for the purpose of buying and remodeling the Matzdorf’s Hall property. The group had 300 subscribers (paid members). By April, they hired a San Antonio architect to draw up plans and let bids to build a new building. All of the bids were rejected as too expensive. The Association bought materials in May to renovate the building themselves and dedicated the building in July. Renovations included a layer of stucco over the building’s exterior. They marked the building with “1922 Echo Halle” over the South Street entrance. The original windows and doors were left open with ceiling fans overhead. Over time, additions were made to the long side of the building, including a bar and meeting areas, and at some point, indoor bathrooms were added to the rear. There was a large porch constructed on the front, perhaps in the early to mid-40s, with multiple arched openings. Echo Halle had events going all the time, hosting firemen’s benefits, precinct elections, singing festivals, speeches by governors, bridal showers, church programs, graduations, and dances with all sorts of orchestras and bands every weekend. Many a dancer found their life mate on the Echo Halle dance floor.

In 1958, the Echo Halle was sold to the Fraternal Order of Eagles. They removed the words “Echo Halle” from the stucco but left the year 1922. They also added an inverted star/crescent emblem. Eagles Hall was ‘the’ place to have a dance, wedding reception, anniversary celebration, graduation dance. Bands like the Hi-Toppers, Cloverleaf and more filled the air with music. The well-worn dance floor is smooth as glass, due in part, to the trillions of kids who polished it with their knees or stockin’ feet during intermissions. Kids were part of the celebrations… no baby-sitters. Being the child of a Hi-Topper, I learned to dance back-stage. Others remember being put down on a palette under the tables while parents danced the night away. Eagles’ Hall has been painted a few hundred times, and paneling conceals the original windows and doors, but the bones of the structure are the same. 150 years of life and music is ingrained in every beam and every wall that surrounds the dance floor, because it really IS the old Weichold Halle.

2021 is the year that the Eagles sold the hall. Only those who have purchased it know what is to become of this historic structure that is older than Gruene Hall. In New Braunfels, we are surrounded by the historic buildings that define our heritage and city timeline. It ties us to our beginning. We have three Historic Districts established to protect old homes and buildings, including Downtown Historic District, Mill Street Historic District and Sophienburg Hill Historic District. Within these areas, rules are in place so the property owners will maintain the integrity of the original buildings, whether 50 years old or 150 years old. Eagles’ Hall is not in a historic district. New Braunfels Conservation Society has done an amazing job saving and caring for the buildings at their museum, although moving some buildings is not really an option. Eagles’ Hall is historic because of the site, the provenance and the meaning to the community. Would Gruene Hall be as wonderful sitting somewhere else? Only you, citizens of New Braunfels, and our County Historical Commission and City Council can protect the historic buildings of our metropolis. Once gone, these structures cannot be replaced. Help us preserve what makes New Braunfels special, like dance halls that are 150 years old. Older. Than. Gruene. Hall.

Sources: Sophienburg Museum & Archives

The post Older than Gruene Hall appeared first on Sophies Shop.

By Keva Hoffmann Boardman

It’s just a little snapshot of three old guys in a back yard. The story that goes with it, however, is a humdinger and you’re gonna love it.

It was uncomfortably cold and wet that midnight hour of January 20, 1922. Deputy Marshal W. Nance Meredith had walked his section and was heading back to the Faust & Co. building to punch the time clock. The 65-year-old night watchman was ready to be out of the weather and warm up. It would get really warm soon, hot in fact.

The Faust & Co. store was on West San Antonio Street next to the IGN depot, where the Brauntex theatre now sits. An “L” shaped building, it wrapped around the back of its neighbor the smaller First National Bank. The time clock was at the back in the campground that ran behind all the way to Mill Street.

Marshal Meredith made his way around the corner. “Stick ‘em up! Stick ‘em up!” a low voice hissed, making its point known by the touch of the muzzle end of a shotgun in Meredith’s belly. Meredith was startled but he quickly reacted by jumping back around the corner. He could just make out the figures of two men — one held a shotgun and the other looked like a rifle.

Meredith let a few shots fly in their direction and made fast time toward the depot. Felix Conrads, the station night manager, heard the gunshots and reached over to shut off the depot light. That evened up the odds. The two men had been in darkness since they had broken the lights in the campground. Meredith, now also in the dark, had a fighting chance. And fight he did.

Marshal Meredith fired again in the direction of the would-be robbers which only encouraged them to answer with a barrage of 20 to 40 shots back in his direction. For years, the walls of the depot bore the signs of the gunfight.

Two more men, obvious friends of the others, joined in the melee firing from Mill Street to create cover for their buddies. Making their way to a parked car, the foursome slipped into the dark. A “touch of blood” found in the campground was thought proof that at least one of Meredith’s shots had found its mark.

Meredith had used up all his ammunition, but by now many in the city were awake. Chief of Police Moeller, storeowner John Faust and neighbor Paul Jahn arrived on the scene. Faust immediately unlocked the store and checked his office. He found all in order. The other men went to the back of the store and stared at a gaping hole in the wall. Large bolt cutters lay on the ground alongside the heavy steel shutters, window and window frame that had once filled the opening before them. Ironically, the robbers thought they were breaking into the back of the bank without realizing that the Faust building wrapped around it.

The robbers had left an enormous amount of gear in their hasty retreat. Chief Moeller found a brand-new oxygen and acetylene torch with two extra tanks, a large sledge hammer, a pinch bar, and a sack of smaller tools that included keyhole saws and wrenches of all sizes. There was a large black rubber curtain with loops and rings to hang and shield the robbers’ work lights. A leather pouch contained flashlights, dynamite caps, fuses, a ball of soap mixed with oil and cotton bandages. Other miscellaneous articles included three bottles of liquid which turned out to be nitroglycerin. In short, the robbers had brought, and left, an A-1-state-of-the-art burgling kit.

One more item was found. It was a package about 14 x 4 inches in size. Chief Moeller handled this package very carefully; dynamite was unstable and exploded easily. He gently unwrapped the contents. There was an explosion — of laughter, for the package contained an entire loaf of bread that had been hollowed out and stuffed with ham! Apparently, the robbers had brought munchies to the heist.

The burglary equipment was taken to San Antonio where it was discovered that much of it had been stolen. The bottles of nitroglycerin were taken to an open prairie out in Preiss Heights and Chief Moeller shot and exploded them creating a large hole.

W. Nance Meredith was hailed a hero in NB and around the state for his bravery and quick action in thwarting the break-in. A collection was taking up by grateful townsfolk and First National Bank presented him with a $100 check.

The bank robbers were not caught. However, when the New Braunfels State Bank was successfully robbed less than three months later on March 10, 1922, Chief Moeller suggested that it had been committed by the same gang (check out https://sophienburg.wpenginepowered.com/a-bank-robbery-in-downtown-new-braunfels/ ). As it turned out, Chief Moeller might have been right. The robbers, known as the “Newton Boys” had successfully robbed quite a number of banks in Central Texas using the same MO and equipment. Personally, I think the “Boys” were responsible for both. They had to be miffed about the botched attempt which made them pull off the spectacular daytime robbery in March. $100,000+ is pretty good compensation.

And now we are back to the photo of three old men. This snapshot of Willis, Joe and Dock Newton was taken in 1972. It was given to Oscar Haas in 1975 when Willis and Joe came to New Braunfels with a film crew from Trinity University. They were capturing footage for a documentary film,”The Newton Boys: Portrait of an Outlaw Gang”. The Newton Boys were caught and sentenced in 1924, served their time and then lived their lives telling many-a-tale.

Small town Texas history is just so good.

Sources: NB Herald, Neu-Braunfelser Zeitung, NB Herald-Zeitung collections; Oscar Haas collections, “Reflections” oral history collection #7, Paul Jahn; Gangster Tour of Texas, T. Lindsay Baker, 2013.

The post True crime series: Break-in of First National Bank appeared first on Sophies Shop.

By Tara V. Kohlenberg —

Some fifty years ago, New Braunfels was still a small town. You know, very Mayberry, where they pulled up the fire hydrants, rolled up the sidewalks and locked them in the bank every day at 6 p.m. At least they did from my child-eye view. One of the few things that I remember about drives through town on a summer Saturday evening, was stopping in front of Seidel’s Studio and Camera Shop to look at all of the beautiful portraits — brides, babies, families. The images captured the essence of the subjects in that one moment in time. Without knowing it, the Seidels became some of the greatest historians of New Braunfels. The Seidel story begins post WWI.

Otto Seidel and Johanna Schmidt met and married in Germany in 1921. Johanna’s mother and stepfather, Mary and Frank Bluemel, had emigrated to Texas in 1913 before the war. Mary wrote letter after letter to the Seidels, telling them wonderful things about New Braunfels and inviting them to come. The young couple took a chance and moved to New Braunfels early in 1922. Otto had a little photography experience from WWI, so it seemed only natural that he would want to buy a photography studio, which he did. The Seidels bought Bluemel’s Studio from Frank Bluemel.

Unlike today, a professional photographer was required to take pictures of things, everything from weddings to new buildings to accidents. Professional cameras in that day and age were big and bulky and absolutely nothing was automated. The photographer stood under a big black cover to look through the viewfinder at an upside-down image while holding a trough of black powder on a stick. A cotton string was lit and the photographer manually opened the shutter when the flame ignited the powder in the trough, creating a flash. In the best of conditions, say, standing in a room with said camera taking a picture of a single person, it could be very tough to get consistently good photos. Otto Seidel had a knack for it. Can you imagine having to travel with that giant thing? Travel they did. In the mid-20s, the Seidels were asked to take construction photographs of the McQueeny and Clear Springs Dams, with their huge, bulky camera complete with black powder flash, down inside the dam structures. They also were asked to take photos during construction of the Comal Power Supply /LCRA building. There were no aerial photos, no drones back then, so when asked to photograph all the tin roofs in New Braunfels, Otto climbed the tallest structure he knew of. He set up his huge camera and tripod on top of the Coll Street water tower. Yikes! In later years, the cameras were smaller, but the electric flash required an eighteen-pound battery pack slung over one’s shoulder to make it work.

Originally, the studio was located on Castell Avenue between the back of what is now The Phoenix Saloon and the Hinman House/Communities in Schools. By the early 30’s, Seidel’s Studio moved to the Hinman Building on W. San Antonio above Peerless Pharmacy (where Dancing Pony is now).

In 1939, the business relocated to a very modern art deco building at 453 W. San Antonio Street (now Keller Williams Realtors). The family home was right next door. The Seidels had two boys, Edmound and Rudy (born 1922 & 1924) who were involved in the business even as children. In his spare time, Otto would shoot pictures of Landa’s Park and surrounding New Braunfels. Seidel’s Studio printed hundreds of scenic post cards to sell in the drug stores for ¼ cent each. The children helped lay the cards out all over the floor of the studio to have room to dry.

In 1941, the Seidels became a direct dealer for Eastman Kodak Company. They processed customer’s film promising same day service. With the help of their son Rudy, they gradually broadened their services to include cameras and camera equipment sales, becoming Seidel Studio and Camera Shop. More services meant the need for more space. They enlarged the building in 1951. Rudy took over the business in 1955. They doubled their footprint again with an expansion in 1957. The building was remodeled in 1970, as were many other buildings at that time, to give it a Bavarian fachwerk look. The Seidel building finally was sold by the Seidel family in 2006. The building has been remodeled again in recent years to the ultra-modern stucco and glass version we see today.

The Seidels were very devoted to their work. Otto, Johanna, and Rudy worked all day and well into the evening six days a week, shooting studio portraits or business/industrial locations during the week followed by weddings on Saturdays. In the meantime, they had to process the film and print photos. Before color film, everything was shot in black and white. Color photographs were produced by “hand tinting” the black and white images with shear paints. On bridal pictures, the color of each gown was documented so that it could be tinted the proper shade. It was very time consuming. The Seidels were also called upon to shoot photos of accidents for the police or sheriff departments, many times in the middle of the night. Rudy and Otto saw some pretty gruesome sights. The year before the Studio sold, the Seidels calculated that they worked every day but 4 Sundays.

In 1970, the photography studio was sold to Vera Shaw, an eighteen-year employee, also from Germany. The studio operated as Braunfels Studio until 1989. Rudy continued with the camera shop. They sold state of the art cameras and equipment. The Herald-Zeitung bought many a camera there. After Otto Seidel died in 1976, the camera business was sold to Pat and Connie Miller in 1978. Shortly afterward, Herb Skoog learned that 48 years of negatives held in storage were about to be thrown out. Skoog encouraged the Millers to donate all of the Seidel Studio’s negatives to the Sophienburg Museum and Archives. The Seidel Collection at the Sophienburg contains approximately 25,000 photos and negatives.

The Seidel family of photographers chronicled the history of New Braunfels from 1922 to 1970. After that, their legacy was continued by those under their tutelage. Generations of New Braunfels residents have been captured on film by the Seidels. Were you one of the photos in the portrait window.

Sources: Sophienburg Museum & Archives; Reflections; Seidel Collection.

The post Images of history appeared first on Sophies Shop.

By Tara V. Kohlenberg —

I always looked forward to our weekly trip to the grocery store. Although it was only a short twelve or so blocks from our house (and about the same from the Plaza), it felt like we were traveling to an exotic place with odd sights, sounds and smells. It was both scary and exciting to ride in the car as my mother drove over the bridge high above the Guadalupe. The grocery store was Pittman’s Red & White Store.

To me, the store was small and safe with only three aisles and a meat market in the back. If I behaved, I would get to select a treat from the cooler case at the end of the trip. But there was so much more to Pittman’s story than those three aisles of groceries.

The Comal and Guadalupe Rivers marked the boundaries of the land purchased by Prince Carl. The rivers defined the edge of New Braunfels for a long time. The Faust Street Bridge, one of New Braunfels’ most recognizable landmarks, was completed in 1887. The bridge was part of Highway 2, and served as a major crossing for all traffic between Austin to San Antonio until 1934, long before US 81 and Interstate 35 were built.

Highway 2, the Guadalupe River and the railroad brought industry. In 1921, Planters and Merchants Textiles began planning and building their modern water-powered textile mill. It began full production in July 1923. In 1922, just across the road on the edge of the highway in rural Comal County, Litt Atkin (L.A.) Pittman and his wife Eula set up a hamburger stand. According to family history, L.A. and Eula came to the New Braunfels area in 1919. When they wanted to build a business, it was said that the only properties available to them were outside of New Braunfels city limits. They purchased property from Louis Meyer on Highway 2 (now Porter Street).

What started out as a hamburger stand evolved into a grocery store. L.A. worked as a fireman in a factory job while Eula ran the store. They served not only the mill workers, but the families that built homes in the new Meyer Addition. The store was a little of everything to the community. Because it was on the highway, it served as a Greyhound bus station. It also served as a post office and polling place for Comal County. The community was dubbed Milltown by the people of New Braunfels. It was a derogatory name, but the people of Milltown embraced it. The funny thing was, the mill was the largest employer in the county, with a good number of the workers crossing that bridge from town every day to work there.

As the mill prospered, so did Pittman’s. By the late ’20s, the store became Pittman’s Red & White Store. L.A. and his wife built a large home behind the store and raised their children, who also worked in the store. About 1940, the Pittmans built a new modern Red & White Store next door to the first wood frame store. L.A.’s son, Walter, raised his family in the remodeled old store building while working long hours in the new store. The new store had the traditional red and black tile front and plate glass windows. This is the store I remember from the ’50s and ’60s. It was a nice place to be. The air conditioner was cool in the summertime. There was a square table with chairs near the front doors. Hot coffee was available all day along with cold sodas in the cooler. They made sandwiches and burgers to go. They also had a butcher in the back of the store that custom cut and wrapped the meat for customers. Gary, L.A.’s oldest grandson was the butcher. For a while, Walter and Helen Pittman owned a myna bird, and believe it or not, they had it by the back door in the butcher shop. It would whistle and call out Helen’s name all the time. My child-self thought that was so very cool. My adult-self is like, oh my gosh, you had a bird in a butcher shop! So many things wrong with that. The Myna bird accounts for both odd sights and sounds. Across the street from the store, stood the mill, a huge glistening white building guarded by a row of tall palm trees and a green and white neon sign. The odd smells mentioned before? The dyes used contained formaldehyde. Occasionally, the dye vats were flushed into the river and released an acrid smell into the air. Yuck. Best thing ever at Pittman’s? Grapette from the cooler!

Pittman’s store was fundamentally tied to the textile mill, whether it was Planters and Merchants, Mission Valley Mills, or Westpoint Pepperell. Pittman’s opened before first shift so workers could fill up on breakfast tacos (yes!) and get sandwiches for their noon meal. They cashed checks and ran charge accounts for groceries. They even delivered. Before the war, Pittman’s would purchase flat fold yardage of ginghams from the mill to sell at the store. There would be people lined up before the store opened to purchase that fabric. L.A.’s daughter, Bernice, would cut gingham sample swatches stapled together with cardboard labeled Comal Cottons to mail out to people. Mr. McKenna purchase that name for his own retail operation. After the war, Comal Cottons retail store opened across the street. Pittman’s returned to grocery sales and Gary would later go on to a career with Comal Cottons and then fabric sales.

Pittman’s Store remained a staple in Milltown serving people of the area until the family closed the doors for the last time in late 1979.

Sources: https://historicbridgefoundation.com/txbridges/hillcountry/comal/faust.html; Sophienburg Museum & Archives; Around the Sophienburg, Myra Lee Adams Goff; Gary Pittman; Bonnye Manning.

The post Pittman’s Red & White Store appeared first on Sophies Shop.

By Tara V. Kohlenberg —

Did your mother ever give you the job of pasting trading stamps into books? Mine did. My childhood is full of rainy afternoons spent licking (or wetting with a sponge after I got smart) drawers full of S&H Green stamps. That entitled me to browse the S&H Idea Book to see what we could spend our stamps on. It was almost as cool as looking through the JCPenney Christmas Catalogue… almost. My recent discovery of trading stamps in the Sophienburg Collection prompted a little more in depth look at trading stamps in New Braunfels.

Before there were frequent flyer miles, hole punched discount cards or computerized loyalty discounts, there were trading stamps. Trading stamps were developed as a retail loyalty program. Merchants would purchase the stamps in varying point denominations and give them out based on the amount of the purchase. Stamps were then pasted into savings books and redeemed for other merchandise. Sperry & Hutchinson created S&H Green Stamps in 1896. They were one of the first loyalty programs of its type. Issued in denominations of one, ten and fifty points, the gummed paper stamps were mostly distributed to supermarkets, department stores and gasoline stations.

The first Herald advertisement with S&H Green Stamps in New Braunfels appears in 1915, by the Pfeuffer-Holm Co. furniture store. The ad announces the adoption of the “Sperry System of Profit-Sharing” to reward their cash paying customers, much in the same way that the bank pays interest on the money one saves. Then in 1922, Green Stamps appear in ads by Ludewig Furniture (now Johnson Furniture) and also by Oscar Haas & Co. clothing (yes, our County Clerk and historian was a man of many talents). They even gave S&H Green Stamps with the sales of ladies’ corsets and brassiers.

Trading stamps grew in popularity over the years, especially with the spread of chain gasoline stations and supermarket chains. Most retailers found it easier and more profitable to award all purchases than just the cash sales. The height of collecting trading stamps came during the 1950s and 1960s. Here in New Braunfels, the only Herald ads promoting green stamps in the late 50’s was Plaza Drug. Numerous others followed and proudly posted their Green S&H shield in their windows like Mom ‘n Tot Shoppe. Some had large free standing metal signs out front of their businesses to get your attention. Tip Top Cleaners even posted an S&H logo in their 1965 Yellow Page ad.

There were other trading stamp competitors. One such competitor was Texas Gold Stamps. Developed by HEB in 1955, Gold Stamps were run as a subsidiary and available to all merchants. Gold Stamps did not appear in local advertising until 1958 promoted by Ritter Service Station locations in New Braunfels. Within a short period of time there were a lot of merchants touting Texas Gold Stamps, including HEB, City Pharmacy, Jarisch Gulf, Landa Texaco & Sinclair Service Station.

In the 60’s, grocery stores were noted for Green Stamps bonus days. In 1964, Baenziger Model Market opened (now part of NBISD Ed Center). My mom shopped at Baenziger’s to take advantage of the Double Stamp Wednesdays. (Yay, more to paste. More to dream of getting!) Then in 1966, the Great Atlantic & Pacific Tea Company opened an A&P Grocery Store in Landa Plaza Shopping Center (now Das Rec area). They brought with them their own brand of trading stamps – McDonald’s Plaid Stamps. Other lesser known trading stamps appeared as well. Sometime in 1964-65, Superior Market & Grocery, on the corner of North Union and Garza (now a small office building) began offering S&S Red Stamps. I have neither seen these or found any information on them, but Superior’s grocery ads touted that S&S Red Stamps “Spend like Cash with your hometown Merchant”. The redemption center was listed as Dedeke’s Housewares and gifts at 215 S. Seguin. I would think that it was fashioned after the S&H Green Stamp program, but with local merchant products. Red Stamps lasted until about 1967, when the store loyalty program changed to Gold Bond Stamps. Weyel’s Foodliner gave out Top Value Stamps.

By 1965, trading stamps were saved by 35 million of the 50 million families in America, redeeming $500 million dollars in stamps each year. However, trading stamps began to decline after that. In 1967, a joint ad from Comal, Plaza and City Drug stores stated that “effective immediately” trading stamps would no longer be given, but they would give 10% cash discount on all purchases. Wuest’s Grocery never gave trading stamps. Instead, they promoted their lower discount prices every day. More stores began to realize the savings in ditching stamps. With the economic downturn and gas crisis of the 70’s, trading stamps held less value and shoppers realized that they could get their premium items almost as cheaply by buying outright. The stamps became too much trouble. S&H continued on until about 2013, then became S&H Points. As of December 2020, their website states that points are no longer valid and cannot be redeemed.

So what did we end up getting on our big S&H Green Stamp shopping trips to the redemption center in downtown Seguin? I remember my dad getting lawn chairs. My mom got a new bathroom scale and my sister and I got a vanity chair with a hot pink (not quite psychedelic) “fuzzy” seat cover when we redid our room in high school. What did you get?

Sources: Sophienburg Museum and Archives newspaper collection; https://www.tshaonline.org/handbook

The post Trading stamps in New Braunfels appeared first on Sophies Shop.

Every child passing through the Texas Public Education System receives an introduction to history. I say an introduction, because they may not remember all of it, but they are definitely shown it. Elementary students begin learning about their own community history in third grade, eventually adding two years of Texas history and two years of U.S. history, followed by World history and government in high school.

I first really dove into history when my sixth-grade teacher, Mrs. Christianson, told us that “history” is just that, “his story,” the story of man. (She also taught me how to write outlines, but that’s a story for another time.) She made history come alive for me and I was hooked. There are rewards for those hooked on history. Each year, The Sophienburg Memorial Association awards the Myra Lee Adams Goff Sophienburg History Scholarship to a local graduating senior with an interest in history. The 2019 scholarship recipient is Canyon High School Senior Ross Bedgood. Ross is the son of Steven and Amie Bedgood and will be attending Southwestern University. We are extremely proud to publish his essay in our column today, lightly edited for length and clarity. Enjoy!

The Comal County Fair:

The Resilient Historically Significant Event That Keeps on Giving

When determining an event to be a historically significant one, some consider only those caused by natural disasters or war. However, an established event and its impact on a community throughout time, meets the criteria. The Comal County Fair is one such event.

It is opening night of the 2018 Comal County Fair and I am waiting for my friends. I take in the sights, sounds, smells and excitement the fair offers. I begin to wish I could go back in time and visit the fairs. Then I feel someone tap my shoulder. Thinking it was one of the guys, I turned and…

It was 1894 and I was on a train from San Antonio headed to the first Comal County Fair in New Braunfels, Texas. A man sitting next to me said, “I am Frederick, your fair guide for the next 124 years. He explained how he felt the fair was going to be a success because of the trains bringing people and the community had supported a fundraising fair for the Krankenhaus, the hospital, last year.

When the train stopped, we were on Harry Landa’s property, the sight of the first fair. There were displays of plants, food, livestock, sewing, artwork and so on. It was all I had imagined it would be and more.

Quickly, Frederick motioned for me to follow him. “We’re now on the 11 acres of the Guadalupe River purchased by the Comal County Fair Association in 1898. Just like 1894, it did not disappoint. However, due to financial difficulties, the property was sold to the City of New Braunfels in 1905 with the stipulation that the fair would use the property for the next 50 years.

With the fair of 1908, the stores closed at noon and it was declared New Braunfels ISD Fair Day. The exhibits increased and awards were given for flowers, fruit, handmade men’s suits and so forth. The livestock was in abundance.

For the years 1910-1922, Frederick said he could not find any information about the fair. He thought it might be because of WWI, but did know the land became a dumping ground for the city. I felt sadness and wondered how the fair recovered.

When we entered the year 1923, Frederick’s sparkle returned. He began to explain to me how Comal County Fair Association regrouped into a corporation and was ready for the start of the fair. As we slept, the grandstand burned to the ground, but the fair opened for business and we visited the small house filled with tiny furniture, clothing and other essentials and listened to the Edison playing records. The following two days were rained out.

The next few years were good times, but then I saw Frederick’s demeanor change. “Frederick, you’re not looking so happy. What now?” I asked.

He replied, “Son, we are all in hard times. It is the Great Depression. You see how the fair is not bustling? It had to do away with the queen’s contest, give no cash prizes, lower admittance prices and exhibitors are let in free. It is relying on local cowboys for the rodeo and local musicians for entertainment.” It was a somber time.

I enjoyed the 1933 fair. It was celebrating ’Real Beer’….no more ’Busto’ or ’near beer.’ This fair was filled with dances, the Heidelberg Orchestra playing German music, a football game between New Braunfels and Yoakum horse racing, rodeo and carnival.

Frederick zipped us past the WWII years of scaled back fairs to the 1946 Centennial Celebration, which had been postponed a year due to war. Its highlight was the automobiles that people were becoming interested in. And there was the Greater United Shows Carnival. Frederick was not much of a carnival rides person, I rode the Merry Go-Round, Tilt-A-Whirl and Ferris Wheel and then we watched the horse races. What an adventure I was experiencing!

Frederick said that 1952-1954 were some tough times for the fair. After not being able to have livestock in the parade or at the fair due to Anthrax in 1948, floods and polio spread fear in 1952 to the point the grounds were sprayed with disinfectant. In 1954, the Comal and Guadalupe Rivers almost dried up causing dust issues and few agriculture entries. “But never fear,” said Frederick, “the fair kept on going.”

The 60s were amazing. First it was the rodeo spotlighting Leon Adams riding a Brahma bull through a hoop on fire followed by tied-down calf roping, barrel racing and more. I realized one had to be really tough to participate in these rodeo events. Next, in 1962, came Night in Old New Braunfels and concerts by Canyon, Smithson Valley and New Braunfels High Schools. A quick stop in 1965 allowed us to meet Bobbie Specht, the first rodeo queen. In 1967, we met the first Fair Queen since 1931, Jacque Sahm.

Becoming tired, Frederick informed me that there were only two more stops, one in 1974 and 2001. In 1974, we listened to a country singer by the name of George Strait, who was a rising country star. For 2001, I found Frederick and I at the Comal County Fair Parade. It was just a couple of weeks after the terrorist attack and the parade overflowed with patriotic themes and patriotism swelled from the crowds. It was a time of hope, determination and pride.

Finally, we reached 2018! I thanked him for being a knowledgeable history guide. I now understood that the Comal County Fair was a historically significant event because it had withstood droughts, fire, floods, wars and tough economic times. It continues to give to the community of New Braunfels and Comal County. Thank you to the citizens for organizing the Comal County Fair Association on January 4, 1893. My friends have arrived and we are going to enjoy a night at the fair.

(Information used in the paper came from a report by Myra Lee Adams Goff, author of It’s Fair Time, History of the Comal County Fair.)

The post Goff Scholarship winner shares history appeared first on Sophies Shop.