The first July 4 celebration in New Braunfels took place in 1845, just four months after the first emigrants crossed the Guadalupe into what would be the “Neu Heimat” (New home). A lot has happened historically since that first Independence celebration. For one thing, two statues were placed on the Main Plaza commemorating the men who fought in the Civil War and World War I. This is their story.

One statue located on the Main Plaza is called “Spirit of the American Doughboy”. Doughboy became a nickname for American soldiers in World War I and it stuck. No one knows where the name comes from but the term supposedly goes back long before the Civil War. In WWI both Americans and British soldiers were called Doughboys. Originally the term was not a compliment. Herman Melville in “Moby Dick” calls the cabin steward a doughboy suggesting a negative comparison to the sun burnt whalers and harpooners. Later the US Army cavalry looked down on the infantry calling them Doughboys, referring to the shape of the infantrymen’s buttons on their jackets that looked like dumplings .Whatever, it was not a compliment and mostly mocked the American infantryman. After WWI, Doughboy became a popular name for all American troops. This changed by WWII when American service men were called G.I.s or Yanks. Doughboys are now mostly associated with WWI.

Doughboy (we’ll call the statue that name) was placed on the Main Plaza in 1937 in observance of the 19th anniversary of the Armistice of WWI. It is in full uniform complete with pack, helmet, grenade and rifle. The granite base contains tree stumps and barbed wire. There it remained for 49 years until it was run over by an inebriated driver in 1986. The statue broke into five pieces, losing its head, both arms and half a leg. A clever Herald writer quipped “A farewell to arms”.

When the statue was knocked off of its rather large base, an unexpected tombstone was revealed on which the statue stood. It had an inscription on it: “T. Stokely M. Holmes, born Aug 21, 1828, died July 28, 1905. A kind affectionate husband, a fond father and a friend to all”. How this tombstone became part of the Doughboy is not known. Looking up that name in Ancestry.com, one finds this person buried in the Tuttle Cemetery in Guadalupe County: “Stokely M. Holmes, b Aug 21, 1828 and d July 28, 1905”. Obviously the Doughboy tombstone was rejected because it had incorrect information. It has rested under Doughboy since 1937.

Who was the sculptor of Doughboy? E.M. Viquesney was the sculptor of the cast zinc statue. He was a “chip off the old block” because his grandfather, Charles Alfred Viquesney was a stone carver in France who came to the US in 1842. Then Charles Alfred’s son, also Alfred, followed in his father’s trade with a stone carving business, making monuments and carvings of angels, crosses and other figures. These figurines were very popular as early decorations of gravesites. Viquesney, the sculptor of Doughboy, learned the business from his father.

Viquesney designed monuments at Clark’s Monument Works. He went on to design and sculpt many other memorials during his lifetime, too many to name here. They ranged from a Confederate War Memorial to his last sculpture in 1946 titled “Last of the Comrades”. All of his sculptures honored war heroes. Sadly, following completion of “Last of the Comrades”, Visquesney took his own life.

In 1921, the Doughboy sculptor won a national American Legion award for design. With the success of the Doughboy statue he received orders all over the United States for replicas. In Texas alone this Doughboy can be seen in Canyon, Crowell, Ft. Worth, Grosebeck, Lufkin, Sinton, Wichita Falls, Vernon, Texarkana and New Braunfels.

With this success, he produced 12 inch replicas of this statue. This is a common practice for sculptors and he sold as many as 25,000 of these miniatures. One of the miniatures was given by Viquesney to President Warren Harding and one was given to Gen. George Pershing. He also made lamps, and candleholders and incense burners in the shape of the statue .The last Doughboy statue was produced in 1942. I wouldn’t be a bit surprised if there was one of these miniatures in someone’s attic right here in New Braunfels.

Mr. and Mrs. E.A. Clousnitzer had originally presented money in 1937 to the local American Legion to purchase both the Doughboy statue and another statue placed on the south side of the Plaza called “To the Memory of our Fallen Soldiers of the Civil War 1861-65”, honoring all soldiers of that war. The statue actually honors both sides of the Civil War, the Confederacy and the Union, because both sides in this conflict in Comal County lost soldiers in that war.

Another move took place when New Braunfels was getting ready to celebrate its Sesquicentennial in 1996. After refurbishing both statue soldiers and replacing stolen guns, they were placed on the same side of Main Plaza and rededicated in 1997. Both statues are now on the north side of the Plaza. Does this placement seem a little confusing to you? This might help: Hermann Seele said that when Nicholas Zink was plotting out the streets of NB, he followed the wagon trails, more or less. If you go to Main Plaza with a compass, you will find that North and South Seguin actually go in a northwest and southeast direction and West and East San Antonio go in a southwest and northeast direction. I suggest that you just go down there and find the statues yourself.

When you go to downtown to see the Sophienburg’s July 4th Parade, make your acquaintance with these two statues and remember the ones they honor.

The Sophienburg July 4th celebration begins with the lineup of parade participants at 8:30 at the Sts. Peter & Paul parking lot. The Community Band plays on the Plaza at 8:34. Then a Commemorative Air Force fly-over should take place at 9:10, followed by the parade and program on the Plaza. Call 830-629-1572 for parade entry reservations.

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On Tuesday, September 10, the Sophienburg Museum and Archives will open its exhibit about a literary form referred to as fairy tales. Eighteen Brothers Grimm fairy tales will be incorporated into the displays that are already present in the museum.

Keva Boardman, Director of Exhibits at the Sophienburg Museum, has used her imagination and expertise to show off the Sophienburg’s vast collections, seldom seen by the public.

There are some important facts to know before you come to the exhibit. First of all, the “Brothers Grimm”, Wilhelm and Jacob, did not write the fairy tales; they wrote them down. Drawing from a collection of writers such as Charles Perault, they utilized the stories that were passed on by word of mouth, mostly from Europe. Most stories date back to the Middle Ages. These tales are in modern times totally bazaar and full of the evils that man is capable of inflicting on mankind.

Life in the early European days were indeed harsh and fairy tales reflected what children were exposed to and feared the most. The Grimm brothers told the stories they heard from people but modified them to reflect the times. (1800s) Writers of fairy tales for children today do basically the same thing, that is, change the tales to reflect these modern times. Walt Disney did much to keep the fairy tales alive, but in a much more acceptable way to modern children.

Even today the themes of the fairy tales still reflect the underlying fears of children and adults. Think about the fairy tales you know. They play on the themes of evil (the evil stepmother), abandonment (Hansel and Gretel), and fear of becoming a victim. Most children are quick to pick up on these themes in literature and for that reason, they are often fearful of the story itself.

One Christmas when I was eight years old, I received a very large book that contained 100 fairy tales. Each story had an illustration of that particular story. I would turn the pages very slowly and look at the beautifully illustrated pictures. When I got close to the middle of the book, I would hurriedly go past the 50^th story and its illustration. This story was “Bluebeard”, a story about a king who warned his many wives to never enter a certain room in the castle. Of course, the female finally gave in to her curiosity and she opened the door only to find that all the other wives had been beheaded. Needless to say, that story is no longer in fairy tale books and hasn’t been for about 50 years.

The Grimm brothers cleaned up the earlier tales, and Disney cleaned up the Grimm tales. The Sophienburg exhibit is for adults and children. The Grimm brothers were professors of linguistics. Learning about the change in the sounds of words was best accomplished by them by requesting that everyday people tell them stories that they had heard as children. The brothers wrote down the stories which eventually led to their publication in 1814. Consisting of tales from Germany, they were not intended for children, as they were full of witches, wolves, and goblins in dark forests. The original tales make no attempt to be fright-free.

Eighteen fairy tales have been chosen to display and here is an example of what you could see in the exhibit: a “Snow White” dress on a mannequin originally worn by Mitzi Nuhn (Dreher), age six, as she played that part in the Enchanted Hour Kindergarten’s program of “Snow White and the Seven Dwarfs” in 1937 at the Seele Parish House. The teachers of this private Kindergarten were Bessie Baetge and Lucille Staats Jett. The silk and velvet dress was reworked by the Sophie Sewers who worked on several projects from the collection, including handkerchiefs from “The Goose Maiden”.

For the “Cinderella” exhibit, 39 right-footed shoes from the collection are shown, even a red leather Moroccan slipper. “Star Money” features a collection of German coins and “Brother and Sister” features things made of antlers, because in the story the brother turns into a deer.

A loaned display for “Brementown Musicians” shows eleven handmade German folk guitars dated 1870 to 1990 and loaned by Troy Tidwell. The musicians in the story are a donkey, a dog, a cat, and a rooster.

“Hansel and Gretel” features children dressed in German costumes and “Reponses” shows decorations made of human hair. There are about ten examples displayed in shadow boxes. This was a popular art at the time the emigrants came to New Braunfels.

Several fairy tales used the idea of a princess under glass. That even survived in the Snow White story by Disney. The exhibit is using their Scloss Braunfels Boyhood Home of Prince Carl of Solms/Braunfels under glass sculpture, created by Jonas Perkins. In the foyer of the museum is a permanent statue of “Little Redcap” or “Little Red Ridinghood”, donated by the Emmie Seele Faust family.

“The Seven Ravens” is about a baptism. The Sophienburg has been the recipient of many old church Baptism certificates. They are beautifully crafted, some using gold and exquisite colored flowers.

This exhibit is for those who want to know about the historic root of fairy tales. Museum hours are 10:00 to 4:00 Tuesday through Friday. The Bruder Grimm Kinder-Märchen Exhibit will be on display for a year.

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Thanks to some early settlers, we have pictures painted with words of what early NB looked like from writers like Roemer, Lindheimer, Brach and the most prolific of all writers, Hermann Seele. Let’s not forget all those personal letters that were saved by families.

One of the best descriptions of the early Mission Valley area was written by Wilhelm (Bill) Adams, the older brother of my grandfather, Louis Adams. In 1937 Bill Adams told his story to his son, Harold Adams, who fortunately for us all, typed Bill’s story as he was speaking.

The paper was copied in its entirety in Alton Rahe’s book, “History of Mission Valley Community”. Excerpts from that paper bear repeating.

Bill Adams and my grandfather Louis were sons of Heinrich and Katarina Doeppenschmidt Adams. Katarina’s father was Jacob Doeppenschmidt, Sr. whose ranch was in the Honey Creek area. Heinrich’s ranch was in the Mission Valley. Both families were ranchers from the beginning. Honey Creek Ranch is now under the care of the Texas Parks and Wildlife.

Heinrich Adams, as a single man, came to Texas and New Braunfels in 1850 from Prussia. A family tradition states that Heinrich was educated in Germany and was in an elite military unit – elite because one had to be over six feet tall to be eligible. That was tall for Europeans in those days. Supposedly he had to leave Germany because he hit an officer. In 1856 he married Katarina Doeppenschmidt, daughter of Jacob and Anna Marie Doeppenschmidt. There were six children; my grandfather was the youngest.

In 1894 after both Heinrich and Katarina had died, second son Bill bought the ranch from his sisters and brothers. My grandfather, Louis, being a minor, went to live with his uncle, Jacob Doeppenschmidt,Jr. Bill was a successful rancher and eventually expanded the ranch to 1100 acres.

Bill was also involved in politics. He served as a Deputy Sheriff and then Comal County Commissioner for eight years and then was elected Sheriff and Tax Collector in 1908-1920. (Source of above by Marilyn Thurman and Jane Brummet, granddaughters of Bill Adams).

Bill’s paints a word picture of the early Mission Valley area. At one time there were no fences and sedge grass was as high as a horse “waving in the wind like waves of the ocean” with no brush and cedar and an occasional live oak. The game was deer, wild hogs, wild turkeys, javelinas, geese, ducks, swans, pelicans, flamingos, wild pigeons (an extinct bird sometimes referred to as the wandering dove because it would drift south in the winter and return in the spring.) There were panthers, various wolves, coyotes, bears, leopards, wild cats, raccoons, opossums, ringtail civet cats, skunks, armadillos and other smaller animals.

Farming in the area started when the settlers arrived and they needed tanks and waterholes. This explains all the types of waterfowl. The most remarkable of all the watering places was the Post Oak Sea, a mile from Adams’ ranch house. It was a large body of water never known to go dry until 1887 and since then held water for only a short time following a series of heavy rains. When all other watering holes were dry and the Guadalupe was down to a trickle, this large body of water was full. If you want to see it, drive out Hwy. 46 and from the intersection of Loop 336, on the right side about four miles, you will see a large tank near the road. That’s not it! Drive a little further and off in the distance you will spot the “Sea” with a small amount of water. Speculations about the “Sea” going dry have gone on for years; some thought there was an earthquake, some felt it had to do with a storm in 1886.

“We young fellows from our neighborhood would get together at the Sea all on horseback with several trained dogs, and waited for the wild hogs to come to the water. The lake was several acres across and a mile in every direction. Good rodeos would take place there between the dogs and hogs.”

Other Bill Adams stories are reprinted in Rahe’s book that can be purchased at the Sophienburg.

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By Tara V. Kohlenberg —

Have you ever experienced a Christmas where you thought you would get nothing from Santa?

I am sure that there are several good children that have worried about getting gifts due to their parents’ circumstances. During the Great Depression, it was the generosity of angels that helped out needy children in New Braunfels.

The U.S involvement in World War I lasted from 1917-1919. During that time, everything went to the war effort to support our soldiers, causing restrictions (read shortages) of meat, wheat, sugar, eggs and more. Once the war was over, with a short readjustment, the economy rebounded with gusto. Oil was flowing, business was booming, new construction was up and all was well again for nearly a decade. Texans were looking to the future, that is, until the stock market crashed on October 29, 1929.

Texans were not initially affected by the downturn. In fact, they were optimistic that it was a little recession, a short-lived blip on the radar. The cotton crop was already harvested and sold at very good prices. The population had grown by 25 percent. New Braunfels’ new building projects were still being built in 1931. Then reality hit. The battered economy caught up to New Braunfels.

Many people did not have money to spend. Business suffered. The one-year-old Montgomery Ward store closed along with others. Men were out of jobs. Some lost their farms. Some lost their homes. Women went to work doing what they could. Many people were hard pressed to survive. Some went to the poor house with their family. Others reached out to charities for help with food and clothing. In 1931, Christmas joy was a faraway memory for many.

To lessen the heartache of a Christmas without presents for the children, the Lions Club joined with New Braunfels firemen to collect toys. The Lions Club of New Braunfels (chartered April 1925) was founded on the basic tenets of loyalty and service to community, state and nation. The Lions jumped right in to make Christmas better for the children of the less fortunate with a city toy drive.

Unlike the toy drives of today, (think KENS-5 Bill’s Elves or Marines’ Toys for Tots), they were not asking for new toys or monetary donations. They wanted old, used, castaway toys. The idea was for the Lions to do the collecting and the firemen to repair and refurbish the toys.

The wheels may be turning in your head thinking, “my child would flip out if they got a broken toy.” Perhaps, but toys were made differently in the ‘20s and ‘30s and were not generally considered disposable. They were made to last. We are talking metal scooters, tricycles, pedal cars, velocipedes, kiddie-cars, doll buggies, mechanical toys and wagons (these are all of those wonderful things that catch your eye in the big antique stores). Replacing a wheel or putting on a new coat of paint made it all new again.

Calls went out for old toys beginning in November. The toys were collected by Lions Club members and dropped off at Central Fire Station (now the New Braunfels Fire Department Museum on Hill Avenue). Why partner with the fire department? At that time the New Braunfels Fire Department was made up of approximately seven to eight paid men located in three stations with 60 on-call volunteers. The paid men were basically confined to the fire station premises during their shift when not on a call. After daily chores were completed, they had some down time to work on repairing and painting the toys. Paint was furnished by Louis Henne Company and Jacob Schmidt & Son provided cloth for new doll dresses, which were made by Mrs. Walter Staats, wife of the fire chief. The campaign was deemed a success as there was an incredible number of toys turned over to Associated Charities for delivery to identified needy families.

As the Depression dragged on, the Lions and Fire Department continued their Christmas Toy Drive. In 1932, the Lions and Fire Department were already organized and ready for the toy campaign. They enlisted cloth donations from Eiband and Fischer and paint donations from Cameron Lumber Company.

By 1933, the firemen were not only repairing toys, they were also in on the delivery of the toys with Santa (the best part). That year, Santa named Chief Staats and his firemen as Special Agents to Santa Claus, meaning that the toys, along with apples and oranges provided by the American Legion Auxiliary, were loaded up on a big red firetruck for special delivery to each and every recipient.

In 1934, the firemen rode the big hook-and-ladder truck to make deliveries themselves to those children identified by the Comal County Relief Board. By 1935, the recipients were identified from relief rolls along with input from the elementary school principals. Each year, the Lions Club provided new toys to help meet the demand of needy children.

The toy drive continued through 1936. In 1937, the fireman’s and Lions Christmas toy program was postponed when an investigation determined that there was no longer a need. However, in late December of 1937, an urgent plea went out to the public from the Junior Chamber of Commerce for old toys.

So, here we are. It is December. The economy is rocky. Inflation is high. Food prices are high, and people are struggling. I hope that you will follow the lead of the Lions Club and New Braunfels Fire Department to do something good for your fellow man and for the community. If you have a little extra in your pocket, be an angel, pay it forward to a non-profit organization or something that warms your heart … and theirs.

I love that New Braunfels is a generous community. The number of people that volunteer their time, talents and money to non-profit organizations in New Braunfels proves it. We take care of each other. I wish you joy this Christmas season!

Sources: Sophienburg Museum and Archives; Handbook of Texas History Online.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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By Tara V. Kohlenberg —

Have you ever heard of the song “Someone To Watch Over Me”? It was written by George and Ira Gershwin in 1926. I am, in fact, a fan of jazz and big band music, so my favorite version is the one recorded in 1959 by the deep, velvety-throated, Ella Fitzgerald. In truth, it is a love song, but really, who would not want someone to watch over them?

We each have family, friends, neighbors, doctors, nurses and many others that watch over us. Then there are those that watch over our animals, our community and our future. Meet E.A. Grist, DVM. You may have known him. He was a man of many talents, most of which involved caring — for animals, for family, for people, for New Braunfels.

Born Edgar Alfred Grist in Austin, Texas, in 1915, he grew up being outdoors. He was a Sea Scout and attained the rank of Eagle Scout. Having expressed an interest in caring for animals at a very young age, Grist set off for Texas Agricultural and Mechanical College after high school to be a veterinarian.

He arrived in New Braunfels in June 1937, just two days after he and the other 21 members of the Class of ‘37 graduated from Texas A&M. He promptly opened his veterinary practice at 637 W. San Antonio St. on June 25, 1937, becoming the first veterinarian in New Braunfels and Comal County.

In what could only be described as the “perfect meet-cute”, Dr. Grist met Elizabeth Ann (Betty) Wille, daughter of a prominent New Braunfels dentist and granddaughter of one of the first physicians to practice in the city, when she brought her sister’s sick dog into the vet clinic. That meeting was the beginning of a lifelong love affair. They married a couple of months later and eventually added four wonderful children to the family: John, Eddye-Beth, Mike and Joe.

Early in his practice, Dr. Grist was awarded a scholarship to Vanderbilt University in Nashville, Tenn., for sanitary engineering, adding a whole new dimension to this veterinarian’s life. In 1940, he began working for the Texas State Health Department, Food & Drug Division. The job required that he travel across the state for five to six weeks at a time by bus, and yet he still managed to practice veterinary medicine in Comal County. His wife Betty would meet him for weekends in various parts of the state when he was traveling.

He then worked as Assistant State Veterinarian for a year, before he was elected as Texas State Veterinarian in 1943. It was his job to investigate meat processing sites around the state to prevent illness from parasites and diseased meat. He would many times be sent out to find rural illegal slaughter sites set up in a canvas tent with poor sanitation in the heat of the Texas summers. Imagine cattle carcasses lying in pools of blood leaching into the ground water. The health and safety of his fellow Texans was very important to Dr. Grist.

In 1949, he and Betty bought 20 plus acres on 727 N. Live Oak along the Comal Creek, where they set up New Braunfels Veterinary Hospital to treat small animals — dogs, cats, birds. The barn for large animals was added later where they treated sheep, goats, pigs, horses and cattle. Their impressive patient list even included a python from the Snake Farm and Russian bears from a traveling circus. The whole family was involved in his clinic. Betty wore many hats. She became his receptionist, vet tech and bookkeeper. The children’s chores included cleaning cages and stalls, and sometimes assisting on ranch calls. In 1952, the Grists built their home on the property. Their youngest son, Joe, still lives on the family property with his wife, Susi.

Grist took his commitment to veterinary medicine seriously. Throughout his career, he held multiple offices at the state and federal levels. He served as Executive Secretary of the Texas Medical Association, Vice President of the American Veterinary Medical Association, Extension Veterinarian for Texas A&M and the first federal poultry inspector. In New Braunfels, Grist established the Comal Cooperative Creamery, which later became Ol’ Bossy Dairy.

Veterinary medicine presented multiple challenges to Dr. Grist. In 1955, he was appointed as the city’s Chief Meat Inspector. It was in this capacity that he worked to educate ranchers, deer hunters and pet owners about disease, proper sanitation and vaccination of animals, especially during several outbreaks of rabies, anthrax, psitticosis (parrot fever threat to humans from parakeets) and brucellosis (threat to humans from dairy products).

It was also in his capacity as meat inspector that he may have accomplished his most recognizable achievement, known by people far and wide. Grist and wife, Betty, hit upon an idea for a festival based on similar festivals in Germany. Grist presented his idea for a sausage festival to generate tourism, create commerce and pay tribute to the city’s heritage to New Braunfels City Council in 1961. I think he hit it out of the park! What began as a one-day sausage festival has grown to the 10-day Wurstfest we know today drawing over 230,000 visitors and generating over $2 million for local civic organizations, not to mention the commerce enjoyed by local businesses.

Dr. Grist retired in 1970 after 33 years in veterinary practice, and 15 years of meat inspection, but he did not slow down. He became the City Sanitarian, protecting our water, rivers, and aquifer from contamination by humans. Dr. Grist passed away in 1994.

Dr. E.A. Grist, veterinarian, family man, proponent of public safety and water conservation, and community minded leader. This is the kind of guy I want to watch over me and my family and my community. I can just hear the velvety tones of Ella’s words, “Someone to watch over me”.

The Texas Historical Commission will honor the achievements of E.A. Grist with a historical marker. The marker dedication will take place at 1 p.m. on June 2 at Wursthalle on the Wurstfest grounds.  The marker will be installed at the Grist property at a later date.

Sources: The Grist Family Collection; Texas Historical Commission.

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Tara V. Kohlenberg —

Ninety years ago, on October 8, 1933, New Braunfels celebrated the grand opening and dedication of the new Sophienburg Memorial Museum and Library, erected in honor of those pioneers who founded New Braunfels.

It was a grand affair for the entire community. There was a morning parade from Main Plaza to the Sophienburg, headed by the American Legion Drum & Bugle Corp, Boy Scouts and fire department. All were treated to the music of the Old Heidelberg Band while lunch was served by pretty girls in German costume. After the official dedication and customary speeches praising the pioneering spirit of our ancestors, the beautiful new museum and library building was opened to the public for the first time. The party continued into the evening with entertainment by the Music Club String Ensemble, the Echo Singing Club and a musical pageant depicting the important events in the founding of New Braunfels.

You may have raised an eyebrow upon reading the word “Library” with Sophienburg Memorial Museum, but the Sophienburg has long been entwined with the public library. For several years, in a series of locations, people could pay a membership fee to use a local small library (see Emmie Seele Faust Memorial Library, April 1, 2018, Sophienburg.com). It was not until the new museum built a dedicated library room in 1933 that there was truly a free public library.

By 1937, it was clear that the library needed its own space. A new public library building for the city of New Braunfels became a reality in October 1937. Mrs. Emmie Seele Faust, daughter of Hermann Seele, offered a large donation to build a memorial library. The Sophienburg Memorial Association donated a parcel of the Sophienburg Hill property for the new library, with the understanding that when it ceased to be a library, it would revert back to the Association. Built in the same rock style, the Emmie Seele Faust Memorial Library opened adjacent to the Sophienburg Memorial Museum on W. Coll Street in the fall of 1938.

As it is with the ebb and flow of life, so it goes for organizations. The Sophienburg Memorial Museum grew and flourished in place, filling the empty space left by the library room vacancy. In 1968, the city built the Dittlinger Memorial Library on property once the site of the Ernst Gruene home, located directly behind Emmie Seele Faust Library and Sophienburg Museum buildings. Since the Emmie Seele Faust building was no longer used as a library, per the agreement, it reverted back to the Sophienburg Memorial Association and became the Archives building.

The collection and archives continued to grow. By 1975, the Museum’s need for space prompted renovations and addition of the Cedar Room. In 1992, the Association purchased the 1929 New Braunfels City Hall building on the corner of North Seguin Avenue and Mill Street to house the ever-growing Archives. At that time, the old library building became storage for the artifact collection.

Now, all these years, the museum was run by one or two employees and a whole host of members and volunteers spread out in three buildings. Money was derived from memberships and a small Weihnachtsmarkt fundraiser, but it was almost always a struggle to have a steady income. The museum gift/book shop helped contribute to the coffer a little, but the page turned in 1998, which was the first year the museum participated in Wurstfest. Any items, mostly German themed, that were left over from Wurstfest and Weihnachtsmarkt came back to the museum, taking the gift shop to new heights. Our beloved Sophie’s Shop was born… but it didn’t get that name until 1999. Whether in the museum, online, or at Wurstfest, Sophie’s Shop serves to make money for the sole purpose of supporting the non-profit museum operations.

Following the completion of a new city library, the City of New Braunfels gifted the Dittlinger Memorial Library to the Sophienburg Memorial Association in 2001. Renovations to the Dittlinger Library building, creating an archives library and museum exhibit hall, would take money, so a capital campaign was held and the Old City Hall building was sold.

In 2004, Phase I is completed and the Archives, which has been closed for a couple of years, opens in their portion of the renovated building. The Museum exhibit space opened a year later. The original museum building became storage for the collection.

The Sophienburg Museum and Archives was created by the community as a memorial to our founders. She has always given back as a supportive community partner. She has been there to not only support New Braunfels’ anniversary celebrations, she captures and catalogues the history to share with future generations. The Sophienburg Memorial Association presents the annual Fourth of July Patriotic Celebration in partnership with the City of New Braunfels. The Museum presents programs such St. Nicholas Eve and Fiesta Patria celebrations.

In 2009, Sophienburg Museum and Archives proudly became the anchor for the Sophienburg Hill Historic District to help protect the rich architectural history of New Braunfels. As proof of the Association’s dedication, the Emmie Seele Faust Memorial Library was fully restored to its original historical splendor.

The Sophienburg continued to be recognized for excellence in protecting the history of New Braunfels. In 2017, the Sophienburg received two Texas Historical Commission honors: a Historical Site designation for Sophienburg Hill, and a Recorded Historical Landmark designation for the Emmie Seele Faust Library.

This year, the Sophienburg Memorial Association celebrates 90 years of preserving New Braunfels History. The Sophienburg Museum and Archives is an integral and vital part of New Braunfels. “Guardians of History, Keeper of the Treasures and Stewards of the Stories”.

Join us in celebration, Sunday, October 8, 2023, on the campus of the Sophienburg Museum and Archives, 1-4 p.m. All are invited.

Sources: Sophienburg Museum & Archives; LaVerne Pearce; Nancy Classen; Anna Lee Hicks.

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By Tara V. Kohlenberg —

By now you know that “it’s fair time!” This fabulous, fun-filled week of the Comal County Fair brings the entire community together and hopefully slides in on the first norther of the year. Yeah, that weather thing is not happening this year, but still very fun-filled. Everyone that grew up in New Braunfels or has lived here a while, has a “favorite thing” about the fair.

As a child, my favorite thing was what my mother called the hobby horses. The beautifully painted horses gliding around on the glittering, mirrored carousel captured my eye from early on. Even when we were out of tickets, I was content to watch. I never seemed to move past riding anything more than the carousel, which as a teen, I’m sure made me something of an oddity. The horses just seemed so glamorous (plus, I never felt the need to spin at a high rate of speed in a cage above the fairgrounds).

Later on, a different circle of horses caught my attention. There was less gliding and galloping, but beautiful more all the same. And I do miss it!

Horse racing was a very important part of the Comal County Fair for many years. The Comal County Fair Association was formed early in 1893, fashioned after a very successful fundraiser for the Krankenhaus (hospital) in 1892. Harry Landa was elected president. They selected a date later in 1893 to hold the first fair in Landa’s pasture (later LCRA and now The Landmark). Unfortunately, there was a terrible drought that year. The fair was cancelled due to being too dusty for horse racing!

In 1894, the first actual fair was held, complete with both saddle and harness racing. Saddle racing is that of a rider perched upon a saddle on the animal’s back. Harness racing is where a rider sits upon a two-wheel buggy pulled by a single horse with a specific gait, a trot or a pace. In his memoir, As I Remember, Harry Landa tells of his rather dismal business venture where he bought buggies and a string of trotters in order to be ready to run them at the 1894 fair. He ended up trading all for 30 rail cars of hay, something he felt was a much better proposition than racing.

After five years on the Landa property, the Comal County Fair Association purchased approximately twenty-two acres in Comal Town above the Guadalupe River. There, they built a racetrack and a dancehall. Financial difficulties prompted them to sell the acreage to the city of New Braunfels, who in turn leased the property back to the Association. They appeared to enjoy some successes, but there is no mention of fair from 1910 to 1922 (basically World War I era). During that time the city used the property as a dump, building an incinerator on site. The stack is still visible.

In 1923, the Fair Association reorganized, purchasing three city blocks adjacent to the city property. The old leased property and buildings had not been touched for more than 10 years. The group worked to add improvements and bring the track back to life. Just a month before the fair, a huge fire consumed the grandstand. It was rebuilt, granting them the ability to hold both harness and saddle races. Racing became a very popular spectator sport.

By January 1926, the Association added winter pony racing events to the calendar, stepping out of the county fair time frame. There were up and down successes through the years. Texas voters approved parimutuel betting just four years prior, but it was again outlawed in 1937. Racing had remained steady without legalized betting, but the popularity of horse racing had risen when parimutuel betting was legal in Texas at four large state-designated tracks. The Comal County Fair Association benefited from all the activity even though they were never licensed for parimutuel betting.

By 1958, Marcus Adams, Secretary of the Comal County Fair Association, was appointed a member of the Texas Racing Circuit. The circuit was made up of operators from six race tracks in southern Texas: New Braunfels, Junction, Fredericksburg, Brady, Boerne, and Sonora, running both thoroughbred and quarter horses races Many CCFA members served on the Texas Racing Circuit over the years. Of the tracks that made up the Texas Racing Circuit, only Fredericksburg still operates a race track.

Along the way, the local Comal County Fair race track became known as Dutchman Downs. During the ’70s, the track developed a reputation as one of the leading training centers for some of the finest quarter horse racing stables, complimented by local award-winning trainers and jockeys.

From the time that parimutuel betting was outlawed in 1937, proponents pushed to have it reinstated. Parimutuel betting appeared on Texas ballots more than four times. Finally, in 1987, the Texas voters approved a referendum legalizing parimutuel wagering again. It also created the Texas Racing Commission and a new set of rules. The rules required a track to have a clear quarter-mile straightaway for parimutuel licensure. With the layout of the fairground property backing up to the Guadalupe River bluff, there was no way that Comal County Fairgrounds could fit a quarter-mile straightaway. Races continued to run in 1987 and 1988 with the last run in 1989. Sadly, the 1990 races were canceled due to lack of entries. There was only one.

After trainers moved to other recognized tracks, the inside fairground track rail was cut open to expand the center rodeo arena. Now, the rodeo is my favorite thing. Go to the fair and find your favorite thing! Enjoy!

Sources: Gene Chollett; Danny Scheel; It’s Fair Time by Myra Lee Adams Goff, So phienburg Museum and Archives; A Pictorial History by Rosemarie Leissner Gregory and Myra Lee Adams Goff.

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By Myra Lee Adams Goff

This week the Sophienburg Museum and Archives will present a great shopping experience to the public. It’s called Weihnachtsmarkt, or Christmas Market, at the Civic Center. It begins Friday, Nov. 19th through Sunday, the 21st.

The market offers 60 plus unique booths, plus Breakfast with Santa and a charming café called Sophie’s Café. It features freshly prepared food in a European outdoor café setting. Sophie’s Shop moves down from the Sophienburg to offer German-made Christmas ornaments and unique decorations. Many local authors are offering their books for sale.

The Sophienburg Museum and Archives is a not-for-profit organization that derives its operating funds from individual donations, memberships, and much from Weihnachtsmarkt. When you purchase at Weihnachtsmarkt, you are helping the Sophienburg keep its doors open.

The Museum displays the rich history of New Braunfels with occasional special exhibits. The present exhibition is the Civil War. A volunteer group works diligently on the collections stored in the old museum building. There is constant work involving organizing and restoring items and papers donated by individuals.

The Archives are a rather complicated collection of records. Let’s suppose you would like to find out something about your family or something about an historical event like WWI or something that happened in NB. In old journalistic terms, you can find out “who, what, where, where, when, why, and how”. Make an appointment to work with a helper.

Here is what is available to the public:

What the Genealogy Society has done for the Sophienburg records will “knock your socks off”. They have collected over 1,000 research books, have compiled burial records from the Comal Cemetery, New Braunfels Cemetery, Comal and Guadalupe County cemeteries and small family cemeteries. They compiled birth, marriage, and death records for Comal County, extracted from the CC Courthouse.

There is a large collection of obituaries and related documents put on the computer by genealogy, collected from 574 donated family history books. They compiled the census of 1850 and every 10 years thereafter to 1930. There is an index of Probate records and Commissioner’s Court minutes starting in 1866 through 1937. Many of the aforementioned records are available for sale in Sophie’s Shop. Genealogy has maintained the Herald-Zeitung on microfiche up to the present.

Recently First Protestant Church allowed the Sophienburg to copy their original German records from 1845 and their translation in English. There are other church histories as well, plus directories, telephone books, and high school annuals.

Now this is a big one: There are over a million photographs in the Sophienburg collection. An attendant can enter a name or event on the computer and tell you if a photograph is available. For a small fee, you can have the photograph copied. Over 200 maps, going back to 1836 are in the collection.

The Reflections program began in 1976 for the purpose of interviewing NB citizens about what they remember about the past. These programs are played on the local radio station. A list of people interviewed is available and a list of subjects is being compiled. About 1,100 interviews have been recorded and you may listen to them at the Archives or purchase a particular interview in CD form. This is an ongoing program and anyone interested in participating is welcome.

For serious historic research, there are the 65 Prince Solms Archives in German, with a few numbers translated into English. There are two volunteers available to do German translations, including the elaborate German Fraktur.

To bring us up in the technological world, the Sophienburg has a web site that you can log in at home. It’s chock full of information about what’s going on with the organization. In addition the column that I write for the Sophienburg that appears in the Herald-Zeitung every other Sunday is on the web.

The Sophienburg asks for your support in keeping this institution up to date by supporting Weihnachtsmarkt. See the website for details.

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Keva Hoffmann Boardman –

Soda pop? Soft drink? Soda water? My family just says “soda.” Whatever you call it, the soft drink industry is huge. When did New Braunfelsers first get a taste for the sugary yet satisfying beverage?

As early as 1872, Otto and Theo. Simon were bottling ice cold soda at their home. They bought a new ice machine in 1875 and, with partner L. Paggi, they opened and ran an ice cream/soda water parlour until 1881. Imagine how amazing an ice cold soda was back in the days of no air conditioning and dusty streets.

Others soon jumped into the increasingly popular drink business. Dr. Grube teamed up with Bruno Voelcker to start their own soda water factory in 1881 but it was short-lived.

Eduard Naegelin Sr. (Naegelin’s Bakery opened in 1868) added soda water, candies, cigars and ice to his bakery enterprise in 1883. According to his grandson, C. F. “Buddy” Naegelin, Eduard also had a license to produce wine. He used 50-gallon barrels and sold one gallon bottles for 25 cents to 50 cents. Now we’re talking!

Naegelin bottled “Squeeze” brand soda waters and IronBrew. IronBrew tasted a bit like a full-bodied cream soda and sported a label of a man with his arm raised showing off his bicep. Several New Braunfels doctors are said to have prescribed IronBrew to their anemic patients. I can’t verify its efficacy.

“Squeeze” brand syrups, used in Naegelin’s soda water, were mainly citrus and fruit flavors like lemon, lemon-lime and orange. A case of bottled soda sold for 40 cents. Naegelin made his own ginger flavor to bottle ginger ale. In those days, ginger ale was a seasonal drink for the Christmas and New Year’s holidays.

Naegelin handed the bakery/bottling business over to his son, Edward Jr., in 1924. The bottling business was kept until the building was remodeled in 1937.

Back in 1886, John Sippel opened St. John’s Bottling Works. No one remembers why, but people called John Sippel, St. John, and so the company got that name. Sippel bottled soft drinks of all flavors and a seltzer (sparkling water) called Sippel’s Water. St John’s Bottling Works was first located on the property where the old Main Fire Station stands. Sippel also acquired the Anheuser-Busch beer franchise for the area.

In 1894, St John’s Bottling was put up for sale. Robert Posey bought it at auction in 1903. He sold the business to the Neuse brothers in 1906 who moved it to the corner of Castell and Church (Coll) streets. At this time, there were three bottling works in New Braunfels: St John’s, Naegelin’s and Feltner’s Comal Crown.

Albert Staats bought St. John’s from the Neuse’s and turned around and sold it to his brothers Edwin and Walter in 1914. The Staats’ sold soda and seltzer water. (Seltzer water could be bought and taken home to make your own flavored soda or ice cream sodas.) Trade was brisk. They were selling to 20 local saloons. Their top flavors were “Cherry Blossoms” and “Orange Julep”. Naegelin’s was selling “Orange Squeeze”. Feltner had sold Comal Crown to Hugo Weidner who had franchised “Orange Crush.” Apparently, orange was popular.

The Staats brothers obtained the coveted Coca Cola franchise in 1915. Basically, soda water is a flavoring syrup mixed with carbonated H20 which is capped to keep in the fizz. Edwin Staats reported that in the first year he bottled Coca Cola, he used less than one 55-gallon drum of syrup; by the time he sold the bottling business in 1972, he was using three 55-gallon drums of syrup each day. In 1921, the company was moved to 203 S. Castell. Edwin bought out his brother Walter in 1932; Walter became NBFD fire chief and fire marshal.

Lucky for me, a born and raised Texan, the Weidner’s Orange Crush Bottling Works obtained the franchise for Dr Pepper and became the Dr Pepper Bottling Works. They bottled that “nectar of the gods” for New Braunfelsers. In 1963, Edwin Staats also bought this franchise and boosted his soda water sales by 30 percent that year.

Edwin Staats provided a few aneccdotes to the NBHerald in 1966. Staats would take orders for ginger ale prior to the holidays. Harry Wagenfuehr (Pearl Beer distributor) would delay returning empties to the brewery and loan the bottles to Edwin for use. These were picked up after the holidays and returned to Wagenfuehr and THEN back to the brewery in San Antonio.

Staats also explained about the old bottles. A spring stopper was attached to the bottle and was put into place when the bottle was filled (so you could refill it). The popping sound it made when opening inspired the term “soda pop”.

And speaking about “pop” … My kids made root beer once. All the filled capped bottles went into the pantry cupboard to process. Several weeks later, what sounded like a gunfight came out of the pantry. The entire experiment ended up coating the two bottom shelves with a sticky brown liquid.

At least it did taste like root beer.

Sources: “Reflections” oral history recordings: #80 – Buddy Naegelin; #209 – Preston Staats; #180 – Homuth “Lops” Weidner 100th Anniversary edition of the New Braunfelser Zeitung, Vol. 100, No. 53; NB Herald – Dec 29, 1966, “Edwin Staats Celebrates 50 Years of Coca Cola”.

Photo Caption: Robert Posey, right, looks over damage to St. John’s Bottling Works after severe freeze on Feb 13, 1905.

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By Myra Lee Adams Goff

We are celebrating the 175th Anniversary of New Braunfels and its unique culture in which music played a large part. Music creates sounds that evoke different emotions. Sounds representing joy, sadness, patriotism, history and love and can be produced through many different instruments and particularly through the voice. “Music has charms to soothe the savage breast, to soften and bend the knotted oak.” (William Congreve, an English playwright and poet).

German immigrants brought their music with them when they made their way across the ocean to the shores of the Republic of Texas. One might say that the Germans brought their culture with them by singing. Vocal music can be easily produced and consequently shared by everyone.

The sounds of music are universal. Add words to the tunes and an even clearer picture of the culture emerges. Listen to the rousing Wurstfest song, “Ein Prosit, Ein Prosit, der Gemutlichkeit” and immediately words added to the tune convey a toast, (“Ein Prosit”) and (“Gemutlichkeit “) meaning good wishes or happiness. Now you know something about the culture. The poet Longfellow said “…the soul of man is revealed through his voice.”

A humorous story first told by Hermann Seele, and repeated many times, was this: The immigrants had strung a table across the flooding Guadalupe River and made a boat out of the bed of an oxen wagon to bring provisions over across the river. One day a barrel of white wine was being hauled across the river and ended up on a stone embankment. The barrel sprung a leak and the men used hats or pots and pans to catch and drink the wine until their jubilation rose above the rush of the waters, singing the song put to verse by Prince Carl and set to music by Captain Alexis Bauer. The song was “Durch des Weltmeers Wogen,” meaning “Through the Ocean Waves.” This story has a lot of “Reallys?” to it but what good story doesn’t?

From the beginning of New Braunfels, music, particularly singing, was a part of family and community life. Germans love to gather together with people of similar interests. It is understandable that singing groups organized early on. I remember that as a child, I would go with my mother to be with her family and they would sit around talking and suddenly burst into song. I thought everyone’s family did that.

In 1850, a singing society named Germania was organized. Under the direction of Gottfried Petmecky, the group sang at their first event July 4th, celebration on the banks of the Comal River. Two cannons were fired to open the celebration. The cannons were brought to New Braunfels in the early years by Prince Carl. July 4th continued to be celebrated in the same manner for the next two years.

In 1853, the July 4th celebration was held on Hermann Seele’s property. A parade through town was led by the Rifle Company and the Singing Society. They were singing what they called “jolly songs.” The Singing Society kept good records of this first event. They (the Society) stomped the clay ground and covered it with tarps topped with branches. Tables were placed inside, and the celebration lasted until dawn the next day. Quite a celebration in true German fashion. Ein Prosit!

It was on this same property that the Society (Saengerbund) built a dance hall called the Saengerhalle. They decided that they would host a festival. Invitations were sent out to nearby groups. Seventy-three singers risked their lives crossing the flooded Guadalupe River to attend. After the event, an informal dance was held.

By 1876, many other singing societies had formed. During World War I and II, German singing society memberships declined due to the unpopularity of German singing. Texas Germans endured anti-German sentiments. They were forbidden to speak German and fewer were willing to openly celebrate their heritage. After WWII, several societies experienced a rebirth. Eventually larger singing leagues were formed and organized. These leagues sponsored Saengerfests or singing festivals.

Several local organizations formed over the years. In 1937, the Gemischter Chor Harmonie was established as a men’s singing club. By 1952, the Gemischter Chor Harmonie had grown to become a mixed choir with both men and women members. However, membership slowly began to decline by the late 1950s due to the aging of the original singers who had been with the group since its founding. Television by this time was competing on the entertainment scene. Then in 1959, the singing groups, Gesangverein Echo, Gemischter Chor Frohsinn and Gemischter Chor Harmonie, decided to build a new hall on property that was donated by Gilbert Becker. This second Saengerhalle was built to continue cultural traditions like Seele’s hall built in 1850. The new Saengerhalle hosted many concerts and family events. In 1996, that hall was sold due to the inability to keep up the expenses.

The Gemischter Chor Harmonie is the only singing group that’s still in existence in Comal County after eighty-two years. They show resilience and dedication and they continue to promote the German heritage and culture through their music.

Research for this article was done by John and Cindy Coers for the purpose of applying for a Texas Historical Marker to be placed in Landa Park.

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