By Myra Lee Adams Goff

Prince Carl, on behalf of the Adelsverein, was given the responsibility of establishing two churches in the new settlement of New Braunfels, one Protestant and one Catholic. They were to be established at the same time, but that didn’t happen. Prince Carl engaged Rev. Louis Ervendberg as the Protestant pastor on the coast even before the group moved inland, but could not find a Catholic priest. Meanwhile to satisfy the religious needs of the early settlers, the Protestants and Catholics met together under the leadership of Rev. Ervendberg.

Finding a Catholic priest was difficult. When the prince arrived in the United States in 1844, he visited the archdiocese of Boston and Baltimore, the only organization in America at that time, looking for a priest. When he arrived in Galveston he became acquainted with Catholic Bishop Odin, the Catholic Prelate of Texas, who told him that there were no priests available for the settlement .The two traveled extensively together and became good friends. According to Ferdinand Roemer, “Odin travels continually about the country, visiting the Catholics living scattered in the various parts of the country. Fearlessly and tirelessly he traverses the lonesome prairies on horseback”…

The eventual location of the Catholic Church on Castell and Bridge Sts. has deep historic roots in New Braunfels. From a translation of Prince Carl’s report to the Adelsverein on the 27th of March, 1845, he says this: “Thirty-one wagons have arrived, and I am expecting the last half of the immigrants within a few days. I had an encampment erected on a bluff overlooking Comal Creek. For its protection I think it urgent that three sides be enclosed by palisades, whereas the fourth side is amply protected against attack by the high steep bluff of Comal Creek.”

Nicholas Zink, an educated engineer and surveyor, was given the job of laying out the streets and lots of New Braunfels. He helped set up this first camp of the immigrants. It became known as the Zinkenburg. “Burg” in English means “castle, fortress, stronghold” just like in Sophienburg the “burg” means castle.

After the settlers moved out to their own lots, the Zinkenburg became the site of the first Catholic Church. In 1847, the congregation built a temporary hut of wood and it served for two years as the first church building. This little building was on the site of the present parking lot abutting Bridge Street. It became a Catholic school when a permanent church building was constructed.

After two years, in 1849, Bishop Odin arranged for the first permanent church building. He stated that it was his intention to build the church with his own funds and he asked the Adelsverein to give him the necessary ground for the erection of a building in the city. There were only two other Catholic churches in Texas at this time, Galveston and San Antonio.

This church known as the Walnut Church was closer to the back of the property above the Comal Creek. The building was built by Heinrich Meine and built of black walnut, a hard wood that was known to be prevalent on the Guadalupe River. The building was 35 feet by 25 feet. Newly arrived, Father Gottfried Wenzel, was assigned to New Braunfels. Church archivist Everett Fey states that the Walnut Church served the congregation from 1849 through the Civil War. At that time the church was called St. Peter, Prince of the Apostles. Now the congregation had outgrown the Walnut Church.

Once again, Bishop Odin, seeing a need for expansion, dedicated the cornerstone in 1871 for a new stone church. According to Fey, the stone used to build this church was purchased from the County from the newly torn down Jail.

Now here’s an interesting story. What happened to the Walnut Church? In order to allow services of Mass, Baptism, Confirmation, Weddings and Burials to continue uninterrupted, the stone church was built around and over the Walnut Church. There was room enough inside for the smaller church to be free standing.

When the stone church was complete in 1874, there was no longer need for the Walnut Church. A notice in the Neu Braunfelser Zeitung announced that wood from the Walnut Church would be auctioned off in the church parking lot. The church would literally be pulled out the front door one log at a time. At this point, the church changed its name to the present one, Sts. Peter and Paul Catholic Church.

The space left by the removal of the Walnut Church greatly increased the size of the church and over the next three decades new altars and stained glass windows, now numbering 22, were added. In 1963 the size of the church was doubled. The final addition took place in 2000.

Many long-time members of Sts. Peter and Paul can claim family relationships going back generations. Everett Fey, who has worked on the church’s extensive archives for years, can stand where the Walnut Church once stood and think back to his g-g grandparents, Stephan and Margarethe Klein who worshipped there. A few steps further into the church, his grandfather, Theodore Wenzel, was the Sacristan in the first stone church. He moves up closer to the altar where his brother, Fredric Fey, was ordained a Deacon, and then finally to the most recent altar where his daughter, Janice, recently married.

A church rededication took place five years ago in 2009 on the site of where the Walnut Church once stood.

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On Tuesday, September 10, the Sophienburg Museum and Archives will open its exhibit about a literary form referred to as fairy tales. Eighteen Brothers Grimm fairy tales will be incorporated into the displays that are already present in the museum.

Keva Boardman, Director of Exhibits at the Sophienburg Museum, has used her imagination and expertise to show off the Sophienburg’s vast collections, seldom seen by the public.

There are some important facts to know before you come to the exhibit. First of all, the “Brothers Grimm”, Wilhelm and Jacob, did not write the fairy tales; they wrote them down. Drawing from a collection of writers such as Charles Perault, they utilized the stories that were passed on by word of mouth, mostly from Europe. Most stories date back to the Middle Ages. These tales are in modern times totally bazaar and full of the evils that man is capable of inflicting on mankind.

Life in the early European days were indeed harsh and fairy tales reflected what children were exposed to and feared the most. The Grimm brothers told the stories they heard from people but modified them to reflect the times. (1800s) Writers of fairy tales for children today do basically the same thing, that is, change the tales to reflect these modern times. Walt Disney did much to keep the fairy tales alive, but in a much more acceptable way to modern children.

Even today the themes of the fairy tales still reflect the underlying fears of children and adults. Think about the fairy tales you know. They play on the themes of evil (the evil stepmother), abandonment (Hansel and Gretel), and fear of becoming a victim. Most children are quick to pick up on these themes in literature and for that reason, they are often fearful of the story itself.

One Christmas when I was eight years old, I received a very large book that contained 100 fairy tales. Each story had an illustration of that particular story. I would turn the pages very slowly and look at the beautifully illustrated pictures. When I got close to the middle of the book, I would hurriedly go past the 50^th story and its illustration. This story was “Bluebeard”, a story about a king who warned his many wives to never enter a certain room in the castle. Of course, the female finally gave in to her curiosity and she opened the door only to find that all the other wives had been beheaded. Needless to say, that story is no longer in fairy tale books and hasn’t been for about 50 years.

The Grimm brothers cleaned up the earlier tales, and Disney cleaned up the Grimm tales. The Sophienburg exhibit is for adults and children. The Grimm brothers were professors of linguistics. Learning about the change in the sounds of words was best accomplished by them by requesting that everyday people tell them stories that they had heard as children. The brothers wrote down the stories which eventually led to their publication in 1814. Consisting of tales from Germany, they were not intended for children, as they were full of witches, wolves, and goblins in dark forests. The original tales make no attempt to be fright-free.

Eighteen fairy tales have been chosen to display and here is an example of what you could see in the exhibit: a “Snow White” dress on a mannequin originally worn by Mitzi Nuhn (Dreher), age six, as she played that part in the Enchanted Hour Kindergarten’s program of “Snow White and the Seven Dwarfs” in 1937 at the Seele Parish House. The teachers of this private Kindergarten were Bessie Baetge and Lucille Staats Jett. The silk and velvet dress was reworked by the Sophie Sewers who worked on several projects from the collection, including handkerchiefs from “The Goose Maiden”.

For the “Cinderella” exhibit, 39 right-footed shoes from the collection are shown, even a red leather Moroccan slipper. “Star Money” features a collection of German coins and “Brother and Sister” features things made of antlers, because in the story the brother turns into a deer.

A loaned display for “Brementown Musicians” shows eleven handmade German folk guitars dated 1870 to 1990 and loaned by Troy Tidwell. The musicians in the story are a donkey, a dog, a cat, and a rooster.

“Hansel and Gretel” features children dressed in German costumes and “Reponses” shows decorations made of human hair. There are about ten examples displayed in shadow boxes. This was a popular art at the time the emigrants came to New Braunfels.

Several fairy tales used the idea of a princess under glass. That even survived in the Snow White story by Disney. The exhibit is using their Scloss Braunfels Boyhood Home of Prince Carl of Solms/Braunfels under glass sculpture, created by Jonas Perkins. In the foyer of the museum is a permanent statue of “Little Redcap” or “Little Red Ridinghood”, donated by the Emmie Seele Faust family.

“The Seven Ravens” is about a baptism. The Sophienburg has been the recipient of many old church Baptism certificates. They are beautifully crafted, some using gold and exquisite colored flowers.

This exhibit is for those who want to know about the historic root of fairy tales. Museum hours are 10:00 to 4:00 Tuesday through Friday. The Bruder Grimm Kinder-Märchen Exhibit will be on display for a year.

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What’s going on at the Hill? The Sophienburg Hill, that is. Busy, busy. There is constant change by collecting, restoring, repurposing, categorizing, identifying, and just about all of those “ing” words.

Probably the biggest change in the museum itself is the closing of the year-long Lindheimer exhibit and preparation for a new exhibit. The Ferdinand Lindheimer exhibit had a great response from garden clubs, school children, and other botanists. You know of course, that Lindheimer was called the “Father of Texas Botany.” Now over 1,000 third graders in the NBISD and CISD have been exposed to that fact.

The whole exhibit was under the direction of Keva Boardman, program director at the Sophienburg. All of those third graders not only came to visit the exhibit but they were given a deck of cards with Lindheimer’s picture on the pack and cards on the inside that had some pictures and stories that related to him or botany. This memorial souvenir was a gift from volunteers that believe in the project and I’m sure these cards will be shared with the child’s family. Records show that people visited the exhibit from all over Texas and several universities.

We’re sort of sorry to get rid of Lindheimer but we’ll just put him to sleep for a while. The next exhibit will definitely not put you to sleep. It’s called “Jump In” like the advertisement for the New Braunfels tourist trade so often used. Jump In is an exhibit of early bathing suits, particularly from around the 1920s, a time when bathing suits became a little more fashionable and less functional.

The exhibit is from the Sophienburg collection and many, many photographs of New Braunfels residents will be on display. You will know many of these bathing beauties. The purpose of the exhibit is to show changes in styles and really show how important swimming was and is in New Braunfels on the Comal and the Guadalupe. Watch for a June opening of the exhibit.

Another change in the museum is the merchandise in Sophie’s Shop which is a very popular stop for visitors. Sophie’s Shop has the largest collection of books about New Braunfels, Comal County, and its people anywhere in town. After moving out the Christmas merchandise, springtime predominates. There are many gift items for very young children and babies. Don’t forget the shirts proclaiming that “In Neu Braunfels ist das Leben Schon.”

Another year has passed and the Sophienburg is proud to announce the winner of the Myra Lee Adams Goff History Scholarship writing contest. This year’s talented writer is Marissa Young, a senior at New Braunfels High School. Her essay was chosen from about 40 entries. The rule for winning the $500 scholarship is to write a 500-word essay relating to anything about New Braunfels or Comal County history.

Marissa chose to write about her great-uncle, Nayo Zamora. She tells about his life and about his political involvement in the 1960s-80s dealing with the imbalance of racial composition in the New Braunfels schools. Marissa is very proud of the accomplishments of her great-uncle and I’m sure he would be proud of her. She is a real scholar and will begin her education in the field of medicine this fall.

You all know about the involvement of Prince Carl with Sophienburg Hill. It was his site of choice to build a fort to protect the settlers with his cannons. And it was in his mind to be the site of a castle for his fiancé still in Germany. On the Sophienburg Hill are historic buildings, some remodeled, and some repurposed. Because of this historic Sophienburg Hill significance to New Braunfels, the Sophienburg Museum and Archives Association has made the decision to pursue a Texas Historical Marker for this site. John and Cindy Coers with the Comal County Historical Commission are researching the history of all of the buildings on the property.

Originally on the hill property there was a log house and several small buildings used for Prince Carl’s headquarters. This building actually bit the dust in 1886 with the big hurricane that also destroyed Indianola. Pictures show that it was well on its way to falling down long before the hurricane.

In the late 1920s, the H. Dittlinger family made a trip to Germany and received a gift of a portrait of Prince Carl. The purpose of the gift was that it be hung in a museum in New Braunfels. Back in NB there was no museum so Mrs. Dittlinger volunteered to keep the portrait until a museum on Sophienburg Hill could become a reality.

A committee was formed to organize the Sophienburg Memorial Museum. Over the years, the hill property had been divided and sold several times and finally Mrs. Johanna Runge, the last owner, sold the property to the association for $5,025 to build a museum.

A rock building on the corner of Academy and Coll Sts. was built and completed in 1933. Eventually the Sophienburg Museum and Archives outgrew this building and then purchased the New Braunfels City Hall on Seguin St. The archives moved in the old city hall but the museum part remained in the rock building on the hill.

Another building that is on the hill property is the Emmie Seele Faust Library at the corner of Coll and Magazine Sts. This building is being nominated for historic designation by the Comal County Historic Commission and being researched by Wilfred and Marlena Schlather and Rosa Linda delaCerda.

In 1928 the New Braunfels Public Library Association was formed. Books were collected in the “small” Landa house on the plaza. The next move was to the Eiband property at 174 E. San Antonio St. In 1938, the Sophienburg Association donated land on Sophienburg Hill for the site of a public library. The library contents were moved into a small area of the 1933 Sophienburg Museum until the new library could be built.

Emmie Seele Faust donated over $7,000 to build the library on Sophienburg Hill that became the Emmie Seele Faust Memorial Library. It was the primary library in town until 1967, when the city built the Dittlinger Memorial Library on adjacent property. The library remained there until the city built the library on Common St. in 1999. The city then donated the Dittlinger Library building to the Sophienburg. It was remodeled and became the new home of the Sophienburg Museum and Archives. The original 1933 museum still stands on the Sophienburg Hill property and is now the home of the collections.

The old Emmie Seele Faust Library building was remodeled in 2001 to serve as a public meeting room.

Groups of people working together on projects are very important to the Sophienburg. For example, the collection ladies are always busy working on some project. A new group headed by Estella and Robert Farias are rounding up friends and researching Hispanic history in NB. Robert Morales uses the Microfiche to find information on old Hispanic history; John Serda is a Vietnam veteran obtaining military veteran’s information using the Sophienburg database; Elvira Villarreal is working on the Herald obituaries for Hispanic genealogy; and David Rutherford is researching the West End baseball teams.

The Sophienburg welcomes and could not exist without its volunteers. There’s always some collecting, restoring, repurposing, categorizing, and identifying to do.

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As far as New Braunfels history is concerned, the most important historic place is and always has been the Sophienburg Museum and Archives. This organization is now working on historic designations for the site of the Sophienburg Hill.

Here’s a thumbnail history of the place: In 1842 a group of German counts and princes met at Biebrich on the Rhine and formed the Adelsverein, or the Society for the Protection of German Immigration in Texas and later known as the German Emigration Company. Their purpose was to relieve over-population in Germany and establish a market for German goods. Besides, the newly established Republic of Texas was very generous in awarding land to immigrant agents.

A member of the Adelsverein, Prince Carl of Solms-Braunfels, was chosen as commissioner-general to go to Texas to buy land. He was born in 1812 near Braunfels in Hanover, Germany. He was definitely an aristocrat trained in the military. After several failed attempts at purchasing suitable land, he bought the Comal Tract from the Juan Veramendi heirs, sight unseen for $1,111. By this time, the emigration movement back in Germany was well on its way and the first emigrants from Germany had arrived on the Texas coast.

On March 21, 1845, Prince Carl and the first group of immigrants to Texas crossed the Guadalupe River. He helped the settlers set up their temporary location on the cliffs overlooking the Dry Comal Creek where the Sts. Peter and Paul Church property is now located.

Needing a separate area for a fort and headquarters of the Adelsverein, he chose a plot of land on a slightly elevated hill south of the township. “South” in the 1840s referred to the area that we now describe as the land on the south side of Academy Street. This plot of land was known as the Vereinsberg. In German, Verein means “organization” and “berg” means “hill”. Nicholas Zink, an engineer, was chosen by Prince Carl to plat the land of the town and set up land for the headquarters of the Adelsverein.

Prince Carl named the proposed building that was to be on this property “Sophienburg.” Notice the spelling. Since “berg” in Vereinsberg means hill and “burg” means castle, a confusion was born about the property being berg or burg. Obviously the prince had a dream of a castle for his intended back in Germany, Princess Sophia of Salm-Salm.

Prince Carl wanted to build a burg on a berg. She rejected the berg and the burg because she never came to Texas. Enough already!

On the Vereinsberg, the Prince resided in a hut of woven branches until a double block house could be built by the Smith brothers of Seguin.

Dr. Ferdinand Roemer described these first buildings this way: “All the houses of the Verein officers lay on a hill which arose to a height of eighty feet in the immediate rear of the city. The most prominent house was a one-story wooden building about fifty feet long, whose shingle-covered roof supported the pillars projecting on both sides, thus forming a gallery. It contained three rooms, a large middle room or hall and a small room on each side.” He further stated that the middle room was the assembly hall and dining room and furnished as a pleasant resort.

Two large folding doors opened to the north and south, allowing a gentle wind to circulate freely through the building. The view from the north side looked out over the scattered houses in the town and the forested hills in the background. The view from the south was uninhabited prairieland. This first building was located on the property where the present Sophienburg Museum is located.

In back of this main building was another house containing a kitchen and the dwellings of several petty officers of the Verein. Close by was another log house for the men who had charge of the Verein’s mules and horses. There was a pen made of strong posts for the animals. Across the pen another log house served as a magazine and warehouse.

Magazine Street as we know it, was named after the Verein’s magazine which housed the ammunition.

Immediately behind the buildings was a gentle open pasture which served as a common pasture for horses and cattle of the residents of New Braunfels.

Prince Carl left to go back home to Germany on May 15, 1845. Before he left, he celebrated a lavish dedication for the Sophienburg. He supposedly laid a cornerstone, which, incidentally has never been found. He drew a furrow in the earth where he felt the headquarters building should be built. It never was. During the ceremony, salutes were fired from the four cannons and in the absence of a German flag, the flag of Austria was raised. Meanwhile, down on the Plaza, settlers assembled and raised the Republic of Texas flag. They then organized two companies for the purpose of protecting the settlers against Indian raids. Was this an indication that the settlers were really rejecting the aristocracy? The Austrian flag flew where the aristocrats were partying on the hill and the Republic of Texas flag was flown by the settlers on the plaza.

Prince Carl was only in New Braunfels during this trip from March 21 to May15, 1845, a little over two months. Did he want to get back to Princess Sophia or get away from the financial woes that were building in the colony? The Verein had heavy expenditures which resulted from advancing money to a great number of immigrants in New Braunfels, the transport from the coast, and salaries for the officers and officials.

John O. Meusebach was chosen to take the place of Prince Carl and when he arrived, the Prince had already left. When Meusebach looked for a castle (burg) he found instead a double log cabin on a hill (berg). You see, even Meusebach was confused about the berg or burg.

Meusebach discovered that the Verein had a $19,000 debt. He inherited a great financial problem and the settlers were not happy with the situation. An insurrection in New Braunfels took place where a mob armed with clubs and pistols came up the Vereinsberg to Meusebach’s headquarters and demanded him to fulfill the promises made to the colonists. Resolutions were made but financial problems continued.

The Adelsverein eventually declared bankruptcy and various lands were liquidated including the Hill property.

Over the years the property known as the Hill underwent many owners, many mortgages and litigations. Eventually the property belonged to Johanna Runge of Travis County who sold it to the Sophienburg Memorial Association in 1926. S.V. Pfeuffer, president of the association, bought the property from Mrs. Runge for $5,000. And what happened to the main building? Christian Klinger, an original settler, lived there selling small goods and telling stories until the building collapsed in 1886 as a result of the storm that destroyed Indianola.

These excerpts are from Fritz Goldbeck’s poem, “The Sophienburg” was translated by Ingrid M. Ingle:

The prince was not a business man
He wanted the best for his people
That was unusual
The upper class is not always like that

For that he was not forgotten
Even so he rests long since in his grave.
His monument can still be seen
Here in the prairie country.

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