By Keva Hoffmann Boardman —

With the Comal County Fair over and done, we look forward to the other fall community events. Dia de los Muertos comes next and will be followed by the granddaddy of them all, Wurstfest!

For me, a first founder descendant, Wurstfest is my favorite. It is much more than beer and sausage. It’s the time families and friends, old and new, gather to have Gemütlichkeit. Translated loosely, that means a time of warmth, friendliness and good cheer amongst people. Wurstfest is also a time we get to dance to the music and songs that have always been a special part of our lives.

The polka music that our grandparents taught us to dance to at weddings and dances have a nearly 200-year-old history. Mystery surrounds the true beginnings of the polka. Some say the name comes from the Bohemian word pulka, which is the half-step dance movement one uses. Others claim that the dance was invented by a young Polish servant girl and named “polka” in reference to the word for Polish woman.

History only knows that around 1830, in villages around Prague, the polka rhythm and steps were noticed and became a sensation in Prague itself. The upbeat tempo, catchy tunes and often humorous lyrics then took Paris by storm in the 1840s. Well, all of that and the added bonus that a man could hold his lady friend deliciously close when spinning her around the dance floor. The polka was a far cry from the formal and staid minuets, quadrilles and waltzes of the 19th century.

The major emigration of Europeans in the 1840s brought the sound, beat and steps of the polka to North America. Texas, with its high concentration of Germans, Czechs and Poles, became a hotbed and haven of the polka. As Germanic immigrants settled throughout east and central Texas, they tended to band together for their common good. They formed vereins. These associations or clubs promoted their members’ general welfare as well as preserving their culture. Music — and the polka — always played an integral part.

Dance halls were basically mandatory in these communities and bands were readily available since there were many men who knew how to play at least one instrument. Stringed and brass instruments came with the immigrants. Woodwinds like flutes, clarinets and saxophones were also prevalent. But the most distinctive instrument was the accordion.

The accordion is a wind instrument comprised of two reed organs connected by folding bellows. Sound is made by expanding and compressing the bellows forcing air through the reed organs. A keyboard of keys or buttons is used to play the melody.

The earliest accordion was invented by Friedrich Buschmann of Berlin, Germany in 1822; Buschmann called his instrument the Handäoline. In 1828, Armenian organ and piano maker Cyrill Demian created the Akkerdeon and chose that name based on the German word Akkord, which means chord.

The Germans, Czechs and Poles loved their accordions and the polka, and the music was heard often. In a wonderful turn of events, Texas-born Tejanos in the San Antonio area took the accordion, the polka sound and dance steps they heard and saw and invented the unique musical genre of conjunto. Conjunto blended the sound and rhythms from both German and Hispanic communities and remains popular in Texas music today.

The same beat, similar dance steps and the all-important sound of the accordion still echos in dance halls and street festivals. Even if you are new to the polka or conjunto sound, I guarantee that if you listen to the beat your foot will start tapping. If you listen closely to the words, you will often find yourself giggling. If you really listen to the music, I’m going to bet that you will get off your chair, grab yourself a partner and dance deliciously close in circles around and around the dance floor.

Sources: PBS Western Reserve: The History of Polka: From Europe to Northeast Ohio; Appalachian Freunde Polka Band; Handbook of Texas.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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By Myra Lee Adams Goff

We are celebrating the 175th Anniversary of New Braunfels and its unique culture in which music played a large part. Music creates sounds that evoke different emotions. Sounds representing joy, sadness, patriotism, history and love and can be produced through many different instruments and particularly through the voice. “Music has charms to soothe the savage breast, to soften and bend the knotted oak.” (William Congreve, an English playwright and poet).

German immigrants brought their music with them when they made their way across the ocean to the shores of the Republic of Texas. One might say that the Germans brought their culture with them by singing. Vocal music can be easily produced and consequently shared by everyone.

The sounds of music are universal. Add words to the tunes and an even clearer picture of the culture emerges. Listen to the rousing Wurstfest song, “Ein Prosit, Ein Prosit, der Gemutlichkeit” and immediately words added to the tune convey a toast, (“Ein Prosit”) and (“Gemutlichkeit “) meaning good wishes or happiness. Now you know something about the culture. The poet Longfellow said “…the soul of man is revealed through his voice.”

A humorous story first told by Hermann Seele, and repeated many times, was this: The immigrants had strung a table across the flooding Guadalupe River and made a boat out of the bed of an oxen wagon to bring provisions over across the river. One day a barrel of white wine was being hauled across the river and ended up on a stone embankment. The barrel sprung a leak and the men used hats or pots and pans to catch and drink the wine until their jubilation rose above the rush of the waters, singing the song put to verse by Prince Carl and set to music by Captain Alexis Bauer. The song was “Durch des Weltmeers Wogen,” meaning “Through the Ocean Waves.” This story has a lot of “Reallys?” to it but what good story doesn’t?

From the beginning of New Braunfels, music, particularly singing, was a part of family and community life. Germans love to gather together with people of similar interests. It is understandable that singing groups organized early on. I remember that as a child, I would go with my mother to be with her family and they would sit around talking and suddenly burst into song. I thought everyone’s family did that.

In 1850, a singing society named Germania was organized. Under the direction of Gottfried Petmecky, the group sang at their first event July 4th, celebration on the banks of the Comal River. Two cannons were fired to open the celebration. The cannons were brought to New Braunfels in the early years by Prince Carl. July 4th continued to be celebrated in the same manner for the next two years.

In 1853, the July 4th celebration was held on Hermann Seele’s property. A parade through town was led by the Rifle Company and the Singing Society. They were singing what they called “jolly songs.” The Singing Society kept good records of this first event. They (the Society) stomped the clay ground and covered it with tarps topped with branches. Tables were placed inside, and the celebration lasted until dawn the next day. Quite a celebration in true German fashion. Ein Prosit!

It was on this same property that the Society (Saengerbund) built a dance hall called the Saengerhalle. They decided that they would host a festival. Invitations were sent out to nearby groups. Seventy-three singers risked their lives crossing the flooded Guadalupe River to attend. After the event, an informal dance was held.

By 1876, many other singing societies had formed. During World War I and II, German singing society memberships declined due to the unpopularity of German singing. Texas Germans endured anti-German sentiments. They were forbidden to speak German and fewer were willing to openly celebrate their heritage. After WWII, several societies experienced a rebirth. Eventually larger singing leagues were formed and organized. These leagues sponsored Saengerfests or singing festivals.

Several local organizations formed over the years. In 1937, the Gemischter Chor Harmonie was established as a men’s singing club. By 1952, the Gemischter Chor Harmonie had grown to become a mixed choir with both men and women members. However, membership slowly began to decline by the late 1950s due to the aging of the original singers who had been with the group since its founding. Television by this time was competing on the entertainment scene. Then in 1959, the singing groups, Gesangverein Echo, Gemischter Chor Frohsinn and Gemischter Chor Harmonie, decided to build a new hall on property that was donated by Gilbert Becker. This second Saengerhalle was built to continue cultural traditions like Seele’s hall built in 1850. The new Saengerhalle hosted many concerts and family events. In 1996, that hall was sold due to the inability to keep up the expenses.

The Gemischter Chor Harmonie is the only singing group that’s still in existence in Comal County after eighty-two years. They show resilience and dedication and they continue to promote the German heritage and culture through their music.

Research for this article was done by John and Cindy Coers for the purpose of applying for a Texas Historical Marker to be placed in Landa Park.

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Tourism has been an important economic facet in New Braunfels for many years. All can agree that the beauty of natural springs bubbling out of a rocky hillside to form the crystal clear Comal River, Landa Park, historic homes and businesses, music venues in century old dance halls, and the beer, sausage and Gemütlichkeit of Wurstfest are not really a difficult sell. But who started it all? Who was the very first tour guide of New Braunfels?

After a quick search through the Archives, I found that it might be a man by the name of Karl Klinger. Okay, so this might need a little background. In 1845, New Braunfels was settled by German immigrants led by Prince Carl of Solms-Braunfels, Commissioner General of “The Society for the Protection of German Immigrants in Texas” or Adelsverein. When the townsite was surveyed and laid out, the Prince chose a large section of land for the Adelsverein. According to the earliest town maps, the land was bordered by what is today Hill Street, Guenther Street, Cross Street and Butcher Street. A three-room log cabin with large doors was built on the crest of the small hill overlooking the settlement to serve as both the Adelsverein headquarters and guest quarters for visiting dignitaries. The building was also to be the beginning of a fortress to protect the colonists. Now, Prince Carl was already betrothed to Princess Sophia of Salm-Salm, so he did not stick around long in New Braunfels (actually only about 6 weeks). Before he left for his homeland, he dedicated the property and named the log structure “Sophienburg” (Sophia’s Fortress) in honor of his fiancée. A couple of other structures were erected on the site including a supply warehouse (or magazine) for foodstuffs and farm implements (thus the street named Magazine Avenue). After the Adelsverein went bankrupt in 1847, the whole Sophienburg Hill property was sold & divided to satisfy debts. The original headquarters building fell into disrepair, standing as a decaying memory of the Verein for over forty years until it was destroyed in a storm (that’s another story for another time).

For a good part of those forty years, the original Sophienburg building was occupied by Christian (aka Karl) Klinger as a sort of caretaker. Klinger had immigrated to Texas in 1845 as a servant of Prince Carl from the Province of Bavaria. He is listed in census records as a “joiner”, which is an antiquated term for someone who joins wooden building components like stairs, doors, and window frames. He also served during the Civil War in Captain F. Heidemeyer’s Company of Infantry, Texas State Troops, 31^st Brigade with the rank of Private. According to an 1888 New Braunfels Zeitung article, Karl Klinger lived in the “only rainproof corner” of the dilapidated old Sophienburg headquarters building until it collapsed (now that’s dedication!). So, what do you do when your historical hilltop home is blown away? What Klinger would do — build a small cabin to operate out of, keep on showing people around the site, keep telling the history of the Prince, Sophienburg Hill and stories about his time as a bugler in the Prussian Regiment of the Guards. To support himself, he sold such items as candy, soda drinks, homemade cider and postcards… the first tour guide and father of tourism in New Braunfels! Klinger was so well known that he was even included in an anonymous poem lovingly penned in German and submitted to the Zeitung in 1877:

The Sophienburg in New Braunfels

At New Braunfels on the hill
An old ruin perched;
There once dwelt the knight
Where now the Klinger lives.
He planes there all day
He tends to play the flute,
His beer is good, the cider clear
For Little money, one gets a lot.
And if you step out in front of the door,
One sees a friendly picture’
There lies the town in green adornment
Shrouded with gardens.
Prince Solms, a good knight,
Had this house built
Thirty-two years ago
To see something different.
After his much loved Lady
Did the Prince name it.
Sophienburg was its name,
So it is still known today.
There in the valley below swayed
The grasses back and forth,
Where you see the manicured farms
Was in those days, bare and desolate.
Wherever the eye turns
One sees today the fruits of Labor
What the parent’s diligence provided,
Was a blessing for their young.

Fast forward to 1928 and when S.V. Pfeuffer, along with a handful of very civic minded people, raised money during The Great Depression to acquire part of the Hill property and build a museum and library. The Museum, built on the original Hill Property, was dedicated on October 8, 1933. New Braunfels Herald accounts of the dedication reported “this was the first instance in the Southwest, at least, where a memorial has risen on the exact site where a city or town had its birth.”

Almost 84 years to the day, the Sophienburg Hill will be recognized by The Texas Historical Commission as a significant part of Texas history by awarding it an Official Texas Historical Marker. The designation honors Sophienburg Hill as an important and educational part of local history. As an added bonus, The Lindheimer Chapter of the Daughters of the Republic of Texas will also recognize the Sophienburg Hill as an Historic Site of the Republic of Texas.

A ceremony to commemorate these two events will be held on Tuesday, October 10, 2017 at 401 W. Coll at 5:15 pm. The Comal County Historical Commission invites the public to share in and witness this exciting dedication of the historical Sophienburg Hill.

Sources:

• Neu Braunfelser Zeitung
• New Braunfels Herald
• The First Founders, by Everett A. Fey
• THC application for site status

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