By Myra Lee Adams Goff —

It’s the same business, in the same place, run by the same family for 100 years. That’s Doeppenschmidt Funeral Home, now involving the fourth generation. And it doesn’t look like they are going to run out of clients any time soon.

In the early 1900s, on the corner of Seguin Ave. and Mill St. where Doeppenschmidt’s is located, Balthesar Preiss operated a livery stable, feed store and transfer service. They met trains and rented carriages for shopping, balls, and weddings. By 1912, a new building housed Baetge & Stratemann livery, transfer, feed and stable. Also in the same building on the left-hand side was Ed. Baetge and Gus Stollewerk working for Balthesar Preiss & Co., undertakers. By 1916 the double business advertised Ed. Baetge and Mrs. Otto Stratemann running the B. Preiss & Co. livery and feed stable and Baetge and Curt Ruedrich as undertakers for B. Preiss & Co.

Oscar Doeppenschmidt bought out Baetge and bought the building from Otto Stratemann in 1923. Up until that time Doeppenschmidt had a “pressing parlor” (cleaning and pressing) on W. Castell St. located in a building in the parking lot across from the Convention Center. He also operated an auto service station at 400 W. Seguin Ave. which was the vicinity of the former Hollmig’s Drive Inn. There he advertised as an agent for Chandler and Hupmobile cars, oil and gas.

After Doeppenschmidt took over the business where it is now located, he hired A.C. Moeller in 1928 for the first remodeling of the building for $10,000, no small amount at that time. Now look at the photograph dated 1927 and you can see what Doeppeschmidt’s business included. The man on the far right is Oscar Doeppenschmidt in front of a hearse. Notice the curtains and urn in the window. Next to that is an ambulance. It looks like the hearse, but has a red cross on the window. Originally these vehicles could be changed from hearse to ambulance and vice-versa. The other vehicles in the lineup were used as taxis and buses. Bus service was provided daily between San Antonio and Austin. In the center of the building are two archways and inside is a waiting room. Drivers of the vehicles were Richard Moeller, Marvin Rheinlaender, and Alvin Winkler.

Notice also the two gas tanks with the Magnolia Oil Company display. The two story building was constructed with apartments upstairs. Possibly there was also a saloon, not at all unusual in New Braunfels.

Another remodeling took place in 1972. The business by this time was solely Doeppenschmidt Funeral Home. Doeppenschmidt’s advertisement in the Herald was “Everybody wants a neat funeral for a small fee, a blessing to the poor and a help to the rich.” The advertisement claimed, “No commercialism, a chapel for 200 people and has the appearance of a quiet corner of a cathedral.” And it claims that the embalming room is not the gloomy den Dickens pictured in one of his novels, but has white tiling and bears the resemblance of the operating room of a modern hospital.

Why is the building called a home? An advertisement in the newspaper shows that “home is a real concern to their patrons.” You enter the parlor, like in a house for an atmosphere of homelike comfort. Services held as if they were held in one’s own “home”. Wonderful floor covering was laid out by Johann Jahn. Otto Rabenaldt was the licensed embalmer, assisted by Alice Dickerhoff.

Some old-timers and some not so old remember some of the funeral practices here in New Braunfels. Before television and radio, a rather ominous looking notice was printed on a small 4×7 inch white card with black borders. These cards with the deceased name were distributed around town. The early, early ones were in German script. Homes were draped with the colors of mourning – black or shades of dark grey. Funeral wreaths were hung on the outside door and inside the house over pictures, doors and windows. Sometimes mirrors and portraits of the deceased were covered with light veils.

Thousands of years ago all over the world, there is evidence that black was the color of funerals. Fear of the departed, not respect for them, was the reason. Covering oneself with black garments protected the person from spirit possession by the deceased. Widows wore a veil and black clothing for a year to hide from her husband’s spirit. These color practices have been all but forgotten by the younger generation and a majority of the older generation say “thank goodness”.

Going against these customs of wearing black brought social ostracism to the widow. Remember how Scarlett O’Hara was ostracized in “Gone with the Wind” when she abandoned the black clothes for brighter ones? Customs influence many of our actions and sometimes we don’t even know why, but I would never wear a red dress to a funeral, but not because of fear of the spirit possession.

Since the spirit domain was darkness, candles were lit to keep the dark spirits away. This practice comes from ancient people’s use of funeral torches around the body. The word funeral comes from the Latin “fumus” meaning “torch”. Doeppenschmidt used to turn on a light outside when there was a body inside.

The term “funeral home” no doubt comes from the importance of the home for funerals long before funeral homes. When a person died, the family would lay the body somewhere in the home, usually the parlor. Relatives and friends were invited to view the body. Then a casket was chosen from the undertaker’s supply or one could be ordered. The first NB undertaker, Balthesar Preiss, made his caskets. Some caskets were closed and some were open with a glass covering. By the way, the word “casket” comes from the Greek “kophinos” meaning basket. You can guess why, can’t you? The body was restrained in a basket with a rock on top to keep the spirit from escaping. While burying six feet under was thought to be a good practice, the basket, and finally the coffin was even safer. After the six feet under practice, a large stone was put on top of the coffin to keep the soul inside, hence we have the word “tombstone”.

Four generations of the Doeppenschmidts have run the business started by O.A. Doeppenschmidt in 1923. After he died, his wife, Emmie, and their son Bennie and wife Ruth, ran the business. The last two generations are Carl and his daughter, Michele.

In celebration of 100 years of business in the same place, Doeppenschmidts have again remodeled the funeral home, taking it back to the pre-1972 stately historic look.

Sources: Around the Sophienburg, by Myra Lee Adams Goff; Sophienburg Museum and Archives

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By Tara V. Kohlenberg –

Working in an archive or research library probably doesn’t top the list of dream jobs for very many people, but it is really cool to be a History Detective. In fact, there are more history detectives out there than you would think. While it is not exactly like “The Librarians” featured in the fantasy movies who work to collect magical artifacts for safe keeping, we do protect historical artifacts and documents. More importantly, we delve into the documents to bring hidden information to light.

Not too long ago, we accessioned a couple of documents called Abstract of Title by the Comal County Abstract Company for properties located in the Jahn Addition. One document is fifty-seven pages, typed, single spaced legalese, bound in a blue cover and tied with a pink string. To the common eye, it just looks, well, boring. It is in fact packed with information about the history of New Braunfels, including the original land grant and every transaction concerning that property all the way up to December 1928. I had never seen anything quite like it. I knew what a title was, but what exactly is an abstract?

From my experience, real estate transactions usually end up in title company office, across the table from a very knowledgeable woman/man, whose superpower seems to be reading upside down while pointing out where to sign. The packet we take home is several sheets of financial stuff, specifically about the transaction. I had questions. I contacted Heidi Aleman at Corridor Title, who put me in touch with Erin Campbell, Senior Vice President of Title Operations and Compliance. An abstract, she said is basically a summary of all transactions regarding any piece of real estate. She explained that every property transaction is recorded in the county courthouse, including the who, what, where and when of the transaction, along with the land survey information. The title company’s job is to research every one of those transactions as far back as possible to make sure there are no gaps in the chain of title. Erin, a self-professed Title Nerd, says that she loves the challenge of putting together the puzzle of the properties, looking for missing heirs or deeds. The historical summary she produces is called an abstract. Today, most of the property records, back to at least the late 1800’s, are digitized, which makes the job a little easier.

The 1929 abstract at the Sophienburg contains a copy of the documents from each and every transaction beginning in 1831, as recorded in Bexar County, with the grant from the State of Coahuila and Texas, by Jose Antonio Navarro, Commissioner to Juan Martin De Veramendi. It was recorded again in Comal County in 1855. In 1844, it shows the transfer of properties to the heirs of Veramendi upon his death.

March 14, 1845, is a date we should all know. It is the date of the agreement, recorded in Bexar County, for Prince Carl on behalf of the German Emigration Company, the purchase of approximately one-fourth of the Two League (a league is 4428.4 acres) Comal Tract for the sum of $1111, paid in two installments, $500 and $611. It is also recorded on May 1, 1845, that Prince Carl purchased another portion of land for the sum of $800. Further along in the abstract, is the 1869 ruling of the District Court of Guadalupe County against the Veramendi heirs in their suit to reclaim properties. The judgment was affirmed by the Supreme Court of Texas. Now that is some serious history sleuthing!

In 1848, Johann Jahn & Andreas Eickel received from the German Emigration Company Acrelot No. 204, containing about 14 3/5 acres of land between what is now Seguin Avenue and Academy Avenue. The following year, it shows that the two businessmen divided the property. One of the most interesting things to see out of this whole thing has to do with streets. After the deaths of Johann Jahn and wife Anna in 1883 and 1904 respectively, the Jahn property went to their heirs, who in turn subdivided it and conveyed some land to the city for streets. You might need a map for this next part.

They conveyed a strip 66.5 feet wide as a continuation of Castell from Butcher Street to the end of Blocks 12 & 14 (unknown). It also gave land 60 feet wide, extending from Butcher Street to Jahn Street and parallel with Castell Street to be known as Grand Avenue (was changed to Hill Avenue in 1926). Another strip of land 60 feet 5 inches wide was given as the extension of Academy Street out to Nacogdoches Street. Land 70 feet wide extending from Seguin Street to Boenig Street, running perpendicular to Castell, was named Jahn Street. Boenig Street ran parallel to Academy from Butcher to Nacogdoches. It became more of an alley in later years. Now called Braddock Avenue, it is only one block long, between Butcher and Jahn. They also gave a strip 60 feet wide from Academy to Boenig Street that was called Elm Street. Elm was later extended and runs beside the Post Office where the mailboxes stand and across Seguin Avenue, but it no longer exists between Boenig and Academy.

This is just one abstract from one section of town. Oscar Haas, history detective extraordinaire, was the Comal County Clerk for 30 years. He had access to these types of documents every day and used them to piece together the History of Comal County. What can you find in your old documents that give clues to a mystery?

Sources: Sophienburg Museum & Archives; Corridor Title Company; Heidi Aleman; Erin Campbell.

Samples of Abstract of Title documents in the Archives.

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Soon after moving to New Braunfels, Bill and Bonnie Leitch began “looking for a perfect place to live away from city life” in the city. For that matter, the house they found in 1971 is very close to downtown but has the feeling of being “outside the city”. The home was an old Victorian beauty in a neighborhood that had changed, located on a street whose name had even changed. The house itself was still preserved and the Leitches bought the house and made it their ambition to restore it.

The house was located on Grand Street. Never heard of it? That’s because Grand Street (only one block long) changed to Hill Ave. and I bet you know where that is. It parallels Academy running next to the railroad track and then goes up the hill for about a block. This property was located in the Jahn Addition. The whole area was originally owned by Johann Jahn, the furniture maker in 1846. The property was later given to Carl and Emma Jahn by their mother, Anna Jahn, upon the death of their father, Johann Jahn.

The lot on which the house is located is really a double lot and the original property was two double lots, extending from Grand St. (Now Hill) straight through to Academy.

When Carl Jahn inherited the four lots, he sold two of the lots to Heinrich Blumberg and two to Johann Wahl. In 1905 and 1906, both Blumberg and Wahl sold their four adjoining lots to Frederick Hofheinz.

Now we get to the builder of the house that the Leitches bought. Records show that Frederick Hofheinz was 11 years old when he emigrated from Germany to Texas with his parents, Johannes and Emilie Hofheinz from Nassau in Germany. In 1852 this family landed on the coast at Indianola. After a difficult nine-day trek inland, the family settled in Hortontown, a small settlement across the Guadalupe River from New Braunfels. Very shortly after arriving, Johannes died of cholera, which affected so many emigrants at the time.

Frederick, as the oldest child, took on the responsibility of taking care of his mother and his younger siblings. He went to work as a teamster, hauling freight from the coast into the interior from age 14 until he was 22 years old.

During that time Frederick had moved to Kendall County and joined Captain E. Jones’ volunteers organization to guard the frontier from Indian attacks. In 1864 he married Emilie Wilke of Kendall County and started farming and ranching. Emilie was born in Lavaca, moved to New Braunfels where she went to school, and later moved to Kendall County with her parents. This is where she met Frederick. The couple eventually had four sons- Adolph, Hugo, Bruno, and Max. They also had two daughters, Adele (Mrs. Otto Beseler) and Emma (Mrs. Hugo Liesmann).

Frederick Hofheinz was very active politically in Kendall County. For several years he was elected Justice of the Peace and County Commissioner. In 1903 he was elected state president of the Order of the Sons of Hermann. He finally turned over management of the ranch to his son and the couple moved to New Braunfels.

When the Hofheinzs moved to New Braunfels (1905), they bought the four lots from Blumberg and Wahl and began building their home in the middle of the lots with the front facing Grand St. and the back facing Academy Ave. The old carriage house is still standing behind the house.

Before he died in 1918, Hofheinz became one of the principal founders of the New Braunfels State Bank. Both he and Emilie are buried in the family plot in the Comal Cemetery. Their headstones include porcelain portraits of the couple.

Now the house began its own journey, reflecting the change that time brings. First the house was sold to Charles Knibbe in 1920 and when Knibbe died in 1927, his children inherited the property and house on Hill Ave. and the other property on Academy at the back of the house. These were the four lots originally bought by Hofheinz.

During WWII the house was divided into three apartments. During this time the neighborhood deteriorated. A lack of housing in New Braunfels and the increase of train traffic was probably the reason. If you ask anyone that lives close to train tracks if they are bothered by the trains, the standard answer is, “What train?”

Then Ella Bremmer, daughter of the Knibbes, sold the house to Bruno and Elizabeth Schoenfeld who moved into the house. Schoenfeld’s son, Herman, built a home for himself and his wife, Lila, on the Academy St. half of the lots. Bruno, who was a brick layer by trade, made many improvements. He planted the pecan trees that still embrace the property and cut a cellar under the front porch. The elder Schoenfelds lived there the rest of their lives. Bruno died in 1959 and then Elizabeth in1968. When both were gone, the house stood vacant for three years until it was purchased by Bill and Bonnie Leitch.

Much time and love has gone into the restoration of this house, done mostly by the Leitches. A central tower and spindled friezework (gingerbread) accent a curved porch. Sitting on that front porch is an amazing experience. The window shutters were replaced. The 14- foot ceiling inside, with transoms to let the air circulate by the fans, above the longleaf pine floors, are original. Longleaf pine wood is now extinct and this house has longleaf pine decorative wood throughout. All the windows are the original glass, giving the appearance that only wavy glass windows can create. The ceiling is pressed tin with tiles in the hallway that were salvaged from the original Carl Schurz School.

Once a building like that is gone, it’s gone. A beautiful Queen Anne house has been saved from the chopping block by Bill and Bonnie Leitch. Viele Danke!

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It’s the same business, in the same place, run by the same family for almost 92 years. That’s Doeppenschmidt Funeral Home, now involving the fourth generation. And it doesn’t look like they are going to run out of clients any time soon.

In the early 1900s, on the corner of Seguin Ave. and Mill St. where Doeppenschmidt’s is located, Balthesar Preiss operated a livery stable, feed store and transfer service. They met trains and rented carriages for shopping, balls, and weddings. By 1912, a new building housed Baetge & Stratemann livery, transfer, feed and stable. Also in the same building on the left-hand side was Ed. Baetge and Gus Stollewerk working for Balthesar Preiss & Co., undertakers. By 1916 the double business advertised Ed. Baetge and Mrs. Otto Stratemann running the B. Preiss & Co. livery and feed stable and Baetge and Curt Ruedrich as undertakers for B. Preiss & Co.

Oscar Doeppenschmidt bought out Baetge and bought the building from Otto Stratemann in 1923. Up until that time Doeppenschmidt had a “pressing parlor” (cleaning and pressing) on W. Castell St. located in a building in the parking lot across from the Convention Center. He also operated an auto service station at 400 W. Seguin Ave. which was the vicinity of the former Hollmig’s Drive Inn. There he advertised as an agent for Chandler and Hupmobile cars, oil and gas.

After Doeppenschmidt took over the business where it is now located, he hired A.C. Moeller in 1928 for the first remodeling of the building for $10,000, no small amount at that time. Now look at the photograph dated 1927 and you can see what Doeppeschmidt’s business included. The man on the far right is Oscar Doeppenschmidt in front of a hearse. Notice the curtains and urn in the window. Next to that is an ambulance. It looks like the hearse, but has a red cross on the window. Originally these vehicles could be changed from hearse to ambulance and vice-versa. The other vehicles in the lineup were used as taxis and buses. Bus service was provided daily between San Antonio and Austin. In the center of the building are two archways and inside is a waiting room. Drivers of the vehicles were Richard Moeller, Marvin Rheinlaender, and Alvin Winkler.

Notice also the two gas tanks with the Magnolia Oil Company display. The two story building was constructed with apartments upstairs. Possibly there was also a saloon, not at all unusual in New Braunfels.

Another remodeling took place in 1972. The business by this time was solely Doeppenschmidt Funeral Home. Doeppenschmidt’s advertisement in the Herald was “Everybody wants a neat funeral for a small fee, a blessing to the poor and a help to the rich.” The advertisement claimed, “No commercialism, a chapel for 200 people and has the appearance of a quiet corner of a cathedral.” And it claims that the embalming room is not the gloomy den Dickens pictured in one of his novels, but has white tiling and bears the resemblance of the operating room of a modern hospital.

Why is the building called a home? An advertisement in the newspaper shows that “home is a real concern to their patrons.” You enter the parlor, like in a house for an atmosphere of homelike comfort. Services held as if they were held in one’s own “home”. Wonderful floor covering was laid out by Johann Jahn. Otto Rabenaldt was the licensed embalmer, assisted by Alice Dickerhoff.

Some old-timers and some not so old remember some of the funeral practices here in New Braunfels. Before television and radio, a rather ominous looking notice was printed on a small 4×7 inch white card with black borders. These cards with the deceased name were distributed around town. The early, early ones were in German script. Homes were draped with the colors of mourning – black or shades of dark grey. Funeral wreaths were hung on the outside door and inside the house over pictures, doors and windows. Sometimes mirrors and portraits of the deceased were covered with light veils.

Thousands of years ago all over the world, there is evidence that black was the color of funerals. Fear of the departed, not respect for them, was the reason. Covering oneself with black garments protected the person from spirit possession by the deceased. Widows wore a veil and black clothing for a year to hide from her husband’s spirit. These color practices have been all but forgotten by the younger generation and a majority of the older generation say “thank goodness”.

Going against these customs of wearing black brought social ostracism to the widow. Remember how Scarlett O’Hara was ostracized in “Gone with the Wind” when she abandoned the black clothes for brighter ones? Customs influence many of our actions and sometimes we don’t even know why, but I would never wear a red dress to a funeral, but not because of fear of the spirit possession.

Since the spirit domain was darkness, candles were lit to keep the dark spirits away. This practice comes from ancient people’s use of funeral torches around the body. The word funeral comes from the Latin “fumus” meaning “torch”. Doeppenschmidt used to turn on a light outside when there was a body inside.

The term “funeral home” no doubt comes from the importance of the home for funerals long before funeral homes. When a person died, the family would lay the body somewhere in the home, usually the parlor. Relatives and friends were invited to view the body. Then a casket was chosen from the undertaker’s supply or one could be ordered. The first NB undertaker, Balthesar Preiss, made his caskets. Some caskets were closed and some were open with a glass covering. By the way, the word “casket” comes from the Greek “kophinos” meaning basket. You can guess why, can’t you? The body was restrained in a basket with a rock on top to keep the spirit from escaping. While burying six feet under was thought to be a good practice, the basket, and finally the coffin was even safer. After the six feet under practice, a large stone was put on top of the coffin to keep the soul inside, hence we have the word “tombstone”.

Four generations of the Doeppenschmidts have run the business started by O.A. Doeppenschmidt in 1923. After he died, his wife, Emmie, and their son Bennie and wife Ruth, ran the business. The last two generations are Carl and his daughter, Michele.

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