By Tara V. Kohlenberg —

Have you ever taken a walking tour of New Braunfels? Whether with a group or self-guided with detailed maps, the tours are basically a clever way to learn history while you exercise.

While digging in the archives, I came across a 1969-version of a walking tour, which is more of a “driving tour” of New Braunfels history and includes Gruene. It is full of photographs and frankly, bits of information that I have not seen before.

In comparing the old version to the walking tour currently listed on the New Braunfels Chamber of Commerce website, I found the listings quite different. They both list big stuff — Courthouse, downtown commercial buildings, the Faust homes, etc., but many of the smaller older homes have been left off the Chamber list. Just like in real life, bigger, more beautiful homes draw attention.

So, let us explore some of those. Just as in fashion, architectural styles and influences change with time, providing natural time periods as dividers. Today, I will point out a few of those not on the current walking tour, dating from 1845 Colonial Texas up to 1860 (pre-Civil War) period.

First up is 354 W. Bridge. The home of Phillip Schmidt is perched on the bluff overlooking Comal Creek. The small 1850 house, built in the fachwerk style, is of adobe and hand-hewn logs. It was originally a one-and-a half-story building with a high-pitched roof and outside stairs up to the loft. It is still inhabited, but well hidden behind thick foliage.

Another remarkable building is the office building located at 259 N. Seguin next to the Comal County Tax Assessors office. One would never think that it is that old. It is a basic 1850 German Colonial Cottage of fachwerk and cut stone with a basement. Fachwerk (pronounced fock-verk) is the European building method that German immigrants brought with them.

Fachwerk consisted of hewn timber frameworks secured with treenails (wooden pegs). The open spaces were filled with bricks made of mud and grass, which served as fireproofing, soundproofing and insulation. Often the exterior was covered with cypress shingles or stucco. Porches much like those in Europe were added to homes to help survive the Texas heat. This structure is painted now, but in the 1970s, the exterior wood was stained/varnished wood.

Next on the list is the Julius Habermann house at 543 W. Mill Street. Although it was built in 1862, the house looks basically the same today. Julius Habermann was a shoemaker. He bought acre lot 12 to build the home. The fachwerk structure is built of hand-hewn cedar logs and cut limestone with wide plank board flooring throughout. His youngest daughter married William Tolle. The home stayed in the family until Mrs. Tolle’s death in 1958.

The house located at 189 Comal Av. is one of those that you have probably driven by unnoticed hundreds of times. It is constructed in a simplistic version of the Greek Revival style. The characteristics of Greek Revival include strict symmetry and balance of elements, prominent gabled roofs and columns supporting a gabled roof. The buildings are often painted white. Greek Revival style dominated the United States, especially the South, from 1820 to 1850, finally reaching Texas in the 1860s.

This original Comal Street structure was built in 1860. The first addition was in 1880; the rear addition was added in 1940. The front of the house is perfectly symmetrical with a small gabled porch on the front. It has 6-light or 6-over-6 paned windows.

The next couple of houses on the old historic home tour are located on Hill Avenue, the narrow street on the west side of the railroad tracks. Both are now part of the shopping village behind Huisache Grill.

The first one off W. San Antonio Street was originally at 178 Hill Ave., the home of August Wetzel. It is a little outside of the pre-Civil War era, but still an excellent example of early home. The residence was built in 1872 with a Greek Revival pediment and porch. Six-light windows, a single narrow front door and a basement. I am sure that Mr. Wetzel had no idea that the train tracks would be built along the path of Hill Avenue in 1881, slicing off his property and bringing the train to his front door. Even with the porch now removed, the building is in amazing condition.

The next one was the home of F.W. Tietze. The German Colonial style residence was constructed in 1852 by Mr. Tietze. It has very ornate double front doors, latticework ballustrade and columns on the porch. It basically looks the same today.

Now, comes the sad part of my tale. The last few of the homes on the 1969 list are no longer in their spots. Whenever you see newer or mid-century modern buildings in the heart of New Braunfels, you know that a piece of history was removed to make room for it.

The 1850 Victorian Cottage home, originally located at 488 Castell, had unique double doors and extravagant porch detailing. It was removed to make way for New Braunfels City property driveway (old City Hall), now the recycling exit driveway.

Another sad removal, the home originally located at 545 Comal Avenue was constructed about 1855 for early immigrant Johannes Heinrich Hohmann (Heinrich). The fachwerk structure was built as two separate buildings covered in wood siding. The kitchen was separate. The Hohmann House, was removed to make way for one of the huge mansions above the Comal River. Others along Comal Street suffered a similar fate. The particular house at 575 Comal was saved by Carola Davis, having been dismantled and then reassembled elsewhere.

The house previously located at 231 S. Seguin across from the Faust Hotel is another missing gem. Actually, there were two fachwerk houses on the site, one behind the other. The houses were once the residences of the Henne sisters and were thought to be built by early New Braunfels businessman Louis Henne.

In 1969, Bob Warnecke, then a student at the University of Texas, dismantled the two houses. He saved boards, windows, beams and square-headed nails, storing the materials for restoration.

The last lost gem was the building formerly located at 290 S. Seguin Ave., which is now the landscaped corner next to Johnson Furniture (Ludwig Building). The store was built in 1850. It served as the Rudolph DuMenil General Merchandise Store in 1860, then as the Ludwig Furniture Store and later Johnson’s Furniture warehouse. Fortunately, you can still see it, as it was moved to Gruene and last served as Hunter Brothers store at 1254 Gruene Road.

We are so fortunate to live in a place with such wonderful history. I am grateful for the still present examples of that history every day. I know that maintaining a historic building is not easy or cheap, but THANK YOU to those preservationists, especially now in what seems like disposable world.

Sources: Sophienburg Museum and Archives; Bob Warnecke; Carola Davis.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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By Tara V. Kohlenberg —

I have written many times about the treasures of New Braunfels, the people, places and things in our history that make our community so special. Some are prominently displayed — Main Plaza, the Plaza Fountain and such. Others are hidden in plain sight. Some are so well hidden that we do not even recognize it as a treasure.

Today I will tell you about a lesser-known treasure in town, the old pioneer’s home on Coll Street. It is unremarkable in appearance and easy to miss. It sits on a large L-shaped lot that wraps around to Clemens Avenue, which is difficult to distinguish except on a map. The house is located directly across the street from Carl Schurz School and yet has remained fairly invisible to passersby. It has been hidden behind overgrown trees and underbrush until just recently.

The pioneer is Jean Jacques von Coll. You may have heard his name if you hang around in museums. So, who is von Coll and why is this guy with a French name important enough to have a street named after him in a German settlement?

Born Johann Jakob von Coll in Wiesbaden, Germany, in 1814, he was a lieutenant in the service of the Duke Adolph of Nassau. At the age of 27, von Coll and a group of young officers attended a neighbor’s party while still being under the effects of their alcohol consumption the night before. An exchange of words left both the neighbor and von Coll insulted. A duel was called for, but was quickly called off as neither involved could clearly remember who threw the first insult.

Rumors flew about von Coll leaving town to escape a duel, impacting the future of his military career. The entire officers’ corps was commissioned to learn the truth. Von Coll, believing that he would be dishonorably discharged, resigned at the behest of Duke Adolph of Nassau who suggested that he serve in the military of another country. Von Coll eventually joined the French military and changed his name to Jean Jacques von Coll. Illness caused him to be discharged after six months.

He became involved with the Adelsverein (German Emigration Company), where he was assigned to help with the settlement of Germans in Texas. He led the first German immigrants from Galveston inland on December 29, 1844.

Von Coll was given town lot #25 on Main Plaza (now Schmitz Hotel and NB Coffee). He and partner Adolph Nevendorf operated a lucrative saloon and store at that location. Incidentally, the Sophienburg Museum and Archives currently has the original saloon doors on display. They also have the original matching double doors of his home on Coll Street in the collection.

Von Coll was appointed by Prince Carl of Solms-Braunfels as the financial officer for the Adelsverein. Not only responsible for keeping the accounts, von Coll was responsible for the new colony’s supplies (kept in the magazine on Sophienburg property) and how they were distributed to the colonists.

For this service, he received acreage adjacent to the Adelsverein Sophienburg property where he built his home. The original acreage encompassed several modern-day city blocks, from Coll Street to San Antonio Street and from Magazine Avenue to Guenther, which includes Clemens Avenue. We will connect these dots in a minute.

Von Coll is famous for stopping New Braunfels from being renamed “Comal.” In 1852, he was elected mayor but served only two months before he was murdered in his store by a discontented settler. Apparently, one of the immigrants walked into von Coll’s store arguing that the Adelsverein was not living up to the promises made in the old country. It resulted in von Coll being shot.

He left behind a wife, Margarethe Elisabeth Schertz, who had come with the Castro colonists, and two young daughters, Kathinka, age 3, and Elisabeth (Bettie), not yet one year old, to live in the home he had built on Coll Street.

The house is built, as many 1845 homes were, a basic house with multiple additions. The small center section is of fachwerk construction (exposed beam frame with straw/mud bricks and stucco exterior). The second, larger section is rectangular and built of stone. The third addition, on the opposite side of the fachwerk house, was built much later in the 19th century after von Coll’s death. The collage of building and window styles is cool to see in person.

And what of von Coll’s little family? Von Coll’s widow, Maragarethe, married Karl Heinrich Guenther. They continued to live in the home at 624 Coll Street. They went on to have seven children between them. Guenther had a brewery on the Comal River. After Guenther died, Margarethe ran the business, becoming the first women brewer.

Daughter, Kathinka, married Senator William Clemens, Jr. Their beautiful home stood on what is now the parking lot of Arlon’s Market at Clemens and San Antonio. Clemens served on the Texas Penitentiary Board and the Clemens Unit of the Texas Department of Criminal Justice is named after him. Daughter, Bettie, married Otto Simon.

This just goes to show you that just because something looks unremarkable does not mean that it does not hold a remarkable amount of history or that the history will always be there to see.

Comal County has more than 124 markers highlighting the historical significance of buildings, areas and events; however, for every marked place or building, there may be two or three times more that remain unmarked for various reasons and an unbelievable amount that have been lost. The Comal County Historical Commission works diligently to identify and mark as many historically significant places and buildings as possible before they disappear into a parking lot. If you know of something out there, let them know.

Sources: Sophienburg Museum and Archives.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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By Tara V. Kohlenberg —

Today, July 4, 2026, marks 250 years since the signing of the Declaration of Independence. America’s 250th birthday. New Braunfels has celebrated America’s birthday for 170 years. The celebrations have changed over time but are no less important.

New Braunfels has a long and storied history of July Fourth celebrations, the first being held in July of 1846. Our earliest founders arrived in the Republic of Texas from Germanic regions of Europe in 1845 when the fledgling America was a mere 69 years old. Within one short year, Texas was admitted into the Union, making the citizens of New Braunfels new Americans.

The first Fourth of July celebration in New Braunfels began with a bang, literally. Two cannons on Sophienburg Hill fired off at sunrise to begin the day. The Adelsverein headquarters building on Sophienburg Hill displayed a large American flag of 28 stars. That flag raising was significant because just the year before, Prince Carl had hoisted a German flag above the Sophienburg while a group of settlers strung up the flag for the Republic of Texas on the Plaza. Three different flags flew over New Braunfels within one year.

The newly minted Americans were very patriotic and found it exciting to celebrate their nation in grand displays of music, parades and patriotic oratory (speeches). Nearly every organization had a band or choral group.

In 1866, the day began with cannon fire. The Declaration of Independence was read by a prominent citizen followed by a short address and most likely the Pledge of Allegiance in German. A festive procession of townspeople was led through the streets by the brass band of the 4th Regulars Union Cavalry Regiment followed by evening dances in several dance halls.

One of the most elaborate and dramatic Fourth of July celebrations ever held in early Texas was the one in New Braunfels saluting the U.S. Centennial in 1876. It was so extensive and elaborate that it received statewide publicity. The Texas Post, a San Antonio German newspaper, reported, “The Centennial of the Declaration of Independence of the United States of America was celebrated with dignity befitting the jubilee, greater than in any other city of the State of Texas.”

Citizens went all out for the two-day celebration, decorating their homes and businesses with patriotic flags and wreaths of cedar and mountain laurel. For the parade, they built four triumphal arches downtown close to the plaza and hung a giant picture of George Washington in the Zeitung printing shop.

Setting the tone for the next day’s events, a cannon on Sophienburg Hill was fired 13 times in commemoration of the 13 original colonies. On the Fourth, people were awakened at dawn by the rapid firing of the cannon, followed by trumpets heralding the beginning of the festivities.

The centennial parade was a historical review of the United States of America, played out in pageantry on a grand scale under the 37-star flag. The parade began with bands on decorated wagons, Columbus, George Washington on horseback, followed by floats representing Prince Carl and the founding of New Braunfels, the Liberty Bell, Lady Liberty and a myriad of floats by local organizations and industries.

The entire procession crossed the low-water bridge into Comaltown, where on a large open green (now Eagles Hall), a dance platform had been constructed along with tables and chairs. Hermann Seele gave the opening address before dancing commenced until sunup — for both days!

In 1886, the New Braunfels Volunteer Fire Department was formed. The volunteer department was more than a fire-fighting organization. They were one of the most active civic organizations in town, collecting toys for children and fundraising for fire equipment by putting on costumed shows (they had a band!). For more than 75 years, they were in charge of the Fourth of July festivities.

By the turn of the century, Fourth of July in New Braunfels meant not only parades and speeches but concerts on the Plaza (thus the Bandstand), foot races, baseball games, dances, and fireworks! By 1920s and ‘30s, the Volunteer Fire Department made pumper races (firemen competitions) and water displays part of the fun, shooting arches of water through the air on Main Plaza. There was also miniature golf, boating on the lake and swimming in Landa’s Park.

Many still remember the ‘60s when people gathered across the Landa Park Lake to watch the fireworks. They were set off by local firefighters trained to handle fireworks. Although there were a lot of aerial displays, a number of ground-supported fireworks displays geared to the crowd seated across the lake. Everyone knew it was the end when they saw the American flag sparkling across the water.

New Braunfels grew and changed, gearing summer holidays to more tourist trade. Fireworks displays became the work of professional companies. The volunteer fire Department disbanded as the number of paid fire personnel grew and public Fourth of July events dwindled.

In 1978, Mayor Margaret Naegelin invited city councilmembers to her home for coffee before travelling to the plaza in antique cars, where they enjoyed ice cream and lemonade while the courthouse bells played. Mrs. Naegelin, who was also the president of the Sophienburg Museum and Archives, unknowingly initiated the first Sophienburg Ol’ Fashion Fourth of July Parade and Patriotic Program in Downtown New Braunfels. This year marks 48 years. It has grown into a collaboration with the City of New Braunfels and remains one of the oldest traditions celebrated by our Founding Fathers — of both America and New Braunfels.

Happy 250th birthday, America!

Sources: Sophienburg Museum and Archives; Oma & Opa, German Texas Pioneers by Curt E. Schmidt; Around the Sophienburg by Myra Lee Adams Goff.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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By Myra Lee Adams Goff —

The first July 4 celebration in New Braunfels took place in 1845, just four months after the first emigrants crossed the Guadalupe into what would be the “Neu Heimat” (New home). A lot has happened historically since that first Independence celebration. For one thing, two statues were placed on the Main Plaza commemorating the men who fought in the Civil War and World War I. This is their story.

One statue located on the Main Plaza is called “Spirit of the American Doughboy”. Doughboy became a nickname for American soldiers in World War I and it stuck. No one knows where the name comes from but the term supposedly goes back long before the Civil War. In WWI both Americans and British soldiers were called Doughboys. Originally the term was not a compliment. Herman Melville in “Moby Dick” calls the cabin steward a doughboy suggesting a negative comparison to the sun burnt whalers and harpooners. Later the US Army cavalry looked down on the infantry calling them Doughboys, referring to the shape of the infantrymen’s buttons on their jackets that looked like dumplings .Whatever, it was not a compliment and mostly mocked the American infantryman. After WWI, Doughboy became a popular name for all American troops. This changed by WWII when American service men were called G.I.s or Yanks. Doughboys are now mostly associated with WWI.

Doughboy (we’ll call the statue that name) was placed on the Main Plaza in 1937 in observance of the 19th anniversary of the Armistice of WWI. It is in full uniform complete with pack, helmet, grenade and rifle. The granite base contains tree stumps and barbed wire. There it remained for 49 years until it was run over by an inebriated driver in 1986. The statue broke into five pieces, losing its head, both arms and half a leg. A clever Herald writer quipped “A farewell to arms”.

When the statue was knocked off of its rather large base, an unexpected tombstone was revealed on which the statue stood. It had an inscription on it: “T. Stokely M. Holmes, born Aug 21, 1828, died July 28, 1905. A kind affectionate husband, a fond father and a friend to all”. How this tombstone became part of the Doughboy is not known. Looking up that name in Ancestry.com, one finds this person buried in the Tuttle Cemetery in Guadalupe County: “Stokely M. Holmes, b Aug 21, 1828 and d July 28, 1905”. Obviously the Doughboy tombstone was rejected because it had incorrect information. It has rested under Doughboy since 1937.

Who was the sculptor of Doughboy? E.M. Viquesney was the sculptor of the cast zinc statue. He was a “chip off the old block” because his grandfather, Charles Alfred Viquesney was a stone carver in France who came to the US in 1842. Then Charles Alfred’s son, also Alfred, followed in his father’s trade with a stone carving business, making monuments and carvings of angels, crosses and other figures. These figurines were very popular as early decorations of gravesites. Viquesney, the sculptor of Doughboy, learned the business from his father.

Viquesney designed monuments at Clark’s Monument Works. He went on to design and sculpt many other memorials during his lifetime, too many to name here. They ranged from a Confederate War Memorial to his last sculpture in 1946 titled “Last of the Comrades”. All of his sculptures honored war heroes. Sadly, following completion of “Last of the Comrades”, Visquesney took his own life.

In 1921, the Doughboy sculptor won a national American Legion award for design. With the success of the Doughboy statue he received orders all over the United States for replicas. In Texas alone this Doughboy can be seen in Canyon, Crowell, Ft. Worth, Grosebeck, Lufkin, Sinton, Wichita Falls, Vernon, Texarkana and New Braunfels.

With this success, he produced 12 inch replicas of this statue. This is a common practice for sculptors and he sold as many as 25,000 of these miniatures. One of the miniatures was given by Viquesney to President Warren Harding and one was given to Gen. George Pershing. He also made lamps, and candleholders and incense burners in the shape of the statue .The last Doughboy statue was produced in 1942. I wouldn’t be a bit surprised if there was one of these miniatures in someone’s attic right here in New Braunfels.

Mr. and Mrs. E.A. Clousnitzer had originally presented money in 1937 to the local American Legion to purchase both the Doughboy statue and another statue placed on the south side of the Plaza called “To the Memory of our Fallen Soldiers of the Civil War 1861-65”, honoring all soldiers of that war. The statue actually honors both sides of the Civil War, the Confederacy and the Union, because both sides in this conflict in Comal County lost soldiers in that war.

Another move took place when New Braunfels was getting ready to celebrate its Sesquicentennial in 1996. After refurbishing both statue soldiers and replacing stolen guns, they were placed on the same side of Main Plaza and rededicated in 1997. Both statues are now on the north side of the Plaza. Does this placement seem a little confusing to you? This might help: Hermann Seele said that when Nicholas Zink was plotting out the streets of NB, he followed the wagon trails, more or less. If you go to Main Plaza with a compass, you will find that North and South Seguin actually go in a northwest and southeast direction and West and East San Antonio go in a southwest and northeast direction. I suggest that you just go down there and find the statues yourself.

When you go to downtown to see the Sophienburg’s July 4th Parade, make your acquaintance with these two statues and remember the ones they honor.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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2026 Myra Lee Adams Goff Scholarship Award Essay – by Jaelynn Davidson

The Texas Hill Country was a stunning and dangerous arena of cultural conflict in the mid-19th century. To the Texas nobility of the Adelsverein, it was a fantasy of a “New Germany”; to the German peasants who arrived on the shores of the Texas coast, it was a last hope of a new life; but to the Penateka Comanche, it was the Comanchería, their ancestral domain. Although Prince Carl of Solms-Braunfels is said to have founded New Braunfels, it was his successor, John O. Meusebach, whose brilliance of diplomacy ensured that Comal County would not only survive, but flourish. The Meusebach-Comanche Treaty of 1847 was the single most important event in the early history of the county, an extraordinary occasion of mutual respect and unbroken peace in the American frontier.

Upon John O. Meusebach’s arrival in New Braunfels in 1845 to assume the position of Commissioner General, he found a colony on the brink of disaster. The colony’s finances were in shambles, and the people were dying from disease and starvation. More urgently, the land grants that the settlers received were located far within Comanche territory, well north of the Comal Springs. Although the zeitgeist of the time was one of military conquest and displacement of Native Americans, the intellectual pragmatism of a scholar and bureaucrat like Meusebach dictated that if New Braunfels was to survive, it could not be an island of Europeans at war with their neighbors.

Meusebach went on an expedition with only twenty men as an entourage to the very heart of the San Saba hills. This was viewed as a suicide mission by most. However, Meusebach knew something that his contemporaries did not: the importance of “The Word.” He was determined to meet the Comanche chiefs, namely Buffalo Hump, Santa Anna, and Old Owl, without the Texas Rangers and the U.S. Army. This was a level of respect for the Comanche that was unheard of at the time.

The treaty that came out of this was revolutionary. It was not a treaty of surrender, but of co-existence. The Germans agreed to share their land and their resources, and in return, the Comanche agreed to allow the settlers to farm and travel through the area. Perhaps most importantly, the treaty allowed the Comanche access into the town of New Braunfels to trade. This brought a unique cultural exchange to Comal County, where Comanche men were often seen in the town plaza trading skins for German goods. This would have been unthinkable in other parts of Texas.

The importance of this occurrence cannot be overstated with regards to Comal County. While other frontier settlements were marred by decades of “Indian Wars,” New Braunfels was spared the bloodshed that defined the Texas borderlands. This gave them the space needed to concentrate on the development of the infrastructure that defines the county today: the mills along the Comal River, the Sophienburg, and the educational system. The treaty gave the area the literal and figurative “breathing room” that was needed for the German culture to take hold and thrive without being strangled by the specter of violence.

Today, the legacy of Meusebach’s diplomacy is incorporated into the very fabric of the identity of Comal County. It is a reminder that the history of the county is not simply one of European settlement, but of American adaptation. As Myra Lee Adams Goff so often said in her historical writings, the history of Comal County is the history of “grit.” It took grit to cross the Atlantic, but it took a different kind of courage – the courage of diplomacy – to walk unarmed into the hills to shake hands with a supposed enemy.

In sum, while the physical features of the New Braunfels heritage site – The Gruene Water Tower, the Faust Bridge, and the Comal Springs – are integral to our heritage, it is the Meusebach-Comanche Treaty that is the unseen foundation upon which all of these rest. John O. Meusebach’s decision to reject the status quo of violence in the 19th– century frontier in favor of a more peaceful approach has made Comal County a shining example of industry and culture. It is a testament to the fact that peace is not merely the absence of war but a function of respectful and courageous negotiation.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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By Myra Lee Adams Goff —

“Have you heard? Old Squire Moeschen is dead!” So begins Hermann Seele’s narrative of a murder here in New Braunfels in 1855. Seele spun this true, gruesome tale in his book, Die Cypress, which is available at Sophie’s Shop.

Here’s the background: Christof Moeschen, born in 1806 in Thuringia, came to Texas along with his wife, Johanna, and a 9-year-old daughter, Friederike. The year was 1844. Seele says their small log cabin built in 1845 was on Comal Creek, and consisted of one room and a porch surrounded by a fence of cedar posts.

For all one knew, the family of three lived a quiet life, but all that changed in 1854 when the Moeschen’s only child, Friederike, married the shoemaker Carl Riebeling. The mother approved of the son-in-law, but the father did not. Hermann Seele performed the wedding and the young couple lived with her parents.

Unaccustomed to outdoor work, Riebeling became sick. Moeschen believed the son-in-law was just lazy.

When a baby was born to the young couple and died, Moeschen was so distraught about the death that any harmony that had come about because of the baby disappeared. Moeschen became abusive toward his family. The daughter no longer loved her father. She resented his abusiveness toward her mother and husband. As a result, Mrs. Moeschen and the Riebeling couple contrived a plot to get rid of the old man.

On the day of the murder in early September, 1855, the father returned home exhausted, called his son-in-law a loafer and then fell asleep in a drunken stupor. In the dark of evening, the daughter provided a light, and her husband and mother killed the old man with an ax. All that could be heard was the autumn wind wafting the withered leaves from the trees and a few raindrops.

The mother laid the father, who she said was “kaput,” on a mattress and sewed him into a bedspread so no one could see him. The ax was dropped to the bottom of a pond formed by the creek.

Day dawns. Outside, Mrs. Moeschen called to her neighbor G. Holzmann, a laborer going to work. She tells him her husband has died and gives him a string to give to Gerhard, who is to make the funeral arrangements. The string is the length of the body.

Gerhard went to the Moeschen home to make some arrangements and asked to look at the body. The family refused because they said he had already been sewed into a shroud. Upon returning to town, Gerhard said to Justice of the Peace Hermann Seele that he was suspicious, and Seele called for a coroner’s inquest because of the sudden death.

Funeral arrangements continued and friends began to arrive at the house for the funeral. Present were Pastor Eisenlohr of the German Protestant Church where the family were members, the choral society, many townspeople and the carriage with the empty coffin.

Inside, the inquest was performed. The corpse was unwrapped from a dark brown checkered bedspread (shroud), and then carried outside and put on a large table.  Drs. Remer and Koester prepared for an autopsy. (Yes, right there.) Since it was getting dark, lanterns had to be brought from town. After the autopsy, it was determined “the old man has been murdered. Arrest the people.” The three family members were put under arrest.

Through the dark woods, a ghastly procession carrying the casket, proceeded to the sheriff’s home in town. In the spring of 1856, the trial found all three guilty punishable by imprisonment with hard labor for nine years each.

Additional information to Seele’s narrative was written by Everett Fey in his research about the First Founders of New Braunfels. Volunteer Tom Call researched the trial and found that Johanne Moeschen died in prison, Friedrike was paroled in 1860 and Carl Riebeling paroled in 1862.

Picture this: The funeral is at the home, the body is brought outside under a tree, an autopsy is performed right there, and all the while, family, friends, jury, doctors, singing society are all witness to the whole macabre scene. Forensic science has come a long way.

This first appeared in 2012, but we decided to run it again under our True Crime Series.

Sources: Sophienburg Museum and Archives.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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By Tara V. Kohlenberg —

A drive through downtown New Braunfels is somewhat like a visual history of architecture course comparing different architectural styles from 1845 to mid-20th century. It may just look like a bunch of old buildings sitting side by side to some, but they tell the cultural and socioeconomic timeline of our city.

Take the old city hall building on the corner of Seguin Avenue and Mill Street, before the Wiggins Hospitality Company began transforming the historic building into its newest eatery, the building did not seem to fit in with the more traditional Italian Renaissance-style structures of downtown. It had no distinctive curvilinear parapet, no arched windows, no fancy metal cornice. Simply put, the building was rather plain. Why is it so different?

While we do generally think of government buildings being more about function than aesthetics, the design differences of our old city hall had more to do with the era in which it was built.

The good citizens of New Braunfels had established a government consisting of two elected commissioners and a mayor to handle the city’s business. For a number of years, the city commission and the city clerk occupied space in the courthouse, a massive 3½-story Romanesque-style structure built in 1898.

By early 1929, New Braunfels had grown so much that the city required more clerical help and more space. The county closed in the west courthouse porches to office the city clerk. The need for a real free-standing city hall with adequate space for city staff and records was evident.

Grown? Yep! The decade of the 1920s saw tremendous growth in Texas and New Braunfels due to several key factors. The Second Industrial Revolution took place in the U.S. from 1890 to 1930, infused by innovations in electricity, steel, railroad expansion and oil. The Comal Power Plant was built and came online in 1926, creating new jobs. The end of World War I in 1918 saw soldiers returning armed with new skills. They flooded the urban areas seeking jobs and homes. Our proximity to San Antonio military bases helped. New Braunfels’ population increased by nearly 74 percent in 10 years! Yikes! The little town was becoming a city and had nothing more to their name than a couple of desks, chairs and some records in an office they did not own.

In May of 1929, a bond issue of $35,000 passed to construct a city hall and to acquire the necessary land. Several sites were considered: the Peter Nowotny site (Seguin and Mill); the Landa residence (now County Annex), a lot at Bridge and Seguin, the Comal Hotel (now Prince Solms Inn), Eggling Market Square (possibly Markt Platz as Eggling was previous the name of Comal Hotel), and a lot near the City Hospital (Sts. Peter and Paul Thrift area). Obviously, they chose the corner of Seguin and Mill. Good choice!

By mid-July the City Commission had not only purchased the lot, they had also chosen architect Jeremiah Schmidt. Schmidt was busy between 1929 and 1933, designing and supervising a number of buildings in New Braunfels, including the First National Bank, Comal County jail and courthouse, Seele Parish House, Fire Station No. 2 on Coll Street, and Sophienburg Museum, all in varying styles.

Schmidt’s designs for the old city hall are Classic Moderne, a sub-class of Art Deco architecture. True to the Classic Moderne distinguishing features, the original old city hall has a flat roof with a small ledge at the roof-line, horizontal lines and geometric designs, decorative stone banding, metal casement windows, and glass-block windows used as front door accents. Most importantly, it had prominent outdoor steps rising to a centered, arched entry door on three sides to give the square building a powerful presence. For those of you who have looked at that building all your lives, yes, it originally had an over-sized arched front door.

The contract was let to Sipple Construction, and they broke ground on Tuesday, October 22, 1929, with 110 days to complete work. The stock market crashed exactly one week later, Tuesday, October 29, 1929. The Great Depression took a little while to trickle down to New Braunfels, but they were told to rush the work in December.

The city hall was finished and opened on Tuesday, May 7,1930, at a cost of $30,000. The building housed the city staff of four, Chamber of Commerce and the Board of City Development offices. Summer came and their new building was so warm that the city commission paid to have electric ceiling fans and desk fans installed. The final payment on the 1930 city hall was made in September 1955.

City hall became home to other departments over time. The police department, originally based out of Central Fire Station, moved into the basement. In 1955, an exterior light was added to the basement door since they went in and out at night. The police department moved into their own little white brick building next to old Central Fire Station in 1959. (That little building was later torn down for the new Central Station). New Braunfels Independent School District moved into the city hall basement offices vacated by the police department.

At some unknown point before 1959, renovations were made to the old city hall. They replaced the front doors, bricked in the archway, and hung a metal canopy over the entrance. They installed metal awnings over the windows and, although more efficient, completely changed the clean Art Deco styling.

When the city offices moved into a new home on Castell Avenue in 1992, the Sophienburg Memorial Association purchased the 1930 city hall building to house the ever-growing archives. Following the completion of a new city library, the City of New Braunfels gifted the Dittlinger Memorial Library to the Sophienburg Memorial Association in 2001. The old city hall building was sold to fund renovations to the Dittlinger library building, creating an archives library and museum exhibit hall.

Since that time, the old city hall building at Seguin and Mill has served as office space and restaurants. I’m looking forward to the new Old City Hall Restaurant, making something old new again.

Sources: Sophienburg Museum and Archives.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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By Keva Hoffmann Boardman —

What if New Braunfels was not named New Braunfels? I had never considered this, but of course the wonderful historian Oscar Haas did and recorded his findings in his book, History of New Braunfels and Comal County 1844-1946.

There are two occasions on record wherein New Braunfels nearly lost its place-name. — Oscar Haas

Many of you readers know that New Braunfels was named and founded on March 21, 1845, by Prince Carl of Solms-Braunfels. He chose to name this town after his hometown of Braunfels on the Lahn River in Germany. The first time the name “New Braunfels” was in jeopardy was just prior to the creation of Comal County by the First Texas Legislature.

There was much talk of creating a new county with our town as the county seat. There was some dispute as to whether the county seat should be called New Braunfels or Comaltown. — Oscar Haas

The Republic of Texas began creating counties in 1836. Rusk County was the 36th and the last to be formed during the Republic. In March 1846, Comal County became the 44th county and was formed from the eighth precinct of Bexar County. Bexar County was the third county created by the Republic of Texas and it was beyond enormous. Between 1845 and 1876, the Texas Legislature formed over 120 new counties from what was originally Bexar County. Just FYI: there are 254 Texas counties.

New Braunfels kept its name. It is interesting to note that a lot of county seat cities are located near the center of the county so it is reasonably accessible to the whole county. New Braunfels sits on the southeast boundary of the county as it was, and still is, the largest city in Comal County.

The second time New Braunfels found its name in danger was in 1918. The October 31, 1918, edition of the Neu-Braunfelser Zeitung published an article first published in the October 29, 1918, edition of the Galveston News.

The war with Germany has set a movement on foot aimed at changing the name of the City of New Braunfels. It could be that the loyal descendants of the German colonists of the year 1845, who settled there … [would] under present circumstances consider it a disgrace. It may be true that Prince Solms-Braunfels was not possessed of great aptitude. It is said that he left the colony in the lurch at a critical moment and that his successor had to pay some of the Prince’s debts in Texas and that he never returned.However, New Braunfels is an established name that has grown estimable to the highest degree through the citizenship of that community among whom are many direct descendants of the colonists who landed at Galveston and via Indianola came overland to the Comal in search of freedom and opportunity. The name signifies a great deal with regards to history and cannot possibly have any bearing on the present international state of affairs.

With the place-name New Braunfels, which stems from an ancient place-name of the old country, with its street names, Texas possesses an aesthetic treasure. In New Braunfels one finds Spanish, Mexican, Indian, German, and unalloyed Texan street names, in a manner that reveals beauty and meaning. The picturesque historical names of Texas cities, which came into existence since the Republic, are Texan. Names should never be changed just because of a foreign country origin whose behavior we do not sanction.

To the above article, the editor of the Neu-Braunfelser Zeitung added:

The Galveston News has eminently reasonable views in such matters. Besides, here, no one thinks of changing the name of our city, which, moreover, is not named for a prince, but an especially pretty little city which has furnished our country with admirable citizens. Loyalty is not proven by name-changing or through vandalistic destruction of historical characteristics, but through disposition and performance, and on these standards New Braunfels can confidently be surveyed.

New Braunfels has kept her name. People get it wrong, but locals will always proudly correct them to its true pronunciation.

Just for grins, Oscar Haas listed a few of the before-mentioned multi-cultural street names in early New Braunfels:

• Hispanic — Guadalupe, Nacogdoches, San Antonio, Seguin, Veramendi
• Native American — Waco (Caddo), Comal (Nahuatl), Comanche (Ute)
• German — Baden, Basel, Becker, Castell, Clemens, Coll, Dittlinger, Eickel, Faust, Giesecke, Gruene, Guenther, Hampe, Jahn, Karbach, Klingemann, Kuehler, Lindheimer, Meusebach, Seele, Tolle, Zink
• Scottish — Ferguson, Murchison
• Irish — McGaugh, McKenna
• English — Torrey, Lincoln, Water, Mill, Bridge

What multi-cultural street names can you add to the list?

And, if you are interested in more fun, unusual and “make-you-look-clever” historical facts, Oscar Haas’s book can be purchased at Sophie’s Shop in the Sophienburg Museum for $40 plus tax.

Sources: History of New Braunfels and Comal County 1844-1946, Oscar Haas; Handbook of Texas.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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By Keva Hoffmann Boardman —

On February 16, 1963, San Antonio Express and News staff writer Jerry Deal ran a story in the San Antonio Express and News about Laredo, Texas. This is an out take: “… the friendly city of Laredo is not only the oldest independent town established in Texas (1755) — it is one of the most famous. The only Texas city to have been under seven flags.”

Laredo’s seventh flag was the flag of the Republic of the Rio Grande. This republic, fighting against Mexico, lasted from January 1840 to November 1840.

For those not blessed enough to be born-and-raised in Texas, Texas has had the flags of six nations fly over it. An unknown author penned, “It has not been a simple plot that has unfolded to produce the Texas of today…(one) that brought a succession of six flags while sovereignty over Texas changed eight times….” (yes, we used to speak and write this way even without AI).

The sequence of the six flags follows: 1. Spain (1519-1685) and (1690-1821), 2. France (1685-1690), 3. Mexico (1821-1836), 4. Republic of Texas (1836-1845), 5. United States of America (1846-1861) and (1865 to present) and 6. Confederate States of America (1861-1865).

Upon reading the SA Express and News article, Oscar Haas, local NB historian and record-keeper, promptly informed New Braunfels Chamber of Commerce Manager Tom Purdum of a major oversight — New Braunfels had also had a seventh flag. He asked Mr. Purdum to address the egregious statement in the SA Express and gave him “ammunition” to fight with. Tom Purdum wasted no time in sending staff writer Jerry Deal a short concise letter three days later (Feb 19).

“This is in reference to your article on Laredo appearing in the Saturday Feb. 16 edition of the San Antonio Express. We wish to offer you a correction concerning your statement that Laredo is the only Texas city to have been under seven flags. If you will refer to an article appearing in the San Antonio Express Monday, July 2, 1962, entitled “New Braunfels Once Under Austrian Flag”, you will notice there are two cities boasting seven banners in their history. Also, New Braunfels is probably the only Texas city founded by a prince of a foreign power.”

Brilliant gentleman. Referencing the paper to its own published article — an article which states that Prince Carl of Braunfels raised the Austrian flag up on Sophienburg Hill on April 27, 1845. Why the Austrian flag? A German flag could not be found among the immigrants. Why? Because a unified Germany did not exist until 1848; before that, it was just a collection of independent states. My question is who brought an Austrian flag with them?

But Oscar knew even more about that ceremony. The black and yellow Austrian flag was hoisted by Prince Carl under cannon salutes with lots of pomp and circumstance, including a banquet for his friends. Seems the new immigrants had different ideas. Those in opposition to the reminder of a feudal system they had chosen to forget, met at the newly plotted-out Main Plaza at the same time to hoist a flag of their own — the flag of the Republic of Texas. They also formed their own citizen-based militia to protect the new settlement from possible Native American attacks. It didn’t take these new Texans long to feel the pull of this great state and the power of new freedoms.

Did Jerry Deal respond to Mr. Purdum’s letter? I didn’t find a response per say. I did find another article published a year later in the San Antonio Express on Monday, Feb 17, 1964. It is almost the same article about the history of Laredo, and its title, “Texas Seventh Flag Flew Briefly for Rio Republic” didn’t bode well for our miffed letter-writing townsmen. In fact, it seemed that the San Antonio Express ignored the letter. But, as I read through the article several times, I noticed that the words, “the only Texas city to have been under seven flags” had been omitted. I guess they did sort of get the point.

Now I know you will be saying, “But NB has only been here since 1845, so really only four flags have flown over it.” Yes, that is true, but if Laredo can claim seven flags, so can we. As part of Texas, the land we love living on has been under the flags of seven nations.

Thank you, Oscar and Tom, for standing up for our fair city of New Braunfels and letting the San Antonio Express, nay, the world know that we, too, have lived under seven flags. Proud to be a Neu Braunfelser! Proud to be TEXAN!

Sources: Sophienburg Museum & Archives, #0009 Oscar Haas collection.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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(Reprint of AROUND THE SOPHIENBURG article published March 31, 2009, by Myra Lee Adams Goff)

Children don’t question whether it’s possible for rabbits to lay eggs. They just know that when they build a pretty nest of grass and flowers, the Osterhase (Easter Rabbit) lays these beautiful multi-colored eggs. It’s the miracle of the beginning of life.

Research says that Easter was named after the ancient spring goddess Eastre whose earthly symbol was the hare. Being a pagan symbol, it was rejected by the more austere religious denominations until after the Civil War. With all the tragedy during that time, Easter became a symbol of renewal and hope. (Charles Panati, “Extraordinary Origins of Everyday Things”).

I have found no written account of the frivolous hare in the records of the first 1845 Easter in New Braunfels. Arriving on Good Friday (March 21, 1845), the first settlers celebrated Easter with a worship service under the elms below Sophienburg Hill. There is no mention of rabbits or eggs. Supposedly it was the Pennsylvania Dutch who brought the Easter customs to America. The rabbit was a natural symbol of renewal (that figures).

Easter is one of the most sacred of Christian holy days, falling on the first Sunday after a full moon on or after the vernal equinox (never before March 22 or after April 25). In the Christian religion, it is the celebration of Resurrection.

Now about eggs: The ancient Romans had a saying, “Omne vivum ex ovo” meaning, “All life comes from an egg”. Colored eggs were exchanged as gifts. The eggs were commonly dyed with flowers, leaves, insects, vegetables and whatever stained.

Karl and Helen Kypfer Zipp are a multi-generational family here in NB that celebrate Easter in the same way that their families did years ago. Helen grew up in Geronimo and to this day, her family gets together at the Kypfer homestead for a late Sunday egg hunt. Each child builds a nest of grass outside (unless it rains) and decorates it with rose petals, primroses and any wildflower that can be found. That illusive rabbit lays beautiful, colored eggs in the nest and all over the yard. The advent of food coloring made the laying of colored eggs easier for the rabbit. In the past, the children would be given baby chicks to then be raised on the farm. New clothes, hats, shoes and gloves were part of the Easter tradition. Helen can remember that wearing white was done only after Easter.

I know what Karl Zipp’s traditional Easter was like because he is a part of my extended family. Our aunts and great-aunts owned the original Karl Roessing homestead in Comaltown on Union Street where the Comal Drug stands. Karl Roessing was his g-grandfather and my g-g-grandfather. The family would gather on Easter Sunday afternoon. While the children played in the house, the men would hide the eggs all over the yard. Then the cousins would take our decorated oatmeal box baskets outside and begin the hunt. It took quite a while because it was such a large yard. In the evening, we would sit around a long picnic table under the trees and as evening came, candles were lit casting a sort of magic as night fell. Then began the storytelling and singing. That was the most fun of all.

Addendum:

Karl Zipp passed away Dec 9, 2016. The Kypfer Family descendants still gather at the old Kypfer homestead to celebrate Easter and family. It is a tradition that has lasted for seven generations!

You can read more of Myra Lee’s stories at http://sophienburg.wpenginepowered.com/museum/around-the-sophienburg or purchase her book at Sophie’s Shop in the Sophienburg Museum.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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