By Simon V. Simek —

Considering the rainy days we had last week after such a long dry spell, we thought it relevant to help tell the history of New Braunfels’ eternally erratic weather, and our long-standing feud with rushing water. Diving into the archives, we found some tremendous accounts of how our predecessors fared in their own times against the elements.

The drought of the 1950s is one of the worst, if not the worst, recorded in New Braunfels history. New Braunfels was still largely agricultural, and without modern water solutions, local farmers and ranchers struggled to yield crops and raise livestock. Caroline Stange sat down in 1982 as part of our ongoing Reflections program, a local ongoing oral history effort from the Sophienburg since 1976, to tell her story and detail her experience of the ‘50s drought and the flood of 1972.

Mrs. Stange moved here a little later in life, when she finally agreed to follow her soldier son who was stationed nearby in 1955. At first, she found New Braunfels to be exceptionally clean and friendly, but also incredibly dry and hot, even in January. She had come from California, where the flowers bloomed and the weather was fair, and Texas seemed like an arid land devoid of her beloved flowers. Day after day it was dry, and her ranching neighbors had taken jobs in town to make ends meet. She regretted her move and prayed that it would rain for just five minutes. Even Landa Park and Comal Springs dried up. Finally, in 1957, the rains came, in the form of a flood, but nonetheless Mrs. Stange was thrilled to see flowers and green.

1957 was not the only flood that Mrs. Stange experienced in her adopted home. She remembered vividly the 1972 flood that happened just a decade prior to the recording. It began with a 2:00 AM call from her neighbor, who fought the loud drops on her tin roof for attention. The neighbor had heard the police come by and order residents to evacuate their homes, a warning Mrs. Stange didn’t hear. They wondered where to go, maybe to her son’s home in McQueeney, but they believed it too far. This was for the best, as that day his home would get 18 inches of water inside of it. They tuned in to the radio to hear Herb Skoog notify them that shelter was available at the civic center. The electricity had gone out in the neighborhood, but they were able to navigate their way to the lights at the civic center. While there, they saw the damage that the flood had already caused, like the mother who had her baby swept from her arms and the elderly woman wrapped in blankets who had just stood on her kitchen sink in neck-high waters to be rescued through the kitchen window. They stayed the night and returned home the next day to find Camp Warnecke’s tea towels littered about in the trees. News would stream in the next few days of others who were lost, some of them friends and neighbors. Mrs. Stange’s home was undamaged, but the flood had already wrecked its havoc on her life.

Caroline Stange and her story help visualize the seeming cycle of floods and droughts that our piece of Texas endures constantly. The Torrey mills experienced a form of this cycle as well in the previous century, although the determination to defy nature is a little more surprising.

For whatever reason, fire, air, and finally water all plotted against the earth and stone of John Torrey’s riverside plot at the juncture of Comal Creek and Comal River. Today, this is the tube chute, but it was the Torrey family who built the first dam for power. John Torrey and his brothers hailed from up North but came to Texas as entrepreneurs who sold merchandise to incoming Texas settlers. Following their success, John Torrey acquired the doomed plot of nearly two acres in 1848. He built a gristmill (grain) and sawmill, and later added a factory that made goods for the home like doors and blinds. On November 14, 1861, the first disaster struck and the entire complex burned down.

He quickly replaced these losses with a four-story stone building. Soon after, machines for cotton spinning and looms were added to the top floor. This became the first cotton factory in Texas, and it began production in 1865. In 1869, a warning came, and a flood damaged the building and some machinery, but production could continue. Just two months later, a tornado ripped through town, and the Torrey mill’s top floor was destroyed along with all the machinery.

Rebuilding was underway for three years, and in 1872, just weeks before operations could resume, the mill was struck for the last time. The summer torrent came, as it so often does, and Mrs. Trappe recalled the incident in 1945: She was only sixteen, and it had rained over 12 inches the night before, washing away the newly built iron bridge over the Comal. She watched as John Torrey and four others tried to move some of the machinery and materials from the first floor to the second. But the dam had gone, and the water pushed the building off its foundation. As it was readying for its collapse, the five men made it to the roof and looked for any escape. The only option was to grab on the telegraph wires which crossed the river. All five successfully took hold, and were able to swing towards land, jump, and ultimately save themselves. It is said that Mr. Torrey bore his losses without a murmur of despondency, but soon after he left New Braunfels for good and started again in Hood County.

New Braunfels and her residents have long been afflicted by volatile weather and overflowing riverways. That is not going to change. It is up to us, current residents of Comal County, to find the solutions, whatever those may be, to ensure our homes are here to stay for future generations.

Sources: New Braunfels Herald-Zeitung, John F. Torrey and Brothers by Susan Morrison, Around the Sophienburg by Myra Lee Adams Goff, Reflections 287 (Caroline Stange).

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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By Keva Hoffmann Boardman —

Researching your family? Maybe you want to know about who lived in/owned your home? The Sophienburg Museum and Archives has resources to help you!

Research, of any subject, is basically detective work — analyzing the available records, searching through assembled stories and examining photographs and maps. The Sophienburg has been collecting these kinds of resources for more than 92 years and our staff can assist you in your quest.

So how do we begin the process? At the Sophienburg, we usually start with a surname or a location. If you are researching a property, we look for clues in the phonebooks and city directories. Our telephone book collection goes back to 1906. That’s pretty early in the telephone age. New Braunfels had 7,008 citizens in the 1900 U.S. Census; only 101 phone numbers appear in the 1906 telephone book and many of these are business numbers.

To use a phonebook, you look things up by name or subject. A city directory adds to our chances of finding facts because it also lists by street. For instance, you can look up your home by its address. The directory, depending on the year, can tell you who lives there, what they do, what race they are, if they are renting or own, and other information. The city directory is a little like the census and phone book combined only it is published more than once every 10 years.

City directories were first printed for large cities in Europe in the 16th century. Philadelphia was the first US city to have a directory (1785), followed by New York. The early directories were published by independent publishers who relied on advertisements to fund them. Consequently, most of the listings are from tradesmen and businesses instead of people.

The Sophienburg’s earliest New Braunfels City Directory is 1931 followed by 1940 and 1952-53. Directories from the 1960s-1990s are also available. With the directories, we can trace who lived at a specific address and when residency changed. Each resident change gives us new names to follow for more information. We also find out who their neighbors were, and can sometimes trace the demographic changes in the neighborhood. More property information from the Comal County Clerk’s office is available online.

Following names is how we find out the stories that are associated with your family or your property. As an example, we are currently researching some ranch property for a family who have a log-built structure on their place. By using the resources available to both them and the Sophienburg, we can take their property all the way back to Republic of Texas days (1836-1846). We can find this information by using the Texas General Land Office records, also online. Their property is located on land granted to men who fought in the Texas Revolution. I have a New Braunfels First Founder in my family and on the TxGLO website I found scans of the original German immigrant land granted to my family — if only we still had it!

The Sophienburg has over 500 genealogies of New Braunfels and Comal County names. These are bound volumes of family genealogy that were generated by museum personnel and family members before Ancestry, Family Search and other databases. These volumes contain wonderful anecdotal information which is really what makes your ancestors come alive.

Along with the family histories, the Sophienburg Archives has an almost complete collection of the German-language newspaper Neu-Braunfelser Zeitung (1852-1957), the New Braunfels Herald (1895-1957) and the New Braunfels Herald-Zeitung (1957 to present day). These are all on microfilm and can be referenced at the Sophienburg by appointment.

The German Zeitung was painstakingly indexed by volunteers prior to 2000. It can be searched by name or by subject. Of course, the articles will be in German. But that’s okay, because some of us can still read German and, if necessary, you can Google translate it. Newspaper articles will include birth, marriage and death information, as well as everyday occurrences in local, state, national and world news. We are unique in having an overlap in two languages — news is reported with different perspectives. The New Braunfels Herald and the Herald- Zeitung can also be accessed online at the New Braunfels Public Library’s digital newspaper archive.

The Sophienburg Photograph Collection has over half a million images of New Braunfels and the surrounding area. These images (prints, negatives and slides) span the history of New Braunfels and Comal County from the early 1860s to present day. The Photograph Collection illustrates people, homes, city streets, businesses, and farms. It immortalizes city and cultural events and celebrations like parades, festivals and weddings. The collection includes most of the negatives of the Seidel/Braunfels Studio which photographed city and citizens from the 1920s thru the 1970s. The collection is widely used by people searching for old family members, authors needing illustrations, homeowners wanting views of their property and businesses looking for images of New Braunfels in the old days. Copies can be purchased for use and display.

The Sophienburg’s Archive Collection includes early hand-drawn maps and later printed maps of the city, certain neighborhoods, and the county. We have several Sanborn Fire Insurance maps which wonderfully show the evolution of buildings and homes as they rise, are renovated and then replaced. These are my favorite because they include details of building construction, materials and even where the outhouses and wells were located. Other maps in the collection show topographical information which, when it rains again, will show why your street tends to flood after an inch or two.

The Sophienburg welcomes you to come and research in our spacious reading room. There will always be a friendly staff member available to help you find what you are looking for. Well, you might not find ALL you want to know. Research, like detective work, seldom finds all the answers to all our questions. However, it is really fun to try!

To do research, please contact The Sophienburg at 830-629-1572 during office hours (Tuesday–Saturday, 9 a.m,–4 p.m.) to make an appointment. Daily fee for the Archives is $25 and includes our helpful personnel and admission to the Exhibit Floor. If you need more time, your fee can easily be rolled into an individual membership that allows you unlimited entry to the archives for just $50 per year.

See you in the stacks!

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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By Tara V. Kohlenberg —

This year, the New Braunfels Hermann Sons Lodge #21 is celebrating 135 years. What sounded like a simple “Happy Birthday” article soon became a rabbit hole that I could not ignore. Hold on!

First of all, who is Hermann and why do his sons have a lodge? I learned that the answer is somewhat complex. The Order of the Sons of Hermann fraternal (men only) organization was founded in 1840 by German immigrants in New York. Originally established under the German name “Der Orden der Hermann Soehne”, sometimes shortened to ODHS, it was created to provide mutual aid to members while promoting and preserving the German language and traditions in their new homeland.

Hermann is a hero. The Hermann Sons organization was named after a first century Germanic hero, Hermann the Cherusker (Defender) who destroyed three Roman legions at the Battle of Teutoberg Wald (Teutonia Forest) in 9 A.D. Hermann was revered for helping prevent Roman rule over the Germanic tribes. The Sons of Hermann organization protects its members and their German traditions just like Hermann did centuries before.

It took more than twenty years for The Order of the Sons of Hermann to make it down to Texas. There, several German-speaking San Antonio residents gathered and voted to organize a lodge, mainly to be of assistance to one another. The Harmonia Lodge #1 of San Antonio was created in 1861. Upon the death of one of their members three months later, several in the brotherhood paid for his coffin and grave, as well as provided financial assistance to the widow for several months afterwards.

Strong feelings about assisting and supporting their members in times of need became the driving force behind Harmonia Lodge’s request to National Grand Lodge for an obligatory life insurance program for members. In 1876, The National Grand Lodge adopted the recommendation, mandating a life insurance purchase with each membership so that each brother would receive $300 life insurance and $60 if his wife preceded him.

By March 1890, Texas Germans had organized ODHS Lodges in seven other cities for a total of eight, granting Texas the right to establish a State Grand Lodge of the Order of the Sons of Hermann. Ninety-two more lodges were established that same year, including Teutonia Lodge #21 of Hortontown in Comal County. Teutonia was in deference to the Teutonia Forest region of Germany.

Hortontown, is also sometimes written as Horton Town in documents. It was named for the owner of land where it was located, across the Guadalupe River from New Braunfels/Comaltown, A.C. Horton. Albert Clinton Horton, originally from Alabama, fought in the Texas Revolution and served as the first Lt. Governor of the State of Texas. He was extremely wealthy before the Civil War. According to records, he owned at least three tracts of land in Comal County, including a league (4428.2 acres) that stretched from the Guadalupe River to FM 306, then Nacogdoches-Austin Road (Broadway and Post Roads) to Gruene. Hortontown, by my best calculations, is thought to have been situated at the old Goodwin school grounds and then along Broadway Street (Loop 337 cuts through it) toward the backside of the old textile mill. In Comal County property records, older properties (not subdivisions) located on the Horton league will bear the name Foster, since he surveyed the land.

The Teutonia Lodge was the first one in Comal County. At one time, there were actually 24 separate Brother lodges located in Comal County. Comal Lodge #45 was established in 1892, followed by York Creek #63 and Steuben #73 in 1893. Casper Real #104 was chartered in 1894. Johann Sahm #116, Marbach #125 and Prinz Carl #127 were all chartered in 1895 and then Prinz Solms #136, Hunter #145, Ullrich von Hutten #146 and Thornhill #149 (Gruene) chartered in 1896. There were only four more lodges organized over the next thirteen years: Lone Star #91, Schuchard #181 (Comaltown), Fischer Store #219 and Marienthal #248.

The ladies were not to be left out. In 1896, the National Grand Lodge allowed for Sister (all women) lodges, but it was not until 1900 that the first Sister lodge was organized in Comal County, Prinzessen Heinrich #12. The other seven lodges organized between 1907 and 1911, included Freiheit Sister #45, Fruhling #48, Marie #91, Gludaus #101, Gloeckenbluemen (Bluebell) #104, Gartenlaube (Gazebo) #105, and finally, Heimat #99.

By 1920, the Order of the Sons of Hermann in Texas had more members and greater financial stability than all of the lodges in the rest of the United States combined. The Texas Grand Lodge broke away from the National Order of the Sons of Hermann and became independent and autonomous. They eventually transitioned from the German language to the English language by the late 1930s, although Teutonia meeting minutes were still recorded in German through 1942. Since Hermann Sons was organized for German immigrants, all of the members were of German descent, but by 1965 only about half were. By 1994 membership was open to all ethnic groups.

At the height of its popularity, there were more than 250 Hermann Sons lodges in Texas, with at least 100,000 members. Now the lodges number approximately 125 with less than 65,000 members. Comal County lodges have dwindled to three. Many of them dissolved after trying to survive by merging with others: Casper Real consolidated with Gludaus Sister Lodge, but dissolved in 1943. Johann Sahm, Marbach, Fruhling all merged together and then consolidated with Carl Rompel #268 before dissolving. Fischer Store and Marienthal merged before dissolving in 1954.

The three remaining are Prinz Solms #136, Spring Branch #127 and New Braunfels #21. Prinz Solms (who merged with Heimat Sister Lodge #99) is the only one to retain its original name. Spring Branch (originally Prinz Carl #127) joined with Gloeckenbluemen #104 and took on the name of Spring Branch #127. All of the other lodges, through various moves and mergers finally consolidated with Teutonia #21, which changed its name to New Braunfels #21 in 1962.

Since 1957, the New Braunfels Hermann Sons Hall has been located on Union Street, where the local lodge holds meetings and operates a dance school. Hundreds of girls have taken dancing in that hall, including all three of mine. They have also attended Hermann Sons summer camp along with their friends in Comfort, Texas, which has operated since 1954. True to their mission of lifelong support, the local lodge also offers scholarships to the youth, insurance for every level of life and has a retirement home in Comfort.

In 2017, The Order of Hermann Sons in Texas changed its name and rebranded their organization. Originally founded in 1890 as a fraternal benefit society for German immigrants in Texas, the name became Hermann Sons Life to better reflect its broader mission and inclusivity.

Alles Gut zum Geburtstag, Der Orden der Hermann Soehne, Neu Braunfels #21!

Sources: Sophienburg Museum & Archives, New Braunfels Hermann Sons Lodge #21.

“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.

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By Keva Hoffmann Boardman —

We are here because of the Comal and the Guadalupe rivers. We have drunk it, powered mills and made electricity with it, and played in the beautiful water since 1845.

Farmers and ranchers in Comal County also used the waters of the Guadalupe and the many little spring-fed creeks that flow into it. But when that wasn’t convenient, they utilized natural ponds and watering holes. There were many: the Crawford Tank, Branch’s Waterhole, Altgelt’s Pond, Stein’s Waterhole, Waterhole Creek, Kopplin’s Waterhole, Weltner’s Pond, Bluff Waterhole, Alligator Hole and the “Goenze Weier” (Goose Pond) in Gesche’s Pasture to name a few.

The largest waterhole from way-back-when was the “Post Ock See” or Post Oak Sea, located about 6 miles out of NB on Hwy 46W. It was said that during long droughts, thousands of head of cattle and livestock were driven by cowboys from all over the area to water at the “Sea”. Local rancher Bill Adams remembered that “when every waterhole in the county was dry and when the Guadalupe was down to a trickle, the “Sea” had water.”

Post Oak Sea, or the “Sea”, covered many acres. By the early 1870s, several ranches surrounded it, but the “Sea” was used by all. When ranchers from other areas as far as Mason were in drought they brought their livestock to Post Oak Sea. In like fashion, ranchers from Comal County who’d lost pasture land to drought were invited to move their cattle to neighboring grasslands. It was a kinder and gentler time. In 1886, Comal County purchased acreage on the “Sea” to use as a public watering and camping place on the way to Fredericksburg. Watering holes were the gas stations and rest stops of the horse-and-buggy days.

Rancher Rochette Coreth shared memories of Post Oak Sea in the local newspaper. “Large numbers of livestock would water there in the days of the open range. Their hooves packed the soil and thereby kept the lake watertight.” Rochette also told a story of his father, Franz Coreth, and the Post Oak Sea. Franz had shot a steer that was watering at the “Sea” to take home to butcher. The steer wandered into deep water before it fell and Franz got soaking wet dragging it to shore with a rope tied to his horse’s saddle horn. His brother and nephew met him on the bank with an ox-drawn wagon. The steer had to be hauled 12 miles to the Coreth Ranch. A cold norther suddenly blew in and, to keep from freezing, the wet Franz crawled into the still warm, field-dressed carcass as they slowly made the three-hour trip home. One of the young men handed him the steer’s liver saying “Here is also a pillow.”

In History of Mission Valley Community, Alton Rahe recorded stories of rancher Bill Adams which included tales about Post Oak Sea. “This was a really unusually large body of water, never known to be dry until 1887, and since then held water for only a short time following heavy rains. We had a big time around this lake fishing … and swimming … On many a moon-lit night we young fellows … would get together at this “sea”, all on horseback, and with several trained dogs, we waited for hogs to come to water … We would hold our dogs and kept quiet until the hogs had filled up on water, and had a good time wallowing in it, then we turned the dogs loose and jumped on our horses surrounding them, the dogs baying and holding them in the water. Some of the best rodeos one ever saw would take place right then.”

What happened to the legendary “Post Oak Sea”?

Why it suddenly went dry in 1887 is still a mystery, but there were several old-timers who came up with guesses. Bill Adams said that he wondered if an earthquake or geological disturbance had caused it to drain. He remembered strange weather. In January and February of 1886, it had been extremely cold and the “Sea” had frozen over except for a patch in the middle. Then, that summer had been terribly dry followed by a massive storm with hurricane-like winds in August. By the summer of 1887, a large crack had opened up in the ground near his home which formed a long horseshoe-shaped line across the area for at least a mile. It was in places 5-6 inches wide and it was established, by throwing rocks down it, to be at least 100 feet deep in some places. Had the basin of the “Sea” also cracked?

Another story postulated that the “Sea” went dry because a group of local lads threw dynamite into the water to stun and harvest fish from deep in the lake. The group later feared that their laziness had destroyed the rock foundation of the “Sea”. Yet another tale blames the building of a fence through the middle of the “Sea”; the placing of fence poles might have pierced the basin and caused the water to leak down.

Post Oak Sea does occasionally return. The newspaper published a photo of it full of water after heavy rains in March of 1957. Rahe’s book has another photo of a very full “Sea” after the 1972 rains that caused a major flood in New Braunfels.

I took my Mom and we drove up Hwy 46 to locate the site of the famous historical watering hole following Mr. Rahe’s directions. “Travel west on Hwy 46, pass the intersection of FM 2722. Before you get to the Comal County Road Dept/County Engineers office on the left, you can still see the basin of the Post oak Sea on your right. A small amount of water is usually visible. The stock tank closer to the highway with big rocks was constructed recently and has nothing to do with the original Post Oak Sea.”

Take the short drive out 46 or at least google map it and look at the satellite image of the area. You can indeed still see the footprint of Post Oak Sea on the landscape. If you go after a good rain, you will even see a little water in what was once the largest watering hole in the county.

Sources: History of Mission Valley Community by Alton Rahe; Sophienburg Museum: NB Herald, NB Herald-Zeitung and Neu Braunfelser Zeitung collections; Oscar Haas collection; “Reflections” recordings #936 and #403.

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By Tara V. Kohlenberg —

When I was in junior high school, I sometimes would tag along with my dad when he drove my Oma to Comal Cemetery. She tended my Opa’s grave twice a month. While they were scraping the dirt and replacing the flowers, I would wander through the gravestones. It may sound goofy, but I loved the way that they were perfectly aligned, each with their own color and design according to the personality of the person laid beneath them. I rarely made it down to the “really old” part of the cemetery before we had to go, but I loved seeing the “cemetery trees” (Italian cypress and cedar bushes) that had long ago outgrown their originally intended landscape purpose. It was not until much later that I came to love Comal Cemetery for the history that it holds.

The arrival of German immigrants on Texas shores in 1845 opened the doors to a new life, adventure and unfortunately, untimely death. Some immigrants died on the way to their new town and impromptu burials were performed along the road. By July 31, 1845, 505 people had arrived in New Braunfels. When surveyor Nicolaus Zink laid out the town, he reserved a little over 4 acres of land on the southwest side of town for the New Braunfels Cemetery. Settlers kept coming to New Braunfels and sadly, 293 burials took place in the New Braunfels Cemetery between 1845-1846.

New Braunfels continued to grow, prompting the later settlers to seek land/housing across the Comal River. The new developments of Braunfels and Comal Town eventually became known as Comaltown (although still part of New Braunfels). A new cemetery, Comal Cemetery, was established in Comaltown in March 1868. It was perched on the bluff above the Guadalupe River where Common Street came to a dead end.

New Braunfels businessman John F. Torrey issued a promissory note, donating 8 acres of land plus $500 to three trustees for use only as a public graveyard, with the exception of a small plot of land for his family. There were additional stipulations that it be fenced and have a proper hearse to transport bodies for burial. The first known interment in the cemetery was Fredrick (Fritz) Hartwig on August 12, 1873. The City of New Braunfels took over administration of the cemetery from the Comal Cemetery Association in January 1887 (at John Torrey’s request) in exchange for $1.00.

The Comal Cemetery acreage has increased over the years. The original cemetery of 8 acres gained 6.93 acres in 1913 when Henry Kellermann sold his land adjoining the Torrey acreage. A small amount was gained when heirs of John Torrey, signed a quit claim deed to the original Torrey family plot, as their father had died and been buried elsewhere. Then in 1927, it gained another 10 acres with the purchase of land formerly belonging to E.A. and Ella M. Eiband. Today, the cemetery covers almost twenty-five acres and is the final resting place of over 12,550 souls.

The earliest graves are laid out in an east-west orientation, with feet to the east. I was always told that with feet to the east, your face will see the rising sun forever. It must have been an inefficient use of the land because in the later sections, graves are slightly akilter, with feet facing more northeast and mostly parallel to Common Street. I get it, perfectly square plots. The square plots hold 4 graves and most likely were sold as a “family plot”.

My Opa’s was an 8-grave plot, curbed and covered in sandy dirt and a caleche rock mix, much like the rest of the cemetery. Everything was dirt, including the spaces between the graves and the roads. A good family tended their loved one’s gravesites to keep the weeds off. Grass growing on a grave was said to be disrespectful. The wealthier families, like in the old part, had fancy Victorian wrought-iron or pipe fences around their plots (in very rural areas, it was to keep animals from grazing). Some families completely covered the family plot over with concrete to permanently prevent weeds. Others marked their plots by planting evergreen bushes at the corners, which then grew into huge “cemetery trees” that can be seen from a distance. Comal Cemetery was a “scraped earth” type cemetery until at least the late 1970s before allowing grass to grow between the grave plots.

One of the most unique features of Comal Cemetery is that unlike some cities, Anglo Americans, African Americans and Hispanic peoples are buried in the same cemetery. It was Mr. Torrey’s wish to establish a Freedman’s section. Sexton’s records prior to 1917 were lost, but between 1917 and 1957, over 200 burials took place in the Freedman’s section. Citizens petitioned City Council and were granted the addition of more burial spaces in the Freedman’s section. One of those citizens was Amos Ball Jr., who was the city’s Animal Warden for 26 years and is buried there. Another notable burial in this section is Ruth D. Harper, who was born in New Braunfels and taught and served as principal at Booker T. Washington. Notable Hispanic persons resting in Comal Cemetery include Thomas Sias Villanueva, Sr, a distinguished Army veteran, who worked for the City of New Braunfels as the cemetery sexton for 20 years; and the Rev. Daniel Campos, a Pentecostal minister, who began the Iglesia Santa Pentecostes Jerusalem church, in 1958, serving the Hispanic community in New Braunfels for 35 years.

Remains of some of the earliest New Braunfels settlers can be found in the oldest part of the cemetery including those from Germany, France and other parts of the United States. The more notable persons found in Comal Cemetery are Ferdinand Lindheimer; Hermann Seele; Ernst Gruene; and H. D. Gruene, (son of Ernst), who built the now famous gin, saloon, store, and dance hall in Gruene, TX. One important, but lesser-known person buried there is Daniel Murchison. He was born in North Carolina and moved to Texas when he was 23. He was hired by Prince Carl as a guard for the early colonists. He went on to help with the Veramendi’s Braunfels and Comal Town developments; served in the 11th Texas Legislature, representing Comal County; and helped revise the state constitution.

The headstones marking a life gone in Comal Cemetery are truly like stepping-stones through New Braunfels history. Comal Cemetery received a Historic Texas Cemetery designation in 2000. It will soon receive a Texas Historical Marker from the Texas Historical Commission. Please watch for the marker dedication ceremony announcement.

Sources: Sophienburg Museum & Archives; Comal County Historical Commission

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By Keva Hoffmann Boardman —

Emmie was not just any little girl. Born Sept 15, 1867, she was the daughter of civic and cultural leader Hermann Seele and his wife Mathilde nee Blum.

Much was expected of Emmie.

Hermann Seele was known as “The Soul of New Braunfels”, a name given him in honor of his impact on the newly founded town. In German, Seele means soul – his name was quite prophetic. He was the first school teacher in NB, holding classes in an elm grove on Coll Street just three months after the emigrants’ arrival to the banks of the Guadalupe and Comal Rivers. Seele organized traditional German societies to protect and keep the cultures of the “Old Country” alive. Vereins (Clubs) and parades like the Gesangverein (singing club), the Drama Club, the Türnverein (gymnastic club), Maifest (May Day) and Kindermaskenball and Parade (children’s masked) promoted both health and culture and kept the German language and literature alive.

Hermann Seele petitioned and got one of the State’s earliest school charters from the Texas Legislature for the formation of the New Braunfels Academy, the first public school in NB. He also helped win the lawsuit of the Veramendi heirs vs the citizens of NB, giving townfolks peace of mind and continued ownership of their property.

Seele was mayor and alderman, preacher and teacher and statesman — a tough act to follow, but Emmie did just that.

Emmie grew up amongst the second generation of the families who had immigrated to Texas. Her father’s stature in town assured her place in town society. She learned, played and worked with members of leading families such as Clemens, Faust, Moreau, Lindheimer, Voelcker, Forcke, Klappenbach and many more. Emmie attended the New Braunfels Academy, however, her father was no longer teaching. She was taught to sew, play several instruments and speak and perform in public (Declamation was a subject in school). Emmie participated in parades, played bridge and performed in plays.

In 1893, she married John Faust, one of the sons of Joseph Faust. Joseph, along with Mr. Clemens and Mr. Tipps, founded The First National Bank in 1881. Son John was also in banking, as well as merchandising, cotton buying and other lucrative endeavors. Throughout their marriage, John and Emmie travelled extensively, taking ocean liners to Europe, and trains to Mexico and parts of the US. Local newspapers record a 1904 trip to Mardi Gras in NOLA and to the St. Louis World’s Fair. They had one of the first automobiles in town and drove to San Antonio to watch “motion pictures”.

Emmie gave birth to twins within their first year of marriage; sadly, one child died at birth leaving them with only their daughter Stella. Stella contracted malaria and the Fausts took her to several health resorts including San Antonio and Mineral Wells and to doctors in San Antonio and Houston.

In 1905, the Fausts moved into their grand new home built on the 300 block of W. San Antonio Street. Still standing, this lovely, ornate, Queen Anne-style home cost $6,700 to build. The contractor/builder, Adolph Moeller, reportedly fell off a 20’ scaffolding while working on the home and ended up with “a slight head injury”.

Emmie and John doted on little Stella. She had tea parties with friends and her Seele cousins. They bought Stella wonderful life-size plaster statues in Germany of Rotkãppchen und der Wolf. These graced the landing of the ornate main staircase of the Faust Home. They were later given to the Sophienburg Museum where they still delight children and adults alike.

Stella Faust died in 1908 at the age of 14 years. It was not unexpected but hit the parents hard. John died in 1926 at the age of 65. Emmie dove head-first into philanthropic works, many benefitting the children of New Braunfels. Her tireless good works and generosity soon earned her the name of “Tante Emmie” (Aunt Emmie) from the many real and “adopted” nieces and nephews in the community.

Tante Emmie was a founding member of the Sophienburg Memorial Association in 1925, and a major contributor and donor to the building of the Sophienburg Museum in 1933. Through her time, efforts, planning and money, she built the city’s first public library in 1938. The cost of $7,500 was paid by her alone as a gift to the children and citizens of New Braunfels. No wonder they named it the Emmie Seele Faust Library in her honor.

Tante Emmie then bought and had installed the first traffic light in New Braunfels. Placed at the intersection of W. San Antonio and Academy Streets, it provided safe crossing for the schoolchildren who had to walk from the Academy to the new library on Coll Street.

Tante Emmie served on city anniversary and various parade committees including Maifest, the May Day celebration begun by her father. She was a major organizer of the 1946 Texas German Pioneer celebration, which included the unveiling of the bronze and granite German Pioneer Monument created by the sculptor Hugo Villa. It stands in Landa Park.

Tante Emmie was a longtime member the NB Bridge Club, the NB Garden Club and the Concordia Gesangverein (singing club). She was instrumental in the formation of the NB Parent-Teachers Association and a member of the NB Music Club.

Tante Emmie was one of the tireless ladies of the Womens Civic Improvement Club and a donor to their projects, some of which were a shelter out at the cemetery and building a women’s bathroom under the Bandstand on Main Plaza. As a woman, having a bathroom on the Plaza was/is a stroke of genius!

Tante Emmie was also generous to New Braunfels hospitals. She donated “a new electrical suction and ether apparatus” for use in the old Krankenhaus which made it easier to remove the tonsils and adenoids of children. She later made the largest single donation towards the building of the new New Braunfels Hospital.

Tante Emmie was a member of the German Protestant (First Protestant) Church. She was active in the adult choir, the Frauenverein (womens club) and served as church organist for 14 years. She attended services regularly until a few weeks prior to her death; on cold Sundays she could be seen sitting at the back with a mink stole around her shoulders. She also contributed to the construction of the Seele Parish Hall which was named in honor of her father.

Emmie Seele Faust died quietly at her home in New Braunfels on Sept 28, 1957 — just two weeks after her 90th Birthday.

An Oscar Haas article in a 1950 edition of The Austin American newspaper contained this quote from Tante Emmie:

“All my life, my heart’s desires have been centered in the civic interests of my home city, the city my father helped to establish in 1845. Here, he married. Here, he reared his family. Our family grew up with this community.”

In German we have a saying, “Die Apfel fãllt nicht weit vom Stamm.” (The apple doesn’t fall far from the tree.) Tante Emmie, like her father Hermann Seele, gave to her community in ways we still enjoy today. As one of a later generation of adopted “nieces and nephews” of Tante Emmie, I am thankful for her energetic generosity and truly proud of her amazing legacy in New Braunfels.

Well done, Emmie.

Sources: Neu Braunfelser Zeitung, New Braunfels Herald, New Braunfels Zeitung-Chronicle, The Austin-American; Sophienburg Museum & Archives.

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By Tara V. Kohlenberg —

I blink my eyes and the town is growing, changing, faster than ever before. That is why I’m drawn to write about the houses and downtown buildings that were old and classic when I was a child. These buildings have connections to people. I want others to know the importance of those connections and for the history to be recorded. Today, we also talk cars.

If you were to look around our ever-expanding New Braunfels today, one could count approximately seven car dealerships. Back in 1949, when the community was much, much smaller, there were actually thirteen dealerships. The Chrysler Dodge dealership was begun in New Braunfels by the Becker family ninety years ago.

August B. Becker, originally from Frelsburg, Texas, moved his family to Seguin in 1921 to run a dairy farm. While in Seguin, he worked for Seguin Motor Company. Becker Motor Company, known then as Becker Chevrolet, was founded on November 16, 1928, by August and his son-in-law, Louis Niemeyer. It was originally the holder of the Chevrolet dealership, which they bought from Jess Sippel. Becker Chevrolet was located in the Forshage Building at 474 W. San Antonio St. Earlier in the year, I told you about the historic Holz-Forshage-Krueger building on W. San Antonio St. and the long line of automobile dealerships that filled its spaces. Becker was there for five years.

August Becker did well with the Chevrolet brand, but he did not like that General Motors required all financing be done through them. He also took issue with GM’s practice of sending cars to the dealer whether they wanted them or not. In 1932, Chevrolet shipped sixty new cars just as the new 1933 model was coming out. The Becker sales staff went door to door in a thirty-mile radius of New Braunfels until all the units were sold. It was the last straw for August Becker and the Chevrolet franchise was sold to the Kruegers in September of 1933.

When the Beckers were trying to decide what franchise to seek out, the agent for the Dodge Division of Chrysler Corporation loaned them a demonstrator for a week, which sealed the decision for Dodge. Upon taking the Dodge franchise, Becker Motor Company moved to the Baetge Garage on South Seguin Avenue. It was located where the Wright Building now stands across from Naegelin’s Bakery.

In 1935, Becker Motor Company moved down the street to 300 South Seguin Avenue, which is now a parking lot for First Protestant Church. About this same time, Niemeyer was bought out by August Becker’s son, Walter. Sometime later, August’s other sons Leroy and George also joined the partnership. The building that they occupied on the corner of South Seguin and Coll Street was owned by Marvin Jarisch. At the end of World War II, Jarisch obtained the Kaiser/Frasier franchise (predecessor of Jeep) and wanted his building back.

Property was purchased at 547 South Seguin Ave. from Mr. Silvers. Being 1945 and the end of the war, building materials were hard to come by. They constructed the new Dodge dealership out of material salvaged from the demolition of two warehouses at the Landa Mill’s property adjacent to Landa Park. Concrete blocks were not available, so they were made at the building site. Who would ever suspect that sparkling white/gray stucco building was made from salvaged materials? The basic design of the building was sound and has served well for more than 75 years.

The dealership continued to change and grow. In 1946, returning veteran George E. Becker bought into the business. In 1957, August Becker, the founder, passed away. In 1959, they added the DeSoto franchise, but by 1961, it was out of production. In 1966, Walter and George E. Becker bought out their brother, Leroy.

Becker obtained the Chrysler/Plymouth franchise when Ruppel Auto Co. (just a couple of doors down from them) went out of business in 1972. In 1973, the partnership reorganized as a corporation with Walter Becker, brother George Becker and Walter’s son, Arno. After Walter retired, his daughter Cora Jane Becker Welsch and her husband Fritz Welsch became stockholders.

Becker Motor Company has grown, survived a couple of fuel crises and the near bankruptcy of Chrysler Corporation. Yet, it was still consistently a recipient of the Five Star Achievement Award for 34 years. On October 22, 2001, after 73 years, Becker Motor Company signed a Buy-Sell Contract with Kahlig Enterprises.

On March 4, 2002, Bluebonnet Chrysler Dodge opened their doors in the Becker building. They embraced the community, the history, and even the iconic blue and white neon sign greeting customers. They have continued to grow, taking over the old dental office next door and filling the showroom floor with office cubicles. Bluebonnet has even continued the tradition of super achievements, ranking number one in RAM truck sales nationally. Now it is their turn to move. Bluebonnet Chrysler Dodge RAM has purchased ten acres between I-35 and Old 81 to continue what the Becker family began.

I hope the old WWII era building and its iconic blue and white sign will still be loved after they leave.

Sources: Sophienburg Museum & Archives; Wes Studdard, Bluebonnet Motors.

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By Tara V. Kohlenberg —

Some fifty years ago, New Braunfels was still a small town. You know, very Mayberry, where they pulled up the fire hydrants, rolled up the sidewalks and locked them in the bank every day at 6 p.m. At least they did from my child-eye view. One of the few things that I remember about drives through town on a summer Saturday evening, was stopping in front of Seidel’s Studio and Camera Shop to look at all of the beautiful portraits — brides, babies, families. The images captured the essence of the subjects in that one moment in time. Without knowing it, the Seidels became some of the greatest historians of New Braunfels. The Seidel story begins post WWI.

Otto Seidel and Johanna Schmidt met and married in Germany in 1921. Johanna’s mother and stepfather, Mary and Frank Bluemel, had emigrated to Texas in 1913 before the war. Mary wrote letter after letter to the Seidels, telling them wonderful things about New Braunfels and inviting them to come. The young couple took a chance and moved to New Braunfels early in 1922. Otto had a little photography experience from WWI, so it seemed only natural that he would want to buy a photography studio, which he did. The Seidels bought Bluemel’s Studio from Frank Bluemel.

Unlike today, a professional photographer was required to take pictures of things, everything from weddings to new buildings to accidents. Professional cameras in that day and age were big and bulky and absolutely nothing was automated. The photographer stood under a big black cover to look through the viewfinder at an upside-down image while holding a trough of black powder on a stick. A cotton string was lit and the photographer manually opened the shutter when the flame ignited the powder in the trough, creating a flash. In the best of conditions, say, standing in a room with said camera taking a picture of a single person, it could be very tough to get consistently good photos. Otto Seidel had a knack for it. Can you imagine having to travel with that giant thing? Travel they did. In the mid-20s, the Seidels were asked to take construction photographs of the McQueeny and Clear Springs Dams, with their huge, bulky camera complete with black powder flash, down inside the dam structures. They also were asked to take photos during construction of the Comal Power Supply /LCRA building. There were no aerial photos, no drones back then, so when asked to photograph all the tin roofs in New Braunfels, Otto climbed the tallest structure he knew of. He set up his huge camera and tripod on top of the Coll Street water tower. Yikes! In later years, the cameras were smaller, but the electric flash required an eighteen-pound battery pack slung over one’s shoulder to make it work.

Originally, the studio was located on Castell Avenue between the back of what is now The Phoenix Saloon and the Hinman House/Communities in Schools. By the early 30’s, Seidel’s Studio moved to the Hinman Building on W. San Antonio above Peerless Pharmacy (where Dancing Pony is now).

In 1939, the business relocated to a very modern art deco building at 453 W. San Antonio Street (now Keller Williams Realtors). The family home was right next door. The Seidels had two boys, Edmound and Rudy (born 1922 & 1924) who were involved in the business even as children. In his spare time, Otto would shoot pictures of Landa’s Park and surrounding New Braunfels. Seidel’s Studio printed hundreds of scenic post cards to sell in the drug stores for ¼ cent each. The children helped lay the cards out all over the floor of the studio to have room to dry.

In 1941, the Seidels became a direct dealer for Eastman Kodak Company. They processed customer’s film promising same day service. With the help of their son Rudy, they gradually broadened their services to include cameras and camera equipment sales, becoming Seidel Studio and Camera Shop. More services meant the need for more space. They enlarged the building in 1951. Rudy took over the business in 1955. They doubled their footprint again with an expansion in 1957. The building was remodeled in 1970, as were many other buildings at that time, to give it a Bavarian fachwerk look. The Seidel building finally was sold by the Seidel family in 2006. The building has been remodeled again in recent years to the ultra-modern stucco and glass version we see today.

The Seidels were very devoted to their work. Otto, Johanna, and Rudy worked all day and well into the evening six days a week, shooting studio portraits or business/industrial locations during the week followed by weddings on Saturdays. In the meantime, they had to process the film and print photos. Before color film, everything was shot in black and white. Color photographs were produced by “hand tinting” the black and white images with shear paints. On bridal pictures, the color of each gown was documented so that it could be tinted the proper shade. It was very time consuming. The Seidels were also called upon to shoot photos of accidents for the police or sheriff departments, many times in the middle of the night. Rudy and Otto saw some pretty gruesome sights. The year before the Studio sold, the Seidels calculated that they worked every day but 4 Sundays.

In 1970, the photography studio was sold to Vera Shaw, an eighteen-year employee, also from Germany. The studio operated as Braunfels Studio until 1989. Rudy continued with the camera shop. They sold state of the art cameras and equipment. The Herald-Zeitung bought many a camera there. After Otto Seidel died in 1976, the camera business was sold to Pat and Connie Miller in 1978. Shortly afterward, Herb Skoog learned that 48 years of negatives held in storage were about to be thrown out. Skoog encouraged the Millers to donate all of the Seidel Studio’s negatives to the Sophienburg Museum and Archives. The Seidel Collection at the Sophienburg contains approximately 25,000 photos and negatives.

The Seidel family of photographers chronicled the history of New Braunfels from 1922 to 1970. After that, their legacy was continued by those under their tutelage. Generations of New Braunfels residents have been captured on film by the Seidels. Were you one of the photos in the portrait window.

Sources: Sophienburg Museum & Archives; Reflections; Seidel Collection.

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By Tara V. Kohlenberg —

We have become somewhat accustomed to seeing motor homes, mobile homes, and tiny homes as they move down the highway to their new resting place. However, seeing a stucco building moving through downtown is more of a spectacle. That is exactly what I saw one morning in December.

As I watched the building moving along Comal Street, it brought to mind photos of the Joseph Faust home being moved to make way for a new hotel in 1929 (currently Faust Hotel). The home, a three-story classical revival beauty, was stripped of its bricks and rolled down the muddy South Seguin Avenue to its current location at 305 S. Seguin. (Read more on that story online in Around The Sophienburg November 30, 2010.)

So why move an entire downtown building deemed insignificant to save? The answers (and ultimately more questions) lie in the history. At the beginning of our story, Harry and Helena Landa purchased milling interests in New Braunfels. They developed an enterprise which became the forerunners of Dittlinger Feed & Flour Mills (now ADM Milling) and Servtex Materials (Parker Brothers and CEMEX). Their grand estate became Landa Park and the Highlands Addition on the Hill. They also owned many properties in town. The Landa homestead, about two acres, was situated between East San Antonio Street and Mill Street and behind the Courthouse and other business properties facing Seguin Avenue. In 1851, Joseph built his bride a nice wooden home, complete with outbuildings, along with the Landa Store that sat on the corner of Main Plaza and E. San Antonio. In 1891, their son, Harry Landa, razed the home and built a grand mansion for his parents on the same site (now Comal County Landa Annex). The Landa businesses continued to operate and grow under Helena and son, Harry, after the death of Joseph in 1896. Helena died in 1912, leaving her estate to Harry and his four sisters. The terms of her will ordered the sale of the property ten years after her death.

Okay, so on with the little building. Harry married in 1913 and continued to live in the Landa Mansion. Sometime about 1925-26, Harry built a 22’ x 42’ stucco office building located at 173 E. San Antonio St. directly behind the Landa store. It had windows all around, along with doors on the front & back. It also had a side door to slip into the big store through the alley. So, why would you build a new building on property that had to be sold?

The Landa Milling Company was finally sold in June of 1926. In reading a copy of the will, it explains that only the business properties had to be sold. There were other tracts of land bequeathed to each of the children/heirs that were not included in the “ten year” requirement. Harry received the two-acre main plaza property from his mother. I suspect that Harry may have built the building for his own personal office as his office phone was listed at the 173 address in 1928. He had posted “new stucco store for rent” for the same address.

In January of 1929, the Herald announced that the City Library was being moved from the corner Landa store to another location. Harry completely re-did the big store to accommodate Montgomery Ward in a long-term lease (which lasted less than a year due to the Crash). The stucco building behind Montgomery Ward, the Landa residence and Mill St. cottage were listed for rent. Harry Landa died in 1951. His holdings around Main Plaza were sold in 1954 to Jac Eisenberg (owner of Eisenberg Furniture in old Montgomery Ward Store). He then old the properties to First Federal Savings & Loan in 1957. First Federal occupied the Landa Mansion from 1948 until they moved into the renovated corner building in 1958. The mansion was torn down in 1964.

A myriad of entities rented the little stucco building through the years. The Landas hosted the Public Library at 173 E. San Antonio in 1931, before it moved to the Sophienburg Museum in 1933. In 1940, Tip Top Cleaners occupied the building. And as a side note, Fred and Maria Luna and Modern Beauty Salon were listed in the adjacent fachwerk building at 189 E. San Antonio (now gone). In the late ‘40s, the stucco building was the site of the Casa Blanca Café & Bakery, also associated with the Maria Luna Meza family.

In the ‘50s, it housed Comal Insurance, Hoppe School of Music and Guadalupe Valley Memorial Park sales office. In 1966, the building was remodeled with the memorable tile and mansard roof. Modern Beauty Salon and owner Maria Meza, became the longest resident of that address. Somewhat like the Landas, Maria Mena Luna Meza established her own family enterprise and legacy. As a young woman, she began her first hair salon in January of 1935. She opened Modern Beauty Salon two doors down in 207 E. San Antonio. The shop moved to the 189 address, operating there for about twenty-six years before moving into the 173 address, which lasted about fifty-four years. Eighty-five years of Modern Beauty Salon, plus all of the other family café’s, bakeries and homes that took place in that one little strip of downtown New Braunfels, is quite a legacy, which has almost all been demolished in the name of progress. The little stucco building, built by one ambitious merchant and taken up by another ambitious business owner, was worth saving!

On the cold, drizzly morning of December 15, 2020, the little stucco building was loaded onto a specialized trailer, like a giant pallet jack. They estimated the weight to be about 35,000 pounds. Surprise! It was more like 85,000 pounds. The little building made its way down Comal Street, made the corner at Coll Street, and on to its new spot, right behind Dr. Fred Frueholz’ stately home located at 305 S. Seguin. See how I did that? The building will be restored and used for historical education. We are beyond grateful to those involved in the restoration.

Sources: Sophienburg Museum & Archives; Around the Sophienburg by Myra Lee Goff

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By Keva Hoffmann Boardman —

One of the things I really love about New Braunfels is the way folks have of helping each other and sharing information. I was recently contacted by the New Braunfels Public Library about two children’s books which had been pulled from the library’s general collection. Would the Sophienburg like them? They were by the same author, Fritz Toepperwein. A bell sounded in my crowded brain. Toepperwein? Wasn’t that the author of Little Miss Crinoline? Heck yeah, we want the books!

Ok, I’m a little geeky when it comes to books. I blame my mom. As an elementary school teacher, she taught me to read well before I started school. (A good thing, but it actually contributed to my getting Ds and Fs in deportment.) Both my brother and I can easily waste — no, enjoy — hours of time by reading.

Little Miss Crinoline (1951), was a book we read in school. It’s about a little girl who lives in New Braunfels! She goes through various difficulties, (the result of the teasing of several boy schoolmates) while her mom works at the Schmitz Hotel. The story is set in 1876, and brings early New Braunfels to light in a charming way. The book is only 47 pages long, including the illustrations which are zinc etchings by Fritz Toepperwein’s wife, Emilie. I loved the story as a child, and I just reread it again. And yes, I have a personal copy.

The trip down memory lane triggered an interest in Fritz and Emilie Toepperwein. “Googling” brought little to the surface so I went to the source: Boerne, Texas. It was Fritz’s hometown and he had deep roots there. Conversations with the local experts at the Patrick Heath Public Library led me to vertical files of news clippings and a list of Toepperwein books in the rare book collection. Rare books? Yep, they were only printed once. The Toepperweins had a fervent desire for producing quality children’s books, so they set up their own printing company, The Highland Press, in Boerne. Their books, printed from the 1940s into the 1980s, were meticulously researched and most were completely hand-crafted: hand-cut block and engraved zinc illustrations with hand-colored frontispieces; handset type printed on a hand press one page at a time, hand-gathered, sewn and bound. So far, I’ve come up with a list of 13 books written and illustrated by the two as well as collaborations on at least 11 more books, booklets or newsletters.

Most of the titles reflect the Toepperwein’s passion for Texas history: Little Deputy (1945), Jose and the Mexican Jumping Bean (1965), or I Want To Be a Cowboy (1947). Long-time members of the Texas State Historical Association, Fritz and Emilie were a well-known and respected part of the Texas history crowd. They were reviewers of Texana books for the Southwestern Historical Quarterly. They traveled all over the country talking to groups, selling books to schools and libraries and conducting oral histories. Several of their books were used at the New York Public Library as readers for non-native English speakers.

When the Buckhorn Saloon in San Antonio was acquired by Lone Star Brewing Company in 1957, the Topperweins designed and set up the dioramas and exhibit halls. Years later, working once again for Lone Star, the two designed and led the installation of the Hall of Texas History Wax Museum in the Lone Star Pavillion at Hemisfair ’68. We had season passes for Hemisfair, and going to the Hall of Texas History was one of our favorite spots — that and the guys from Mexico that swung down a pole on ropes after sacrificing a topless lady. The Lone Star Pavilion was free, but it cost 50 cents to go into the wax museum. There were 15 life-size wax dioramas depicting “historical actions” from 1532 onward. Along with exhibits of Sam Houston, the signing of the Texas Declaration of Independence and the invention of barbed wire, there was an exhibit depicting the scalping of a man. I remember it vividly because the horror of it totally fired up some part of my brain.

Early on in their author-illustrator-publisher careers, they encouraged children to write by sponsoring contests like the “Best Letter to Santa Claus Contest” during the 1940s. First open just to Boerne school children, the contest proved so popular that the Toepperweins opened it up to the entire state. In the 1946 contest, thousands of letters flooded into Boerne’s post office; the “St. Nick’s Mailbox” reportedly held a half-ton of letters! What did children ask for? A San Antonio Express article quoted Fritz saying, “anything from imported perfume for an older sister to a new car for Pop … usually, too there was the generous urgent plea, ‘Don’t forget all the other little boys and girls.’”

The Toepperweins regularly authored articles for the Ladies Home Journal as well as an article for the London Times. They wrote and produced several centennial pageants in Texas, including New Braunfels. They also produced the homecomings of Lyndon Johnson in Johnson City, and Dale Evans in Uvalde.

I’m now on a quest to gather up copies of the Toepperwein books. The Sophienburg has three Little Miss Crinoline, Handicraft Printing in Texas (1954) and one phenomenal book, Charcoal and Charcoal Burners, (1950) reprinted for the Texas Sesquicentennial, about cedar chopping along the Guadalupe which I hope share with you in the future.

In 1954, in a presentation to the annual meeting of the Texas State Historical Association, Fritz had this to say:

I will tell you about our humble effort in handicraft publishing in Texas … not visible, but surely there, are the songs of the birds outside our studio windows, as we work over the setting of the type, and the printing of the page. Many nights when it is late, the songs of the night birds filter onto the printed pages and it always makes that particular page mean so much more to us in our books. It is the poetic compensation, which we count for most in our publishing of books at our Highland Press in the green hills of Boerne … We are very certain what we will be doing for years and years to come, and that is this. We love to gather historical data on which we can write a children’s story …

Emilie Toepperwein passed away in 1986 and Fritz left us in 1995. They truly were Texas treasures.

Sources: Fritz Toepperwein Collection, Patrick Heath Public Library, Boerne, Texas; “Handicraft Printing in Texas”: a paper shared at the 54th Annual Meeting of the Texas State Historical Association, 1954.

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