
Photo Caption: A 1920s white-border postcard of Landa Park. This is one of the early colored postcards in the Sophienburg Collection.
By Keva Hoffmann Boardman —
It used to be when you traveled, you would pick up postcards at all the locations you visited. Then you would either send them home to family and friends or keep them as a souvenir. Postcards were cheap, easy and extremely portable. The coming of the digital age has made the popularity of postcards shrink considerably. We no longer buy a card, address it, go find a post office, buy stamps and send a post card; although, in foreign countries, this process could and often did entail laughter and make memories in and of itself. Today, we use our phone to take a photo and “post” it on social media almost immediately letting friends and family in on our travels. I recently got a postcard from a friend in France that I had to pay postage on to receive — they had posted it without postage. Still, it was nice thought.
Looking through the postcard collection of the Sophienburg Museum and Archives, I began to see how today we are missing the personal nature of sending a postcard. Many cards in the collection had been chosen to either remember an event or location or to appeal to the one who received the card and message. They were little “hellos” from loved ones (like to or from a soldier in WWI), a reminder of love (to girl or boyfriends), a reassurance to parents as to one’s safety and prosperity, or an announcement of some personal benchmark (promotion, marriage or baby). I still can pick up books at home and find postcards I used as bookmarks, and I’m immediately taken back in time to remember a person or place.
These little 3 ½ by 5 ½ inch pieces of cardstock have a fairly long history. As early as the 1860s, postcards were printed by both private publishers and country postal systems. These were blank on one side for an “open” message and printed with a stamp on the other side which was also where the address was to be written. By the 1870s, the cost to send a postcard was one penny in the U.S.; that was half the amount of a letter in an envelope.
Illustrated postcards came along in the 1890s. These are mostly greyscale (black and white) line drawings, etchings or engravings of locations. Since the illustrations filled one side of the card, the other side was divided; the right half provided space for stamp and address and the left half had room for a short message. Sometimes there was a wider border on the illustration side that could be used to continue the message.
As people grew more and more mobile via first the railroads and then cars, and as they had more “free time” and spare cash, vacation travel cards became very popular. The 1890s saw an uptick in the thousands of cards printed and sold. Early photographers got into the trend and produced stunning black-and-white photographs of towns, country landscapes, ancient ruins and beaches, as well as iconic works of art and cultural rituals. The world was becoming smaller each time a postcard was, well, posted. They were also collected to place in albums as souvenirs of special holiday vacations.
Postcards from 1915 to the 1930s are mostly printed with a white border. These early color views were produced with colored ink on inexpensive cardstock. They have a white border around the image to save on ink. The illustration also usually has a caption. In the 1930s, postcards are printed on a higher quality paper with a linen-like texture and no white border. The ink colors, on both of these early 20th century postcards, are vivid and intense and sometimes unusual. The color photo postcards we are familiar with today began to show up at gas stations as souvenirs in the 1940s.
There is actually a name for postcard collectors — a deltiologist. Greek deltos (small tablet or letter) and logia (study of). This appellation was coined at Ohio State University in 1945. Prior to that, postcard enthusiasts were called philocartists, a name akin to stamp collectors, philatelists. It’s all Greek to me.
The Sophienburg Museum & Archives collects postcards because they are important in research. They depict specific times and scenes in New Braunfels history. They chronicle our cultural and social events. Postcards can be utilized to teach geography and writing skills to our children. But they are also beautiful and just plain fun.
Beginning in April, an exhibition at The Sophienburg will showcase many postcard images of New Braunfels and Comal County from the collection. I guarantee it will take you back in time in a visually stunning way.
FYI: Postcard collecting is the third largest collecting hobby, eclipsed only by stamp collecting and coin/banknote collecting.
Sources: Sophienburg postcard collection; Smithsonian Institution Archives – Postcards; The Postal Museum – Postcards.
“Around the Sophienburg” is published every other weekend in the New Braunfels Herald-Zeitung.